8 finding aid(s) found containing the word(s) Archive of Folk Song (U.S.).

  1. Woody Guthrie manuscript collection, 1935-1950

    3 boxes -- Archive of Folk Culture, American Folklife Center, Library of Congress, Washington, D.C.

    Summary:

    The Woody Guthrie manuscript collection includes unpublished correspondence, most are letters from Guthrie to Alan Lomax, assistant in charge of the Archive of American Folk Song at the Library of Congress, dated 1940-1942; plus drawings; essays; song lyrics; and a songbook, "Songs of Woody Guthrie."

    Please note:

    Access restrictions apply.

  2. Robert Sonkin Alabama and New Jersey collection, 1937-1941

    7 manuscript folders in 1 box; 64 12-inch acetate-aluminum discs -- Archive of Folk Culture, American Folklife Center, Library of Congress, Washington, D.C.

    Summary:

    Correspondence, field notes, reports, recording logs, transcripts of song texts, and sound recordings of African American music traditions and folkways, collected by Robert Sonkin, primarily in Gee's Bend, Alabama, in 1941.

  3. Sidney Robertson Cowell collection, 1901-1992

    5067 items ; 29 containers ; 13 linear feet -- Music Division, Library of Congress, Washington, D.C.

    Summary:

    Sidney Robertson Cowell (1903-1995) was a folksong and ethnic music collector and recordist, ethnographer, ethnomusicologist, teacher, writer, and wife of composer Henry Cowell. The collection consists of her personal papers which document all aspects of her life and work. The collection includes correspondence relating to personal and professional matters; fieldwork reports, fieldnotes, song...

  4. Duncan Emrich autograph album collection, 1843-1956

    20 volumes and 2 folders in 2 boxes -- Archive of Folk Culture, American Folklife Center, Library of Congress, Washington, D.C.

    Summary:

    This collection was initiated through an on-air request for autograph albums on the "NBC Weekend" radio program by Duncan Emrich, then head of the Archive of Folk Song, Library of Congress, between 1955 and 1956. It consists of twenty autograph albums and related ephemera from Iowa, Illinois, Indiana, Michigan, Missouri, and New York, with dates from 1843 to 1923.

    Please note:

    Access restrictions apply.

  5. Juan B. Rael collection, 1939-1999

    3 boxes: 21 folders of manuscripts, 36 sound recordings, graphic images, published materials, and computer disks. -- Archive of Folk Culture, American Folklife Center, Library of Congress, Washington, D.C.

    Summary:

    Sound recordings and manuscripts that document the musical heritage and cultural traditions of the Hispano residents of the portion of the Northern Rio Grande region of northern New Mexico and southern Colorado, collected by Juan B. Rael in 1940.

  6. Vance Randolph collection, 1941-1943, 1972

    24 boxes containing manuscripts, graphic materials, published articles, sound recordings, and maps ; 12.5 linear feet ; 18,216 items -- Archive of Folk Culture, American Folklife Center, Library of Congress, Washington, D.C.

    Summary:

    Field recordings, photographs, and manuscripts documenting Ozark Mountains folksong, folklife, and local history from 1941 to 1972, collected by Vance Randolph.

  7. Fletcher Collins Jr. collection, 1935-1944

    ca. 1000 leaves (22 folders) in 2 boxes 21 sound discs : analog ; 12 in. 12 sound discs : analog ; 12 in. -- Archive of Folk Culture, American Folklife Center, Library of Congress, Washington, D.C.

    Summary:

    The Fletcher Collins Jr. Collection is the result of the Anglo-American folksong collecting activities of Fletcher Collins Jr. from the mid-1930s to the early 1940s in North Carolina, Virginia, and West Virginia, under the auspices of the WPA Joint Committee on Folk Arts and for the Library of Congress Archive of Folk Song.

  8. Paul Bowles Moroccan music collection, 1957-1989

    2 boxes (1.25 linear feet) 1 map 2 sound discs : analog, 33 1/3 rpm ; 12 in. 70 sound tape reels (ca. 70 hrs.) : analog, 2 track ; 7 in. -- Archive of Folk Culture, American Folklife Center, Library of Congress, Washington, D.C.

    Summary:

    An ethnographic field collection of sound recordings, photographs, and accompanying documentation of Moroccan folk, popular, and art music. The collection includes recordings Paul Bowles made in 1959 during a four-month field project sponsored by the Library of Congress with a grant from the Rockefeller Foundation as well as additional field recordings that he and Christopher Wanklyn made...