4 finding aid(s) found containing the word(s) Antheil, George, 1900-1959.

  1. George and Böske Antheil papers, 1875-1984

    approximately 6,500 items ; 44 containers ; 17.5 linear feet -- Music Division, Library of Congress, Washington, D.C.

    Summary:

    George Antheil was a composer, pianist, author and inventor. The collection consists of materials related to the professional and personal activities of George Antheil and his wife, Elizabeth (Böske) Antheil. It contains holograph music manuscripts, printed scores, published and unpublished writings, business and personal correspondence, subject files, photographs, programs and promotional...

  2. George Antheil correspondence to Stanley Hart, 1919-1931

    approximately 140 items ; 1 container ; .25 linear feet -- Music Division, Library of Congress, Washington, D.C.

    Summary:

    George Antheil was a composer, pianist, author, and inventor. He first gained fame and notoriety in the 1920s for his mechanistic compositions. This collection chiefly consists of letters from George Antheil to friend and writer Stanley Hart. The letters chronicle Antheil's personal and professional exploits during his 1920s European tour.

  3. George Antheil correspondence with Mary Louise Curtis Bok, 1921-1940

    approximately 500 items ; 3 containers ; 2.0 linear feet -- Music Division, Library of Congress, Washington, D.C.

    Summary:

    George Antheil was a composer, pianist, author, and inventor. He first gained fame and notoriety in the 1920s for his mechanistic compositions. This collection principally consists of letters between George Antheil and his longtime patron, Mary Louise Curtis Bok. Other items include several writings by Antheil, photographs of his staged works, promotional materials, and clippings.

  4. Modern Music archives, 1909-1983

    around 810 items ; 8 containers ; 5.75 linear feet ; Microfilm (93/20012 [MUS]--scrapbooks only) -- Music Division, Library of Congress, Washington, D.C.

    Summary:

    The League of Composers was founded in New York in 1923 to promote American composers and introduce audiences to the best in new music through high quality performances. Its quarterly journal, Modern Music, was published from 1924 to 1946, and edited by Minna Lederman Daniel. It is one of the most distinguished collections of criticism and scholarship concerning early twentieth-century musical...