Container | Contents | ||||||||||||
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BOX 1-2 | Correspondence, 1852-1853, 1928-1980 | ||||||||||||
Letters between Barber and family members, as well as correspondence from notable musical and political figures. The bulk of the letters by Barber were written to his family or Edith Braun. Most correspondence written to Barber is from Gian Carlo Menotti. | |||||||||||||
Arranged alphabetically by last name of correspondent. | |||||||||||||
BOX-FOLDER 1/11 | 70th birthday wishes, 1980 February-March | ||||||||||||
Note: Includes letters from Jimmy Carter and Ned Rorem | |||||||||||||
BOX-FOLDER 1/12 | Barber family, 1852, 1853, [?] May 22 | ||||||||||||
BOX-FOLDER 1/13-15, 2/1 | Barber, Samuel, May-September 1928-1932 | ||||||||||||
Note: To family members | |||||||||||||
BOX-FOLDER 2/2 | Barber, Samuel, 1939-1958, undated | ||||||||||||
Note: To family members | |||||||||||||
BOX-FOLDER 2/3 | Barber, Samuel, 1939-1971, undated | ||||||||||||
Note: To Edith Braun Note: Includes two letters from Menotti |
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BOX-FOLDER 2/4 | Barber, Samuel, 1946, 1980, and undated | ||||||||||||
Note: To Thor [Johnson?], ASCAP, and others | |||||||||||||
BOX-FOLDER 2/5 | Bernstein, Leonard, 1964 January 18 | ||||||||||||
BOX-FOLDER 2/6 | Boucchi, A., [?] March 18 | ||||||||||||
BOX-FOLDER 2/7 | Carter, Rosalynn, 1980 March 7 | ||||||||||||
BOX-FOLDER 2/8 | Homer, Marion, 1958 | ||||||||||||
BOX-FOLDER 2/9 | Hurdy, Francois, 1980 February 17 | ||||||||||||
BOX-FOLDER 2/10 | Kennedy Center Honors, 1979 | ||||||||||||
White House reception invitation | |||||||||||||
BOX-FOLDER 2/11 | Kennedy, John F., Jr., 1961 September 8 | ||||||||||||
BOX-FOLDER 2/12 | Kennedy, Robert F., 1964 January 14 | ||||||||||||
BOX-FOLDER 2/13 | Menotti, Gian Carlo, 1964-1972, undated | ||||||||||||
BOX-FOLDER 2/14 | Najeeb, Souheila Sabih, [1949?] June 26 | ||||||||||||
Envelope only | |||||||||||||
BOX-FOLDER 2/15 | Ormandy, Eugene, 1976 December 6 | ||||||||||||
BOX-FOLDER 2/16 | Suárez, Carlos, 1980 August 7 | ||||||||||||
BOX 2, 4 | Writings, circa 1924-1970 | ||||||||||||
Barber's music theory and musicology notes and published and unpublished materials written by others. | |||||||||||||
Arranged alphabetically by author. | |||||||||||||
Barber, Samuel | |||||||||||||
BOX-FOLDER 2/17 | Notes, elements of music, 1930-1931 | ||||||||||||
BOX-FOLDER 4/2 | Notes, harmonic fifths exercise, undated | ||||||||||||
BOX-FOLDER 2/18 | Notes, musicology, undated | ||||||||||||
BOX-FOLDER 2/19 | Melville, Herman | ||||||||||||
Moby Dick transcription by Barber, undated | |||||||||||||
BOX-FOLDER 2/20 | Menotti, Gian Carlo | ||||||||||||
"L'ultimo desiderio" fiaba, undated | |||||||||||||
BOX-FOLDER 2/21 | Neruda, Pablo | ||||||||||||
Twenty love poems and a song of despair, undated | |||||||||||||
London: Grossman Publishers | |||||||||||||
Note: Annotated by Barber | |||||||||||||
Note: H-141 Source E | |||||||||||||
BOX-FOLDER 2/22 | Stendhal | ||||||||||||
Le rouge et le noir, undated | |||||||||||||
BOX 4-7 | Music, 1939-1975 | ||||||||||||
Printed music by Barber, some with his annotations, and music by others that was part of Barber's personal library. H-numbers correspond to sources in Barbara Heyman’s thematic catalog. | |||||||||||||
Organized as two subseries. then alphabetically by composer's last name. | |||||||||||||
Music by Samuel Barber, 1949-1974 | |||||||||||||
BOX-FOLDER 4/5 | Collected songs for low voice, 1955 | ||||||||||||
Printed piano-vocal score | |||||||||||||
New York: G. Schirmer | |||||||||||||
BOX-FOLDER 4/6 | Concerto for violin and orchestra, 1951 | ||||||||||||
Ozalid full score | |||||||||||||
Note: Holograph conducting annotations in colored pencil | |||||||||||||
Note: H-94 Source F | |||||||||||||
BOX-FOLDER 4/7 | Hermit songs, 1954 | ||||||||||||
Printed piano-vocal score (high voice version) | |||||||||||||
New York: G. Schirmer | |||||||||||||
Note: Performance annotations | |||||||||||||
Note: H-120 Source H | |||||||||||||
BOX-FOLDER 4/8 | Knoxville: Summer of 1915, for voice and orchestra, 1949 | ||||||||||||
Printed piano-vocal score reduction by Barber | |||||||||||||
New York: G. Schirmer | |||||||||||||
BOX-FOLDER 4/9 | Knoxville: Summer of 1915, for voice and orchestra, 1949/1952 | ||||||||||||
Printed full score | |||||||||||||
New York: G. Schirmer | |||||||||||||
Note: H-114 Source G | |||||||||||||
BOX-FOLDER 4/10 | Souvenirs, 1952 | ||||||||||||
Ozalid score for piano four-hands | |||||||||||||
Note: This version lacks the movements "Two-Step" and "Hesitation Tango" | |||||||||||||
Note: Includes note to Edie [Edith Braun?] | |||||||||||||
Note: H-119 Source C | |||||||||||||
BOX-FOLDER 4/11 | Three songs, op. 45, 1974 | ||||||||||||
Printed piano-vocal score (high voice version) | |||||||||||||
New York: G. Schirmer | |||||||||||||
Music owned by Samuel Barber, 1939-1975 | |||||||||||||
Boulez, Pierre | |||||||||||||
BOX-FOLDER 5/1 | Sonata no. 2 for piano, 1950 | ||||||||||||
Printed score | |||||||||||||
Note: Performance annotations | |||||||||||||
Note: Inscribed from Boulez to Barber | |||||||||||||
Haieff, Alexei | |||||||||||||
BOX-FOLDER 7/8 | Notes of thanks: 5. Echo-berceuse, undated | ||||||||||||
Ozalid piano score | |||||||||||||
Homer, Sidney | |||||||||||||
BOX-FOLDER 5/2 | Your son and my son, undated | ||||||||||||
Holograph manuscript piano-vocal score | |||||||||||||
Note: Inscribed from Homer to Barber | |||||||||||||
Mendelssohn, Felix | |||||||||||||
BOX-FOLDER 5/3 | Songs for one voice and piano, undated | ||||||||||||
Printed piano-vocal score | |||||||||||||
Leipzig: C.F. Peters | |||||||||||||
Note: Annotated, with Barber's holograph manuscript translations | |||||||||||||
Meyerbeer, Giacomo | |||||||||||||
BOX-FOLDER 5/4 | Le prophète, Act 5, undated | ||||||||||||
Ozalid full score excerpt in two folios | |||||||||||||
Note: Mislabeled "Barber Oboe Concerto - Piano score II" | |||||||||||||
Multiple composers | |||||||||||||
BOX-FOLDER 5/5 | Twenty-four Italian songs and arias of the seventeenth and eighteenth centuries, 1948 | ||||||||||||
Printed piano-vocal score | |||||||||||||
New York: G. Schirmer | |||||||||||||
Note: English version | |||||||||||||
O'Brien, Eugene | |||||||||||||
BOX-FOLDER 5/6 | Ambages: for piano, four hands, 1975 | ||||||||||||
Printed score | |||||||||||||
New York: G. Schirmer | |||||||||||||
Note: Inscribed from O'Brien to Barber | |||||||||||||
Poulenc, Francis | |||||||||||||
BOX-FOLDER 5/7 | Capriccio for two pianos, 1953 | ||||||||||||
Printed score | |||||||||||||
Paris: Salabert | |||||||||||||
Inscribed from Pulenc to Barber | |||||||||||||
des Prez, Josquin | |||||||||||||
BOX-FOLDER 5/8 | Missen VIII. Missa Malheur me bat, 1939 | ||||||||||||
Printed chorus score | |||||||||||||
Amersterdam: Vereeniging voor Nederlandsche Muziekgeschiedenis | |||||||||||||
Missen X. Missa una musque de Buscaya, 1948 | |||||||||||||
Printed chorus score | |||||||||||||
Amersterdam: Vereeniging voor Nederlandsche Muziekgeschiedenis | |||||||||||||
Saint-Saëns, Camille | |||||||||||||
BOX-FOLDER 6/1 | Samson et Dalila, undated | ||||||||||||
Printed piano-vocal score | |||||||||||||
Paris: A. Durand et fils | |||||||||||||
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