<emph render="italic">II B.S.</emph>

http://id.loc.gov/vocabulary/organizations/US-dlcm http://hdl.loc.gov/loc.music/eadmus.mu004009.2 03518cpcaa2200433 a 4500 20111722121730.9 040909i19391979xxu eng 2004598900 i 1939/1979 ML31.M56 Mingus, Charles, 1922-1979. Charles Mingus collection, 1939-1979. EAD master sort node: @alpha_character^m^@alpha_srt^mingus^@title^Charles Mingus Collection^@href^http://hdl.loc.gov/loc.music/eadmus.mu004009^@aggregate^mu^@ead_file_name^mu004009.xml^@eadid^mu004009^ circa 15,000 items 84 boxes 13 linear feet This is the collected archive of world renowned African American jazz bassist and composer Charles Mingus. The Charles Mingus Collection includes music (manuscript and printed of Mingus and others), writings by and about Mingus by Mingus and others, business papers, printed matter (such as articles and clippings, books and pamphlets, organizations and affiliations, programs, and promotional material), iconography (photographs of Mingus, his family, and colleagues such as Eric Dolphy, Dannie Richmond, Max Roach, Oscar Pettiford, and Miles Davis, artwork, and three dimensional items), personal material, and sound recordings. Mingus, Charles, 1922-1979 Autographs. Mingus, Charles, 1922-1979 Portraits. Dolphy, Eric Portraits. Richmond, Dannie Portraits. Roach, Max, 1924-2007 Portraits. Pettiford, Oscar, 1922-1960 Portraits. Davis, Miles Portraits. Jazz. Jazz musicians Portraits. Library of Congress, Music Division EAD http://hdl.loc.gov/loc.music/eadmus.mu004009 EAD PDF http://hdl.loc.gov/loc.music/eadmus.mu004009.3 LCCN Permalink http://lccn.loc.gov/2004598900 Reading Room http://www.loc.gov/rr/perform/ XML http://findingaids.loc.gov/source/main#mu004009 EAD METS http://hdl.loc.gov/loc.music/eadmus.mu004009.4 music/ead http://hdl.loc.gov/loc.music/eadmus.mu004009 Charles Mingus Collection Processed by the Music Division of the Library of Congress Music Division, Library of Congress

Washington, D.C.

2005 Guides to Special Collections in the Music Division of the Library of Congress

Contact information: http://hdl.loc.gov/loc.music/perform.contact

Catalog Record: http://lccn.loc.gov/2004598900

Finding Aid encoded by Library of Congress Music Division, 2005 Finding aid written inEnglish 2010 November Adjustments to the container list made by Tom Barrick in November 2010. 2010 March Editorial revisions made to this finding aid by Nancy Seeger in March 2010. Collection Summary Charles Mingus Collection1939-1979 ML31.M56 Mingus, Charles, 1922-1979 circa 15,000 items 84 boxes 13 linear feet Collection material in English Music Division Library of Congress

Washington, D.C.

This is the collected archive of world renowned African American jazz bassist and composer Charles Mingus. The Charles Mingus Collection includes music (manuscript and printed of Mingus and others), writings by and about Mingus by Mingus and others, business papers, printed matter (such as articles and clippings, books and pamphlets, organizations and affiliations, programs, and promotional material), iconography (photographs of Mingus, his family, and colleagues such as Eric Dolphy, Dannie Richmond, Max Roach, Oscar Pettiford, and Miles Davis, artwork, and three dimensional items), personal material, and sound recordings. Selected Search Terms

The following terms have been used to index the description of this collection in the Library's online catalog. They are grouped by name of person or organization, by subject or location, and by occupation and listed alphabetically therein.

People Davis, Miles--Portraits. Dolphy, Eric--Portraits. Mingus, Charles, 1922-1979--Autographs. Mingus, Charles, 1922-1979--Portraits. Mingus, Charles, 1922-1979. Pettiford, Oscar, 1922-1960--Portraits. Richmond, Dannie--Portraits. Roach, Max, 1924-2007--Portraits. Subjects Jazz musicians--Portraits. Jazz. Administrative Information Provenance

Purchase; Susan Ungaro Mingus; 1992-1995.

Custodial History

Shortly after the Wolf Trap premiere of Mingus' extended work Epitaph in the summer of 1989, the endeavor to bring the Charles Mingus archives to the Library of Congress Music Division was set in motion. On May 21, 1992, the purchase agreement between the Library and Susan Ungaro Mingus, the musician’s widow, was signed and the first of four deliveries of Mingus material soon followed. Subsequent deliveries of material took place in 1993, 1994, and 1995.

Accruals

No further accruals are expected.

Processing History

The Charles Mingus Collection was processed in 1998 by Lloyd A. Pinchback. The original finding aid was prepared with Corel WordPerfect 8. In 2004 the Charles Mingus Collection finding aid was coded for EAD format by Michael A. Ferrando.

Transfers

Sound recordings transferred to the Library of Congress, Motion Picture, Broadcasting and Recorded Sound Division.

The status of copyright on the materials of the Charles Mingus Collection is governed by the Copyright Law of the United States (Title 17, U.S.C.).

Access and Restrictions

The Charles Mingus Collection is open to research. Researchers are advised to contact the Performing Arts Reading Room prior to visiting. Many collections are stored off-site and advance notice is needed to retrieve these items for research use.

Certain restrictions to use or copying of materials may apply.

Preferred Citation

Researchers wishing to cite this collection should include the following information: container number, Charles Mingus Collection, Music Division, Library of Congress, Washington, D.C.

Biographical Sketch Date Event 1922 Born April 22 in Nogales, Arizona, to Harriett Sophia Mingus and Charles Mingus, Sr.; Sergeant Charles Mingus, Sr. retired from the U.S. Army on August 31; Mingus family moved to Los Angeles, California; Harriett Mingus died October 3. 1928 Given his first musical instrument, the trombone, by his father for Christmas. 1934 Persuaded by fellow trombonist and friend Britt Woodman, Mingus began studying the cello. 1937 Suggested by high school musician Buddy Collette, Mingus switched from cello to bass. 1938 Mingus introduced to bassist Red Callender by Buddy Collette; Mingus began studying with Callender; began arranging pieces for the high school jazz ensemble. 1939 Began studying composition with Lloyd Reese; composed What Love and Half Mast Inhibitions. 1940 Professional career began at the age of eighteen when he began playing bass with Lee Young. 1941 Began touring with Louis Armstrong's big band. 1942 Played bass with Barney Bigard's ensemble which featured retired trombonist Kid Ory. 1943 Began studying symphonic form and technique with former bassist of the New York Philharmonic, Herman Rheinschagen. 1944 Married Camilla Jeanne Gross on January 3; met saxophonist Eric Dolphy; Charles Mingus III was born on September 12. 1946 Began touring with Lionel Hampton's big band; Eugene Mingus born in September; Mingus separated from wife Jeanne; Mingus takes part-time job at San Francisco post office during Christmas. 1947 Step-brother Odell Carson died in August. 1950 Gained national attention as a member of Red Norvo's trio. 1951 Married Celia Nielson on April 2; moved from the West Coast to New York City for the remainder of his life. 1952 For economic reasons, Mingus for the second time in his life took a job at the Post Office; persuaded to quit that job by Charlie Parker; celebrated his thirtieth birthday recording the first session for his newly formed record label, Debut Records. 1954 Recorded his tunes Getting Together and Gregarian Chant. 1955 Founded the Jazz Workshop, Inc. 1956 Released Pithecanthropus Erectus in September; established Mingus as an innovative jazz composer. 1959 Although Mingus composed the piece at the age of seventeen, he finally recorded Half Mast Inhibitions with a 22 piece orchestra conducted by Gunther Schuller. 1962 With some difficulty, Mingus began search for a publisher for his autobiographical Beneath the Underdog. 1964 Played concert at Monterey; started record company called Charles Mingus Enterprises, which recorded and released the Monterey concert as its first product under the title "Mingus at Monterey"; Mingus elected Jazz Man of the Year by Downbeat Magazine. 1966 Suffering from psychological and financial problems, Mingus began self-imposed exile from public life and performing. 1969 Resumed his music career in June. 1970 Made final music tour of Europe in the fall. 1971 Granted fellowship for composition from the Guggenheim Foundation; a one hour film titled "Mingus" was aired nationally in March and April; Beneath the Underdog was published by Knopf in April; performed at the Newport Jazz Festival in July. 1972 Commissioned to write three-act ballet on "The Life of Malcolm X" for Alvin Ailey's Ballet for the spring of 1972. 1976 Collaborated on album with pop singer Joni Mitchell. 1979 After battling physical complications for several years, Mingus succumbed on January 5. Scope and Content Note

The Charles Mingus Collection covers the music career of this celebrated African American jazz musician/composer from about 1939, the year he composed What Love and Half Mast Inhibition, to his death on January 5, 1979. Originally estimated to have an item count of less than 10,000, the collection actually contains nearly 15,000 items. The Mingus Collection represents the first multi-format jazz collection processed in the Library of Congress Music Division to include holograph music manuscripts and sound recordings.

The purchase of the Mingus archives by the Library of Congress marks its first acquisition of a jazz composer's written works (both music and literary) and papers. On June 1, 1993, the Library celebrated this momentous occasion with a press conference and lecture conducted by Sue Mingus and Mingus scholar Andrew Homzy. The event culminated on June 4, 1993, with an all-Mingus concert performed by Mingus Dynasty, a jazz orchestra dedicated to the memory and music of Charles Mingus, at the National Academy of Sciences Auditorium.

The Series in the collection include Music, Writings (by and about Mingus), Business Papers, Printed Matter, Iconography, Personal, and Sound Recordings. Each series is rich with Mingus effects and memorabilia depicting his experiences in the world of jazz and some aspects of his private life.

Music Series: Undoubtedly, the central focus of the Mingus Collection is the Music series, the manuscripts in particular. It includes all of his major original compositions as well as his manuscript arrangements of music by others. There are numbers assigned to some pieces - including his adaptations of works by others - but not to all. His original works and his arrangements share one numerical sequence rendering a numerical listing unwieldy, if not confusing. Thus, the music manuscripts are divided into three subseries: Original Music Manuscripts, Mingus Manuscript Arrangements of Music by Others, and Manuscript Music by Others. The Printed Music subseries comprises a small segment of the collection, and is sub-divided into two smaller groupings: Printed Music by Mingus and Printed Music by Others.

Writings Series: This Series is divided into three subseries: Writings By Mingus, Writings About Mingus, and Miscellaneous Writings. The highlight of the Writings By Mingus subseries is Mingus' controversial autobiographical work, Beneath the Underdog, in several versions. Mingus, a proud man, was very much aware of his contributions to the American music landscape in general and to the jazz idiom in particular. This is evident in a one page typescript titled, "A Living Benefit for Mingus". Also included in this subseries are Mingus' manuscript liner notes (written for record album jackets), and articles published in serials.

The Writings About Mingus subseries is principally a collection of articles written about Charles Mingus and his music, some found in serials while others are photocopies of loose clippings. The articles published in serials are divided by publication locale (domestic or foreign) and are arranged alphabetically by article title. The loose clippings, photocopies of the originals, also separated by publication locale, are arranged chronologically by date. This subseries also includes clippings covering particular subjects relating to Mingus and his music. Filed under subject headings, contents here include: articles on Mingus' biography; articles and reviews relating to his literary work Beneath the Underdog; articles on Mingus Dynasty ( the New York- based jazz orchestra established after his death as a tribute to him and his contributions in music); and articles about his widow, Susan Graham Mingus. The Writings About Mingus subseries concludes with a listing of newsletters, press releases, and bulletins relating to Mingus and his music career.

In Miscellaneous Writings are written works on a variety of subjects not necessarily relating to Mingus. The material in this subseries is divided further into three categories: Film Work (Mingus was sought on several occasions to score music for film), Poetry, and Short Stories. The Poetry segment is of particular interest because it contains a work titled Four Poems for Charles Mingus by Lyon Phelps, and a poem written for Mingus’ close friend and colleague Eric Dolphy, titled "Blues for Eric Dolphy," by John Sinclair.

Business Papers Series: Charles Mingus headed three music business ventures: Charles Mingus Enterprises, Inc., Debut Records, and the Jazz Workshop, Inc. Mingus' business acumen and meticulous record-keeping is legendary. An examination of the Business Papers series is a testament to both qualities. Although Mingus did not record dates of his music compositions, it is quite apparent that he realized the importance of documenting everything he considered to be a "business related" matter. He was particularly persnickety about dispensing cash to fellow musicians. He literally used anything that could be written on as a receipt when paying the musicians for services rendered; he had them sign it, regardless of medium: these unique items are included in the collection.

Although there is not a series dedicated solely to correspondence, there is correspondence found throughout the collection. The correspondence in Business Papers, for instance, is quite extensive in that it contains letters to and from three Charles Mingus business entities, and includes names of jazz-world figures such as musicians Sam Most, Max Roach and Dannie Richmond, record producers Teo Macero and Clive Davis, and poet Langston Hughes.

Printed Matter Series: There are six subseries in the Printed Matter series: Articles & Clippings, Books and Pamphlets, Organizations and Affiliations, Programs, Promotional Material, and Miscellaneous. Much of the material in this series does not directly relate to Mingus, but represents his personal collection. The Articles & Clippings and Miscellaneous subseries consist of his personal collection of articles, magazines, newsletters, and press releases not relating to himself. On the other hand, the Organizations and Affiliations, Programs, and Promotional Material subseries do reflect material generated by Mingus' personal and professional life.

Iconography Series: The Mingus Collection contains photographs, artwork, and three dimensional items, filed in the Iconography series. This series is divided into four subseries: Photographs, Awards and Award Nominations, Artwork, and Picture Post Cards. The Photographs subseries contains images of Mingus and his family (including his parents), as well as photographs of fellow musicians such as Eric Dolphy, Dannie Richmond, Max Roach, Oscar Pettiford, and Miles Davis.

Mingus was the recipient of several awards and award nominations, such as the Newport Jazz Festival Hall of Fame Award in July 1976, and the ASCAP-Deems Taylor Award in 1990. In January 1973, Mingus was nominated for a Grammy Award by the National Academy of Recording Arts & Sciences (NARAS).

The Artwork subseries is fairly small, but is very interesting in that it includes record album cover art layouts for Debut Records, some in color. There is one painting by Mingus acquaintance Elliott Cola, who is also represented by music manuscripts (apparently gifts to Mingus) in the Collection, (see Music Manuscripts by Others subseries).

Charles Mingus, among many things, was a traveler. His career as a jazz bassist and businessman afforded him the opportunity to tour the world, his family vacations outside the United States on several occasions notwithstanding. As many travelers do, Mingus collected picture post cards as mementos of his trips. Unmarked and arranged alphabetically by subject, these items are filed in the Picture Postcards subseries of the Iconography series.

Personal Series: The Personal series incorporates Mingus' private archives and an unusual collection of physical effects associated with him. There are six subseries in this series: Correspondence (fairly small compared to the volume of business correspondence), Financial Papers, Legal File, Medical File, Travel, and Miscellaneous.

The Correspondence subseries in the Personal series consists of letters, greeting cards and personal notes from family members, including his sister Grace Mingus, second wife Celia Mingus, and widow Sue Mingus, and friends such as author Helen Gurley Brown, musician Roy Ayers, and comedian/social activist (as well as health advisor to Mingus), Dick Gregory.

The Financial Papers document Mingus’ family assets, banking history, household expenses, and tax records. This material is comprehensive in breadth and gives a fairly clear picture of his personal financial history.

The Legal File includes divorce papers between Charles and Celia Mingus, personal legal correspondence, and documents related to his dealings with the New York City court system.

The Medical File subseries chronicles matters relating to Mingus' health concerns: correspondence from physicians, prescriptions for medications, brochures from health clinics, and statements and receipts for medical services rendered.

As mentioned earlier, Charles Mingus traveled extensively both professionally and privately: the Travel subseries in the Personal series is a record of his personal travels. Following a pattern similar to that of his business dealings, Mingus retained almost everything, especially when finances were involved. The file contains most, if not all, receipts from travel expenses for lodging, meals, and transportation. There is a section in the Travel series dedicated to printed matter acquired while "on the road". It includes maps, travel brochures, and foreign news clippings.

The final section in the Personal series is the Miscellaneous subseries. This contains unusual items that fit no other category of material in the collection. The file includes two calendars of jazz musicians (1973 and 1979), tarot cards, a lock of hair from Eric Mingus' (Charles' son) first haircut, business cards given to Mingus, and a collection of telephone numbers written on a variety of media. One peculiar yet interesting item in this file is a book titled Cultivation of Personal Magnetism in Seven Progressive Steps, by Edmund Shaftesbury, with the mid-section carved out to house Mingus' firearm.

Recorded Sound: Both voice and music recordings are included in this series. The series is sub-divided by format, which includes acetate and vinyl discs (with metal parts), cassettes, and reel-to-reel tapes on five-, seven- and ten-inch reels. The range of subject matter includes voice recordings of interviews with Mingus, Mingus composing at the piano, rehearsals, live performances, studio recordings, and pressed disc recordings.

These recordings are not completely inventoried; most will be transferred to the Motion Picture, Broadcasting, and Recorded Sound Division (M/B/RS) where they will be prepared for preservation and inclusion in the Library's recorded sound collection.

Lloyd A. Pinchback, February 1998

Organization of the Charles Mingus Collection

The Charles Mingus Collection is organized in 6 series:

Music Writings Business Papers Iconography Printed Matter Personal http://lccn.loc.gov/2004598900 Container List Box Contents 1-44 Music

The Music series consits of manuscripts of all Mingus' major original compositions as well as his manuscript arrangements of music by others. There are numbers assigned to some pieces - including his adaptations of works by others - but not to all. His original works and his arrangements share one numerical sequence.

Music series is arranged as follows:

Music Manuscripts: Mingus Original Music Manuscripts, arranged alphabetically by title. Manuscripts of Music by Others, arranged alphabetically by title. Printed music: Printed music by Mingus, arranged alphebeteically by title. Printed by others, arranged alphabetically by composer then by title. 1-29 32-44 Manuscript Music 1-28 32-44 Original Music Manuscripts 1/1 <emph render="italic">II B.S.</emph> Lead sheet; 1 p.; 27.5 cm.

Note: Photocopy of holograph. At bottom: © Jazz Workshop, Inc., November, 1976.

1/2 <emph render="italic">12 Alder Place</emph>. Full score (incomplete); 4 p. (pp. 6-9 only); 31.5 cm.

Note: Holograph in pencil.

Reference no.: 174.

1/3 <emph render="italic">12 Alder Place</emph>. Instrumental parts; pagination varies; 31.5 cm.

Note: Holographs in pencil.

Reference no.: 174.

1/4 <emph render="italic">Abstractions</emph>. Lead sheet; 1 p.; 35.5 cm.

Note: Photostat of holograph. At bottom: © December 1976 - Jazz Workshop, Inc.

Adagio ma non troppo see: Mingus dance no. 7 1/5 <emph render="italic">After hours</emph>. Lead sheet; 1 p.; 29.5 cm.

Note: Photocopy of holograph. Marked at head: 124. In typescript: Di Charles Mingus - Edizioni Blue Team Music.

1/6 <emph render="italic">Ain't jivin' blues</emph>. Lead sheet; 1 p.; 28 cm.

Note: Photocopy of holograph in pencil. Marked at head: 125. In typescript: Di Charles Mingus - Edizioni Blue Team Music.

1/7 [<emph render="italic">Alive and living in Dukeland</emph>] <emph render="italic">(#29)</emph> / Sy Johnson, arr. Condensed score; [7] leaves; 32 cm.

Note: Photocopy of holograph in pencil.

Reference no.: 001.

Access points:

Johnson, Sy 1/8-10 [<emph render="italic">Alive and living in Dukeland</emph>] <emph render="italic">(#29)</emph> / Sy Johnson, arr. Instrumental parts; pagination varies; 32 and 28 cm. (3 folders).

Note: Copyist's manuscripts in ink and pencil; includes photocopies.

Reference no.: 210.

Access points:

Johnson, Sy Alice in wonderland see: Mingus dance no. 7 Alice on wonderland see: Mingus dance no. 7 Alice's wonderland see: Mingus dance no. 7 1/11 <emph render="italic">All the things you could be right now if Sigmund Freud's wife was your mother</emph>. Lead sheet; 1 p.; 35.5 cm.

Note: Photocopy of holograph. At bottom: © Jazz Workshop, November, 1976.

1/12 <emph render="italic">The arts of Tatum and Freddie Webster</emph>. Lead sheet; 1 p.; 28 cm.

Note: Photocopy of copyist's manuscript. At bottom: © December, 1975, Jazz Workshop, Inc.

Reference no.: 002.

32/1 <emph render="italic">The arts of Art Tatum and Freddie Webster</emph>. Full score; 10 leaves; 39.5 cm.

Note: Holograph in pencil.

Reference no.: 158.

1/13-14 <emph render="italic">The arts of Tatum and Freddie Webster</emph>. Instrumental parts; pagination varies; 31.5 cm. (2 folders).

Note: Copyists' manuscripts in ink and pencil.

Reference no.: 002.

2/1 <emph render="italic">Atomic bomb</emph>. Full score; 3 leaves; 31.5 cm.

Note: Holograph in pencil.

Reference no.: 185.

32/2 <emph render="italic">B.F.T.</emph> Full score (incomplete); 2 leaves; various sizes.

Note: Holograph in pencil.

Reference no.: 108.

2/2 <emph render="italic">B.F.T.</emph> Instrumental parts; pagination varies; 31.5 cm.

Note: Copyists' manuscripts in ink and pencil. On verso of bass part: "Portrait".

Reference no.: 108.

2/3 <emph render="italic">Baby, take a chance with me</emph>. Lead sheet; 1 p.; 29.5 cm.

Note: Photocopy of holograph. Marked at head: 126. In typescript: Di Charles Mingus - Edizioni Blue Team Music.

Reference no.: 189.

32/3 <emph render="italic">Baby, take a chance with me</emph>. Full score; 10 leaves; 30.5 x 40.5 cm.

Note: Holograph in pencil.

Reference no.: 189.

2/4 <emph render="italic">Back a few years (Tijuana table dance)</emph>. Condensed score (incomplete); 2 p.; 32 cm.

Note: Holograph in pencil.

Reference no.: 238.

2/5 <emph render="italic">Back a few years (Tijuana table dance)</emph>. Piano part; 2 p.; 32 cm.

Note: Holograph in pnecil.

Reference no.: 238.

2/6 <emph render="italic">Back home blues</emph>. Lead sheet; 1 p.; 27.5 cm.

Note: Photocopy of holograph. At bottom: © November, 1976, Jazz Workshop, Inc.

2/7 <emph render="italic">Background for thought</emph>. Instrumental parts; pagination varies; 31.5 cm.

Note: Copyist's manuscripts in ink.

2/8 <emph render="italic">Basically speaking</emph>. Lead sheet; 1 p.; 28 cm.

Note: Photocopy of holograph. Marked at head: 132. In typescript: Di Charles Mingus - Edizioni Blue Team Music.

2/9 <emph render="italic">Bemoanable lady</emph>. Lead sheet; 1 p.; 35.5 cm.

Note: Photocopy of holograph. At bottom: © Jazz Workshop, Inc., November, 1976.

Reference no: 004.

2/10 <emph render="italic">Bemoanable lady</emph>. Instrumental parts, 2nd and 3rd trumpets only; pagination varies; 31.5 cm.

Note: Copyist's manuscript in ink.

Reference no.: 004.

2/11 <emph render="italic">Better get hit in your soul</emph> / Sy Johnson, arr. Piano-vocal score; 6 p.; 31 cm.

Note: Manuscript in pencil and ink by Sy Johnson.

Reference no.: 100.

Access points:

Johnson, Sy 32/4 <emph render="italic">Better get hit in your soul</emph>. Full score; 10 p.; 28.5 x 43 cm.

Note: Holograph in pencil. One page missing.

Reference no.: 124.

2/12 <emph render="italic">Better get hit in your soul</emph>. Instrumental parts; pagination varies; 32 cm.

Note: Copyist's manuscripts in ink and pencil.

32/5 [<emph render="italic">Better get it in your soul</emph>]. Full score (incomplete); 1 p. (pp. 17); 28 x 41 cm.

Note: Holograph in pencil. Title at head: Gitt.

2/13 <emph render="italic">Better get it in your soul (#6)</emph>. Instrumental parts; pagination varies; 31.5 cm.

Note: Copyist's manuscripts in ink.

Reference no.: 153.

2/14 <emph render="italic">Better get it in your soul : old version</emph>. Instrumental parts; pagination varies; 32 cm.

Note: Copyist's manuscript in ink with markings in pencil; includes 1 p. photocopy.

Reference no.: 100.

2/15 <emph render="italic">Better get it in your soul : new version, Jan. 1963</emph>. Instrumental parts; pagination varies; 32 cm.

Note: Copyist's manuscripts in ink.

Reference no.: 152.

32/6 <emph render="italic">Better git it in your soul : Epitaph</emph>. Full score; 17 leaves; 28 x 41.5 cm.

Note: Holograph in pencil. Measures 2832-3090.

32/7 <emph render="italic">Big Jim Whitey's mule</emph>. Full score (incomplete); 10 leaves; 39 cm.

Note: Holograph in pencil.

Reference no.: 130.

2/16 <emph render="italic">Bill's song</emph> / lyrics by Charles Mingus ; music by Paul M. Jeffrey. Lead sheet; 2 p.; 28 cm.

Note: Photocopy of copyist's manuscript.

Access points:

Jeffrey, Paul M. Mingus, Charles 2/17 <emph render="italic">Bird calls</emph>. Lead sheet; 1 p.; 28 cm.

Note: Photocopy of holograph. Marked at head: 127. In typescript: Di Charles Mingus - Edizioni Blue Team Music.

3/1 <emph render="italic">Black saint and the sinner lady</emph>. See also: Soul fusion Full score; 57 p.; various sizes.

Note: Holograph in pencil.

Reference no.: 131.

3/2 <emph render="italic">Black saint and the sinner lady</emph>. See also: Soul fusion Full score; [59] leaves; 33 x 26.5 cm.

Note: Photocopy of holograph score in pencil, with annotations in red pencil.

Reference no.: 131.

3/3 <emph render="italic">Black saint and the sinner lady</emph>. See also: Soul fusion Full score; 57 p.; 28 x 21.5 cm.

Note: Photocopy of holograph score in pencil.

Reference no.: 131.

3/4 <emph render="italic">Black saint and the sinner lady</emph>. See also: Soul fusion Instrumental parts; pagination varies; 32 cm.

Note: Copyist's manuscripts in ink and pencil.

Reference no.: 131.

3/5 <emph render="italic">Black saint and the sinner lady</emph>. See also: Soul fusion Instrumental parts; pagination varies; 28.5 cm.

Note: Photocopies of copyist's manuscripts.

Reference no.: 131.

3/6 <emph render="italic">Black stome 10:30</emph>. Lead sheet; 1 p.; 31.5 cm.

Note: Holograph in pencil. At bottom: Piano score for untitled piece. On verso: Chord scheme for the piece "Sweet".

3/7 <emph render="italic">Blue cee</emph>. Baritone sax part; 1 p.; 28 cm.

Note: Holograph in pencil. On verso: Reincarnation of a lovebird.

Reference no.: 227.

3/8 <emph render="italic">Blue cee</emph>. Lead sheet; 2 leaves; 28 cm.

Note: Photocopies of copyist's manuscripts. At bottom of first p.: © January 1975, Jazz Workshop, Inc.

Reference no.: 227.

3/9 <emph render="italic">Blue tide</emph>. Trumpet part; 1 p.; 31 cm.

Note: Holograph in pencil.

Reference no: 243.

3/10 <emph render="italic">Blues Ballard</emph>. Instrumental part; 1 p.; 15 x 24.5 cm.

Note: Holograph in ink and red pencil. At head: A-167.

3/11 <emph render="italic">Blues for some bones</emph>. Lead sheet; 1 p.; 35.5 cm.

Note: Photocopy of holograph. At bottom: © December, 1976, Jazz Workshop, Inc.

3/12 <emph render="italic">Blues [in F]</emph>. Trombone part; 1 p.; 31.5 cm.

Note: Holograph in pencil. On verso: Untitled piece for trombone.

3/13 <emph render="italic">Body</emph>. Full score; 4 p.; 27 cm.

Note: Holograph in pencil.

3/14 <emph render="italic">Boogie stop shuffle</emph>. Lead sheet; 2 leaves; 31.5 cm.

Note: Copyist's manuscript in ink on transparent paper. On bottom: © December, 1950, Jazz Workshop, Inc.

Reference no.: 220.

32/8 <emph render="italic">Boogie stop shuffle</emph> / Sy Johnson, arr. Full score; 11 leaves; 28 x 43 cm.

Note: Manuscript in pencil by Sy Johnson.

Reference no.: 006.

Access points:

Johnson, Sy 3/15 <emph render="italic">Boppin' in Boston</emph>. Lead sheet; 1 p.; 28 cm.

Note: Photocopy of holograph. Marked at head: 130. In typescript: Di Charles Mingus - Edizioni Blue Team Music.

32/9 <emph render="italic">Bus voice</emph>. Full score; 12 leaves; 30.5 x 41 cm.

Note: Holograph in pencil.

Reference no.: 121.

3/16 <emph render="italic">But you</emph>. Full score; 5 leaves; 31.5 cm.

Note: Holograph in pencil.

Reference no.: 138.

Cabin see: Winds 3/17 <emph render="italic">Canon</emph>. Lead sheet; 1 p.; 28 cm.

Note: Photocopy of copyist's manuscript.

4/1 <emph render="italic">Carolyn "Keki" Mingus</emph>. Condensed score; 2 leaves; 28 cm.

Note: Photocopy of holograph. At bottom: © Jazz Workshop, Inc. 1977.

Reference no.: 119.

43/1 <emph render="italic">Carolyn "Keki" Mingus</emph>. Full score; 10 leaves; 39 x 43.5 cm.

Note: Holograph in pencil.

Reference no.: 007, 119.

4/2 <emph render="italic">Carolyn "Keki" Mingus</emph>. Instrumental parts; pagination varies; 31.5 cm.

Note: Copyist's manuscripts in ink and pencil.

Reference no.: 007.

4/3 <emph render="italic">Celia (chords)</emph>. Lead sheet; 1 p.; 30.5 cm.

Note: Holograph in pencil and ink. At head: Roberto Laueri [sic]. At bottom, note to Roberto: "Never write 8th notes trip's in N.Y.C. ..."

4/4 <emph render="italic">Celia</emph>. Lead sheet; 1 p.; 28 cm.

Note: Photocopy of holograph. Marked at head: 131. In typescript: Di Charles Mingus - Edizioni Blue Team Music.

4/5 <emph render="italic">Celia</emph>. Chord chart; 1 p.; 31 cm.

Note: Photocopy of holograph.

4/6 <emph render="italic">Celia (chord progressions)</emph>. Chord charts; 7 leaves; 28 cm.

Note: Manuscripts in pencil. This material appears to be graded classroom assignments.

4/7 <emph render="italic">Celia</emph>. Instrumental parts; 14 leaves; 32 cm.

Note: Copyists' manuscripts in pencil and ink. Verso of drum part: Canon II in pencil. Folder includes photocopies.

4/8 <emph render="italic">Celia</emph>. Instrumental parts; pagination varies; various sizes.

Note: Copyist's manuscripts in ink and pencil. Verso of baritone saxophone part: Diane and Peggy's ________ Skylight. Folder includes photocopies of parts.

Cell block F is Nazi U.S.A. see: Jive five floor four 32/10 <emph render="italic">Chair in the sky</emph> / Sy Johnson, arr. Full score; 19 leaves; 28 x 43 cm.

Note: Manuscript in pencil by Sy Johnson.

Reference no.: 010.

Access points:

Johnson, Sy 4/9 <emph render="italic">Chazzenova</emph>. Lead sheet; 1 p.; 35.5 cm.

Note: Photocopy of holograph. At bottom: © January, 1977, Jazz Workshop, Inc.

43/2-3 <emph render="italic">The chill of death</emph>. Full score; 38 leaves in 2 folders; 53.5 cm.

Note: Deshan (thermofax) copy of copyist's manuscript.

Reference no.: 274.

4/10 <emph render="italic">Clark in the dark</emph>. Lead sheet; 1 p.; 28 cm.

Note: Photocopy of holograph. Marked at head: 134. In typescript: Di Charles Mingus - Edizioni Blue Team Music.

Cleaner from Des Moines see: Dry cleaner from Des Moines 4/11 <emph render="italic">The clown</emph>. Lead sheet; 2 leaves; 28 cm.

Note: Photocopy of copyist's manuscripts. At bottom: © January, 1975, Jazz Workshop, Inc.

4/12 <emph render="italic">The clown</emph> / Jaki Byard, arr. Instrumental parts with narration; pagination varies; 28 cm.

Note: Photocopies of copyist's manuscripts; narrative text on separate page.

Access points:

Byard, Jaki 4/13 <emph render="italic">The clown's afraid too</emph>. Instrumental parts (trumpet 1 and French horn parts only); pagination varies; 31.5 cm.

Note: Copyist's manuscripts in ink with pencil markings.

32/11 <emph render="italic">The clown's afraid too, </emph>[<emph render="italic">don't be afraid</emph>]. See also: Don't be afraid, the clown's afraid too Condensed score; 4 leaves; 39.5 cm.

Note: Holograph in pencil.

Reference no.: 117.

4/14 <emph render="italic">The clown's afraid too (don't be afraid)</emph>. Instrumental parts; pagination varies; 31.5 cm.

Note: Copyists' manuscripts in ink with pencil and ink markings.

Reference no.: 161.

4/15 <emph render="italic">Color blind</emph>. Full score (incomplete); 1 p.; 28 x 35.5 cm.

Note: Holograph in pencil.

4/16 <emph render="italic">Come Sunday</emph>. Chord chart; 1 p.; 28 x 35.5 cm.

Note: Holograph in ink.

4/17 <emph render="italic">Compositional theme story</emph>. Lead sheet; 1 p.; 35.5 cm.

Note: Photocopy of holograph. At bottom: © Jazz Workshop, Inc., November, 1976.

4/18 <emph render="italic">Confucius says</emph>. Instrumental part; 1 p.; 27 cm.

Note: Holograph in pencil. On verso an untitled holograph score in pencil.

4/19 <emph render="italic">Consider me</emph>. Lead sheet; 2 p.; 32 cm.

Note: Photocopy of holograph.

32/12 <emph render="italic">The critic - string quartet</emph>. Full score; 1 p.; 39.5 cm.

Note: Holograph in pencil.

Reference no.: 187.

4/20 <emph render="italic">Cro-Magnum nights</emph>. Lead sheet; 1 p.; 32 cm.

Note: Holograph in pencil. On verso: instrumental part for Portrait; holograph in ink.

4/21 <emph render="italic">Cryin' blues</emph>. Lead sheet; 1 p.; 35.5 cm.

Note: Photocopy of holograph. At bottom: © December 1976, Jazz Workshop, Inc.

4/22 <emph render="italic">Cumbia and jazz fusion</emph>. Condensed score; 16 leaves; 32 cm.

Note: Photocopy of holograph signed by Mingus in ink.

4/23 <emph render="italic">Cumbia and jazz fusion</emph>. Instrumental parts

Note: Copyist's ms. in ink with annotations.

4/24 <emph render="italic">Cumbia and jazz fusion</emph>. Instrumental parts; pagination varies; 32 cm.

Note: Holograph in ink and pencil.

5/1 <emph render="italic">Dark lightings</emph>. Instrumental parts; pagination varies; 31.5 cm.

Note: Holograph in pencil and crayon.

5/2 <emph render="italic">Depressions</emph>. Full score (incomplete); 3 leaves; 32 cm.

Note: Holograph in pencil.

5/3 <emph render="italic">Detour minus that dead end</emph>. Sketches; 2 p.; 31.5 cm.

Note: Holograph in pencil. On verso: Heavenly marriage.

5/4 <emph render="italic">Devil</emph>. Instrumental parts; pagination varies; 32 cm.

Note: Holograph in ink. On verso: Fascination.

5/5 <emph render="italic">Devil is a woman</emph>. Full score; 2 p.; 32 cm.

Note: Holograph in pencil.

5/6 <emph render="italic">Devil woman</emph>. Lead sheet; 1 p.; 34.5 cm.

Note: Photocopy of holograph. At bottom: © December 1976, Jazz Workshop, Inc.

Reference no.: 123.

32/13 <emph render="italic">Devil woman</emph>. Full score; 6 leaves; 30.5 x 43.5 cm.

Note: Holograph in pencil and ink.

Reference no.: 123.

5/7 <emph render="italic">Devil woman</emph>. Condensed score sketch; 2 p.; 32 cm.

Note: Holograph in pencil.

Reference no.: 123.

5/8 <emph render="italic">Devil woman</emph>. Trumpet II part; 2 p.; 32 cm.

Note: Holographs in ink and pencil.

Reference no.: 123.

32/14 <emph render="italic">Diane</emph>. Full score; 3 leaves; 28 x 43.5 cm.

Note: Copyist's manuscript in pencil.

Reference no.: 114.

Diane see: Mingus dance no. 7 Dianeland see: Mingus dance no. 7 5/9 <emph render="italic">Dizzy moods</emph>. See also: Mingus dance no. 6 Lead sheet; 1 p.; 35.5 cm.

Note: Photocopy of manuscript. At bottom: © Jan. 1975, Jazz Workshop, Inc., Los Angeles, California.

Reference no.: 252.

5/10 <emph render="italic">Dizzy profile</emph>. Instrumental parts; pagination varies; 32 cm.

Note: Holographs in pencil and ink.

Reference no.: 015.

5/11 <emph render="italic">Don't be afraid, the clown's afraid too</emph>. Lead sheet; 2 leaves; 27.5 cm.

Note: Photocopy of holograph.

Reference no.: 016, 117, 143, 161.

5/12 <emph render="italic">Don't be afraid, the clown's afraid too</emph>. Instrumental parts

Note: Copyist's manuscript in ink with pencil markings

Reference no.: 016

32/15 <emph render="italic">Don't be afraid, the clown's afraid too</emph>. Full score; 35 p.; 27.5 x 43.5 cm.

Note: Photocopy of copyist's manuscript.

Reference no.: 016.

43/4 <emph render="italic">Don't be afraid, the clown's afraid too</emph> / Sy Johnson, arr. Full score; [48] p.; 36.5 x 43 cm.

Note: Manuscript in pencil by Sy Johnson; includes photocopies.

Reference no.: 143.

Access points:

Johnson, Sy 32/16 <emph render="italic">Don't be afraid, the clown's afraid too (#13)</emph> / Sy Johnson, arr. Full score; 27 leaves; 35.5 x 43 cm.

Note: Photocopy of manuscript by Sy Johnson with markings in ink.

Reference no.: 016.

Access points:

Johnson, Sy 5/13 <emph render="italic">Don't let it happen here</emph> (from "I Am the Guilty"). Instrumental parts; pagination varies; 32 cm.

Note: Holographs in pencil and ink.

Reference no.: 164.

5/14 <emph render="italic">Dream of my girl</emph>. Lead sheet; 1 p.; 28 cm.

Note: Photocopy of holograph.

32/17 [<emph render="italic">Dry</emph>] <emph render="italic">cleaner from Des Moines</emph> / Sy Johnson, arr. Full score; 10 leaves; 28 x 43.5 cm.

Note: Manuscript in pencil by Sy Johnson.

Reference no.: 011.

Access points:

Johnson, Sy 5/15 <emph render="italic">Duke Ellington's sound of love</emph>. Instrumenal parts; pagination varies; 31.5 cm. [December, 1974].

Note: Copyists' manuscripts in ink. Includes photocopies of tenor sax part and piano-vocal score.

Reference no.: 022.

5/16 <emph render="italic">Duke's choice</emph>. Lead sheet; 1 p.; 29.5 cm.

Note: Photocopy of holograph.

5/17 <emph render="italic">E.S.P.</emph> See also: Extrasensory perception See also: Mind-readers convention Lead sheet; 1 p.; 29.5 cm.

Note: Photocopy of holograph. Marked at head: 140. In typescript: Di Charles Mingus - Edizioni Blue Team Music.

5/18 <emph render="italic">E's flat, Ah's flat too (#21)</emph>. Instrumental parts; pagination varies; 2 cm.

Note: Holograph in ink and pencil.

5/19 <emph render="italic">East coasting</emph> (a.k.a. <emph render="italic">"51st Street blues"</emph>). Lead sheet; 1 p.; 35.5 cm.

Note: Photocopy of holograph.

5/20 <emph render="italic">East coasting</emph>. Instrumental part; pagination varies; 32 cm.

Note: Holographs in pencil.

6/1 <emph render="italic">Eat that chicken</emph>. Lead sheet; 1 p.; 28 cm.

Note: Photocopy of holograph. At bottom: © February, 1976, Jazz Workshop, Inc., New York, NY.

6/2 <emph render="italic">Ecclusiastics</emph>. Lead sheet; 1 p.; 35 cm.

Note: Photocopy of copyist's manuscripts.

32/18 <emph render="italic">Ecclusiastics</emph> / Sy Johnson, arr. Full score; 16 leaves; 35.5 x 43 cm.

Note: Manuscript in pencil by Sy Johnson.

Reference no.: 151.

Access points:

Johnson, Sy 6/3 <emph render="italic">Ecclusiastics (#3)</emph>. Instrumental parts; pagination varies; 32 cm.

Note: Copyist's manuscripts in ink; includes photocopies.

Reference no.: 018.

6/4 [<emph render="italic">Eclipse</emph>]. Lead sheet; 2 p.; 31.5 cm.

Note: Holograph in ink with holograph pencil markings. On verso: Lead line with lyrics.

Reference nos.: 019, 020, 141, 288.

6/5 <emph render="italic">Eclipse</emph>. Lead sheet, lyrics included; 1 p.; 19 x 23.5 cm.

Note: Holographs in pencil. In upper-right corner: "Celia Mingus - Chas Mingus".

Reference nos.: 019, 020, 141, 288.

6/6 <emph render="italic">Eclipse</emph>. Lead sheet, lyrics included (incomplete); 2 p.; 30.5 cm.

Note: Holograph in pencil.

Reference nos.: 019, 020, 141, 288.

6/7 <emph render="italic">Eclipse</emph>. Lead sheets, 2 versions; 1 + 1 p.; 32 cm.

Note: Manuscripts in ink by Andrew Homzy. Version I includes melody line, chord progressions, and lyrics. Handwritten note at bottom dated: 26 Feb. '87. Version II includes melody line and chord progressions only.

Reference nos.: 019, 020, 141, 288.

6/8 <emph render="italic">Eclipse</emph>. Lead sheet; 1 p.; 35.5 cm.

Note: Photocopy of copyist's manuscript. At bottom: © January, 1975, Jazz Workshop, Inc., Los Angeles, California.

Reference nos.: 019, 020, 141, 288.

6/9 <emph render="italic">Eclipse</emph>. Condensed score; 1 p.; 28 cm.

Note: Photocopy of holograph.

Reference nos.: 019, 020, 141, 288.

6/10 <emph render="italic">Eclipse</emph>. Full score; 3 p.; 32 cm.

Note: Holograph in pencil.

Reference no.: 141.

6/11 <emph render="italic">Eclipse</emph>. Instrumental parts; pagination varies; 30.5 cm.

Note: Holographs in ink and pencil.

Reference no.: 141.

6/12 <emph render="italic">Eclipse</emph>. Miscellaneous instrumental parts; pagination varies; various sizes.

Note: Holographs and copyist's manuscripts in ink and pencil; includes photocopies with holograph markings in ink and pencil. Laid in: Handwritten note by Andrew Homzy titled "Note for Eclipse 26/Feb/87".

Reference no.: 288.

33/1 <emph render="italic">Eclipse (#10)</emph>. Full score; 9 p.; 28 x 43.5 cm.

Note: Photocopy of copyist's manuscript.

Reference no.: 019.

6/13 <emph render="italic">Eclipse (#10)</emph>. Instrumental parts; pagination varies; 30.5 cm.

Note: Copyist's manuscripts in ink and pencil.

Reference no.: 019.

33/2 <emph render="italic">Eclipse</emph> / Sy Johnson, arr. Full score; 7 leaves; 36 x 42.5 cm.

Note: Manuscript in pencil by Sy Johnson. Dated 1-29-72.

Access points:

Johnson, Sy 33/3 <emph render="italic">Enchantment</emph>. Full score; 6 leaves; 30.5 x 40.5 cm.

Note: Holograph in pencil.

Reference no.: 113.

6/14 <emph render="italic">Enchantment</emph>. Instrumental parts; 9 lvs; 31.5 cm.

Note: Holographs in ink.

Reference no.: 113.

6/15 <emph render="italic">Epitaph</emph>. Lead sheet; 1 p.; 29.5 cm.

Note: Photocopy of holograph. Marked at head: 139. In typescript: Di Charles Mingus - Edizioni Blue Team Music.

Reference no.: 256.

6/16-17 <emph render="italic">Epitaph</emph>. Instrumental parts (reeds and brass); pagination varies; 32.5 cm. (2 folders).

Note: Copyist's manuscripts in ink.

Reference no.: 025.

33/4 <emph render="italic">Epitaph (main score)</emph>. Full score; 40 leaves; 52.5 cm.

Note: Holograph in pencil with holograph markings in colored pencil. Measures 1-199.

Reference no.: 256.

33/5-6 <emph render="italic">Epitaph (main score)</emph>. Full score; 40 leaves; 52.5 cm. (2 folders)

Note: Deshan (thermofax) copy of holograph score in pencil (33/1). Measures 1-199.

Reference no.: 256.

33/7 <emph render="italic">Epitaph (#2)</emph>. Full score; 40 leaves; various sizes.

Note: Holograph in pencil. Measures 180-355.

Reference no.: 257.

34/1 <emph render="italic">Epitaph (#3) : started melody</emph>. Full score; 36 leaves; various sizes.

Note: Holograph in pencil. Measures 356-701.

Reference no.: 258.

34/2 <emph render="italic">Epitaph (#4)</emph>. Full score; 23 leaves; various sizes.

Note: Holograph in pencil. Measures 702-1000; measures 1001-1142 missing.

Reference no.: 259.

6/18 <emph render="italic">Epitaph (#5) : moods in mambo section</emph>. Full score; 16 leaves; 28 x 35.5 cm.

Note: Copyist's manuscript in pencil. Measures 1143-1267.

Reference no.: 260.

6/19 <emph render="italic">Epitaph (#6)</emph>. Full score; 16 leaves; 28 x 35.5 cm.

Note: Copyist's manuscript in pencil. Measures 1268-1651.

Reference no.: 261.

34/3 <emph render="italic">Epitaph (#6)</emph>. Full score; [48] leaves; 34.5 x 43.5 cm.

Note: Holograph in pencil. Measures 1268-1651.

Reference no.: 261.

34/4 <emph render="italic">Epitaph (#7)</emph>. Full score; 29 leaves; 46 cm.

Note: Holograph in pencil. Measures 1652-1767.

Reference no.: 262.

34/5 <emph render="italic">Epitaph (#8) : Pinky don't come here for love man</emph>. Full score; 23 leaves; 34.5 x 43.5 cm.

Note: Holograph in pencil. Measures 1768-1951.

Reference no.: 263.

34/6 <emph render="italic">Epitaph (#9) : Pinky don't come here for love man (Section II)</emph>. Full score; [15] leaves; 47 cm.

Note: Holograph in pencil. Measures 1952-2019).

Reference no.: 264.

34/7 <emph render="italic">Epitaph (#10)</emph>. Full score; [21] leaves; 47 cm.

Note: Holograph in pencil. Measures 2020-2137.

Reference no.: 265.

35/1 <emph render="italic">Epitaph (#11) : Peggy's blue skylight</emph>. Full score; [17] leaves; 49 cm.

Note: Copyist's manuscript in pencil. Measures 2138-2216.

Reference no.: 266.

35/2 <emph render="italic">Epitaph (#12) : Wolverine blues</emph>. Full score; 22 leaves; 53.5 cm.

Note: Copyist's manuscript in pencil. Measures 2217-2394.

Reference no.: 267.

35/3 <emph render="italic">Epitaph (#13) : Todeskalte (The chill of death)</emph>. Full socre; 11 leaves; 35.5 x 41 cm.

Note: Holograph in pencil. Measures 2395-2477).

Reference no.: 268.

35/4 <emph render="italic">Epitaph (#14) : Children's dream-search</emph>. Full score; 37 leaves; 46 cm.

Note: Manuscript in pencil by Gene Roland and Charles Mingus. Measures 2478-2684.

Reference no.: 269.

35/5 <emph render="italic">Epitaph (#15)</emph>. Full score; 24 leaves; 54 cm.

Note: Holograph in pencil. Measures 2685-2762.

Reference no.: 270.

XL/0 <emph render="italic">Epitaph (#16)</emph>. Full score; 22 leaves; various sizes.

Note: Holograph in pencil.

Reference no.: 271.

35/6 <emph render="italic">Epitaph (#17) : Noon night</emph>. Full score; 19 leaves; 46 cm.

Note: Copyist's manuscript in pencil. Measures 3370-3446.

Reference no.: 272.

6/20 <emph render="italic">Eulogy for Rudy Williams</emph>. Lead sheet; 1 p.; 28 cm.

Note: Photocopy of holograph. At bottom: © February, 1976, Jazz Workshop, Inc., New York, N.Y.

Reference no.: 170.

6/21 <emph render="italic">Eulogy for Rudy Williams</emph>. Instrumental parts; pagination varies; 31.5 cm.

Note: Holographs in ink. On verso of alto saxophone, tenor saxophone, piano, bass, and drums part is the tune Portrait II.

Reference no.: 170.

7/1 <emph render="italic">Extrasensory perception (#12)</emph>. See also: Mind-readers convention Instrumental parts; pagination varies; 32 cm.

Note: Ozalid copies of copyists' manuscripts in ink with pencil markings.

Reference no.: 026.

7/2 <emph render="italic">Fables of Faubus</emph>. Lead sheet; 3 leaves; 35.5 cm.

Note: Photocopy of holograph.

Reference no.: 027.

7/3 <emph render="italic">Fables of Faubus</emph>. Instrumental parts; pagination varies; various sizes.

Note: Holographs in ink and pencil, photocopies of holographs, and copyists' manuscripts in ink. On verso of one part is the tune Koko.

Reference no.: 027.

7/4 <emph render="italic">Far Wells, Mill Valley</emph>. Bass part; 4 p.; 32 cm.

Note: Photocopy of holograph.

Reference no.: 245.

7/5 <emph render="italic">Farewell, Farwell : AKA last party</emph>. Lead sheet; 1 lv.; 28 cm.

Note: Photocopy of holograph. Marked at head: 110.

7/6 [<emph render="italic">Farwell farewell</emph>]. Piano sketch; 2 p.; 31 cm.

Note: Holograph in pencil.

Reference no.: 028.

43/5 <emph render="italic">Farwell farewell</emph>. Full score; 1 leaf; 39 x 43.5 cm.

Note: Holograph in pencil.

Reference no.: 028.

7/7 <emph render="italic">Farwell, farewell</emph> [a.k.a. <emph render="italic">Farwells Mill Valley</emph>]. Instrumental parts; 31.5 cm.

Note: Copyist's manuscripts in ink and pencil.

Reference no.: 028.

7/8 [<emph render="italic">Farwell farewell</emph>] : written "<emph render="italic">Farwell fairwell</emph>". Trombone part; 3 p.; 32 cm.

Note: Copyist's manuscript in ink with pencil markings. Note at head: Does not match other parts - A.[?].

Reference no.: 029.

7/9 <emph render="italic">Fascination</emph>. Guitar part; 2 p.; 31.5 cm.

Note: Copyist's manuscript in ink and pencil.

On verso: the tune Love nest crossed out.

36/1 <emph render="italic">The Fess Williams soul</emph>. Full score; 8 leaves; 34.5 x 43.5 cm.

Note: Copyist's manuscript in pencil.

Reference no.: 111.

36/2 <emph render="italic">The Fess Williams soul</emph>. Full score; 8 leaves; 35 x 43 cm.

Note: Deshan (thermofax) copy of copyist's manuscript (Ref. no. 111).

Reference no.: 285.

7/10 <emph render="italic">Flamingo</emph>. Lead sheet; 1 p.; 31.5 cm.

Note: Holograph in ink and pencil.

On verso: Diatonic chords.

7/11 <emph render="italic">Folk forms #1</emph>. Lead sheet; 1 p.; 35.5 cm.

Note: Photocopy of holograph. At bottom: © Jazz Workshop, Inc., November, 1976.

7/12 <emph render="italic">Folk forms #2</emph>. Lead sheet; 1 p.; 35.5 cm.

Note: Photocopy of holograph. At bottom: © Jazz Workshop, Inc., November, 1976.

7/13 <emph render="italic">Fool's passion</emph>. Instrumental part; 2 p.; 31.5 cm.

Note: Holograph in pencil. On verso: 2nd trumpet part for the tune Blue skies.

7/14 <emph render="italic">For you</emph>. Guitar part; 1 p.; 34 cm.

Note: Holograph in pencil.

7/15 <emph render="italic">Four hands</emph>. Lead sheet; 1 p.; 35.5 cm.

Note: Photocopy of holograph. At bottom: © Jazz Workshop, Inc., New York, New York, November 1975.

7/16 <emph render="italic">Frank Maybry, Jr</emph>. Instrumental parts; pagination varies; 32 cm.

Note: Copyist's manuscripts in ink and pencil.

Reference no.: 030.

7/17 <emph render="italic">Frankie and Johnny</emph>. Full score; 69 leaves; 31 cm.

Note: Holograph pencil.

Reference no.: 105.

7/18 [<emph render="italic">Frankie and Johnny</emph> : <emph render="italic">2nd Act</emph>]. Full score; 2 leaves; 31 cm.

Note: Holograph in pencil.

Reference no.: 105.

36/3 <emph render="italic">Freedom</emph>. Full score; 11 leaves; 54 cm.

Note: Thermafax copy of copyist's manuscript.

Reference no.: 277.

7/19 <emph render="italic">GG train</emph>. Lead sheet; 1 p.; 28 cm.

Note: Photocopy of holograph. Marked at head: 136. In typescript: Di Charles Mingus - Edizioni Blue Team Music.

7/20 <emph render="italic">The glass enclosure</emph>. Bass part; 1 p.; 32 cm.

Note: Holograph in pencil.

7/21 <emph render="italic">God's portrait</emph>. Drum part; 1 p.; 31.5 cm.

Note: Holograph in ink. On verso: The habit.

7/22 <emph render="italic">Gone with the wind</emph>. Condensed score; 1 p.; 27.5 cm.

Note: Holograph in pencil.

Reference no.: 201.

7/23 <emph render="italic">Good-bye Eric (#8)</emph>. Instrumental parts; pagination varies; 30 cm.

Note: Holographs in ink and pencil.

Reference no.: 083.

8/1 <emph render="italic">Goodbye pork pie hat</emph>. Instrumental parts; pagination varies; various sizes

Note: Copyist's manuscripts in ink and pencil; includes photocopies.

Reference no.: 101.

8/2 <emph render="italic">Goodbye pork pie hat (#18)</emph>. Instrumental parts; pagination varies; 31.5 cm.

Note: Copyists' manuscripts in ink and pencil.

Reference no.: 032.

8/3 <emph render="italic">Goodbye pork pie hat</emph>. Instrumental parts; pagination varies; 30 cm.

Note: Copyist's manuscripts in ink and pencil.

Reference no.: 34.

8/4 <emph render="italic">Gotta</emph>. Condensed score; 3 p.; 31.5 cm.

Note: Holograph in pencil.

8/5 <emph render="italic">The grass is greener</emph> / lyrics by Charles Mingus ; music by Paul M. Jeffrey. Lead sheet; 2 p.; 27 cm.

Note: Photocopy of copyist's manuscript.

Access points:

Jeffrey, Paul M. Mingus, Charles 8/6 <emph render="italic">Gregorian chant</emph>. Lead sheet; 1 p.; 32 cm.

Note: Holograph in pencil. At bottom: © February, 1976, Jazz Workshop, Inc.

8/7 <emph render="italic">Gunslinging bird</emph>. Lead sheet; 1 p.; 28 cm.

Note: Photocopy of holograph.

Reference no.: 241.

8/8 <emph render="italic">Gunslinging bird</emph> / Sy Johnson, arr. Guitar 1 part; 1 p.; 32 cm.

Note: Copyist's manuscript in ink.

Reference no.: 241.

Access points:

Johnson, Sy 36/4 <emph render="italic">Half-mast inhibition</emph>. See also: Mingus dance no. 5 Full score; 24 leaves; 34.5 x 44.5 cm.

Note: Holograph and copyist's manuscript in pencil; last two pages arranged by Sy Johnson.

Reference no.: 120.

8/9 <emph render="italic">Hamps new blues</emph>. Lead sheet; 1 lv. ; 35.5 cm.

Note: Photocopy of holograph. At bottom: © December, 1976, Jazz Workshop, Inc.

36/5 <emph render="italic">Harris + Mingus fingers</emph>. See also: Mingus fingers Full score; 18 leaves; 35.5 x 40.5 cm.

Note: Holograph in pencil.

Reference no.: 052.

8/10 <emph render="italic">Harris + Mingus fingers (A-170)</emph>. See also: Mingus fingers Instrumental parts; pagination varies; 30.5 cm.

Note: Copyist's manuscripts in ink and pencil.

Reference no.: 052.

8/11 <emph render="italic">Hatian fight song</emph> / Sy Johnson, arr. See also: Mingus dances, no. 9 Lead sheet; 1 p.; 32 cm.

Note: Manuscript in ink on transparent paper by Sy Johnson.

Reference no.: 239.

Access points:

Johnson, Sy 8/12 <emph render="italic">Heart's beat and shades in physical embraces</emph>. Lead sheet; 1 p.; 31 cm.

Note: Photocopy of holograph. At bottom: © December, 1975, Jazz Workshop, Inc.

36/6 <emph render="italic">Herricane Sue</emph> [sic] / Sy Johnson, arr. Full score; 28 leaves; 35.5 x 43.5 cm.

Note: Manuscript in pencil by Sy Johnson.

Reference no.: 147.

Access points:

Johnson, Sy 8/13 <emph render="italic">Hobo-ho</emph>. Lead sheet; 2 leaves; 35.5 cm.

Note: Photocopy of holograph. Date at bottom of p. one: © Jan., 1975; date at bottom of p. two: © April, 1972, Jazz Workshop, Inc., New York, New York.

Reference no.: 035.

36/7 <emph render="italic">Hobo-ho</emph>. Full score; 25 leaves; 30.5 x 48.5 cm.

Note: Holograph in pencil and ink.

Reference no.: 035.

36/8 <emph render="italic">Hobo-ho</emph>. Full score; 26 leaves; 28.5 x 44.5 cm.

Note: Photocopy of holograph score.

Reference no.: 035.

8/14-15 <emph render="italic">Hobo-ho (#25)</emph>. Instrumental parts; pagination varies; 32 cm. (in 2 folders).

Note: Copyist's manuscripts in ink and pencil.

Reference no.: 35.

8/16 <emph render="italic">Hog callin' blues</emph>. Lead sheet; 1 p.; 33.5 cm.

Note: Photocopy of holograph. At bottom: © February, 1976, Jazz Workshop, Inc., NY, NY.

8/17 <emph render="italic">Hora decubitis</emph>. Lead sheet; 1 p.; 35.5 cm.

Note: Photocopy of holograph. At bottom: © Jazz Workshop, Inc., Nov., 1976.

8/18 <emph render="italic">Hot dogs for lunch</emph>. Instrumental parts; pagination varies; 32 cm.

Note: Copyist's manuscripts in ink; includes photocopy of tenor saxophone part.

Reference no.: 036.

37/1 <emph render="italic">Hot town</emph>. Full score; 13 leaves; 34.5 x 44 cm.

Note: Holograph in pencil.

Reference no.: 112.

37/2 <emph render="italic">Hot town</emph>. Full score; 13 leaves; 35 x 43 cm.

Note: Deshan (thermofax) copy of copyist's manuscript (Ref. no. 112).

Reference no.: 280.

43/6 <emph render="italic">Hurricane Sue</emph>. See also: The I of Hurricane Sue Condensed score (incomplete); 1 leaf; 39.5 x 43 cm.

Note: Copyist's manuscript in pencil.

Reference no.: 147.

8/19 <emph render="italic">Hurt ego</emph>. Chord chart; 1 p.; 31.5 cm.

Note: Holograph in pencil. At bottom of page is trumpet part, in ink, to an untitled piece; on verso is piano part, in pencil, to an untitled piece.

8/20 <emph render="italic">I just don't care</emph>. Bass part; 1 p.; 28 cm.

Note: Holograph in pencil. At bottom and on verso: the tunes Whatever happened to U; Angela; 5:00 Whistle.

8/21 <emph render="italic">The I of Hurricane Sue</emph>. Lead sheet; 2 leaves; 30.5 cm.

Note: Holograph in ink on transparent paper.

Reference no.: 037.

8/22 <emph render="italic">The I of Hurricane Sue</emph>. Condensed score; 2 p.; 28 cm.

Note: Holograph in pencil and incomplete photocopy of same. On verso of holograph: bass part for the tune Orange was the color of her dress, then blue silk; holograph in ink, and at bottom, the continuation of I of Hurricane Sue. in pencil.

Reference no.: 037.

8/23 <emph render="italic">The I of Hurricane Sue</emph>. Instrumental parts; pagination varies; various sizes.

Note: Holographs and copyist's manuscripts in ink with pencil markings, and photocopies. The word "Hurricane" is spelled "Herricane" on some parts.

Reference no.: 142.

8/24 [<emph render="italic">The I of Hurricane Sue</emph>]. Instrumental parts (string parts only); pagination varies; 33.5 cm.

Note: Photocopies of copyist's manuscripts.

Reference no.: 037.

8/25 <emph render="italic">I x love</emph>. Lead sheet; 1 p.; 28 cm.

Note: Photocopy of holograph. Marked at head: 145. In typescript: Di Charles Mingus - Edizioni Blue Team Music.

9/1 <emph render="italic">I'm a lonesome woman</emph>. Song lyrics; 1 p.; 31.5 cm.

Note: Holograph in pencil.

9/2 <emph render="italic">Intermit</emph>. Lead sheet; 1 p.; 18 x 20 cm.

Note: Holograph in ink.

Reference no.: 234.

9/3 <emph render="italic">Intermit</emph>. Instrumental parts, tenor and piano only; 1 p.; 31.5 cm.

Note: Holograph in pencil and ink. On verso: Chord progressions for the tune Pensativa.

Reference no.: 234.

9/4 <emph render="italic">Invisible lady</emph>. Lead sheet; 2 leaves; 27.5 cm.

Note: Photocopy of holograph. On both leaves: © January, 1975, Jazz Workshop, Inc.

9/5 <emph render="italic">Invisible lady</emph>. Cello solo; 1 p.; 32 cm.

Note: Holograph in pencil. On verso: instrumental part for untitled piece.

9/6 <emph render="italic">Isabele's table dance</emph>. See also: Ysabel's table dance Instrumental parts; pagination varies; various sizes.

Note: Holographs in ink and pencil with holograph ink and pencil markings; includes photocopies with markings in pencil and ink. Alternate title scratched out: Tijuana's table dance.

Reference no.: 213.

37/3 <emph render="italic">Isabel's table dance</emph> / Sy Johnson, arr. See also: Ysabel's table dance Full score; 11 leaves; 32 cm.

Note: Manuscript in pencil by Sy Johnson.

Reference no.: 212.

Access points:

Johnson, Sy 9/7 <emph render="italic">Isabele's table dance</emph> / Sy Johnson, arr. See also: Ysabel's table dance Instrumental parts (guitar only); pagination varies; various sizes.

Note: Holographs in ink and includes photocopy of same.

Reference no.: 212.

Access points:

Johnson, Sy 9/8 [<emph render="italic">It's</emph>] <emph render="italic">nice of you to</emph> [<emph render="italic">have come to my funeral</emph>]. Full score; 1 p.; 31 cm.

Note: Holograph in pencil.

Reference no.: 038.

9/9 <emph render="italic">It's nice of you to have come to my funeral</emph>. Instrumental parts; various sizes; 32 cm.

Note: Copyist's manuscripts in ink, pencil, and marker.

Reference no.: 038.

9/10 [<emph render="italic">Jack the Bear</emph>]. Bass part; 1 p.; 32 cm.

Note: Holograph in pencil.

Reference no.: 244.

9/11 <emph render="italic">Jackie's blues</emph>. Piano-vocal score; 2 leaves; 31.5 cm.

Note: Holograph in pencil.

9/12 <emph render="italic">Jell Roll</emph>. Lead sheet (in bass cleff); 2 leaves; 32 cm.

Note: Copyist's manuscript in ink on transparent paper. At Bottom in pencil: © May 1956, Jazz Workshop, Inc.

Reference no.: 039.

9/13 <emph render="italic">(Jelly Roll) : aka "my Jelly Roll soul"</emph>. Lead sheet; 1 p.; 35.5 cm.

Note: Photocopy of holograph with markings in ink and felt-tip marker. In red ink: "This corresponds to the ABC version, not the CBS." At bottom: © Jan. 1975, Jan. 1977 Jazz Workshop, Inc., NYC, NY.

Reference no.: 136.

37/4 <emph render="italic">Jelly Roll</emph> / Sy Johnson, arr. Full score; 8 leaves; 28 x 43 cm.

Note: Manuscript in pencil by Sy Johnson.

Reference no.: 136.

Access points:

Johnson, Sy 9/14 <emph render="italic">Jive five floor four (remember Rockefeller at Attica) [cell block F is Nazi U.S.A.]</emph>. Condensed score; 2 p.; 32 cm.

Note: Holograph ms. in pencil.

Reference no.: 040.

9/15 <emph render="italic">Jive five floor four (remember Rockefeller at Attica) [cell block F is Nazi U.S.A.]</emph>. Instrumental parts; pagination varies; 32 cm.

Note: Copyist's manuscripts in ink. At bottom of piano part: © Nov. 1974, Jazz Workshop, Inc.

Reference no.: 040.

9/16 <emph render="italic">John Doe</emph>. Instrumental parts ("baritone" and "1st bone" parts only); pagination varies; 30.5 cm.

Note: Copyist's manuscripts in ink; lyrics included on each parts.

Reference no.: 168.

Juice see: Winds (BOX: 28/14) 37/5 <emph render="italic">Jump Monk</emph> / Sy Johnson, arr. Full score; 27 leaves; 35.5 x 43.5 cm.

Note: Manuscript in pencil by Sy Johnson.

Reference no.: 041.

Access points:

Johnson, Sy 37/6 <emph render="italic">Jump Monk (#2)</emph>. Full score; 26 leaves; 36 x 42 cm.

Note: Manuscript in pencil, hand unknown.

Reference no.: 041.

9/17 <emph render="italic">Jump Monk (#2)</emph>. Instrumental parts; pagination varies; 32 cm.

Note: Copyist's manuscripts in ink and pencil, hand unknown.

Reference no.: 041.

9/18 <emph render="italic">Just for laughs saps</emph>. Lead sheet; 2 p.; 30.5 cm.

Note: Holograph in pencil.

Reference no.: 042.

9/19 <emph render="italic">Just for laughs saps</emph>. Instrumental parts; pagination varies; 30.5 cm.

Note: Copyist's manuscripts in ink. At bottom: © November 1974, Jazz Workshop, Inc.

Reference no.: 042.

9/20 <emph render="italic">Lass</emph>. Guitar and bass parts; 2 p.; 32 cm.

Note: Holographs in ink and pencil.

9/21 <emph render="italic">Laura</emph>. Instrumental parts; pagination varies; 32 cm.

Note: Holographs in pencil.

Reference no.: 196.

9/22 <emph render="italic">Letter ashes</emph>. Instrumental parts; 4 p.; 32 cm.

Note: Holographs in pencil.

9/23 <emph render="italic">Little Royal suite</emph>. Lead sheet; 2 leaves; 28 cm.

Note: Photocopy of copyist's manuscript. At head: June 1975, Jazz Workshop, Inc., NYC, NY.

Reference no.: 043, 116.

37/7 <emph render="italic">Little Royal suite (#26)</emph>. Condensed score; 25 leaves; 39.5 cm.

Note: Manuscript in pencil by Teo Macero (Intro., pages 1-2); the remainder arranged and scored by C. Mingus. Pages 1 and 2 are penned in full score form.

Reference no.: 043.

37/8 <emph render="italic">Little Royal suite (#26)</emph>. Full score, "coda"; 3 leaves; 35.5 x 43 cm.

Note: Copyist's manuscript in pencil by Sy Johnson.

Reference no.: 043.

37/9 <emph render="italic">Little Royal suite (#26)</emph>. Full score, "insert"; 9 leaves; 35.5 x 43 cm.

Note: Copyist's manuscript in pencil by Sy Johnson.

Reference no.: 043.

9/24-25 <emph render="italic">Little Royal suite (#26)</emph>. Instrumental parts; pagination varies; 32 cm. (2 folders).

Note: Copyist's manuscripts in ink and pencil.

Reference no.: 043.

10/1 <emph render="italic">Lonesome woman blues</emph>. Lead sheet; 1 p.; 30 cm.

Note: Photocopy of holograph. Marked at head: 148. In typescript: Di Charles Mingus - Edizioni Blue Team Music.

10/2 <emph render="italic">Los Mariachis</emph>. Lead sheet; 2 leaves; 35.5 cm.

Note: Photocopy of holograph.

10/3 <emph render="italic">Love chant</emph>. Lead sheet; 1 p.; 30.5 cm.

Note: Copyist's manuscript in ink. At bottom: © Chaz Mar Music, 19--.

10/4 <emph render="italic">Love is a dangerous necessity</emph>. Instrumental parts (incomplete); 3 leaves; 32 cm.

Note: Copyist's manuscripts in ink. At bottom: © June 1972, Jazz Workshop, Inc., NYC, NY.

Reference no.: 242.

37/10 <emph render="italic">Love's fury</emph>. Full score (incomplete); 1 p.; 30.5 x 40.5 cm.

Note: Holograph in pencil.

Reference no.: 044.

10/5 <emph render="italic">Love's fury</emph>. Instrumental parts; pagination varies; 32 cm.

Note: Holographs in ink and pencil.

Reference no.: 044.

10/6 <emph render="italic">Make believe</emph>. Full score; 9 leaves; 28 x 35.5 cm.

Note: Holograph in pencil.

Reference no.: 062.

37/11 <emph render="italic">Make believe</emph>. Full score (incomplete); 9 leaves; 30.5 x 40.5 cm.

Note: Copyist's manuscript in pencil. Last page of score missing.

Reference no.: 063.

10/7 <emph render="italic">Make believe</emph>. Instrumental parts; pagination varies; 31.5 cm.

Note: Holographs in ink and pencil.

Reference no.: 062.

10/8 <emph render="italic">Make believe</emph>. Instrumental parts; pagination varies; 31.5 cm.

Note: Copyist's manuscripts in ink and pencil.

Reference no.: 063.

10/9 <emph render="italic">Make believe</emph>. Song lyrics; 3 p.; 31.5 cm.

Holograph in pencil.

Reference no.: 062, 063.

37/12 <emph render="italic">Make me know it</emph>. Full score; 12 leaves; 34.5 x 43.5 cm.

Note: Copyist's manuscript in pencil.

Reference no.: 104.

37/13 <emph render="italic">Make me know it</emph>. Full score; 12 leaves; 35.5 x 43.5 cm.

Note: Deshan (thermofax) copy of manuscript score.

Reference no.: 284.

10/10 <emph render="italic">Make me know it</emph>. Instrumental parts; pagination varies; 32 cm.

Note: Copyist's manuscripts in ink.

Reference no.: 104, 284.

10/11 <emph render="italic">The nan who never sleeps</emph> / by Charles Mingus and Sy Johnson. Full score; 9 p.; 34 cm.

Note: Holograph in pencil and ink.

Reference no.: 048.

Access points:

Johnson, Sy Mingus, Charles 10/12 <emph render="italic">The man who never sleeps</emph> / by Charles Mingus and Sy Johnson. Condensed score; 3 leaves; 28 cm.

Note: Photocopy of holograph.

Reference no.: 204.

Access points:

Johnson, Sy Mingus, Charles 10/13 <emph render="italic">The man who never sleeps</emph> / by Charles Mingus and Sy Johnson. Lead sheets; 3 leaves; 33 cm.

Note: Copyist's manuscripts in ink.

Reference no.: 048.

Access points:

Johnson, Sy Mingus, Charles 10/14 <emph render="italic">The man who never sleeps</emph> / by Charles Mingus and Sy Johnson. Instrumental parts; pagination varies; various sizes.

Note: Holographs and copyist's manuscripts in ink and pencil.

Reference no.: 048.

Access points:

Johnson, Sy Mingus, Charles 10/15 <emph render="italic">Meditation #15)</emph>. Instrumental parts; pagination varies; 32 cm.

Note: Holographs in ink and pencil.

Reference no.: 049.

10/16 <emph render="italic">Meditations for Moses</emph>. Lead sheet; 1 p.; 35.5 cm.

Note: Photocopy of holograph. At bottom: November 1976, © Jazz Workshop, Inc.

10/17 <emph render="italic">Meditations on integration</emph>. Lead sheet; 2 leaves; 35.5 cm.

Note: Photocopy of holograph.

10/18 <emph render="italic">Mike & Tike</emph>. Lead sheet; 3 p.; 27 cm.

Note: Photocopy of copyist's manuscript.

10/19 <emph render="italic">Mind-readers convention</emph>. Condensed score; 7 p.; 32 cm.

Note: Photocopy of holograph.

10/20 <emph render="italic">Mind-readers convention</emph>. Instrumental parts; pagination varies; 32 cm.

Note: Holographs in ink and pencil.

10/21 <emph render="italic">Mingus dances</emph>. <emph render="italic">No. 1 : Pithecanthropus erectus</emph> / Alan Raph, arr. Instrumental parts; pagination varies; 32 cm. (folder 1 of 2).

Note: Ozalids of copyists' manuscripts in ink with pencil markings.

Reference no.: 246.

Access points:

Raph, Alan 11/1 <emph render="italic">Mingus dances</emph>. <emph render="italic">No. 1 : Pithecanthropus erectus</emph> / Alan Raph, arr. Instrumental parts; pagination varies; 32 cm. (folder 2 of 2).

Note: Ozalids of copyists' manuscripts in ink with pencil markings.

Reference no.: 246.

Access points:

Raph, Alan 11/2-4 <emph render="italic">Mingus dances</emph>. <emph render="italic">No. 1 : Pithecanthropus erectus</emph> / Alan Raph, arr. Instrumental parts; pagination varies; 28 cm. (3 folders).

Note: Photocopies of copyist's manuscripts.

Reference no.: 246.

Access points:

Raph, Alan 11/5 <emph render="italic">Mingus dances</emph>. <emph render="italic">No. 2 : O.P. (Oscar Pettiford)</emph> / Jaki Byard, arr. Full score; 20 p.; 34 cm.

Note: Holograph in ink and pencil; performance notes written throughout the score.

Reference no.: 247.

Access points:

Mingus, Charles Byard, Jaki 11/6-7 <emph render="italic">Mingus dances</emph>. <emph render="italic">No. 2 : O.P. (Oscar Pettiford)</emph> / Alan Raph, arr. Instrumental parts; pagination varies; 32 cm. (2 folders).

Note: Ozalids of copyists' manuscripts in ink with pencil markings.

Reference no.: 247.

Access points:

Raph, Alan 11/8-9 <emph render="italic">Mingus dances</emph>. <emph render="italic">No. 2 : O.P. (Oscar Pettiford)</emph> / Alan Raph, arr. Instrumental parts; pagination varies; 28 cm. (2 folders).

Note: Photocopies of copyists' manuscripts.

Reference no.: 247.

Access points:

Raph, Alan 12/1-3 <emph render="italic">Mingus dances</emph>. <emph render="italic">No. 3 : Myself when I am real</emph> / Alan Raph, arr. Instrumental parts; pagination varies; 32 cm. (3 folders).

Note: Ozalids of copyists' manuscripts in ink with pencil markings.

Reference no.: 248.

Access points:

Raph, Alan 12/4-6 <emph render="italic">Mingus dances</emph>. <emph render="italic">No. 3 : Myself when I am real</emph> / Alan Raph, arr. Instrumental parts; pagination varies; 28 cm. (3 folders).

Note: Photocopies of copyists' manuscripts.

Reference no.: 248.

Access points:

Raph, Alan 13/1-2 <emph render="italic">Mingus dances</emph>. <emph render="italic">No. 4 : Freedom</emph> / Alan Raph, arr. Instrumental parts; pagination varies; 32 cm. (2 folders).

Note: Ozalids of copyists' manuscripts in ink with pencil markings.

Reference no.: 250.

Access points:

Raph, Alan 13/3-4 <emph render="italic">Mingus dances</emph>. <emph render="italic">No. 4 : Freedom</emph> / Alan Raph, arr. Instrumental parts; pagination varies; 28 cm. (2 folders).

Note: Photocopies of copyist's manuscripts.

Reference no.: 250.

Access points:

Raph, Alan 13/5 <emph render="italic">Mingus dances</emph>. <emph render="italic">No. 5 : Half-mast inhibition</emph>. Lead sheet; 1 p.; 29.5 cm.

Note: Photocopy of holograph. Marked at head: 142. In typescript: Di Charles Mingus - Edizioni Blue Team Music.

Reference no.: 251.

13/6 <emph render="italic">Mingus dances</emph>. <emph render="italic">No. 5 : Half mast inhibition ("ballet suite")</emph> / Jaki Byard, arr. Full score; 18 leaves; 33 cm.

Note: Photocopy of copyist's manuscript in ink, reversed.

Reference no.: 251.

Access points:

Byard, Jaki 13/7 <emph render="italic">Mingus dances</emph>. <emph render="italic">No. 5 : Half mast inhibition</emph>. Condensed score; 8 p.; 31 cm.

Note: Holograph in ink and pencil.

Reference no.: 251.

13/8 <emph render="italic">Mingus dances</emph>. <emph render="italic">No. 5 : Half mast inhibition</emph>. Piano-conductors' score; 3 leaves; 31 cm.

Note: Holograph in pencil.

Reference no.: 251.

13/9 <emph render="italic">Mingus dances</emph>. <emph render="italic">No. 5 : Half mast inhibition</emph>. Piano transcription; 7 leaves; 35.5 cm.

Note: Photocopy of holograph.

Reference no.: 251.

13/10-12 <emph render="italic">Mingus dances</emph>. <emph render="italic">No. 5 : Half-mast inhibition</emph> / Alan Raph, arr. Instrumental parts; pagination varies; 32 cm. (3 folders).

Note: Ozalids of copyist's manuscripts in ink and pencil.

Reference no.: 251.

Access points:

Raph, Alan 14/1-3 <emph render="italic">Mingus dances</emph>. <emph render="italic">No. 5 : Half-mast inhibition</emph> / Alan Raph, arr. Instrumental parts; pagination varies; 28 cm. (3 folders).

Note: Photocopies of copyist's manuscripts.

Reference no.: 251.

Access points:

Raph, Alan 14/4-5 <emph render="italic">Mingus dances</emph>. <emph render="italic">No. 6 : Dizzy's moods</emph> / Alan Raph, arr. Instrumental parts; pagination varies; 32 cm. (2 folders).

Note: Ozalids of copyist's manuscript in ink and pencil.

Reference no.: 252.

Access points:

Raph, Alan 14/6-7 <emph render="italic">Mingus dances</emph>. <emph render="italic">No. 6 : Dizzy's moods</emph> / Alan Raph, arr. Instrumental parts; pagination varies; 28 cm. (2 folders).

Note: Photocopies of copyist's manuscripts.

Reference no.: 252.

Access points:

Raph, Alan 14/8 <emph render="italic">Mingus dances</emph>. <emph render="italic">No. 7 : Alice on wonderland (INA)</emph>. Lead sheet; 1 p.; 31 cm.

Note: Holograph in pencil. On verso: the tune Boogie-woogie.

Reference no.: 253.

14/9 <emph render="italic">Mingus dances</emph>. <emph render="italic">No. 7 : Alice in wonderland (ballad)</emph>. Chord chart; 1 p.; 31.5 cm.

Note: Holograph in ink. On verso: the tunes Nostalgia on Times Square; Shadows, and Girl of my dreams.

Reference no.: 253.

14/10 <emph render="italic">Mingus dances</emph>. <emph render="italic">No. 7 : Diane</emph>. Lead sheet (I); 1 p.; 30.5 cm.

Note: Holograph in pencil.

Reference no.: 253.

14/11 <emph render="italic">Mingus dances</emph>. <emph render="italic">No. 7 : Diane</emph>. Lead sheet (II); 1 p.; 30.5 cm.

Note: Holograph in ink.

Reference no.: 253.

14/12 <emph render="italic">Mingus dances</emph>. <emph render="italic">No. 7 : Diane</emph>. Lead sheet (III); 1 p.; 28 cm.

Note: Photocopy of holograph.

Reference no.: 253.

14/13 <emph render="italic">Mingus dances</emph>. <emph render="italic">No. 7 : Diane</emph>. Chord chart; 1 p.; 31.5 cm.

Note: Holograph in ink.

Reference no.: 253.

14/14 <emph render="italic">Mingus dances</emph>. <emph render="italic">No. 7 : Diane (ballet suite)</emph> / Jaki Byard, arr. Full score (incomplete); 7 p.; 34 cm.

Note: Copyist's manuscript in pencil.

Reference no.: 128.

Access points:

Byard, Jaki 14/15 <emph render="italic">Mingus dances</emph>. <emph render="italic">No. 7 : Diane (Alice's wonderland)</emph>. Instrumental parts; pagination varies; various sizes.

Note: Holographs in ink and pencil and photocopy of one instrumental part. On verso of the trumpet part: the tune Prayer meeting.

Reference no.: 221.

14/16-17 <emph render="italic">Mingus dances</emph>. <emph render="italic">No. 7 : Diane</emph> / Alan Raph, arr. Instrumental parts; pagination varies; 31.5 cm. (2 folders).

Note: Copyist's manuscripts in ink with pencil and crayon markings.

Reference no.: 253.

Access points:

Raph, Alan 15/1-2 <emph render="italic">Mingus dances</emph>. <emph render="italic">No. 7 : Diane</emph> / Alan Raph, arr. Instrumental parts; pagination varies; 28 cm. (2 folders).

Note: Photocopies of copyist's manuscripts.

Reference no.: 253.

Access points:

Raph, Alan 15/3 <emph render="italic">Mingus dances</emph>. <emph render="italic">No. 7 : Dianeland (Eatland ; Mingus, Op. 1959)</emph>. Condensed score; 14 p.; 36 cm.

Note: Copyist's manuscript in ink in unknown hand with pencil holograph markings. Three titles at head: 1) Dianeland; 2) Eatland; 3) Mingus - Opus 1959.

Reference no.: 253.

15/4 <emph render="italic">Mingus dances</emph>. <emph render="italic">No. 7 : Dianeland</emph>. Full score; [23] leaves; 21.5 x 28 cm.

Note: Photocopy of copyist's manuscript with red ink and pencil markings; unknown hand. Laid in: First page of manuscript full score in ink on transparent paper; unknown hand.

Reference no.: 253.

15/5-8 <emph render="italic">Mingus dances</emph>. <emph render="italic">No. 7 : Dianeland (adagio ma non troppo)</emph> / Alan Raph, arr. Instrumental parts; pagination varies; 32 cm. (4 folders).

Note: Copyist's manuscripts in ink with pencil and crayon markings.

Reference no.: 253.

Access points:

Raph, Alan 16/1 <emph render="italic">Mingus dances</emph>. <emph render="italic">No. 8 : Ysabel's table dance</emph> / by Charles Mingus and Alan Raph ; Sy Johnson, arr. Lead sheet; 3 leaves; 30 cm.

Note: Photocopy of holograph. At bottom of third p.: © Jazz Workshop, Inc., November 1976.

Reference no.: 254.

Access points:

Johnson, Sy Mingus, Charles Raph, Alan 16/2-3 <emph render="italic">Mingus dances</emph>. <emph render="italic">No. 8 : Ysabel's table dance</emph> / by Charles Mingus and Alan Raph ; Sy Johnson, arr. Instrumental parts; pagination varies; 32 cm. (2 folders).

Note: Copyist's manuscripts in ink and pencil.

Reference no.: 097.

Access points:

Johnson, Sy Mingus, Charles Raph, Alan 16/4-5 <emph render="italic">Mingus dances</emph>. <emph render="italic">No. 8 : Ysabel's table dance</emph> / Alan Raph, arr. Instrumental parts; pagination varies; 28 cm. (2 folders).

Note: Photocopies of copyist's manuscripts.

Reference no.: 254.

Access points:

Raph, Alan 16/6 <emph render="italic">Mingus dances</emph>. <emph render="italic">No. 9 : Haitian fight song</emph> / by Charles Mingus and Alan Raph. Full score; 5 leaves; 31.5 cm.

Note: Manuscript in pencil by Sy Johnson.

Reference no.: 255.

Access points:

Mingus, Charles Raph, Alan 16/7-8 <emph render="italic">Mingus dances</emph>. <emph render="italic">No. 9 : Haitian fight song</emph> / by Charles Mingus and Alan Raph ; Sy Johnson, arr. Instrumental parts; pagination varies; 32 cm. (2 folders).

Note: Copyists' manuscripts in ink with pencil markings; ozalid copies also included.

Reference no.: 255.

Access points:

Johnson, Sy Mingus, Charles Raph, Alan 17/1-2 <emph render="italic">Mingus dances</emph>. <emph render="italic">No. 9 : Haitian fight song</emph> / by Charles Mingus and Alan Raph ; Sy Johnson, arr. Instrumental parts; pagination varies; 28 cm. (2 folders).

Note: Photocopies of copyist's manuscripts.

Reference no.: 255.

Access points:

Johnson, Sy Mingus, Charles Raph, Alan 17/3 <emph render="italic">Mingus dances</emph>. <emph render="italic">No. 9 : Haitian fight song (#23)</emph>. Instrumental parts; pagination varies; 32 cm.

Note: Copyist's manuscript in ink and pencil.

Reference no.: 154.

17/4 <emph render="italic">Mingus fingers</emph>. See also: Harris + Mingus fingers Lead sheet; 1 p.; 29.5 cm.

Note: Photocopy of holograph. Marked at head: 151. In typescript: Di Charles Mingus - Edizioni Blue Team Music.

37/13 <emph render="italic">Mingus fingers (#7)</emph>. See also: Harris + Mingus fingers Full score; 19 leaves; 34.5 x 43.5 cm.

Note: Holograph in pencil with copyist's markings in regular and colored pencil.

Reference no.: 051.

17/5 <emph render="italic">Mingus fingers (#7)</emph>. See also: Harris + Mingus fingers Instrumental parts; pagination varies; 32 cm.

Note: Copyist's manuscript in ink and pencil.

Reference no.: 051.

17/6 <emph render="italic">Mingus's lo slo bluze</emph>. Instrumental parts; pagination varies; 32 cm.

Note: Copyist's manuscript in ink.

Reference no.: 050.

17/7 <emph render="italic">Minor intrusion</emph>. Lead sheet; 1 p.; 35.5 cm.

Note: Photocopy of copyist's manuscript. At bottom: © January, 1960, Jazz Workshop, Inc., New York, N.Y.

Reference no.: 157.

17/8 <emph render="italic">Minor intrusion</emph>. Instrumental parts; pagination varies; 32 cm.

Note: Copyist's manuscript in ink and pencil.

Reference no.: 157.

17/9 <emph render="italic">Miss Bliss</emph>. Instrumental parts; pagination varies; 31 cm.

Note: Holographs in ink and pencil; cello part written in ink by Hugo Vianello.

Reference no.: 110.

17/10 <emph render="italic">Miss Bliss</emph>. Instrumental parts; pagination varies; 31.5 cm.

Note: Copyist's manuscript in ink and pencil.

Reference no.: 109.

18/1 <emph render="italic">Modern jazz writer</emph>. Condensed score (sketch); 2 p.; 21 x 23.5 cm.

Note: Holographs in pencil.

Reference no.: 233.

18/2 <emph render="italic">Modern jazz writer</emph>. Piano part; 2 p.; 28 cm.

Note: Manuscript in ink in unknown hand, and holograph markings in pencil.

Reference no.: 233.

18/3 <emph render="italic">Modern rhythms</emph>. Condensed score; 2 p.; 31.5 cm.

Note: Holograph in pencil.

18/4 <emph render="italic">Montage</emph>. Cello part; 4 p.; 31.5 cm.

Note: Copyist's manuscript in ink with pencil markings.

Reference no.: 211.

18/5 <emph render="italic">Moon light</emph>. Lead sheet; 2 p.; 31.5 cm.

Note: Holograph in pencil. On verson: the tune Lett, scratched out.

18/6 <emph render="italic">My city</emph>. Chord chart; 1 p.; 32 cm.

Note: Holograph in pencil.

18/7 <emph render="italic">Myself when I am real</emph>. Lead sheet; 1 p.; 28 cm.

Note: Photocopy of holograph. Marked at head: 154. In typescript: Di Charles Mingus - Edizioni Blue Team Music.

Reference no.: 053.

37/14 <emph render="italic">Myself when I am real</emph>. Condensed score; 9 p.; 35.5 cm.

Note: Manuscript in ink by H.B. Miller, with holograph markings in pencil.

Reference no.: 053.

18/8 <emph render="italic">Myself when I am real</emph>. Condensed score; 9 leaves; 28 cm.

Note: Photocopy of manuscript in ink by H.B. Miller; photocopy is smaller in size than original and contains additional markings.

Reference no.: 053.

18/9 <emph render="italic">Myself when I am real</emph>. Clarinet part; 1 p.; 31.5 cm.

Note: Copyist's manuscript in ink.

Reference no.: 053.

18/10 <emph render="italic">N.B.C. documentary</emph> See also: Where does a man go to find peace Instrumental parts; pagination varies; 31.5 cm.

Note: Copyist's manuscript in ink with pencil markings.

Reference no.: 160.

18/11 <emph render="italic">Nacirema</emph>. Instrumental parts; pagination varies; 28 cm.

Note: Holographs in pencil.

Reference no.: 236.

38/1 <emph render="italic">New Foundland</emph>. Full score; 24 leaves; 39 cm.

Note: Holograph in pencil.

Reference no.: 054.

18/12 <emph render="italic">New York sketch book</emph>. Lead sheet; 1 p.; 28 cm.

Note: Photocopy of holograph. Marked at head: 156. In typescript: Di Charles Mingus - Edizioni Blue Team Music.

18/13 <emph render="italic">No. 1</emph>. Instrumental parts; pagination varies; 32 cm.

Note: Copyist's manuscript in ink and pencil.

Reference no.: 058.

38/2 <emph render="italic">No. 1 grandson</emph> / Sy Johnson, arr. Full score; 7 leaves; 36 x 43.5 cm.

Note: Manuscript in pencil by Sy Johnson.

Reference no.: 045.

Access points:

Johnson, Sy 18/14 <emph render="italic">No. 1 grandson (#16)</emph> / Sy Johnson, arr. Instrumental parts; pagination varies; 32 cm.

Note: Copyist's manuscript in ink with pencil markings.

Reference no.: 045.

Access points:

Johnson, Sy 18/15 <emph render="italic">No. 2 (rebop and bebop)</emph>. Instrumental parts; pagination varies; 32 cm.

Note: Copyist's manuscript in ink and pencil.

Reference no.: 046.

18/16 <emph render="italic">No. 3 (opus 3)</emph>. Chord chart; 1 p.; 32 cm.

Note: Copyist's manuscript in ink and pencil.

Reference no.: 059.

18/17 <emph render="italic">No. 3 (opus 3)</emph>. Instrumental parts; pagination varies; various sizes.

Note: Holograph and copyist's manuscripts in ink.

Reference no.: 059.

18/18 <emph render="italic">No where</emph>. Instrumental parts; pagination varies; 32 cm.

Note: Holographs in ink and pencil.

Reference no.: 188.

18/19 <emph render="italic">Nobody knows the Bradley I know</emph>. Lead sheet; 2 leaves; 28 cm.

Note: Photocopy of holograph. At bottom: © April 1975, Jazz Workshop, Inc.

Reference no.: 122.

38/3 <emph render="italic">Nobody knows</emph> [<emph render="italic">the Bradley I know</emph>]. Full score (incomplete); [6] p.; 28 x 43.5 cm.

Note: Copyist's manuscript in pencil.

Reference no.: 122.

18/20 <emph render="italic">Nobody knows</emph> [<emph render="italic">the Bradley I know</emph>]. Instrumental parts; pagination varies; 32 cm.

Note: Copyist's manuscript in ink with pencil markings.

Reference no.: 122.

18/21 <emph render="italic">Noddin' ya head blues</emph>. Lead sheet; 1 p.; 31.5 cm.

Note: Copyist's manuscript in ink.

Reference no.: 056, 057, 224.

38/4 <emph render="italic">Noddin' ya head</emph> [<emph render="italic">blues</emph>]. Full score; 2 p.; 28 x 43.5 cm.

Note: Manuscript in pencil by Paul Jeffrey.

Reference no.: 056.

18/22 <emph render="italic">Noddin' ya head blues</emph>. Instrumental parts; pagination varies; various sizes.

Note: Holographs in ink and pencil, and photocopies of holographs.

Reference no.: 057.

18/23 <emph render="italic">Noddin' ya head blues</emph> / Sy Johnson, arr. Instrumental parts; pagination varies; 32 cm.

Note: Copyist's manuscrip mt in ink with markings in pencil.

Access points:

Johnson, Sy 38/5 [<emph render="italic">Nostalgia in Times Square</emph>] <emph render="italic">(Strollin')</emph> / Sy Johnson, arr. Full score; 16 leaves; 36 x 43 cm.

Note: Manuscript in pencil by Sy Johnson. Title at head: Strollin'.

Reference no.: 148.

Access points:

Johnson, Sy 18/24 [<emph render="italic">Nostalgia in Times Square</emph>] <emph render="italic">(Strollin')</emph> / Sy Johnson, arr. Instrumental parts; pagination varies; 32 cm.

Note: Copyist's manuscript in ink with pencil markings.

Reference no.: 149.

Access points:

Johnson, Sy 18/25 <emph render="italic">Nourog</emph>. Lead sheet; 1 p.; 28 cm.

Note: Photocopy of holograph. Marked at head: 157. In typescript: Di Charles Mingus - Edizioni Blue Team Music.

Reference no.: 047, 272, 283.

43/7 <emph render="italic">Nouroog</emph>. Full score; 19 leaves; 53.5 cm.

Note: Deshan (thermofax) copy of copyist's manuscript.

Reference no.: 283.

18/26 <emph render="italic">Nouroog</emph>. Instrumental parts; pagination varies; 32 cm.

Note: Copyist's manuscript in ink with pencil markings.

Reference no.: 047.

18/27 <emph render="italic">O.P. (also "O.P. Jr.")</emph> Lead sheet; 1 p.; 35.5 cm.

Note: Photocopy of copyist's manuscript. At bottom: © June, 1974, Jazz Workshop, Inc., New York, NY.

Reference no.: 155, 273.

38/6-7 <emph render="italic">O.P.</emph> Full score; 29 leaves, in 2 folders; 43.5 cm.

Note: Deshan (thermofax) copy of copyist's mauscript.

Reference no.: 273.

19/1 <emph render="italic">Of love, pain, and passioned revolt ...</emph>. Lead sheet; 1 p.; 28 cm.

Note: Photocopy of holograph. Full title: Of love, pain, and passioned revolt, then farewell my beloved until it's Freedom Day.

19/2 <emph render="italic">Oh Lord, don't let them drop that atomic bomb on me</emph>. Lead sheet; 1 p.; 28 cm.

Note: Photocopy of holograph. At bottom: © Nov. 1976, Jazz Workshop, Inc., NYC, NY.

19/3 <emph render="italic">Once upon a time there was a holding corporation called Old America</emph>. Trumpet 1 part; 1 p.; 32 cm.

Note: Holograph in pencil.

19/4 <emph render="italic">Open letter to Duke</emph>. Instrumental parts; pagination varies; 32 cm.

Note: Copyist's manuscript in ink and pencil.

Reference no.: 240.

19/5 <emph render="italic">Opus 4</emph>. Lead sheet; 1 p.; 35.5 cm.

Note: Photocopy of holograph. At bottom: © Jan. 1975, Jazz Workshop, Inc., NYC, NY.

19/6 <emph render="italic">Orange</emph>. Lead sheet; 1 p.; 32.5 cm.

Note: Photocopy of holograph.

19/7 <emph render="italic">Orange</emph>. Instrumental parts; pagination varies; various sizes.

Note: Holographs in ink with pencil markings.

19/8 <emph render="italic">Orange was the color of her dress, then pink</emph>. Lead sheet; 1 p.; 28 x 35.5 cm.

Note: Holograph in ink with pencil markings.

Reference no.: 060.

19/9 <emph render="italic">Orange (also orange was the color of her dress, then silk blues)</emph>. Lead sheet; 1 p.; 35.5 cm.

Note: Photocopy of holograph. At bottom: © January 1975, Jazz Workshop, Inc., NYC, NY.

Reference no.: 060.

19/10 <emph render="italic">Orange orange was the color of her dress, then silk blues</emph>. Instrumental parts; pagination varies; various sizes.

Note: Holographs in ink and pencil, photocopies of holographs, and copyist's manuscripts.

Reference no.: 060.

38/8 <emph render="italic">Osmotin</emph>. Full score; 21 leaves; 53.5 cm.

Note: Deshan (thermofax) copy of holograph. Alternate title: Monk, Bunk, and visa versa.

Reference no.: 278.

38/9 <emph render="italic">Our last kiss</emph>. Full score (incomplete); 5 leaves; 30.5 x 40.5 cm.

Note: Holograph in pencil.

Reference no.: 137.

19/11 <emph render="italic">Pansies</emph>. Condensed score; 2 p.; 32 cm.

Note: Holograph in pencil.

19/12 <emph render="italic">Paris in blue</emph>. Piano part (incomplete); 1 p.; 32 cm.

Note: Holograph in ink.

Reference no.: 183.

19/13 <emph render="italic">Parkeriana</emph>. Lead sheet; 1 p.; 28 cm.

Note: Photocopy of holograph.

19/14 <emph render="italic">Part II - of what?</emph> Condensed score; 9 p.; 32 cm.

Note: Copyist's manuscript in ink with pencil markings.

19/15 <emph render="italic">Passions of a women loved</emph>. Lead sheet; 3 leaves; 31.5 cm.

Note: Copyist's manuscript in ink.

Reference no.: 180.

19/16 <emph render="italic">Passions of a women loved</emph>. Chord chart; 8 p.; various sizes.

Note:L Holograph in pencil.

Reference no.: 180.

19/17 <emph render="italic">Peddal point blues</emph>. Lead sheet; 1 p.; 28 cm.

Note: Photocopy of holograph. Marked at head: 160. In typescript: Di Charles Mingus - Edizioni Blue Team Music.

19/18 <emph render="italic">Peggy's blue skylight</emph>. Lead sheet; 2 leaves; 32 cm.

Note: Photocopy of holograph and photocopy of copyist's manuscript. At bottom of copyist's manuscript: © October 1960, Jazz Workshop, Inc.

Reference no.: 061.

19/19 <emph render="italic">Peggy's blue skylight</emph>. Condenzed score; 1 p.; 35.5 cm.

Note: Photocopy of holograph.

Reference no.: 061.

19/20 <emph render="italic">Peggy's blue skylight</emph>. Instrumental parts; pagination varies; various sizes.

Note: Holographs in ink and pencil, copyist's manuscripts in ink and pencil, and photocopies.

Reference no.: 061.

19/21 <emph render="italic">Percussion discussion</emph>. Lead sheet; 1 p.; 28 cm.

Note: Photocopy of holograph. At bottom: © Jazz Workshop, Inc., December 7, 1976.

Reference no.: 107.

44/1 <emph render="italic">Percussion discussion (Percussion day)</emph>. Full score; 22 leaves; various sizes.

Note: Copyist's manuscript in pencil and ink.

Reference no.: 107.

19/22 <emph render="italic">Percussion discussion</emph>. Instrumental parts; pagination varies; various sizes.

Note: Copyist's manuscript in ink; includes photocopies.

Reference no.: 107.

39/1 <emph render="italic">Pilobolus</emph>. Full score; 11 p.; 28.5 x 43.5 cm.

Note: Copyist's manuscript in pencil with some markings in ink.

Reference no.: 064.

19/23 <emph render="italic">Pilobolus</emph>. Instrumental parts; pagination varies; various sizes.

Note: Holographs and copyist's manuscripts in ink and pencil.

Reference no.: 064.

39/2-3 <emph render="italic">Please don't come back from the moon</emph>. Full score; 22 leaves, in 2 folders; 34 x 46 cm.

Note: Deshan (thermofax) copy of copyist's manuscript. This item is seriously damaged and requires conservation treatment.

Reference no.: 287.

19/24 <emph render="italic">Please don't come back from the moon</emph>. Piano part; 4 p.; 31.5 cm.

Note: Copyist's manuscript and holograph in ink and pencil.

Reference no.: 023.

39/4 <emph render="italic">Please don't come back from the moon (section II)</emph>. Full score; 15 leaves; 53 cm.

Note: Deshan (thermofax) copy of copyist's manuscript.

Reference no.: 276.

19/25 <emph render="italic">Please - play</emph>. Tenor part; 1 p.; 27 cm.

Note: Holograph in pencil.

20/1 <emph render="italic">Portrait</emph>. Lead sheets (2 versions); 2 leaves; various sizes.

Note: Copyist's manuscripts in pencil; one version in the hand of Sabu Adeyola, the other in the hand of Jimmy Knepper.

Reference no.: 065, 066, 067, 140.

20/2 <emph render="italic">Portrait</emph>. Lead sheet (fragment); 2 p.; 32.5 cm.

Note: Holograph in pencil.

Reference no.: 067.

20/3 <emph render="italic">Portrait</emph>. Chord chart; 1 p.; 30.5 cm.

Note: Holograph in ink. On verso: chord chart for the tune Orange.

Reference nos.: 065, 066, 067, 140.

20/4 <emph render="italic">Portrait</emph>. Condensed score; 2 p.; 28 cm.

Note: Copyist's manuscript in ink and colored pencil in the hand of Bill Furioso.

Reference nos.: 065, 066, 067, 140.

20/5 <emph render="italic">Portrait</emph>. Full score; 7 leaves; 26.5 x 56 cm.

Note: Holograph in regular and colored pencil and ink.

Reference no.: 208.

20/6 <emph render="italic">Portrait</emph>. Full score; 13 p.; 34 cm.

Note: Holograph in pencil with holograph markings in pencil.

Reference no.: 065.

39/5 <emph render="italic">Portrait</emph> / Sy Johnson, arr. Full score; 8 leaves; 35.5 x 43 cm.

Note: Manuscript in pencil by Sy Johnson.

Access points:

Johnson, Sy 20/7 <emph render="italic">Portrait</emph>. Instrumental parts; pagination varies; 32 cm.

Note: Copyist's manuscript in ink; one cello part on transparent paper.

Reference no.: 067.

20/8 <emph render="italic">Portrait (#9)</emph>. Full score; [6] leaves; 28.5 x 35.5 cm. (in mylar).

Note: Holograph in pencil with holograph markings in colored pencil.

Reference no.: 140.

20/9 <emph render="italic">Portrait (#9)</emph>. Instrumental parts; pagination varies; various sizes.

Note: Holographs and copyist's manuscripts in ink and pencil.

Reference no.: 066.

20/10 <emph render="italic">Portrait (insert)</emph>. Instrumental parts; pagination varies; various sizes.

Note: Holographs in ink with holograph pencil markings.

20/11 <emph render="italic">Portrait (Make believe)</emph>. Lead sheet; 1 p.; 32 cm.

Note: Photocopy of holograph.

20/12 [<emph render="italic">Portrait (variation)</emph>]. Trumpet part; 1 p.; 31.5 cm.

Note: Holograph in pencil.

20/13 <emph render="italic">Prayer for passive resistance</emph>. Lead sheet; 1 p.; 35.5 cm.

Note: Photocopy of holograph. At bottom: © Jazz Workshop, Inc., November 1976, NYC, NY.

39/6 <emph render="italic">Prisoner of love</emph>. Full score; 6 leaves; 35.5 x 40.5 cm.

Note: Copyist's manuscript in pencil.

Reference no.: 069.

20/14 <emph render="italic">Profile of Jackie</emph>. Lead sheet; 1 p.; 27 cm.

Note: Photocopy of holograph. Marked at head: 116. Stamped: Blue Team Music Ed. Mus.

20/15 <emph render="italic">Profile of Jackie McLean</emph>. Lead sheet (alto sax part); 2 p.; 27.5 cm.

Note: Holograph in ink with holograph pencil markings. On verso: Chord progressions to unknown composition, possibly Profile of Jackie McLean.

20/16 <emph render="italic">Purple heart</emph>. Lead sheet; 2 leaves; 27.5 cm.

Note: Photocopy of holograph. At bottom of second p.: © February 1976, Jazz Workshop, Inc.

Reference no.: 070.

20/17-18 <emph render="italic">Purple heart (#24)</emph>. Instrumental parts; pagination varies; 32 cm. (2 folders).

Note: Copyist's manuscript in ink and colored pencil.

Reference no.: 070.

20/19 <emph render="italic">Pussy cat dues</emph>. Lead sheet; 1 p.; 27.5 cm.

Note: Photocopy of copyist's manuscript. At bottom: © September 1975, Jazz Workshop, Inc.

20/20 <emph render="italic">Reincarnation</emph> [<emph render="italic">of a lovebird</emph>]. Piano score and lead sheet; 3 p.; 32 cm.

Note: Photocopy of copyist's manuscript in unknown hand.

Reference no.: 072.

20/21 <emph render="italic">Reincarnation of a lovebird</emph>. Lead sheets "A" and "B"; 1 + 1 p.; 28 cm.

Note: Photocopy of two manuscripts in unknown hand. Lead sheet "A" marked at bottom in pencil: Woman's key. Lead sheet "B" unmarked.

Reference no.: 072.

20/22 [<emph render="italic">Reincarnation of a lovebird</emph>]. Lead sheet, with chord indications; 1 p.; 27.5 cm.

Note: Manuscript in ink by Bill Furioso. Title at head: "Changes to Lovebird".

Reference no.: 072.

20/23 <emph render="italic">Reincarnation of a lovebird</emph>. Instrumental parts; pagination varies; various sizes.

Note: Holographs in ink and pencil with holograph markings in pencil and ink, photocopies of holographs, copyist's manuscripts in ink and pencil, and photocopies of copyist's manuscripts.

Reference no.: 072.

21/1 <emph render="italic">Reincarnation of a lovebird (#22)</emph>. Instrumental parts; pagination varies; 32 cm.

Note: Copyist's manuscripts in ink with red pencil markings.

Reference no.: 071.

21/2 <emph render="italic">Remember Rockefeller at Attica</emph>. Trumpet part; 1 p.; 31 cm.

Note: Holograph in ink.

Reference no.: 223.

21/3 [<emph render="italic">Remember Rockefeller at Attica (Just for laughs saps)</emph>]. Condensed score; 2 leaves; 31.5 cm.

Note: Photocopy of holograph. At head: Alternate title Just for laughs scatched out.

Reference no.: 293.

21/4 [<emph render="italic">Remember Rockefeller at Attica (Just for laughs saps)</emph>]. Chord chart; 2 leaves 32 cm.

Note: Photocopy of holograph.

Reference no.: 293.

21/5 [<emph render="italic">Remember Rockefeller at Attica</emph>] <emph render="italic">(Just for laughs saps)</emph>. Instrumental parts; 2 leaves; various sizes.

Note: Photocopies of copyist's manuscipts; notation and markings in unknown hand. At head: Just for laughs.

Reference no.: 293.

21/6 <emph render="italic">Revelations</emph>. Lead sheet; 7 leaves; 35.5 cm.

Note: Photocopy of holograph. At bottom of first leaf: © Nov. 1976, Jazz Workshop, Inc., NYC, NY.

Reference no.: 073.

21/7 <emph render="italic">Rhapsody ever after</emph>. Drum part; 2 p.; 32 cm.

Note: Copyist's manuscript with holograph markings in ink and colored pencil.

21/8 <emph render="italic">Roland Kirk's message</emph>. Lead sheet; 1 p.; 35.5 cm.

Note: Photocopy of holograph. At bottom: © Jazz Workshop, Inc., November 1976, NYC, NY.

21/9 <emph render="italic">Rotatin'</emph>. Condensed score; 2 p.; 31 cm.

Note: Holograph in pencil.

21/10 <emph render="italic">Saint and sinner join in merriment on battle front</emph> : from <emph render="italic">The black saint</emph>. Lead sheet; 1 p.; 28 cm.

Note: Photocopy of copyist's manuscript in unknown hand. At bottom: © Dec. 1975, Jazz Workshop., Inc., New York, NY.

21/11 <emph render="italic">Sally wanna doodle all day</emph>. Instrumental parts; pagination varies; 32 cm.

Note: Holograph in pencil.

Reference no.: 237.

21/12 <emph render="italic">Scenes in the city</emph>. Lead sheet; 1 p.; 27.5 cm.

Note: Photocopy of holograph. Marked at head: 163. In typescript: Di Charles Mingus - Edizioni Blue Team Music. Stamped: Blue Team Music Ed. Mus.

39/7 <emph render="italic">School boy</emph>. Condensed score; 3 leaves; 39.5 cm.

Note: Holograph in pencil with ink markings.

Reference no.: 118.

21/13 <emph render="italic">School boy</emph>. Instrumental parts; pagination varies; 32 cm.

Note: Copyist's manuscript in ink and pencil.

Reference no.: 165.

21/14 [<emph render="italic">Search the beyond</emph>] : written "<emph render="italic">Search the beond</emph>". Condensed score; 1 p; 27.5 x 34.5 cm.

Note: Holograph in pencil. Item includes additional notation on attached pages.

21/15 <emph render="italic">Self-portrait in three colors</emph>. Lead sheet; 1 p.; 28 cm.

Note: Photocopy of holograph.

Reference no.: 074.

21/16 <emph render="italic">Self-portrait in three colors</emph>. Full score; 5 leaves; 22.5 x 34.5 cm.

Note: Photocopy of copyist's manuscript.

Reference no.: 074.

21/17 <emph render="italic">Self-portrait in three colors</emph>. Instrumental parts; pagination varies; 32 cm.

Note: Copyist's manuscripts in ink.

Reference no.: 074.

21/18 <emph render="italic">Self-portrait in three colors</emph>. Instrumental parts; pagination varies; various sizes.

Note: Holographs and copyist's manuscripts in ink.

Reference no.: 074.

21/19 <emph render="italic">Septemberly</emph>. Lead sheet; 1 p.; 28 cm.

Note: Photocopy of holograph. At bottom: © Jazz Workshop, Inc., December 7, 1976, New York, N.Y.

21/20 [<emph render="italic">Shadows - themes</emph>]. Trombone part; 5 p.; 32 cm.

Note: Holograph in ink and red pencil.

Reference no.: 219.

21/21 <emph render="italic">She's just Miss Popular hybrid</emph>. Lead sheet; 1 p.; 35.5 cm.

Note: Photocopy of holograph. At bottom: © Jazz Workshop, Inc., November 1976, New York, N.Y.

21/22 <emph render="italic">Shoes of the fisherman's wife : a.k.a. Once upon a time there was a holding corporation called Old America</emph>. Lead sheet; 2 leaves; 27.5 cm.

Note: Photocopy of copyist's manuscript. At bottom: © Dec. 1975, Jazz Workshop, Inc. NYC, NY.

Reference no.: 080, 081.

44/2 <emph render="italic">Shoes of the fisherman's wife</emph> / Sy Johnson, arr. Full score; 47 p.; 48.5 cm.

Note: Manuscript in pencil by Sy Johnson; includes photocopied pages.

Reference no.: 081.

Access points:

Johnson, Sy 39/8-9 <emph render="italic">Shoes of the fisherman's wife</emph> / Sy Johnson, arr. Full score; 46 leaves, in 2 folders; 35.5 x 43.5 cm.

Note: Photocopy of manuscript by Sy Johnson with markings in blue ink.

Reference no.: 081.

Access points:

Johnson, Sy 21/23-26 <emph render="italic">Shoes of the fisherman's wife</emph>. Instrumental parts; pagination varies; 32 cm. (4 folders).

Note: Copyist's manuscript in ink with color pencil markings.

Reference no.: 080.

22/1 <emph render="italic">Shuffle bass boogie</emph>. Lead sheet; 1 p.; 30.5 cm.

Note: Copyist's manuscript in ink. At bottom: © Sept. 1981, Jazz Workshop, Inc., New York, NY.

22/2 <emph render="italic">Sketch #1</emph> / music by Charles Mingus ; words by Susan Graham. Piano-vocal score; 6 p.; 32 cm.

Note: Copyist's manuscripts in ink and pencil; words in typescript. At bottom: © Jazz workshop, Inc., New York, 1978.

Reference no.: 075.

Access points:

Graham, Susan Mingus, Charles 22/3 <emph render="italic">Sketch #1</emph> / music by Charles Mingus ; words by Susan Graham. Piano-vocal score; 3 p.; 32 cm.

Note: Copyist's manuscript in ink; words in pencil.

Reference no.: 075.

Access points:

Graham, Susan Mingus, Charles 22/4 <emph render="italic">Sketch #1 (Sweet sucker dance)</emph>. Piano score; 3 p.; 32 cm.

Note: Copyist's manuscript in ink with holograph markings in pencil. At bottom: © Jazz Workshop, Inc.

Reference no.: 079.

22/5 <emph render="italic">Sketch #2</emph>. Piano score; 3 p.; 32 cm.

Note: Copyist's manuscripts in ink and pencil. At bottom: © Jazz Workshop, Inc., April 1978.

Reference no.: 206.

22/6 <emph render="italic">Sketch #2 (Fly away with me)</emph>. Piano-vocal score; 3 p.; 32 cm.

Note: Copyist's manuscripts in ink; words in typescript. At bottom: © Jazz Workshop, Inc., April 1978.

Reference no.: 289.

22/7 <emph render="italic">Sketch #3</emph>. Piano score; 6 p.; 32 cm.

Note: Copyist's manuscript in ink. At bottom: © Jazz Workshop, Inc., April 1978.

Reference no.: 076.

22/8 <emph render="italic">Sketch #4</emph>. Piano score; 6 leaves; 35.5 cm.

Note: Photocopy of copyist's manuscript. At bottom: © Jazz Workshop, Inc., April 1978.

Reference no.: 207.

22/9 <emph render="italic">Sketch #4 : 42nd street</emph>. See also: Some are Sioux Piano-vocal score; 6 p.; 32 cm.

Note: Copyist's manuscript in ink and typescript with markings in pencil. At bottom of page 1: © Jazz Workshop, Inc., April 1978.

Reference no.: 207.

22/10 <emph render="italic">Sketch #4 (Some are Sioux)</emph>. See also: Sketch #4 : 42nd street Trumpet part; 4 p.; 32 cm.

Note: Copyist's manuscript in ink with pencil markings.

Reference no.: 077.

22/11 <emph render="italic">Sketch #5</emph>. Piano score; 3 leaves; 35.5 cm.

Note: Photocopy of copyist's manuscript. At bottom: © Jazz Workshop, Inc., April 1978.

Reference no.: 217.

22/12 <emph render="italic">Sketches (1-6)</emph>. Lead sheet sketches; pagination varies; 17.5 x 19.5 cm. (in spiral bound notebook).

Note: Holographs in pencil.

Reference no.: 294.

22/13 <emph render="italic">Slop</emph>. Lead sheet; 1 p.; 28 cm.

Note: Photocopy of holograph.

Reference no.: 082.

22/14 <emph render="italic">Slop</emph>. Condensed score; 4 p.; 32 cm.

Note: Copyist's manuscript in pencil.

Reference no.: 082.

22/15 <emph render="italic">So long Eric (aka "Praying with Eric")</emph>. Lead sheet; 1 p.; 27.5 cm.

Note: Photocopy of copyist's manuscript. At bottom: © Jan. 1975, Jazz Workshop, Inc., NYC, NY.

40/1 <emph render="italic">Some are Sioux (Sketch #4)</emph> / Sy Johnson, arr. See also: Sketch #4 : 42nd street Full score; 16 leaves; 27.5 x 43 cm.

Note: Manuscript in pencil by Sy Johnson.

Reference no.: 077.

Access points:

Johnson, Sy 43/8 <emph render="italic">Something like a bird</emph>. Full score; 27 leaves; 39.5 x 43.5 cm.

Note: Copyist's manuscript in pencil with markings in ink.

Reference no.: 126.

40/2 <emph render="italic">Something like a bird</emph>. Full score; 27 p.; 35.5 x 44.5 cm. (spiral bound).

Note: Photocopy of copyist's manuscript score.

Reference no.: 078.

22/16 <emph render="italic">Something like a bird</emph>. Instrumental parts; pagination varies; 32.5 cm.

Note: Holographs in ink and pencil.

Reference no.: 078.

22/17 <emph render="italic">Song with orange</emph>. Lead sheet; 1 p.; 28 cm. (2 copies).

Note: Photocopy of holograph.

Reference no.: 225.

22/18 <emph render="italic">Song with orange</emph>. Trombone part; 2 p.; 31.5 cm.

Note: Copyist's manuscript in pencil.

Reference no.: 225.

40/3 <emph render="italic">The soul</emph>. Full score; 11 leaves; 54 cm.

Note: Deshan (thermofax) copy of copyist's manuscript.

Reference no.: 275.

22/19 <emph render="italic">(Soul fusion) freewoman and oh' this freedom's slave cries : from "Black saint...."</emph> Lead sheet; 1 p.; 28 cm.

Reference no.: 131.

22/20 <emph render="italic">Spiral bound manuscript</emph>. Miscellaneous sketches, scores, and lead sheets; 80 p.; 32 cm.

Note: Holograph in pencil.

Reference no.: 292.

22/21 <emph render="italic">Spur of the moment</emph>. Lead sheet; 1 p.; 35 cm.

22/22 <emph render="italic">Ssi-cla-cal</emph>. Full score; 3 leaves; 30.5 cm.

Note: Holograph in pencil.

Reference no.: 186.

22/23 <emph render="italic">Ssi-cla-cal</emph>. Instrumental parts; pagination varies; 30.5 cm.

Note: Holographs in pencil.

Reference no.: 186.

23/1 <emph render="italic">String quartet no. 1</emph> / words by Frank O'Hara. Lead sheet; 4 p.; 33 cm. (4 copies).

Note: Photocopy of holograph.

Reference no.: 088.

Access points:

Mingus, Charles O'Hara, Frank 23/2 <emph render="italic">String quartet no. 1</emph>. Condensed score; 14 p.; 32 cm.

Note: Holograph in pencil.

Reference no.: 088.

23/3 <emph render="italic">String quartet no. 1</emph>. Condensed score; 16 p.; 27.5 cm.

Note: Photocopy of copyist's manuscript. At head: To accompany Frank O'Hara poem.

Reference no.: 088.

23/4 <emph render="italic">String quartet no. 1</emph>. Instrumental parts; pagination varies; 32 cm.

Note: Holographs in ink with holograph pencil markings throughout.

Reference no.: 088.

23/5 <emph render="italic">String quartet no. 1</emph>. Instrumental parts; pagination varies; 32 cm.

Note: Photocopies of holographs ... see preceding Item 23/3.

Reference no.: 088.

23/6 <emph render="italic">Strollin' (also called Strollin' home)</emph>. Lead sheet; 1 p.; 27.5 cm.

Reference no.: 148, 149.

40/4 <emph render="italic">Subdued passion</emph>. Full score; 8 leaves; 35.5 x 43.5 cm.

Note: Deshan (thermofax) copy of manuscript in unknown hand.

Reference no.: 282.

23/7 <emph render="italic">Subdued passion - epitaph 1938-1940</emph>. Instrumental parts; pagination varies; 32 cm.

Note: Holographs in ink and pencil with holograph pencil markings.

Reference no.: 087.

23/8 <emph render="italic">Sue's changes</emph>. Instrumental parts; pagination varies; various sizes.

Note: Holographs in ink with holograph pencil markings; includes photocopies of tenor [sax] and piano psrts. At bottom of each page of holograph piano part: © December 1974, Jazz Workshop, Inc.

Reference no.: 226.

40/5 <emph render="italic">Sue's changes</emph> / Sy Johnson, arr. Full score; 17 leaves; 28 x 43.5 cm.

Note: Manuscript in pencil by Sy Johnson.

Reference no.: 084.

Access points:

Johnson, Sy 23/9 <emph render="italic">Sue's changes</emph> / Sy Johnson, arr. Lead sheet; 2 p.; 32 cm.

Note: Manuscript in ink by Sy Johnson.

Reference no.: 084.

Access points:

Johnson, Sy 23/10 <emph render="italic">Sue's changes</emph> / Sy Johnson, arr. Instrumental parts; pagination varies; various sizes.

Note: Photocopies of copyist's manuscripts. Arranged for Mingus Dynasty by Sy Johnson.

Reference no.: 084.

Access points:

Johnson, Sy 23/11 <emph render="italic">Sweet sucker dance</emph> / words by Joni Mitchell. Piano-vocal score; 12 p.; 32 cm.

Note: Copyist's manuscript in pencil with markings in red ink; hand unknown.

Reference no.: 079.

Access points:

Mitchell, Joni 23/12 <emph render="italic">Sweet sucker dance</emph>. Piano-vocal score (incomplete); 6 leaves; 32 cm.

Note: Photocopy of holograph. In upper left-hand corner: Words by Susan.

Reference no.: 079.

40/6 <emph render="italic">Swinging an echo</emph>. Full score; 5 leaves; 30.5 x 41 cm.

Note: Copyist's manuscript in pencil.

Reference no.: 127.

23/13 <emph render="italic">Swinging an echo</emph>. Instrumental parts; 4 leaves; 31.5 cm.

Note: Holographs in pencil and ink.

Reference no.: 127.

23/14 <emph render="italic">Take a chance</emph>. Full score (incomplete); 1 p.; 32 cm.

Note: Holograph in pencil. On verso: Lead line for the tune I'm lost.

23/15 <emph render="italic">Taming of the Sioux</emph> Condensed score; 2 p.; 31.5 cm.

Note: Holograph in pencil. The word "Tameing" is spelled incorrectly in the title.

Reference no.: 162.

Note: title written "Tameing of the Sioux".

23/16 <emph render="italic">Tameing of the Sioux</emph> : written "<emph render="italic">Tameing of the Sioux</emph>". Instrumental parts; pagination varies; 32.5 cm.

Note: Holograph trombone part in ink; remaining parts are copyist's manuscripts in ink and pencil with holograph markings in ink and pencil. The word "Tameing" is spelled incorrectly in the title.

Reference no.: 162.

40/7 <emph render="italic">Taurus at the arena of life - part 1</emph>. Full score; 18 leaves; 39 cm.

Note: Holograph in pencil.

Reference no.: 085.

24/1-2 <emph render="italic">Taurus at the arena of life - part 1</emph>. Instrumental parts; pagination varies; 32 cm. (2 folders).

Note: Holographs in ink with holograph and other markings in ink and pencil.

Reference no.: 085.

24/3 <emph render="italic">Taurus at the arena of life - part 2</emph>. Instrumental parts; pagination varies; 32 cm.

Note: Holographs in ink with holograph and other markings in ink and pencil.

Reference no.: 086.

24/4 <emph render="italic">Theme from a movie</emph>. Lead sheet; 1 p.; 29.5 cm.

Note: Photocopy of holograph. Marked at head: 169. In typescript: Di Charles Mingus - Edizioni Blue Team Music.

24/5 <emph render="italic">Three of four shades of blue</emph>. Condensed score; 7 p.; 36 cm.

Note: Photocopy of holograph.

Reference no.: 089.

40/8 <emph render="italic">Three of four shades of blue</emph>. Full score; 10 p.; 28 x 43.5 cm.

Note: Copyist's manuscript in pencil with additional holograph marking in pencil.

Reference no.: 089.

24/6 <emph render="italic">Three of four shades of blue</emph>. Instrumental parts; pagination varies; various sizes.

Note: Holographs in ink and pencil; includes photocopies.

Reference no.: 089.

25/1 <emph render="italic">Three worlds of drums</emph>. Condensed score; 5 leaves (pp. 69-73); 32 cm.

Note: Photocopy of holograph.

Reference no.: 090.

25/2-3 <emph render="italic">Three worlds of drums</emph>. Instrumental parts; pagination varies; 32 cm. (2 folders).

Note: Holographs in ink and pencil with holograph pencil markings.

Reference no.: 090.

25/4 <emph render="italic">Thrice upon a theme</emph>. Condensed score; 4 leaves; 35.5 cm.

Note: Photocopy of holograph.

Reference no.: 091.

25/5 <emph render="italic">Thrice upon a theme</emph>. Baritone sax part; 3 p.; 31.5 cm.

Note: Holograph in ink and regular and red pencil.

Reference no.: 091.

25/6 <emph render="italic">Tiujuana gift shop</emph>. Lead sheet; 1 p.; 29.5 cm.

Note: Photocopy of holograph. Marked at head: 171. In typescript: Di Charles Mingus - Edizioni Blue Team Music.

25/7 <emph render="italic">Todeskalte (The chill of death)</emph>. Full score; 11 leaves; 21.5 x 28 cm.

Note: Photocopy of holograph.

Reference no.: 024.

25/8 <emph render="italic">Todeskalte (The chill of death)</emph>. Condensed score; 6 p.; 32 cm.

Note: Copyist's manuscript in ink on transparent paper.

Reference no.: 024.

25/9 <emph render="italic">Todeskalte (The chill of death)</emph>. Condensed score; 6 p.; 31.5 cm.

Note: Ozalid of copyist's manuscript with holograph markings in regular and color pencil.

Reference no.: 024.

25/10-11 <emph render="italic">Todeskalte (The chill of death)</emph>. Instrumental parts; pagination varies; 32 cm. (2 folders).

Note: Holographs and copyist's manuscript in ink with markings in pencil and red ink.

Reference no.: 024.

26/1 <emph render="italic">Todo modo</emph>. Condensed score; 5 + 1 p.; 32 cm.

Note: Photocopy of holograph; includes original holograph in pencil of page 5.

Reference no.: 093.

40/9 <emph render="italic">Todo modo</emph>. Full score; 12 p.; 28.5 x 44 cm.

Note: Copyist's manuscript in pencil.

Reference no.: 093.

26/2-3 <emph render="italic">Todo modo</emph>. Instrumental parts; pagination varies; 32 cm. (2 folders).

Note: Holographs in ink and pencil.

Reference no.: 093.

40/10 <emph render="italic">Tom's take over</emph>. Full score; [14] leaves; 35.5 x 41 cm.

Note: Holograph in pencil.

Reference no.: 167.

26/4 <emph render="italic">Tom's take over</emph>. Instrumental parts; pagination varies; 32 cm.

Note: Holographs in ink.

Reference no.: 167.

26/5 <emph render="italic">Tonight at noon</emph>. Lead sheet; 1 p.; 27.5 cm.

26/6-7 <emph render="italic">Touch</emph>. Instrumental parts; pagination varies; 32 cm. (2 folders).

Note: Copyist's manuscript in ink.

Reference no.: 106.

26/8 <emph render="italic">Touch my beloved's thought</emph>. Full score (incomplete); 1 p.; 39 cm.

Note: Holograph in pencil.

Reference no.: 092.

26/9 <emph render="italic">Touch my beloved's thought</emph>. Instrumental parts; pagination varies; 32 cm.

Note: Copyist's manuscript in ink and pencil with holograph markings in ink and pencil.

Reference no.: 092.

40/11 [<emph render="italic">Two worlds of drums</emph>] : written "<emph render="italic">II worlds of drums</emph>". Full score; 73 p.; 32 cm.

Note: Holograph in pencil.

Reference no.: 139.

40/12 [Unidentified]. Full score; 4 leaves; 35.5 x 43 cm.

Note: Deshan (thermofax) copy of holograph. At head: Epitaph.

Reference no.: 281.

27/1 [Unidentified chord progressions]. Miscellaneous pages of chord progressions; pagination varies; various sizes.

Note: Mostly holographs in pencil and ink; includes copyist's manuscripts.

Reference no.: 228.

27/2 [Unidentified instrumental parts]. Miscellaneous instrumental parts; pagination varies; various sizes.

Note: Holographs and copyist't manuscripts in pencil and ink; includes photocopies.

Reference no.: 229.

27/3 [Unidentified melodies]. Miscellaneous lead sheets and melody lines; pagination varies; various sizes.

Note: Holographs in pencil and ink; includes some copyist's manuscripts.

Reference no.: 230.

27/4-5 [Unidentified score fragments]. Miscellaneous full and condensed score fragments; pagination varies; various sizes (in 2 forders).

Note: Holographs in pencil and ink.

Reference no.: 231.

40/13 [Unidentified score fragments]. Miscellaneous full and condensed score fragments; 8 leaves; various sizes.

Note: Holographs in pencil.

Reference no.: 231.

27/6 [Unknown] [I]. Condensed score and instrumental part; 4 p.; 31.5 cm.

Note: Holographs in pencil with holograph markings in red ink.

Reference no.: 232.

27/7 [Unknown] [2]. Condensed score; 3 leaves; 28 cm.

Note: Holograph in pencil.

Reference no.: 214.

27/8 [Unknown] [3]. Lead sheet; 3 p.; 31.5 cm.

Note: Holograph in pencil.

Reference no.: 235.

27/9 [Unknown composition] [A]. Instrumental parts; pagination varies; 31.5 cm.

Note: Holographs in pencil.

Reference no.: 171.

27/10 [Unknown composition] [B]. Instrumental parts; pagination varies; 30.5 cm.

Note: Holographs in ink and pencil.

27/11 <emph render="italic">Us is too</emph>. Lead sheet; 1 p.; 31 cm.

Note: Holograph in pencil.

Reference no.: 135.

41/1 <emph render="italic">Us is too</emph> / Sy Johnson, arr. Full score; 19 leaves; 35.5 x 43.5 cm.

Note: Manuscript in pencil by Sy Johnson.

Reference no.: 135.

Access points:

Johnson, Sy 27/12 <emph render="italic">Us is two</emph>. Condensed score; 3 p.; 31.5 cm.

Note: Holograph in pencil.

Reference no.: 216.

27/13 <emph render="italic">Us is two</emph>. Condensed score; 2 leaves; 31.5 cm.

Note: Holograph in ink and pencil. On verso: Chord chart for the tunes Peggy's blue skylight and Portrait.

Reference no.: 216.

27/14 <emph render="italic">Waiting for you</emph>. Lead sheet, with lyrics; 2 p.; 31.5 cm.

Note: Holograph in pencil and ink.

41/2 <emph render="italic">Way donw blues</emph>. Full score; 7 p.; 28 x 43.5 cm.

Note: Holograph in pencil.

Reference no.: 095.

27/15 <emph render="italic">Way down blues</emph>. Instrumental parts; pagination varies; 32 cm.

Note: Copyist's manuscript in ink.

Reference no.: 095.

27/16 <emph render="italic">Way down blues</emph> / Sy Johnson, arr. Lead sheet, with lyrics (2 versions); 2 + 2 p.; 32 cm.

Note: Manuscripts in pencil by Sy Johnson.

Reference no.: 094.

Access points:

Johnson, Sy 41/3 <emph render="italic">Way down blues</emph> / Sy Johnson, arr. Full score; 7 leaves; 27.5 x 43.5 cm.

Note: Manuscripts in pencil by Sy Johnson.

Reference no.: 094.

Access points:

Johnson, Sy 27/17 <emph render="italic">Way down blues</emph> / Sy Johnson, arr. Instrumental parts; pagination varies; 32 cm.

Note: Manuscript in ink and pencil by Sy Johnson.

Reference no.: 094.

Access points:

Johnson, Sy 27/18 <emph render="italic">Wednesday night prayer meeting</emph> / lyrics by J. Knepper. Lead sheet; 3 leaves; 27.5 cm.

Note: Photocopy of copyist's manuscript.

Reference no.: 133.

Access points:

Knepper, J. 27/19 <emph render="italic">Wednesday night prayer meeting</emph>. Full score; 12 p.; 35 cm.

Note: Copyist's manuscript in pencil.

Reference no.: 133.

27/20 <emph render="italic">Wednesday night prayer meeting</emph>. Instrumental parts; pagination varies; 32 cm.

Note: Copyist's manuscript in ink and pencil.

Reference no.: 166.

27/21 <emph render="italic">Wee</emph>. Instrumental parts; pagination varies; various sizes.

Note: Copyist's manuscripts in ink and pencil; includes photocopy of tenor sax part.

Reference no.: 096.

28/1 <emph render="italic">Weird nightmare</emph>. Lead sheet; 1 p.; 35.5 cm.

Note: Photocopy of copyist's manuscript. Three alternate titles at head: Smooch; Pipe dreams; and Vassarlean.

Reference no.: 098, 169, 181, 205.

28/2 [<emph render="italic">Weird nightmare</emph>]. Condensed score; 2 p.; 31.5 cm.

Note: Holograph in pencil. This arrangement is in the key of concert F.

Reference no.: 181.

28/3 <emph render="italic">Weird nightmare</emph>. Full score; 2 p.; 34 cm.

Note: Copyist's manuscript in pencil. In right-hand margin of p. 1: "Byard score? of Weird Nightmare". This arrangement is in the key of concert A-flat.

Reference no.: 181.

41/4 [<emph render="italic">Weird nightmare</emph>]. Full score; 6 leaves; 30.5 x 40.5 cm.

Note: Holograph in pencil.

Reference no.: 169.

28/4 [<emph render="italic">Weird nightmare</emph>] / Sy Johnson, arr. Condensed score; 4 leaves; 27.5 x 36.5 cm.

Note: Photocopy of manuscript by Sy Johnson.

Reference no.: 098.

Note: title written "Wierd nightmare"

Access points:

Johnson, Sy 41/5 [<emph render="italic">Weird nightmare</emph>] / Sy Johnson, arr. Full score; 7 leaves; 36 x 43.5 cm.

Note: Manuscript in pencil by Sy Johnson.

Reference no.: 205.

Note: title written "Wierd nightmare"

Access points:

Johnson, Sy 41/6 [<emph render="italic">Weird nightmare</emph>]. Full score (incomplete); 4 leaves; 30.5 x 40.5 cm.

Note: Copyist's manuscript in pencil.

Note: title written "Wierd nightmare"

28/5 [<emph render="italic">Weird nightmare</emph>]. Instrumental parts; pagination varies; 32 cm.

Note: Holographs in ink and pencil. This arrangement is in the key of concert "A-flat", although supplied flute part is written in "C".

Reference no.: 181.

Note: title written "Wierd nightmare"

28/6 [<emph render="italic">Weird nightmare</emph>]. Instrumental parts; pagination varies; 32 + 28 cm.

Note: Copyist's manuscript in ink with pencil markings throughout; includes photocopies. This arrangement is in the key of concert C.

Reference no.: 098.

Note: title written "Wierd nightmare"

28/7 [<emph render="italic">Weird nightmare</emph>]. Instrumental parts; pagination varies; 31.5 cm.

Note: Holographs in ink with holograph pencil markings. This arrangement is in the key of concert F.

Reference no.: 169.

Note: title written "Wierd nightmare"

28/8 [<emph render="italic">Weird nightmare</emph>]. Full score (incomplete); 1 p.; 28 x 35.5 cm.

Note: Copyist's manuscript in pencil. On verso: Song lyrics for Weird nightmare.

Note: title written "Wierd nightmare"

28/9 [<emph render="italic">Weird nightmare</emph>]. Instrumental parts; pagination varies; 32 cm.

Note: Holographs in ink with holograph pencil markings. Instrumentation includes flute, clarinet, trumpets 1-3, trombone, bass, and drums. Note: This arrangement is in the key of concert A-flat.

Note: title written "Wierd nightmare"

28/10 [<emph render="italic">Weird nightmare</emph>]. Instrumental parts; pagination varies; 31.5 cm.

Note: Manuscript in ink by Buddy Harper. Instrumentation includes clarinet, alto sax, trumpets 1-2, trombone, piano, guitar, bass, and drums. This arrangement is in the key of concert F.

Reference no.: 098.

Note: title written "Wierd nightmare"

28/11 [<emph render="italic">Weird nightmare</emph>]. Miscellaneous instrumental parts; pagination varies; 31.5 cm.

Note: Holograph in pencil and copyist's manuscripts in ink with pencil markings. Includes parts for flute, tenor saxes 1-2, and trumpet 1.

Note: title written "Wierd nightmare"

28/12 <emph render="italic">What love</emph>. Lead sheet; 1 p.; 33 cm.

Reference no.: 184.

28/13 <emph render="italic">What love</emph>. Instrumental parts; 1 + 1 p.; 32 cm.

Note: Holographs in ink.

Reference no.: 184.

41/7 <emph render="italic">Where does a man go to find peace</emph>. See also: N.B.C. documentary Condensed score; 5 leaves; 39.5 cm.

Note: Holograph in pencil.

Reference no.: 160.

28/14 <emph render="italic">Winds</emph>. Instrumental parts; pagination varies; various sizes.

Note: Holographs in pencil and ink.

Reference no.: 173.

28/15 <emph render="italic">Winds</emph>. Instrumental parts; pagination varies; 31.5 cm.

Note: Holographs in ink and pencil. On verso of alto and tenor parts: Tenor 1-2 for the tune Cabin. On verso of bass part: Piano sketch for the tune Juice (incomplete).

Reference no.: 173.

41/8-9 <emph render="italic">Wolverine blues (part I)</emph>. Full score; 22 leaves in 2 folders; 53.5 cm.

Note: Deshan (thermofax) copy of manuscript.

Reference no.: 279.

28/16 <emph render="italic">Work song</emph>. Lead sheet; 1 p.; 28 cm.

28/17 <emph render="italic">Ysabel's table dance</emph>. Lead sheet; 3 leaves; 35.5 cm.

Note: Photocopy of copyist's manuscript.

Reference no.: 097.

28/18 Miscellaneous works. A compilation of miscellaneous lead sheets, scores, chord charts, and instrumental parts; pagination varies; various sizes.

Note: Holographs and copyist's manuscripts in pencil and ink; includes photocopies. Most of these works are incomplete fragments; some are known compositions where others are not.

28/19 Miscellaneous song lyrics. Pages of song lyrics; pagination varies; varios sizes.

Note: Holographs in pencil and ink; typescript included. Most of the these items are sketches for lyrics to works by Mingus; some were used where others were not.

30 42 Manuscript Music by Others 30/1 <emph render="italic">All the things you are</emph> [1940] / music by Oscar Hammerstein ; lyrics by Jerome Kern. Full score (sketch); 2 p.; 31.5 cm.

Note: Manuscript in pencil by Charles Mingus. On verso: Five bass exercises, titled 1) "Tune exercist for bow arm"; 2)" Finger trainer no. 1"; 3) "Finger and eye trainer"; 4) "Speed builder".

Reference no.: 192.

Access points:

Hammerstein, Oscar Kern, Jerome 30/2 <emph render="italic">Apology</emph> / by George Joyner. Lead sheet (music and words); 1 + 1 p.; various sizes.

Note: Holograph in pencil and negative photostat copy of same.

Access points:

Joyner, George 30/3 <emph render="italic">Aries</emph> [and] <emph render="italic">Blue at 2 a.m.</emph>] / by Fernando Sandoval L. (Jarocho). See also: Blue at 2 a.m. Piano lead; 1 p.; 25 cm.

Note: Holograph in ink. Inscribed on title page: To great Charlie Mingus and his Quintet - Sincerely, Fernando Sandoval L. (Jarocho), San Francisco, Calif., 26 - May, 1964.

30/4 <emph render="italic">As time goes by</emph> [1931] / by Herman Hupfeld. Condensed score; 2 leaves; 28 cm.

Note: Manuscript in pencil, hand unknown.

Reference no.: 203.

Access points:

Hupfeld, Herman 42/1 <emph render="italic">Beautiful</emph> / by Elliott Cola. Piano-vocal score; 1 p.; 45.5 cm.

Note: Holograph in ink. Laid in: A list titled "Songs Composed by Elliott Cola".

Access points:

Cola, Elliott 30/3 <emph render="italic">Blue at 2 A.M.</emph> [included with Aries] / by Fernando Sandoval L. (Jarocho). Lead sheet (for bass) with chord notation for piano; 1 p.; 25 cm.

Note: Holograph in ink. Inscribed on title page: To great Charlie Mingus and his Quintet - Sincerely, Fernando Sandoval L. (Jarocho), San Francisco, Calif., 26 - May, 1964.

30/5 <emph render="italic">Blue tide</emph> / author unknown. Lead sheet (music and words); 1 p.; 27.5 cm.

Note: Negative photostat of manuscript in unknown hand.

30/6 <emph render="italic">Body and soul</emph> [1930] / music by John Green ; words by Edward Heyman and Robert Sour. Instrumental parts, tenor sax and trombone only; 2 leaves; 31.5 cm.

Note: Copyist's manuscripts in ink.

Reference no.: 200.

Access points:

Green, John Heyman, Edward Sour, Robert 30/7 <emph render="italic">Can you blame me?</emph> / by George Joyner. Lead sheet; 2 p.; 32 cm.

Note: Holograph in pencil. Includes lyrics in ink on verso.

Access points:

Joyner, George 30/8 <emph render="italic">Candy</emph> [1945] / by Mack David, Joan Whitney and Alex Kramer. Lead sheet fragment; 1 p.; 31.5 cm.

Note: Holograph in ink.

Reference no.: 103.

Access points:

David, Mack Kramer, Alex Whitney, Joan 42/2 <emph render="italic">Candy</emph> [1945] / by Mack David, Joan Whitney and Alex Kramer. Full score; 11 leaves; 35.5 x 40.5 cm.

Note: Manuscript in pencil by Gene Porter.

Reference no.: 103.

Access points:

David, Mack Kramer, Alex Whitney, Joan 30/9 <emph render="italic">Clarisse</emph> / by George Joyner. Lead sheet (music and words); 1 p.; 27.5 cm.

Note: Negative photostat of holograph.

Access points:

Joyner, George Confirmation / by Charlie Parker See: Hot house 30/10 <emph render="italic">Cupid</emph> / by George Joyner. Lead sheet; 3 p.; 32 cm.

Note: Holograph in pencil. Includes lyrics in ink on verso.

Access points:

Joyner, George 30/11 <emph render="italic">Empathy</emph> / by Sam Most. Instrumental parts; 4 leaves; various sizes.

Note: Holographs in pencil.

Access points:

Most, Sam 30/12 <emph render="italic">Ensenada</emph> / by John Dennis. Lead sheet; 1 p.; 32 cm.

Note: Holograph in ink.

Access points:

Dennis, John 30/13 <emph render="italic">Everything I have is yours</emph> / by Burton Lane and Harold Adamson. Lead sheet; 1 p.; 28 cm.

Note: Manuscript in pencil by Charles Mingus. On verso: The man I love.

Access points:

Adamson, Harold Lane, Burton 42/3 <emph render="italic">Evil</emph> / by Elliott Cola. Instrumental part; 1 p.; 45.5 cm.

Note: Holograph in ink.

Access points:

Cola, Elliott 30/14 <emph render="italic">Hommage à Mingus</emph> / by Antoine Duliamel. Full score; 21 p.; 27 x 35 cm.

Note: Holograph in ink. Inscribed on title page: In this day of November in Paris with all my wishes - A. Duliamel.

Access points:

Duliamel, Antoine 30/15 <emph render="italic">Hot house</emph> / by Charlie Parker. Chord chart. 1 p.; 31.5 cm.

Note: Manuscript in pencil in unknown hand. This leaf also includes chord charts for another Parker tune Confirmation, the bass part for Thelonius Monk's 'Round midnight, and bass part for the Dizzy Gillespie/Charlie Parker tune Shaw' nuff.

Access points:

Parker, Charlie (Yardbird) 30/16 [<emph render="italic">I</emph>] <emph render="italic">can't get started</emph> / by Vernon Duke and Ira Gershwin. Chord chart; 1 leaf; 31.5 cm.

Note: Manuscript in pencil by Charles Mingus. This leaf also includes chord charts for Thad's tune, More of the same, and a fragment of No greater love.

Reference no.: 199.

Access points:

Duke, Vernon Gershwin, Ira 30/17 <emph render="italic">I can't get started</emph> / by Vernon Duke and Ira Gershwin. Chord chart; 1 p.; 31.5 cm.

Note: Manuscript in pencil by Charles Mingus. This item includes additional unidentified music notation.

Reference no.: 199.

Access points:

Duke, Vernon Gershwin, Ira 30/18 <emph render="italic">I can't get started</emph> / by Vernon Duke and Ira Gershwin. Bass part; 2 p.; 31.5 cm.

Note: Manuscript in pencil by Charles Mingus.

Reference no.: 199.

Access points:

Duke, Vernon Gershwin, Ira 30/19 <emph render="italic">I left my heart in San Francisco</emph> / by Cross Douglass and George Cory. Instrumental parts; pagination varies; 32 cm.

Note: Copyist's manuscript in ink, piano part in pencil.

Reference no.: 193.

Access points:

Cory, George Douglass, Cross 30/20 <emph render="italic">I'll go on loving you</emph> / by Frances Lampert. Piano-vocal score; 3 p.; 31.5 cm.

Note: Copyist's manuscript in ink.

Access points:

Lampert, Frances 30/21 <emph render="italic">I'll never smile again</emph> / by Ruth Lowe. Condensed score; 3 p.; 30.5 cm.

Note: Manuscript in pencil by Charles Mingus.

Reference no.: 191.

Access points:

Lowe, Ruth 30/22 <emph render="italic">I'm not afraid of the world anymore</emph> / by Elliott Cola. Trumpet part; 1 p.; 28 cm.

Note: Holograph in ink.

Access points:

Cola, Elliott 42/4 <emph render="italic">It's so groovy</emph> / by Elliott Cola. Instrumental parts; 1 p.; 45.5 cm.

Note: Holograph in ink.

Access points:

Cola, Elliott 30/23 <emph render="italic">Just short of way out</emph> / by Bill Tennyson. Lead sheet; 1 p.; 31.5 cm.

Note: Holograph in pencil.

Access points:

Tennyson, Bill 30/24 <emph render="italic">The love I left behind</emph> / by John True. Lead sheet; 1 p.; 31.5 cm.

Note: Holograph in ink; lyrics included.

Access points:

True, John 30/25 <emph render="italic">Lush life</emph> / by Billy Strayhorn. Condensed score; 2 p.; 32 cm.

Note: Holograph in pencil with holograph ink markings.

Access points:

Strayhorn, Billy 30/26 <emph render="italic">Lush life</emph> / by Billy Strayhorn. Instrumental parts; pagination varies; 32 cm.

Note: Copyist's manuscripts in ink with holograph ink markings.

Access points:

Strayhorn, Billy 30/27 <emph render="italic">The man I love</emph> / by George and Ira Gershwin. Lead sheet (instrumental); 1 p.; 28 cm.

Note: Manuscript in pencil by Charles Mingus. On verso of: Everything I have is yours. See September song verso for bass part for The man I love.

Reference no.: 194.

Access points:

Gershwin, George Gershwin, Ira 30/28 [<emph render="italic">The</emph>] <emph render="italic">man I love</emph> / by George and Ira Gershwin. Full score; 2 p.; 34 cm.

Note: Manuscript in pencil by Charles Mingus.

Reference no.: 194.

Access points:

Gershwin, George Gershwin, Ira 42/5 [<emph render="italic">The</emph>] <emph render="italic">man I love</emph> / by George and Ira Gershwin. Full score (incomplete); 30.5 x 40.5 cm.

Note: Manuscript in pencil by Charles Mingus.

Reference no.: 194.

Access points:

Gershwin, George Gershwin, Ira 30/29 <emph render="italic">Memories of you</emph> / by Eubie Blake and Andy Razaf. Condensed score; 1 p.; 31.5 cm.

Note: Manuscript in pencil by Charles Mingus. On verso: Simple.

Reference no.: 196.

Access points:

Blake, Eubie Razaf, Andy 30/30 <emph render="italic">Miles of time</emph> / by J. Lowe. Piano score; 1 p.; 33.5 cm.

Note: Holograph in pencil.

Access points:

Lowe, Ruth 30/31 <emph render="italic">Night and day</emph> / by Cole Porter. Full score; 2 + 1 p.; 31.5 cm.

Note: Manuscript in pencil by Charles Mingus.

Reference no.: 190.

Access points:

Porter, Cole 30/32 <emph render="italic">Mo sky</emph> / by Elliott Cola. Song lyrics and full score (incomplete); 2 p.; 31.5 cm.

Note: Manuscript song lyrics in pencil in hand of Elliott Cola; manuscript full score in pencil on verso by Charles Mingus.

Access points:

Cola, Elliott 30/33 <emph render="italic">Not another Gershwin</emph> / by J. Lowe. Piano score; 1 p.; 28 cm.

Note: Holograph in ink.

Access points:

Lowe, Ruth 30/34 <emph render="italic">Odyssey</emph> / by John Dennis. Lead sheet; 2 leaves.; 32 cm.

Note: Holograph in ink.

Access points:

Dennis, John 30/35 <emph render="italic">Prophet of love</emph> / by John True. Lead sheet;. 1 p.; 31.5 cm.

Note: Holograph in ink; includes lyrics.

Access points:

True, John 30/36 <emph render="italic">Red dog blues</emph> / by Frank Davenport. Full score; 4 p.; 31.5 cm.

Note: Manuscript in pencil by Charles Mingus. Dated at head: Sept. 29, 1944.

Access points:

Davenport, Frank 30/37 <emph render="italic">Saxidental</emph> / by Richard Carter. Piano score; 1 p.; 33 cm. (3 copies).

Note: Photocopy of holograph.

Access points:

Carter, Richard 30/38 <emph render="italic">Scherzo : for quartet and strings</emph> / by Phil Moore. Bass part; 4 p.; 31.5 cm.

Note: Manuscript in ink with pencil markings throughout.

Access points:

Moore, Phil 30/39 <emph render="italic">Screen cut 3</emph> / by Ralph Burns. Condensed score; 2 p.; 31.5 cm.

Note: Manuscript in pencil by Charles Mingus.

Access points:

Burns, Ralph 30/40 <emph render="italic">September song</emph> / by Maxwell Anderson and Kurt Weill. Bass part; 1 p.; 30.5 cm.

Note: Manuscript in ink and pencil by Charles Mingus. Includes bass parts to The man I love (channel only), Tenderly, and It takes an earth quaker.

Access points:

Anderson, Maxwell Weill, Kurt 30/41 <emph render="italic">Seven moons</emph> / by John Dennis. Lead sheet; 1 p.; 31.5 cm.

Note: Holograph in ink.

Access points:

Dennis, John 30/42 <emph render="italic">Simple variations on Chopin</emph> / adaptation by Sam Most. Instrumental parts; pagination varies; various sizes. Holographs in ink and pencil.

Access points:

Most, Sam 30/43 <emph render="italic">Sophisticated lady</emph> / music by Duke Ellington ; words by Irving Mills and Mitchell Parish. Chord chart; 1 p.; 28 x 35.5 cm.

Note: Manuscript in ink.

Access points:

Ellington, Duke Mills, Irving Parish, Mitchell 30/44 <emph render="italic">Steam wheel</emph> / by J. Lowe. Condensed score; 4 leaves.; 33 cm.

Note: Holograph in pencil.

Access points:

Lowe, Ruth 30/45 <emph render="italic">Stormy weather</emph> / by Ted Koehler and Harold Arlen. Instrumental parts (piano and drums only); 2 leaves.; 32 cm.

Note: Manuscript in ink with markings in pencil by Charles Mingus.

Reference no.: 197.

Access points:

Arlen, Harold Koehler, Ted 30/46 <emph render="italic">Synchobop</emph> / by Sam Most. Instrumental parts; pagination varies; various sizes.

Note: Holographs in pencil.

Access points:

Most, Sam 42/6 <emph render="italic">Tea for two</emph> / by Irving Caesar and Vincent Youmans. Full score; 10 leaves., 30.5 x 40.5 cm.

Note: Copyist's manuscript in pencil.

Reference no.: 195.

Access points:

Caesar, Irving Youmans, Vincent 30/47 <emph render="italic">Tea for two : study in lines</emph> / by Irving Caesar and Vincent Youmans. Instrumental parts; pagination varies; 31.5 cm.

Note: Manuscripts in ink and pencil by C. Mingus. Item includes references to the tunes Perdido and Prisoner of love.

Reference no.: 195.

Access points:

Caesar, Irving Youmans, Vincent 42/7 <emph render="italic">This is me</emph> / by Elliott Cola. Instrumental parts; 1 p.; 45.5 cm.

Note: Holograph in ink.

Access points:

Cola, Elliott 30/48 <emph render="italic">Timboro</emph> / by Fernando Sandoval (Jarocho). Lead sheet; 2 p.; 25 cm.

Note: Holograph in ink. Inscribed on cover: To Great Charles Mingus and his group - Sincerely, Fernando Sandoval (Jarocho), San Francisco, Calif., 26 - May - 1964.

30/49 <emph render="italic">Two pairs twins</emph> / by Fernando Sandoval (Jarocho). Lead sheet; 1 p.; 32 cm.

Note: Holograph in ink. Inscribed at bottom: To Great Charles Mingus and his Quintet - Sincerely, Fernando Sandoval (Jarocho), San Francisco, Calif., 26 - May - 1964.

30/50 [Unknown] / by Edward Snead. Piano-vocal score; 1 p.; 30 cm.

Note: Holograph in ink on transparent paper.

Access points:

Snead, Edward 30/51 [Untitled] / by J. Lowe. Full score; 2 leaves.; 33.5 cm.

Note: Holograph in pencil.

Access points:

Lowe, Ruth 30/52 <emph render="italic">Walkin' on air</emph> / by Frances Lampert. Lead sheet; 1 p.; 31.5 cm.

Note: Ozalid copy of holograph. At head: Copyright by Frances Lampert, 1968.

Access points:

Lampert, Frances 30/53 <emph render="italic">What's this I hear you say?</emph> / by Frances Lampert. Lead sheet; 1 p.; 31.5 cm.

Note: Ozalid copy of holograph. At head: Copyright by Frances Lampert.

Access points:

Lampert, Frances 30/54 <emph render="italic">You and me</emph> / by George Joyner. Lead sheet (music and words); 2 p.; 32 cm.

Note: Holograph music notation in pencil; words on verso in ink.

Access points:

Joyner, George 30/55 <emph render="italic">You go to my head</emph> / by Haven Gillespie and J. Fred Coots. Condensed score; 3 p.; 27.5 cm.

Note: Manuscript in pencil, hand unknown.

Reference no.: 202.

Access points:

Coots, J. Fred Gillespie, Haven 30/56 [<emph render="italic">You go to my</emph>] <emph render="italic">head</emph> / by Haven Gillespie and J. Fred Coots. Full score; 3 p.; 28 cm.

Note: Manuscript in pencil by Charles Mingus.

Reference no.: 202.

Access points:

Coots, J. Fred Gillespie, Haven 30/57 <emph render="italic">You're my everything</emph> / by Mort Dixon, Joe Young and Harry Warren. Condensed score; 1 p.; 27.5 cm.

Note: Manuscript in pencil in unknown hand.

Reference no.: 215.

Access points:

Dixon, Mort Warren, Harry Young, Joe 29 31 Printed Music 29 Printed Music by Mingus 29/1 <emph render="italic">Goodbye pork pie hat</emph> / Sy Johnson, arr. Delevan, NY: Kendor Music, Inc., 1980. Full score and instrumental parts; 4 + 12 leaves

Note: Photocopy of copyist's manuscript.

Reference no.: 033.

Access points:

Johnson, Sy 29/2 <emph render="italic">More than a fake book</emph>. New York: Jazz Workshop, Inc., 1991. A compilation of lead sheets to Mingus compositions; 160 p.

Date: c1991

Note: Distributed by Hal Leonard Publishing Corp.

Note: Includes photocopies of original holograph manuscripts.

29/3 <emph render="italic">The musical styles of Charles Mingus</emph> / Sy Johnson, arr. New York: Warner Bros. Publications, Inc., n.d. A compilation of condensed scores to Mingus compositions; 70 p.

Reference no.: 291.

Access points:

Johnson, Sy 29/4 <emph render="italic">Revelations</emph>. Newton, Mass.: Margun Music, Inc., 1976. Full score; 40 p.

Note: copyright by Jazz Workshop, Inc., 1976.

Note: Composed by Charles Mingus in 1957. Laid in: Two handwritten notes to Mingus and 1 page typescript "Errata" sheet.

Reference no.: 073.

31 Printed Music by Others 31/1 <emph render="italic">Acerca de ti (about you)</emph> / by Victor Ruiz Pazos. Mexico, D.F.: Promotora Hispano Americana de Música, 1964. Instrumental parts; pagination varies.

Date: c1964

Note: Inscribed on title page: To great Charlie Mingus and his Quintet, Sincerely Fernando Sandoval (Jarocho), friend of Composer Victor Ruiz Pazos (Vitillo), San Francisco, Calif., 26-May-1964.

Access points:

Pazos, Victor Ruiz 31/2 <emph render="italic">Alone together</emph> / words by Howard Dietz ; music by Arthur Schwartz. New York: Harms, Inc., 1932. Piano-vocal score; 5 p.

Date: c1932

Note: From the musical revue "Flying Colors". Chord indications and other markings in pencil by Charles Mingus.

Access points:

Dietz, Howard Schwartz, Arthur 31/3 [<emph render="italic">Hanon, the virtuoso pianist in 60 exercises</emph>] : <emph render="italic">no. 8 and no. 9</emph> / by Charles-Louis Hanon. Chicago: Paradiso Publishers, n.d. Piano solo (incomplete); 2 p.

Note: Chord indications and other pencil markings by Charles Mingus.

Access points:

Hanon, Charles-Louis 31/4 <emph render="italic">I've got a crush on you</emph> / music by George Gershwin; words by Ira Gershwin. New York: New World Music Corporation; Harms, Inc., 1930. Piano-vocal score; 5 p.

Date: c1930

Note: From the musical comedy "Strike Up the Band".

Access points:

Gershwin, George Gershwin, Ira 31/5 <emph render="italic">La marcha de Sanson (Samson's march)</emph> / by Victor Ruiz Pazos. Mexico, D.F.: Promotora Hispano Americana de Música, 1964. Instrumental parts; pagination varies.

Date: c1964

Note: Inscribed on title page: To great Charlie Mingus and his Quintet, Sincerely Fernando Sandoval (Jarocho), friend of Composer Victor Ruiz Pazos (Vitillo), San Francisco, Calif., 26-May-1964.

Access points:

Pazos, Victor Ruiz 31/6 <emph render="italic">Slippin' for a pippin</emph> / music by Frances Lampert ; arranged by Walter L. Rosemont. Theatre Arts Corporation: Middleton, Conn., [1964]. Piano-vocal score; 3 p.

Note: Copyright by Frances Lampert

Access points:

Lampert, Frances Rosemont, Walter L. 31/7 <emph render="italic">Vals de Norma (Norma's waltz)</emph> / by Victor Ruiz Pazos. Mexico, D.F.: Promotora Hispano Americana de Música, 1964. Instrumental parts; pagination varies.

Date: c1964

Note: Inscribed on title page: To great Charlie Mingus and his Quintet, Sincerely Fernando Sandoval (Jarocho), friend of Composer Victor Ruiz Pazos (Vitillo), San Francisco, Calif., 26-May-1964.

Access points:

Pazos, Victor Ruiz 49-53 Writings

The Writings series is represented by 3 subseries. The Writings By Mingus subseries consists of Mingus' controversial autobiographical work, Beneath the Underdog; Mingus' manuscript liner notes (written for record album jackets); and articles published in serials. The Writings About Mingus subseries consists of articles on Mingus' biography; articles and reviews relating to his literary work Beneath the Underdog; articles on Mingus Dynasty (the New York- based jazz orchestra established after his death as a tribute to him and his contributions in music); and articles about his widow, Susan Graham Mingus. The Miscellaneous Writings subseries consists of written works on a variety of subjects not necessarily relating to Mingus.

Writings series is arranged as follows:

Writings by Mingus, arranged alphabetically by title. Writings about Mingus: Articles bound in serials, arranged alphabetically by article title. Loose articles & clippings, arranged chronologically by article date. Miscellaneous writings [film work, poetry, short stroies], arranged alphabetically by subject then by title. 45-46 52 Writings by CM Manuscripts 45/1 "A living benefit for Mingus" : typescript; 1 p. 45/2 Beneath the underdog, #1 : typescript with holograph ink and pencil markings; pagination varies 45/3 Beneath the underdog, #2 : holograph in ink and pencil and typescript; pagination varies 45/4 Beneath the underdog, #3 : typescript with holograph ink and pencil markings; 86 p.; soft bound 45/5 Beneath the underdog, #4 : typescript with holograph ink and pencil markings; pp. 181-274 45/6 Beneath the underdog, #5 : typescript with holograph ink and pencil markings; pp. 275-374 45/7 Beneath the underdog, #6 : typescript with holograph ink and pencil markings; pp. 375-459; soft bound 45/8 Beneath the underdog, #7 : typescript with holograph ink and pencil markings; pp. 460-596 45/9 Beneath the underdog, #8 : typescript with holograph ink and pencil markings; pp. 597-739 45/10 Beneath the underdog, #9 : typescript with holograph ink and pencil markings; pp. 740-875 46/1 Beneath the underdog, King's 2nd Draft : typescript; pp. 1-99 46/2 Beneath the underdog, King's 2nd Draft : typescript; pp. 100-199 46/3 Beneath the underdog, King's 2nd Draft : typescript; pp. 200-299 46/4 Beneath the underdog, King's 2nd Draft : typescript; pp. 300-381 46/5 Beneath the underdog, Miscellaneous 46/6 Liner Notes "Let my childeren hear music" : tyoescripts with holograph markings in pencil and ink; original photocopied Miscellaneous 46/7 Miscellaneous notes Published [in serials, stored in oversized container] 52/1 "An open letter to the avante garde" [article] : Changes, Issue No. 82, June 1973, p. 26 (2 copies) 52/2 "Charles Mingus answers John S. Wilson of the N.Y. Tribune" [article] : Changes, Issue 71, March 15, 1972, p. 1 47 50-53 Writings About CM Articles & Clippings: Bound in Serials 49 Domestic Serials [stored without folders, arranged alphabetically by article title] "A reporter at large: Mingus at peace", by Whitney Balliet [article] : The New Yorker, May 29, 1971, p. 42 (2 copies) "About Charlie Mingus", by Donald heckman [article] : The American Record Guide, Aug. 1962, p. 916 (2 copies) "Blindfold test: Charles Mingus", by Leonard Feather [article] : Down Beat, April 28, 1960, p. 49 "Blindfold test: Charles Mingus #2", by Leonard Feather [article] : Down Beat, May 12, 1960, p. 39 (2 copies) "Charles Mingus: April 22, 1922 - January 5, 1979", by Rafi Zabor [article] : Musician, Player, & Listener, No. 17, April 1979, p. 22 "Charles Mingus: better git it in your soul", by Joe B. Klee [article] : Jazz Interactions, Jan./Feb. 1972, p. 5