| | | | | | | | | | | | | |
|
Theater, 2020-2021
(continued) |
|
Chanse, Sam. An
untitled collection of words to be read out loud in a room
together
|
|
Cho, Julia. You
|
|
Christian, Tatiana. Space Cats
|
|
Clunie, Gloria Bond. Night of the Fire Rain
|
|
Cooper, Jordan E. Hurry Gawd
|
|
Custodio, Olivia. The
Kids
|
|
Darby-Duffin, Dee-Dee. Aphasia
|
|
De Jesus, Daniella. Untitled Puppet Show, or On the Other Side of Anchovy Avenue
|
|
DeFoe, Ty. The Ballad
of Smokey Quartz
|
|
Del Carmen, Guadalís. Mami's Recipe Book
|
|
Del Rosso, Steph. I've
Been Trying to Meditate
|
|
Diaz, Kristoffer. The
Bridge
|
|
Diaz, Noah. House
|
|
Dunn, Dale. Smiling in
Place
|
|
Edelstein, Barry. Lovers in Free
|
|
Edidi, Dane Figueroa. The Diaz Family Talent Show
|
|
El Guindi, Yussef. Two
Muses Slumming It
|
|
Englander, Nathan. Quarantine
|
|
Fillinger, Selina. The
Great Celebration
|
|
Gancher, Sarah. Fill
in the Play
|
|
Note : This work appeared on the Play at Home
website as a Google form; participants would answer questions in the form
and would receive an email with a script where their answers had filled in
the blanks. The material available consists of screenshots of the Google
form. |
|
Goff, Keli. The Birds
and the Bees and Brownies and…Sir Mix-A-Lot?
|
|
Goidel, Emma. This Is
the Story of How You Were Born
|
|
Gómez, Isaac. screen,
touch, cut
|
|
González, José Cruz. Amá's Book
|
|
González, Ricardo Pérez. Zoomy Zoomy Kill Kill
|
|
Goodwin, Idris. A
Dinner Theatre
|
|
Grays, Donnetta Lavinia. Coming to You Live
|
|
Greenberg, Gordon and Steve Rosen. Killing Time
|
|
Griffith, Tre'von. Ain't Nobody But You and Me
|
|
Grise, Virginia. Soñar
es luchar
|
|
Haddad, Ryan J. Glitter and Bea
|
|
Hall, Miranda Rose. What Happened in the Kitchen
|
|
Hamashima, Sam. Garden
State
|
|
Harris, Alesha. If,
Can, Mayhap
|
|
Hernandez, Paige. 7th
Street Echo
|
|
Holder, Jiréh Breon. A
Great Big Sky
|
|
Huang, Jessica. The
Woodland Creatures are Having a Party
|
|
Jackson, Michael R. Trees on Broadway
|
|
Jones, Daniel Alexander. Ladybug Jackson's White House Tour
|
|
Jung, Hansol. The
Librarian
|
|
Kahng, Min. Half a
Dozen of the Other
|
|
Kaufman, MJ. To Stray
or Not to Stray
|
|
Kawe, Asiimwe Deborah. A Little Game
|
|
Kruckemeyer, Finegan. Scary Adventure Kid Detective
|
|
Lew, Mike. Performance
Review
|
|
Lewis, E.M. The Third
Prisoner
|
|
Li, Melissa and Kit Yan. May Day
|
|
Lipton, Ethan. The
Voice Lesson
|
|
Liu, Yilong. The
Challenge
|
|
Livas, Tito. Shine a
Light
|
|
Lloyd, Patricia Ione. The Light
|
|
Mansour, Mona. Hand of
God
|
|
McDonald Timothy Allen and Rob Rokicki.
The Greatest 10 Minute Musical Ever Written!
|
|
Meneses, Tony. NONE OF
THIS WOULD HAVE EVER HAPPENED IF YOU HAD JUST GIVEN AN OSCAR TO JENNIFER
LOPEZ
|
|
Muñoz, Juan. moles
|
|
Nachtrieb, Peter Sinn. A Bunch of Scientists on Spring Break
|
|
Ngo, Brandan. Stranded
|
|
Oh, Diana. The
Impossible Play
|
|
Park, Jiehae. That
Time They Did That Thing
|
|
Payne, Jonathan. Hallie, Come on
|
|
Pearson, Anya. Three
Love Songs
|
|
Piniella, Reynaldo. Real Life RPG, or the Video Game Play
|
|
Pipes, Eliana. A Fly
on the Wall with the Mona Lisa
|
|
Quijada, Brian. Agent
88
|
|
Raffo, Heather. The
World is Water
|
|
Rios, Alvaro Saar. Yellowfish: A True Tale About the Luckiest, Young Pirate in the
World
|
|
Rogers, Ashley Lauren. Open to the Unbelievable
|
|
Salazar, Iris. You
Have the Right
|
|
Sayet, Madeline. Pets
Need Privacy Too
|
|
Scott, Keenan II. STRIKE
|
|
Sears, Mike. Grandma
Buddy and the Great Tornado
|
|
Seda, Alexa. My
Nightly Reverie
|
|
Seid, Josie. A Wing
and a Prayer
|
|
Sotu, Gill. The
Terrible Case of Miss Locks
|
|
Stamp, Darryl. Mise en
Place
|
|
Still, James. THEM/US
(a friendly ghost story)
|
|
Suh, LLoyd. Why We
Can't Have Nice Things
|
|
Svich, Caridad. Better
Maybe
|
|
taveras, juliany. the
human is sad; let's start a band
|
|
Taylor, Regina. I Am
Light
|
|
Tirado, Cándido. Magic
Garden
|
|
White, Whitney. The
First Crack
|
|
Wolfe, Mario (Mars). 11th Hour Adventures
|
|
Yee, Lauren. The
Proxy
|
|
Yi, Marcus. Taylor
Swift Won't Eat Fish Head
|
|
Yi, Zhu. A Play for
Your Bedroom
|
|
Zacarías, Karen. The
Story About the Tattoo
|
|
Zeder, Susan, Jenn Hartmann Luck, and Helen
M. Pursley. The New Next-Door Neighbor
|
|
Zemba, Emily. Home and
the 1-2-3-4 Cake or Recipe Inside
|
|
Ziegler, Anna. Alexander the Great
|
DF
|
Play at Home, 2020
|
|
DIGITAL ID: PACR_MUS_2022_027 |
|
Correspondence |
DF
|
Play at Home, 2020
|
|
DIGITAL ID: PACR_MUS_2021_136 |
|
Toolkit, social media drafts, website copy,
commission agreement |
|
Rudnick, Paul |
DF
|
Playbills,
2021
|
|
DIGITAL ID: PACR_MUS_2021_088 |
|
Rudnick's monologue was the first play
presented on a Broadway stage after theaters were shut down because of the
pandemic. Written for New York PopsUp and performed by Nathan Lane, the play
premiered April 3, 2021 at the St. James Theater for a socially-distanced
audience of healthcare and theater workers. |
|
Script; image |
DF
|
This Is Who I Am,
2020
|
|
DIGITAL ID: PACR_MUS_2022_155 |
|
Written by Amir Nizar Zuabi; premiered online
December 5, 2021; commissioned by Woolly Mammoth Theatre Company. This Is Who I Am tells the story of a father and son
reuniting and recreating a family recipe in their respective kitchens over a
video call. |
|
Draft script; oral history by stage manager
Rachael Albert |
DF
|
This Is Who I Am,
2020
|
|
DIGITAL ID: PACR_MUS_2022_156 |
|
Images of scene set up; oral history by actor
Ramsey Faragallah |
|
White Snake Productions |
|
Alice in the Pandemic: A Digital Opera was created
specifically as a live performance to be experienced online during COVID social
isolation. White Snake Productions (Boston, MA), produced the opera, which
aired October 27-30, 2020. The team utilized new technologies that enabled the
cast to sing from different locations while the sound was synced in real-time.
Virtual avatars took the place of the singers onscreen. Alice in the Pandemic was composed by Jorge Sosa with libretto by
Cerise Jacobs. Tianhui Ng directed the music, while the production was directed
by Elena Araoz. Digital collection items include 60 GB of files from composer
Jorge Sosa, as well as a short documentary directed by Sarah Rogers about how
the opera was made, including explanations from the creators about technology
they utilized. Some sound files were created in Logic and ProTools and may not
open without proprietary software. |
BOX 3 |
Alice in the Pandemic: A Digital Opera,
2020
|
|
Five computer printout scores with
annotations |
DF
|
Alice in the Pandemic: A Digital Opera,
2020
|
|
DIGITAL ID: PACR_MUS_2024_001 |
|
Jorge Sosa's scores; drafts; audio session;
rough mixes; video files |
DF
|
Alice in the Pandemic: A Digital Opera,
2021
|
|
DIGITAL ID: PACR_MUS_2024_002 |
|
Documentary |
DF
|
Dance, 2020
|
|
Arrangement is alphabetical by creator or project name. |
|
Reyes, Xiomara |
DF
|
Chronos,
2021
|
|
DIGITAL ID: PACR_MUS_2021_137 |
|
In late August 2020, The Washington Ballet
slowly and safely began to welcome dancers back to the studios to begin work
on its new initiative, Create In Place, to
reflect the times. Dancers were divided into four isolated "pods" of ten,
each with an in-house choreographer lead. Xiomara Reyes, Head of the
Professional Training Division, choreographed Chronos . This ballet is about time and how it can be perceived
differently depending on the situations that people experience and the
frustration of putting life on hold, but with the hope of renewal. |