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BOX 1 |
Photographs,
1932-1971
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Photographs are identified by choreographic work where possible, followed by other photos of
Tudor, miscellaneous photos, and a folder of photocopies of the photographs
collected by Chazin-Bennahum with her identifications and notes. Unless
otherwise specified, choreography depicted is by Tudor. |
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Arranged alphabetically by title of the pictured choreographic work, followed by personal
photographs, miscellaneous or unidentified photos, and photocopies of
iconography with Chazin-Bennahum's notes. |
BOX-FOLDER 1/1 |
Alcestis,
1960
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Suzanne Amers, Judith Chazin, Patricia Hayes, Jeremy Blanton, and Wally Adams; Martha Graham choreography. |
BOX-FOLDER 1/2 |
A Choreographer Comments,
1960
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Juilliard ensemble. |
BOX-FOLDER 1/3 |
Concerning Oracles,
1966
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Metropolitan Opera Ballet. |
BOX-FOLDER 1/4 |
Continuo,
1971
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BOX-FOLDER 1/5 |
Dance Studies (Less Orthodox),
1961
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Juilliard ensemble. |
BOX-FOLDER 1/6 |
Dark Elegies,
1937
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Nina Stroganova, Hugh Laing, and Antony Tudor. |
BOX-FOLDER 1/7 |
The Descent of Hebe,
1935
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Elisabeth Schooling, Hugh Laing, and Maude Lloyd. |
BOX-FOLDER 1/8 |
Dim Lustre,
1943
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Hugh Laing and Nora Kaye. |
BOX-FOLDER 1/9 |
Divine Horsemen,
1969
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Gailene Stock. |
BOX-FOLDER 1/10 |
Echoing of Trumpets, 1963
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BOX-FOLDER 1/11 |
Fandango, 1968
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Juilliard students in restaging of 1963 work. |
BOX-FOLDER 1/12 |
Gala Performance,
1938, 1941
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Nana Gollner, Antony Tudor, Jerome Robbins, Nora Kaye, Alicia Alonso, Karen Conrad, Hugh Laing, and Maude Lloyd. |
BOX-FOLDER 1/13 |
Gallant Assembly,
1937
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BOX-FOLDER 1/14 |
La Gloire,
1952
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Hugh Laing and Nora Kaye. |
BOX-FOLDER 1/15 |
Goya Pastorale,
1940
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Eugene Loring, Lucia Chase, Hugh Laing, Tilly Losch. |
BOX-FOLDER 1/16 |
The Great American Goof,
1940
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Antony Tudor and Eugene Loring; Loring choreography. |
BOX-FOLDER 1/19 |
Jardin aux Lilas (Lilac Garden),
1936
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Antony Tudor, Maude Lloyd, Hugh Laing, Ann Gee, and Elisabeth Schooling. |
BOX-FOLDER 1/17 |
Judgment of Paris, 1955?
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Lucia Chase, Agnes de Mille, and Viola Essen in American Ballet Theatre staging of 1938 work. |
BOX-FOLDER 1/18 |
Lady of the Camellias,
1951
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Hugh Laing and Diana Adams. |
BOX-FOLDER 1/20 |
Little Improvisations,
1962
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Sirpa Jorasma and Eric Hampton. |
BOX-FOLDER 1/21 |
Lysistrata,
1932
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Maude Lloyd. |
BOX-FOLDER 1/22 |
Nimbus,
1950
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Hugh Laing. |
BOX-FOLDER 1/23 |
Offenbach in the Underworld,
1954
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BOX-FOLDER 1/24 |
Pillar of Fire,
1942
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Diana Adams, Hugh Laing, Nora Kaye, and Lucia Chase. |
BOX-FOLDER 1/25 |
The Planets,
1934
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Antony Tudor. |
BOX-FOLDER 1/26 |
Rape of the Lock,
1935
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Andrée Howard, Elisabeth Schooling, Frank Staff, Pearl Argyle,
Antony Tudor, and Peggy van Praagh; Andrée Howard choreography. |
BOX-FOLDER 1/27 |
Récamier (La Valse chex Madame Récamier), 1933
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Antony Tudor in Frederick Ashton choreography. |
BOX-FOLDER 1/28 |
Shadow of the Wind,
1948
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Nana Gollner. |
BOX-FOLDER 1/29 |
Shadowplay,
1967
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Mikhail Baryshnikov and Jonas Kåge. |
BOX-FOLDER 1/30 |
Time Table,
1941
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Antony Tudor standing in for Zachary Solov, New York City Ballet. |
BOX-FOLDER 1/31 |
The Tragedy of Romeo and Juliet, 1943
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Hugh Laing and Nora Kaye. |
BOX-FOLDER 1/32 |
Undertow, 1945
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Hugh Laing, Alicia Alonso, Shirley Eckl, and Nana Goldner. |
BOX-FOLDER 1/33 |
Antony Tudor, 1933, 1940-1943, 1949-1950, 1956, 1962-1963,
undated
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Headshots, rehearsals, candids. |
BOX-FOLDER 1/34 |
Miscellany, 1938, undated
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Toynbee Hall, Alex Guard caricature of Tudor, Old Mercury Theatre exterior. |
BOX-FOLDER 1/35 |
Photocopies of photographs
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Identifying notes for photos. |