Some or all content stored offsite.
Container | Contents | ||||||||||||
---|---|---|---|---|---|---|---|---|---|---|---|---|---|
BOX 1-5, 7-12 | Music, 1916-1948 | ||||||||||||
BOX-FOLDER 12/1 | Babylon (voices, chorus, orchestra) | ||||||||||||
Manuscript full score | |||||||||||||
BOX-FOLDER 7/1 | Babylon (voices, chorus, orchestra) | ||||||||||||
Manuscript full score | |||||||||||||
BOX-FOLDER 11/1-2 | Babylon (voices, chorus, orchestra) | ||||||||||||
Two photocopies of manuscript full scores | |||||||||||||
BOX-FOLDER 11/3 | Babylon (voices, chorus, orchestra) | ||||||||||||
Photocopy of manuscript full score | |||||||||||||
Note: Inscribed from Voynich to Tippen Davidson, 1956 | |||||||||||||
BOX-FOLDER 7/2 | Babylon (voices, chorus, orchestra) | ||||||||||||
Manuscript short score | |||||||||||||
BOX-FOLDER 7/3 | Babylon (voices, chorus, orchestra) | ||||||||||||
Sketches and notes | |||||||||||||
BOX-FOLDER 1/1 | Blue Bunny's Book (voice, piano) | ||||||||||||
Manuscript piano-vocal score | |||||||||||||
Laid in: Sketches and lyric sheets | |||||||||||||
BOX-FOLDER 1/2 | Blue Bunny's Influenza Blues (voice, piano) | ||||||||||||
Manuscript piano-vocal score | |||||||||||||
BOX-FOLDER 1/3 | Bunny Dance (piano) | ||||||||||||
Sketch | |||||||||||||
BOX-FOLDER 1/4 | Come Near (voice, piano) | ||||||||||||
Two manuscript piano-vocal scores | |||||||||||||
BOX-FOLDER 1/5 | The Crossroads (voices, band) | ||||||||||||
Manuscript full score | |||||||||||||
Laid in: Sketches and notes | |||||||||||||
BOX-FOLDER 1/6 | Cubby Lion's Childhood (voice, piano) | ||||||||||||
Three manuscript piano-vocal scores | |||||||||||||
Laid in: Sketches | |||||||||||||
BOX-FOLDER 1/7 | Desire in Spring (voice, piano) | ||||||||||||
Music by Ivor Gurney; text by Francis Ledwidge | |||||||||||||
Manuscript piano-vocal score in the hand of I. Gurney | |||||||||||||
Note: Inscribed from Gurney to Voynich | |||||||||||||
BOX-FOLDER 1/8 | Ego sum pastor bonus (voices) | ||||||||||||
By Waclaw Szamotulski | |||||||||||||
Photocopy of copyist vocal score | |||||||||||||
Note: Musical analysis in pencil | |||||||||||||
BOX-FOLDER 8/1 | Epitaph in Ballad Form (voices, orchestra) | ||||||||||||
Text by Francois Villon | |||||||||||||
Three manuscript full scores | |||||||||||||
Laid in: Sketches and lyric sheets | |||||||||||||
BOX-FOLDER 8/2 | Epitaph in Ballad Form (voices, orchestra) | ||||||||||||
Photocopy of manuscript full score | |||||||||||||
BOX-FOLDER 8/3 | Epitaph in Ballad Form (voices, orchestra) | ||||||||||||
Photocopy of manuscript full score | |||||||||||||
Note: Inscribed from Voynich to Tippen Davidson, 1950 | |||||||||||||
BOX-FOLDER 1/9 | Five Elizabethan Songs. Sleep (voice, piano) | ||||||||||||
By Ivor Gurney | |||||||||||||
Printed piano-vocal score | |||||||||||||
Note: Inscribed from Gurney to Voynich | |||||||||||||
BOX-FOLDER 1/10 |
Give Ear, O Ye Heavens (voices, 8
parts) see also I sing of a maiden |
||||||||||||
Text from Deuteronomy 32:1,2 | |||||||||||||
Manuscript vocal score | |||||||||||||
Laid in: Sketches | |||||||||||||
BOX-FOLDER 2/1 |
The Golden Net (voices) see also Who is this? |
||||||||||||
Text by William Blake | |||||||||||||
Four manuscript vocal scores | |||||||||||||
BOX-FOLDER 2/2 | The Golden Net (voices) | ||||||||||||
Three photocopies of manuscript vocal scores | |||||||||||||
Laid in: lyric sheets | |||||||||||||
BOX-FOLDER 8/4 |
I Sing of a Maiden (women's voices, 8
parts) see also Give ear, o ye heavens |
||||||||||||
15th century traditional | |||||||||||||
Manuscript vocal score | |||||||||||||
Laid in: Sketches | |||||||||||||
BOX-FOLDER 8/3 | I Sing of a Maiden (women's voices, 16 parts)
see also Give ear, o ye heavens |
||||||||||||
Manuscript vocal score | |||||||||||||
Laid in: Lyric sheet | |||||||||||||
BOX-FOLDER 2/3 | Jerusalem (voices, chorus, orchestra) | ||||||||||||
Traditional | |||||||||||||
Manuscript full score | |||||||||||||
BOX-FOLDER 9/1 | Jerusalem (voices, chorus, orchestra) | ||||||||||||
Manuscript full score | |||||||||||||
Laid in: Lyric sheets and notes | |||||||||||||
BOX-FOLDER 2/4 | Jerusalem (voices, chorus, orchestra) | ||||||||||||
Manuscript full score of first and second movements | |||||||||||||
BOX-FOLDER 9/2 | Jerusalem (voices, chorus, orchestra) | ||||||||||||
Manuscript full score of fifth movement | |||||||||||||
Note: "Re-written 1923" on cover | |||||||||||||
BOX-FOLDER 9/3 | Jerusalem (voices, chorus, orchestra) | ||||||||||||
Photocopy of manuscript full score with annotations | |||||||||||||
BOX-FOLDER 9/4 | Jerusalem (voices, chorus, orchestra) | ||||||||||||
Photocopy of manuscript full score with annotations | |||||||||||||
BOX-FOLDER 9/5 | Jerusalem (voices, chorus, orchestra) | ||||||||||||
Photocopy of manuscript full score | |||||||||||||
Note: Inscribed from Voynich to Tippen Davidson, 1946 | |||||||||||||
BOX-FOLDER 2/5 | Jerusalem (voices, chorus, orchestra) | ||||||||||||
Manuscript short score | |||||||||||||
BOX-FOLDER 2/6 | Jerusalem (voices, chorus, orchestra) | ||||||||||||
Manuscript piano-vocal scores of miscellaneous movements | |||||||||||||
BOX-FOLDER 2/7, 3/1 | Jerusalem (voices, chorus, orchestra) | ||||||||||||
Sketches | |||||||||||||
BOX-FOLDER 2/8 | Jerusalem (women's voices, orchestra) | ||||||||||||
Manuscript short score | |||||||||||||
Note: "Piano and vocal score" on title page | |||||||||||||
BOX-FOLDER 3/2 | Lenten Is Come (women's voices, piano) | ||||||||||||
Traditional | |||||||||||||
Printed proof of piano-vocal score | |||||||||||||
BOX-FOLDER 9/6 | Little Lamb (voice, piano) | ||||||||||||
Music by Mary Wilkes; text by William Blake | |||||||||||||
Photocopy of manuscript piano-vocal score | |||||||||||||
Laid in: Notes | |||||||||||||
BOX-FOLDER 3/3 | Little Suite (woodwinds, harp) | ||||||||||||
Manuscript score and parts | |||||||||||||
Laid in: Sketches | |||||||||||||
BOX-FOLDER 9/7 | Little Suite (woodwinds, harp) | ||||||||||||
Manuscript score | |||||||||||||
Laid in: Notes | |||||||||||||
BOX-FOLDER 9/8 | Little Suite (woodwinds, harp) | ||||||||||||
Photocopy of manuscript score | |||||||||||||
Note: Inscribed from Voynich to Tippen Davidson | |||||||||||||
BOX-FOLDER 3/4 | Man Octapartite (voices, double chorus, strings) | ||||||||||||
Irish traditional | |||||||||||||
Sketches and lyric sheets | |||||||||||||
BOX-FOLDER 4/1 | Mass in B minor | ||||||||||||
By J.S. Bach | |||||||||||||
Printed score with annotations | |||||||||||||
Note: Bound, personalized copy | |||||||||||||
BOX-FOLDER 4/2 | O Mortal Folk (chorus) | ||||||||||||
Text by Stephen Hawkes | |||||||||||||
Manuscript vocal score | |||||||||||||
BOX-FOLDER 4/3 | O Mortal Folk (chorus) | ||||||||||||
Manuscript vocal score | |||||||||||||
Laid in: Lyric sheets | |||||||||||||
BOX-FOLDER 4/4 | On Wenlock Edge (voice, strings, piano) | ||||||||||||
Music by Ralph Vaughan Williams; text by Alfred Edward Houseman; transcribed by Ivor Gurney | |||||||||||||
Next Page » |