http://id.loc.gov/vocabulary/organizations/US-dlcm http://hdl.loc.gov/loc.music/eadmus.mu012013.2 05780cpcaa2200949 a 4500 20131517021501.5 060519i18801939xx eng 2006560751 i 1880/1939 k 1894/1924 ML31.H465 Herbert, Victor, 1859-1924. Victor Herbert collection, 1880-1939 (bulk 1894-1924). EAD master sort node: @alpha_character^h^@alpha_srt^herbert^@title^Victor Herbert Collection^@href^http://hdl.loc.gov/loc.music/eadmus.mu012013^@aggregate^mu^@ead_file_name^mu012013.xml^@eadid^mu012013^ 3200 items 199 containers 96 linear feet Victor Herbert was a composer, conductor, cellist, and co-founder of the American Society of Composers, Authors, and Publishers (ASCAP). The music materials include mostly manuscript scores, parts and sketches for Herbert's stage, screen and orchestral works, and arrangements. The collection also contains Victor Herbert Orchestra encore part books and music by other composers. Additional materials include correspondence, programs, clippings, photographs, scrapbooks, promotional materials, iconography and legal papers. Herbert, Victor, 1859-1924. Herbert, Victor, 1859-1924 Archives. Herbert, Victor, 1859-1924 Manuscripts. Herbert, Victor, 1859-1924 Correspondence. Herbert, Victor, 1859-1924 Photographs. Herbert-Förster, Therese Correspondence. Dvořák, Antonín, 1841-1904 Correspondence. American Society of Composers, Authors and Publishers. Gilmore's Band. Pittsburgh Symphony Orchestra. Victor Herbert Orchestra. Victor Herbert's 22nd Regiment Band. Music Manuscripts. Musicals Scores and parts. Operas Scores and parts. Musical theater United States 20th century. Motion picture music Excerpts Scores. Revues Scores and parts. Composers United States. Conductors (Music) United States. Operetta 20th century. Copyright Performing rights United States. Popular music Writing and publishing United States. Clippings (Information artifacts) aat Correspondence. aat Legal documents. aat Photographic prints. aat Programs (Documents) aat Promotional materials. aat Scrapbooks. aat Dvořák, Antonín, 1841-1904. Langey, Otto, 1851-1922. Lover, Samuel, 1797-1868. Sanford, Harold, 1879-1945. Herbert, Victor, 1859-1924. Babes in Toyland. Herbert, Victor, 1859-1924. Concertos, cello, orchestra, no. 2, op. 30, E minor. Herbert, Victor, 1859-1924. Dream girl. Herbert, Victor, 1859-1924. Enchantress. Herbert, Victor, 1859-1924. Fall of a nation. Herbert, Victor, 1859-1924. Madeleine. Herbert, Victor, 1859-1924. Mlle. Modiste. Herbert, Victor, 1859-1924. My golden girl. Herbert, Victor, 1859-1924. Natoma. Herbert, Victor, 1859-1924. Naughty Marietta. Herbert, Victor, 1859-1924. Orange blossoms. Herbert, Victor, 1859-1924. Prince Ananias. Herbert, Victor, 1859-1924. Suite of serenades. Herbert, Victor, 1859-1924. When sweet sixteen. Herbert, Victor, 1859-1924. Wizard of the Nile. Herbert, Victor, 1859-1924. Works. Selections. Library of Congress, Music Division EAD http://hdl.loc.gov/loc.music/eadmus.mu012013 EAD PDF http://hdl.loc.gov/loc.music/eadmus.mu012013.3 LCCN Permalink http://lccn.loc.gov/2006560751 Reading Room http://www.loc.gov/rr/perform/ XML http://findingaids.loc.gov/source/main#mu012013 EAD METS http://hdl.loc.gov/loc.music/eadmus.mu012013.4 music/ead http://hdl.loc.gov/loc.music/eadmus.mu012013 Victor Herbert Collection Processed by the Music Division of the Library of Congress Music Division, Library of Congress
Washington, D.C.
2011 Guides to Special Collections in the Music Division of the Library of Congress

Contact information: http://hdl.loc.gov/loc.music/perform.contact

Catalog Record: http://lccn.loc.gov/2006560751

Finding aid encoded by Library of Congress Music Division, 2012 Finding aid written in English. Collection Summary Victor Herbert Collection 1880-1939 (bulk 1894-1924) ML31.H465 Herbert, Victor, 1859-1924 3200 items 199 containers 96 linear feet Collection material in English Music Division Library of Congress
Washington, D.C.
Victor Herbert was a composer, conductor, cellist, and co-founder of the American Society of Composers, Authors, and Publishers (ASCAP). The music materials include mostly manuscript scores, parts and sketches for Herbert's stage, screen and orchestral works, and arrangements. The collection also contains Victor Herbert Orchestra encore part books and music by other composers. Additional materials include correspondence, programs, clippings, photographs, scrapbooks, promotional materials, iconography and legal papers. Selected Search Terms

The following terms have been used to index the description of this collection in the Library's online catalog. They are grouped by name of person or organization, by subject or location, and by occupation and listed alphabetically therein.

 People Dvořák, Antonín, 1841-1904--Correspondence. Dvořák, Antonín, 1841-1904. Herbert, Victor, 1859-1924--Archives. Herbert, Victor, 1859-1924--Correspondence. Herbert, Victor, 1859-1924--Manuscripts. Herbert, Victor, 1859-1924--Photographs. Herbert, Victor, 1859-1924. Herbert, Victor, 1859-1924. Herbert, Victor, 1859-1924. Babes in Toyland. Herbert, Victor, 1859-1924. Concertos, violoncello, orchestra, no. 2, op. 30, E minor. Herbert, Victor, 1859-1924. Dream girl. Herbert, Victor, 1859-1924. Enchantress. Herbert, Victor, 1859-1924. Fall of a nation. Herbert, Victor, 1859-1924. Madeleine. Herbert, Victor, 1859-1924. Mlle. Modiste. Herbert, Victor, 1859-1924. My golden girl. Herbert, Victor, 1859-1924. Natoma. Herbert, Victor, 1859-1924. Naughty Marietta. Herbert, Victor, 1859-1924. Orange blossoms. Herbert, Victor, 1859-1924. Prince Ananias. Herbert, Victor, 1859-1924. Selections. Herbert, Victor, 1859-1924. Suite of serenades. Herbert, Victor, 1859-1924. When sweet sixteen. Herbert, Victor, 1859-1924. Wizard of the Nile. Herbert-Förster, Therese--Correspondence. Langey, Otto, 1851-1922. Lover, Samuel, 1797-1868. Sanford, Harold, 1879-1945. Organizations American Society of Composers, Authors and Publishers. Gilmore's Band. Pittsburgh Symphony Orchestra. Victor Herbert Orchestra. Victor Herbert's 22nd Regiment Band. Subjects Composers--United States. Conductors (Music)--United States. Copyright--Performing rights--United States. Motion picture music--Excerpts--Scores. Music--Manuscripts. Musical theater--United States--20th century. Musicals--Scores and parts. Operas--Scores and parts. Operetta--20th century. Popular music--Writing and publishing--United States. Revues--Scores and parts. Form/Genre Clippings (Information artifacts) Correspondence. Legal documents. Photographic prints. Programs (Documents) Promotional materials. Scrapbooks. Administrative Information Provenance

The materials constituting the Victor Herbert Collection were acquired by the Library of Congress from a number of sources. Several manuscripts were gifts from Herbert himself. Most of the collection came as a series of gifts from Herbert's daughter, Ella Herbert Bartlett, beginning in the 1920s and continuing through the late 1950s. A significant collection of holograph scores, correspondence, and other materials was given to the Library in 1948 by the widow of Gustav Klemm (1897-1947), a composer and conductor and an ardent admirer of Herbert. Additional materials were received as gifts from William Randolph Hearst, G. Schirmer, Inc., the National Federation of Music Clubs, and the Tams-Witmark Music Library. A significant amount of autograph manuscripts were purchased from the Patelson Music House in 1948. A number of smaller purchases from the Patelson Music House and from other antiquarian music dealers have been made since that time.

The Library of Congress also received two sets of bound piano-vocal scores for most of the Herbert operettas and operas. Klemm’s 1948 gift included a set of 42 scores representing 37 of Herbert’s operettas and operas, all of which are housed with the collection. In 1974, the Library received from the estate of Ella Herbert Bartlett a set of 45 scores representing 39 of Herbert’s operettas and operas. This set of scores has been cataloged and assigned to class M1503.H535 Case.

Ella Herbert Bartlett also donated forty-nine bound scores from the libraries of her mother and father. All except one are piano-vocal opera scores. Twenty-four of the scores are annotated by Victor Herbert's wife, soprano Therese Herbert-Förster, presumably reflecting her performances of these works. Two of the scores have performance indications by Victor Herbert. Three of the scores have autographs and/or inscriptions to Therese Herbert-Förster and Victor Herbert. All of the annotated scores and those unannotated scores which were not previously held by the Music Division have been cataloged and added to the Music Division’s general collections.

 Accruals

No further accruals are expected.

 Processing History

The Victor Herbert Collection finding aid was coded for EAD format in 2011 by Janet McKinney.

 Transfers

Audiovisual materials have been transferred to the Library of Congress Motion Picture, Broadcasting and Recorded Sound Division.

 Related Material

Additional materials relating to Victor Herbert can be found in other Music Division locations, most notably in the Tams-Witmark Collection, which contains manuscript scores and/or parts for a number of Herbert works, including substantial holdings for his opera Natoma.

 Copyright Status

Materials from the Victor Herbert Collection are governed by the Copyright Law of the United States (Title 17, U.S.C.) and other applicable international copyright laws.

 Access and Restrictions

The Victor Herbert Collection is open to research. Researchers are advised to contact the Music Division prior to visiting in order to determine whether the desired materials will be available at that time.

Certain restrictions to use or copying of materials may apply.

 Preferred Citation

Researchers wishing to cite this collection should include the following information: [item, date, container number], Victor Herbert Collection, Music Division, Library of Congress, Washington, D.C.

Biographical Note Date Event 1859, Feb. 1 Born, Dublin, Ireland. Herbert’s mother, Fanny Lover, was the daughter of Irish novelist, poet and composer, Samuel Lover (1797-1868) 1862 Herbert's father, Edward Herbert, a Dublin barrister, died in Paris circa 1866 Herbert’s mother married German physician Wilhelm Schmidt Family moved to Stuttgart Herbert received general education as well as training in music, learning to play the piano, flute and piccolo 1874-1876 Studied cello in Baden-Baden, with Bernhard Cossmann, one of the great cellists of the nineteenth century 1876-1880 Toured in orchestras and as a soloist 1879-circa 1880 Played in the orchestra of Baron Paul von Derwies, who also had an opera company 1880-1881 Played in Eduard Strauss' orchestra, in Vienna Performed as cello soloist 1881 Returned to Stuttgart and lived with his mother Accepted a position in the court orchestra Entered Stuttgart conservatory, where he studied composition with composer, conductor, and violinist Max Seifriz 1881, Oct. 25 First appearance (on short notice) as soloist with symphonic orchestra in Goltermann's Concerto in A minor 1882, July 8-12 Played in the orchestra of Tonkünstler-Versammlung des Allgemeinen Deutschen Musik-Verein in Zürich; performances by Liszt were for Herbert the highlights of the festival; the entire experience influenced Herbert greatly 1883, Oct. 23 Soloist in first performance of his Suite for Cello and Orchestra, Op. 3, with Stuttgart Orchestra; this is Herbert's earliest known work (earlier opus numbers have not been accounted for) 1885 Fall Joined the faculty of the Neue Stuttgarter Musikschule Retained position in court orchestra Met Therese Förster (1861-1927), a Viennese soprano in the court opera 1885, Dec. 8 Soloist in first performance of his Cello Concerto No. 1, in D major, Op. 8 1886, Aug. 14 Married Therese Förster in Vienna 1886, Oct. 24 Arrived in New York City Therese Herbert-Förster hired as leading soprano at the Metropolitan Opera Herbert hired as cellist in orchestra 1886, Nov. 8 Therese Herbert-Förster opened the Metropolitan Opera’s season in the title role of Carl Goldmark’s Die Königin von Saba 1886, Nov. 12 Therese Herbert-Förster sang the title role in the first Met performance of Verdi’s Aïda (in German) 1886-1887 Therese Herbert-Förster made twelve appearances at the Met singing Wagnerian roles: Elsa in Lohengrin, Irene in Rienzi, and Elizabeth in Tannhäuser 1887, Jan. 8 Herbert's first appearance in New York as cello soloist in three movements of his Suite, Op. 3, with the New York Symphony Society, Walter Damrosch, conducting 1887, Dec. 8 First New York performance as a chamber musician, with the New York String Quartet; the quartet gave three concerts during the 1887-1888 season 1887, Dec. 10 Soloist in his Cello Concerto No. 1 at Theodore Thomas’ matinee concert for young people; that evening, Herbert and Thomas played the concerto again, on short notice, with the New York Philharmonic Society 1887 Formed Majestic Orchestre Internationale, 40-piece orchestra which played light music in New York and Boston 1888 Feb. Therese Herbert-Förster made a single (and final) appearance at the Met; her early departure remains unexplained, although she continued to sing successfully elsewhere for several years 1889 Fall Herbert joined faculty of National Conservatory of Music, New York 1889-1891 Served as associate conductor of Worcester (County Music) Festival 1891, Sept. 24 First performance of his dramatic cantata The Captive, Op. 5, at the Worcester Festival 1893 Became leader of 22nd Regiment Band of the New York National Guard (also known as the “Gilmore Band”), following Patrick Sarsfield Gilmore and then D. W. Reeves as conductor 1893-1900 Toured with the 22nd Regiment Band of the New York National Guard 1894, Mar. 9-10 Soloist in first performances of his Cello Concerto No. 2, Op. 30, with New York Philharmonic Society, Anton Seidl, conducting 1894, Nov. 20 First performance of Prince Ananias, at the Broadway Theatre in New York (the first of Herbert’s 45 operettas and operas) 1895, Sept. 26 First performance of The Wizard of the Nile, at the Grand Opera House in Wilkes-Barre, Pennsylvania 1898-1904 Conductor of the Pittsburgh Symphony Orchestra where he presented some of his own works 1901-1902 Sued the Musical Courier for libel and won (relating to Marc A. Blumenberg's article of July 17, 1901 accusing Herbert of plagiarism and disparaging his skill as a conductor) 1902, June 16 First performance by the Victor Herbert Orchestra, at Willow Grove Park 1902, Oct. 14 Became a United States citizen 1903, Jan. 2 First performance of his orchestral suite, Columbus, Op. 35 (Herbert’s last symphonic work) 1903, Oct. 13 First performance of Babes in Toyland, at the Majestic Theatre in New York 1904, Oct. 7 First performance of Mlle. Modiste, at the Taylor Opera House in Trenton, New Jersey 1904 Organized the Victor Herbert Orchestra in New York, specializing in well-played light music 1906 Testified on behalf of composers during the first Congressional hearings on the copyright revision bill of 1906 1907, May 3 Herbert’s orchestra performed his composition, The Friars, for a banquet held by The Friars’ Club (it became the official “hymn” of the Monastery, the Friars’ clubhouse) 1907-1908 Testified on behalf of composers during Congressional hearings on the copyright revision bill of 1906 1909 Victor Herbert Orchestra contracted to record exclusively for the National Phonograph Company Victor Herbert Orchestra released their first recording (selections from Mlle. Modiste) in July Herbert advised on artistic and technical matters for the National Phonograph Company Copyright revision bill passed 1910, Oct. 24 First performance of Naughty Marietta, at the Wieting Opera House in Syracuse, N.Y. 1911, Feb. 25 First performance of the opera Natoma, by the Philadelphia-Chicago Opera Co., starring Mary Garden and John McCormack 1911, Sept. 14 First performance of When Sweet Sixteen, in New York 1911, Oct. 9 First performance of The Enchantress, at the National Theatre in Washington, D.C. 1911, Oct. 16 First performance of The Duchess on Broadway, the second of three Herbert operettas to open on Broadway within thirty-five days 1911, Oct. 19 First New York performance of The Enchantress 1914, Jan. 24 First performance of his opera Madeleine, by the Metropolitan Opera, starring Frances Alda and Paul Althouse 1914 Herbert was one of nine founders of ASCAP; he served as vice president until his death 1916, June 6 Silent film The Fall of a Nation first shown in New York (Herbert’s score is possibly the earliest through-composed score to accompany a feature film) 1920, Feb. 20 First performance of My Golden Girl, at the Nora Bayes Theatre 1921, July-Aug. Conducted symphony concerts at the Lewisohn Stadium in New York for three weeks 1922, Sept. 22 First performance of Orange Blossoms, in Philadelphia at the Garrick Theatre 1923, May 1 Conductor at the Cosmopolitan Theatre 1924, Feb. 12 First performance of Suite of Serenades, conducted by Paul Whiteman, at New York’s Aeolian Hall, on the same program with the first performance of Gershwin's Rhapsody In Blue 1924, Apr. 22 First performance of The Dream Girl, Herbert’s last operetta, at the Shubert Theatre in New Haven, Connecticut (first New York performance on August 20 at the Ambassador Theatre) 1924, May 26 Died in New York of cardiac arrest Scope and Content Note

The Victor Herbert Collection chiefly consists of manuscripts (full and reduced scores, orchestral parts, and sketches) of the theater works of Victor Herbert, including his light operas such as Babes in Toyland, The Red Mill and Naughty Marietta. In addition to his operettas and operas, items include one silent film score, overtures for several feature films, selections written for a number of productions by the Lambs’ Club, and selections from several Broadway revues. In addition, the collection includes manuscripts for most of Herbert’s large-scale symphonic works, chamber pieces, solo songs and choral compositions.

Most of the music manuscripts are identified in the finding aid as being in the hand of either Herbert, his friend and assistant Harold Sanford, or arranger Otto Langey. In addition, there are a number of scores in the hands of various unidentified copyists. While most of the manuscript orchestral parts are, not surprisingly, in the hands of copyists, there are quite a number of parts copied out by Herbert himself.

In addition to the music manuscripts, the collection includes printed music by other composers, correspondence, programs, clippings, photographs, scrapbooks, promotional materials, iconography and legal papers.

Any published sheet music of Herbert that may have previously resided with this collection has been moved to the Library of Congress general holdings. This finding aid reflects that action and supercedes any previous versions.

 Organization of the Victor Herbert Collection

The Victor Herbert Collection is organized in two series:

Music Non-Music http://lccn.loc.gov/2006560751 Container List Container Contents 1-186 Music 1-78 Show Music

Chiefly manuscript unbound full scores, piano-vocal scores, short scores, sketches, and parts. The largest portion comes from Herbert’s operettas and operas. There are complete or nearly complete sets of orchestrations for some of the shows, while others are represented by only a few selections. Included here are Herbert’s score for the film The Fall of a Nation, film overtures, music for several Lambs’ Club productions, Herbert’s contributions to Broadway revues such as The Century Girl and The Ziegfeld Follies of 1917, ‘19, ‘20, ‘21, ‘22, and ‘23, and a few miscellaneous stage- or screen-related items. There are also a number of concert arrangements of selections from Herbert’s stage and screen scores, some by Harold Sanford or Otto Langey.

Arranged alphabetically by title of show, and alphabetically by title of selection therein.

 Algeria Full scores (No. 1) Opening chorus, Act I 1/1 Holograph score (No. 2) The Boule' Miche 1/2 Otto Langey score (No. 3) Entrance song of Petitpons: I've been decorated 1/3 Holograph score (No. 4?) Song of the Sultana, Act I 1/4 Holograph score (No. 5) Trio: In jail 1/5 Otto Langey score (No. 6) You'll feel better then 1/6 Otto Langey score (No. 7) The same old two 1/7 Holograph score (No. 8) Finale, Act I 1/8 Holograph score 1/9 Manuscript

Variant version: Tempo di valse

Incomplete, p. 1-4 only

 1/10 Holograph score

Variant version: continuation and end

 (No. 9) Opening, Act II 1/11 Holograph score (No. 11a) Ask her while the band is playing 1/12 Otto Langey score (No. 12) Only one of anything 1/13 Holograph score (No. 12b) Love theme 1/14 Holograph score

Formerly numbered 11b

 (No. 13a) Tempo di marcia, Act II 1/15 Holograph score (before No. 13b) Entrance of Sultana, Act II 1/16 Otto Langey score 1/17 Manuscript score

Variant version

 (No. 13b) Twilight in Barakeesh 1/18 Otto Langey score (No. 14) Bohemia, goodbye! 1/19 Otto Langey score (No. 15) Little bird of paradise 1/20 Otto Langey score

On manuscript: My bird of paradise

 (No. 16) Finale ultimo 1/21 Holograph score Comedians' entrance, Act I 1/22 Manuscript score Comedians' dance 1/23 Manuscript score Piano-vocal/reduced scores Entrance of Sultana, Act II 1/24 Holograph short score Finale, Act I: march ending, new 1/25 Holograph piano-vocal score The foolish gardener (Duo for comedians) 1/26 Holograph piano-vocal score Librettos 2/1 Algeria Typescript

On Microfilm 86/20,243 <Mus> Item 33-D

 2/2 The rose of Algeria Typescript

On Microfilm 86/20,243 <Mus> Item 33-B

 The ameer Full scores (No. 1) Opening chorus, Act I 2/3 Holograph score 2/4 Copyist's manuscript score (No. 2) Scene and entrance of Constance and Fanny

Includes (No. 2a) Oh! what is the matter?; (No. 2b) Cupid will guide

 2/5 Holograph score 2/6 Copyist's manuscript score (No. 3) Entrance song of Ameer: I'd like it 2/7 Otto Langey score 2/8 Copyist's manuscript score (No. 4) Betrothal day blessing: Let those who'd wed 2/9 Otto Langey score 2/10 Copyist's manuscript score (No. 5) Recit and song (Mirzah): Ah! woe is me 2/11 Otto Langey score 2/12 Copyist's manuscript score (No. 6) Song (Ameer and chorus): I am a piratical brigand 2/13 Otto Langey score 2/14 Copyist's manuscript score (No. 7) Finale, Act I 2/15 Holograph score 2/16 Copyist's manuscript score (No. 8a) Opening chorus, Act II; (No. 8b) song: If there's any kind of crime 2/17 Holograph score 2/18 Copyist's manuscript score (No. 9) Chorus of brigands and Ameer: Let others boast 2/19 Otto Langey score 2/20 Copyist's manuscript score (No. 10) Quartette: Surprise, surprise astounding 3/1 Otto Langey score 3/2 Copyist's manuscript score (No. 11) Duet: Old maids are willing to please 3/3 Otto Langey score 3/4 Copyist's manuscript score (No. 12) March, Act II: (No. 12a) Soldiers all; (No. 12b) A soldier need no truer friend 3/5 Otto Langey score 3/5 Copyist's manuscript score (No. 13) Duet: The armored knight 3/7 Otto Langey score 3/8 Manuscript score

Variant version

 (No. 14) The rubber man 3/9 Otto Langey score 3/10 Copyist's manuscript score (No. 15) Finale, Act II: Surrender, surrender 3/11 Holograph score 3/12 Copyist's manuscript score (No. 16) Opening chorus, Act III: Soft to sensuous music swaying 3/13 Holograph score 3/14 Manuscript score (No. 17) The little poster maid 3/15 Otto Langey score 3/16 Manuscript score (No. 18) Trio: Continuous performances 3/17 Otto Langey score 3/18 Manuscript score (No. 20) In old Ben Franklin's days 3/19 Otto Langey score 3/20 Manuscript score Tell me, pray 3/21 Holograph score Sketch 3/22 Finale, Act I Manuscript

Unused

 The American ambassadress see It happened in Nordland Angel face Full scores Entrance music 3/23 Holograph score

Before Everybody's crazy; part of the time, No. 3

 One step 3/24 Harold Sanford score Selection, arr. by Harold Sanford 3/25 Arranger's holograph score Trio: Reincarnation, Act III 3/26-27 Holograph scores Orchestral parts Entrance music

Before Everybody's crazy, part of the time, No. 3

 3/28 Copyist's manuscript Reincarnation 3/29 Copyist's manuscript Babes in Toyland Full scores Prologue: Prelude, Act I; No. 1 (Country dance) 4/1 Holograph score Prologue: Vorspiel 4/2 Holograph score

Incomplete; [9] p.

 4/3 Copyist's manuscript score (No. 1) Act I: opening (Country dance; optional introduction) 4/4 Holograph score 4/6 Copyist's manuscript score

Variant version

 (No. 2) With downcast eye 4/6 Otto Langey score 4/7-8 2 copyist's manuscript scores (No. 3) Never mind, Bopeep, we will find your sheep 4/9 Otto Langey score 4/10-11 2 copyist's manuscript scores (No. 4) Floretta 4/12 Otto Langey/holograph score 4/13-14 2 copyist's manuscript scores (No. 5) Barney O'Flynn 4/15 Otto Langey/holograph score 4/16 Manuscript score 4/17 Copyist's manuscript score (No. 6) Jane 4/18 Otto Langey score 4/19-20 2 copyist's manuscript scores (No. 7) Lullaby: Go to sleep, slumber deep 4/21 Otto Langey score 4/22-23 2 copyist's manuscript scores (No. 8) The birth of the butterfly 4/24 Holograph score 4/25 Copyist's manuscript score (No. 9) Opening chorus, Act II 5/1 Otto Langey score 5/2-3 2 copyist's manuscript scores (No. 10) A legend 5/4 Otto Langey score (No. 11) Song of the poet: Rock-a-bye baby 5/5 Otto Langey score 5/6-7 2 copyist's manuscript scores (No. 12a) March of the toys 5/8 Otto Langey score 5/9 Copyist's manuscript score (No. 12b) Military ball, Act II 5/10 Otto Langey score 5/11-12 2 copyist's manuscript scores (No. 13) Toyland, Act II 5/13 Holograph score

Incomplete, p. 1-4 wanting

Variant version?

 5/14 Otto Langey score 5/15-16 2 copyist's manuscript scores (No. 15) In the toymaker's workshop, Act III 5/17 Otto Langey score 5/18-19 2 copyist's manuscript scores (No. 16) Before and after 5/20 Otto Langey score 5/21-22 2 copyist's manuscript scores (No. 17) Mignonette. Serenade, Act III 6/1-2 2 Otto Langey scores (No. 18) The moon will help you out, Act III 6/3-4 2 Otto Langey scores 6/5 Copyist's manuscript score Beatrice barefacts (No. 11), Act III 6/6 Holograph score 6/7 Manuscript score Battle music (Melodramatic music and finale, Act II) 6/8 Otto Langey score

Annotated by VH (early draft?)

 6/9 Manuscript score 6/10 Copyist's manuscript score

Later draft?

 Contrary Mary (No. 4), Act I 6/11 Otto Langey score Duet: If I were a man like that 6/12 Copyist's manuscript score Duet: Mary and Allan, Act II

Added for proposed German production; no lyric extant

 6/13 Otto Langey score Entrance of Contrary Mary, Act I 6/14 Otto Langey score 6/15 Copyist's manuscript score Finale, Act II 6/16 Holograph score Hang march (No. 16), Act III 6/17 Copyist's manuscript score He won't be happy till he gets it (No. 19) 6/18 Manuscript score Health food man, Act I 6/19 Copyist's manuscript score I can't do the sum, Act I 6/20 Holograph score 6/21 Copyist's manuscript score Inspector Marmaduke (No. 13), Act II 6/22 Otto Langey score Melodramatic music, Act I 6/23-25 3 copyist's manuscript scores Our castle in Spain 6/26 Holograph score The spider den (No. 8c), Finale, Act I 6/27 Manuscript/holograph score

Variant version

 6/28 Copyist's manuscript score Unidentified

Relates to "Rock-a-bye baby" theme

 6/29 Holograph score Piano-vocal/reduced scores Babes in Toyland 6/30 Complete score

With cast members' signatures

 Battle music and Finale, Act II 7/1 Copyist's manuscript/holograph piano score Don’t be a villain 7/2 Copyist's manuscript piano-vocal score 7/3 Lyric sheet Finale, Act II 7/4 Holograph piano score Hang march (No. 16) Opening, Act III 7/5 Copyist's manuscript piano score Health food man

Alternate title: John Johnson

 7/6 Arranger's holograph piano-vocal score

Piano reduction by Larry Moore

 If I were a man like that 7/7 Arranger's holograph piano-vocal score

Piano reduction by Larry Moore

 Inspector Marmaduke 7/8 Holograph piano-vocal score

Partial German lyric

 7/9 Arranger's holograph piano-vocal score

Piano reduction by Larry Moroe

No lyric

 A legend (for Gertrude and chorus of peasants) (No. 10), Act II 7/10 Holograph piano-vocal score Prologue 7/11 Arranger's holograph piano-vocal score

Piano reduction by Larry Moore

 Orchestral parts Beatrice barefacts 7/12 Holograph and copyist's manuscripts: strings

Incomplete

 March of the toys (No. 12a)

Arranged by Otto Langey

 7/13-14 Printed (NY: Carl Fischer) 7/15 Printed (NY: M. Witmark) 7/16 For Grand Orchestra; printed (Fischer and Witmark eds.)

Incomplete

 The military ball (No. 12b) 7/17 Holograph manuscripts 7/18 Copyist's manuscripts: strings Prologue: Vorspiel 8/1-4 Copyist's manuscripts Selection 8/5 Holograph manuscripts

Horns III-IV, trombones, tuba

 8/6 Printed

Incomplete

 Suite 8/7-10 Holograph, manuscript, and printed: winds 9/1-9 Holograph, manuscript, and printed: brass, percussion, harp 10/1-9 Holograph, manuscript, and printed: violin I, violin II, viola 11/1-4 Holograph, manuscript, and printed: cello, bass 11/5-6 Copyist's manuscripts

Additional string parts for "The birth of a butterfly," some including "I can't do the sum"

 Toy march 11/7 Copyist's manuscripts: viola, bass Toyland, (No. 13) 11/8 Copyist's manuscripts: strings The toymaker's workshop (No. 15) 11/9 Copyist's manuscript: strings Libretto 11/10 Typescript

Version 3

On Microfilm 86/20,243 <Mus> Item 3-B

 11/10 Typescript

Predates original version score

On Microfilm 86/20,243 <Mus> Item 3-E

 Babette Full scores (No. 1) Opening chorus, Act I 12/1 Otto Langey score 12/2 Copyist's manuscript score (No. 2) Mondragon and chorus: My honor and my sword 12/3 Holograph score 12/4 Copyist's manuscript score (No. 3) Duo: Mondragon and Vinetta (On the other side of the wall), Act I 12/5 Holograph score (No. 4) Entrance of Babette 12/6 Holograph score (No. 5) Letter writing song: Letters I write all the day 12/7 Holograph score (No. 6) Clockmaker's song: He who'd thrive must rise at five 12/8 Holograph score 12/9 Copyist's manuscript score (No. 7) Duo, Act I: Babette and Marcel (I'll bribe the stars) 12/10 Holograph score 12/11 Copyist's manuscript score (No. 8) Finale, Act I 12/12 Holograph score (No. 9) Opening chorus, Act II 12/13 Holograph score (No. 10) Coach chorus: Hear the coachman crack his whip 12/14 Copyist's manuscript score (No. 11) Trio and Dance, Act II: We're very highly polished at the court 12/15 Holograph score (No. 12) Peddler's song: Tony the peddler 12/16 Holograph score (No. 13) Romanza, Act II: My lady 'tis for thee 12/17 Holograph score (No. 14) Entrance chorus of players, Act II: To the sound of the pipe and the roll of the drum 12/18 Copyist's manuscript score (No. 15) Be kind to poor Pierrot, Act II 12/19 Holograph score (No. 16) Quartette [i.e., Sextette], Act II: (There once was an owl) 12/20 Holograph score (No. 17) The life of a bold free lance 12/21 Manuscript score (No. 18) Finale, Act II 12/22 Holograph score (No. 19) Opening chorus, Act II (i.e., III) 12/23 Holograph score 12/24 Copyist's manuscript score (No. 20) Entrance and song, Act III: It's a way we have in Spain 12/25 Manuscript score (No. 21) Madrigal quartette: My lady of the manor 12/26 Holograph score 12/27 Copyist's manuscript score (No. 22) The butterfly (Waltz song): Where the fairest flow'rs are blooming 12/28 Holograph score (No. 23) Finale ultimo 12/29 Holograph score Canzonetta, Act III: (What is love) 12/30 Holograph score Selection 12/31 Arranger's holograph score

Arranged by Otto Langey

 Song: The story of Babette (old No. 8) 12/32 Copyist's manuscript score Canzonetta, Act III: What is love? 12/33 Holograph score Coach chorus, Act II: Hear the coachman crack his whip (No. 10) 12/34 Copyist's manuscript score 12/35 Printed score The life of a bold free lance (No. 17) 12/36 Holograph score

Incomplete, p. 5-8 only

 Orchestral parts 12/37 Selection Holograph: horns III-IV, trombones, tuba Sketch 12/38 Opening chorus, Act III (No. 19) Holograph/printed piano-vocal sketch The century girl Full scores Entrance of characters and song: The century girl 13/1 Harold Sanford/holograph score Finale, Act II 13/2 Harold Sanford score Humpty Dumpty 13/3 Harold Sanford score Love duet, Act I: You belong to me 13/4 Holograph score (Under the sea sequence) Submarine scene 13/5 Holograph score The romping redheads (Jumping Jack number) 13/6 Holograph score Piano-vocal scores The century girl 13/7 Holograph piano-vocal score Duet: You belong to me 13/8 Copyist's manuscript piano-vocal score Humpty Dumpty 13/9 Copyist's manuscript piano-vocal score Orchestral parts Duet: You belong to me 13/10 Copyist's manuscripts Humpty Dumpty 13/11 Copyist's manuscripts 13/12 Sheet music Humpty Dumpty

Stamped with Victor Herbert's "signature"

 When Uncle Sam is ruler of the sea

Stamped with Victor Herbert's "signature"

 You belong to me

First proof

 The Cinderella man

Play

 Punchinello; Yesterthoughts 13/13 Printed piano-conductor scores and orchestral parts

Arranged by Otto Langey

 Cyrano de Bergerac Full scores (No. 3) Entrance song of Cyrano: I come from Gascony 13/14 Holograph score (No. 5) Combat chorus and song: The king's musketeers 13/15 Holograph score (No. 7) Finale, Act I 13/16 Holograph score (No. 8) Opening chorus, Act II and solo: Lise 13/17 Holograph score 13/18 Copyist's manuscript score (No. 10) Song of the nose 13/19 Holograph score (No. 11) Cadets of Gascony 13/20 Otto Langey score (No. 12) Waltz song: I wonder 13/21 Holograph score (No. 13) Finale, Act II 13/22 Holograph score (No. 14a) Entr'acte, Act III 13/23 Holograph score (No. 15) Diplomacy 13/24 Manuscript score (No. 17) Serenade: Neath thy window 13/25 Copyist's manuscript score (No. 18) Trio, Act III: Let the sun of thine eyes 13/26 Holograph score Piano-vocal/reduced scores Overture 14/1 Copyist's manuscript piano score (No. 1) Opening chorus with lyric fragments 14/2 Holograph piano-vocal score (No. 3) Peasant song: I come from Gascony 14/3 Holograph piano-vocal score

No lyric

 (No. 5) Combat chorus and solo: The king's musketeers 14/4 Holograph piano-vocal score 14/4 Copyists's manuscript piano-vocal score with lyric fragments

Incomplete, p. 7-10 only

 (No. 8) Opening chorus, Act II 14/6 Holograph piano-vocal score with lyric fragments

Incomplete, p. 3-4 only

 (No. 8) Opening song: Recipe song with lyric fragments 14/7 Holograph piano-vocal score (No. 9) Entrance chorus of poets, Act II 14/8 Holograph piano-vocal score with lyric fragments (No. 11) The cadets of Gascony with lyric fragments 14/9 Holograph piano-vocal score (No. 13) Finale, Act II 14/10 Holograph piano-vocal score

Incomplete, p. 5-8 only

 (No. 14) Opening chorus, Act III 14/11 Holograph piano-vocal score

Incomplete, final [2] p.

German and English lyrics

 (No. 15) Couplets: Diplomacy 14/12 Holograph piano-vocal score

No lyric

 (No. 16) Song: Over the mountains 14/13 Holograph piano-vocal score (No. 17) Serenade, Act III: Neath thy window 14/14 Holograph piano-vocal score (No. 18) Trio, Act III: Let the sun of thine eyes 14/15 Holograph piano-vocal score with lyric fragment

Incomplete, p. 1-2 only

 Song: Diplomacy

Not related to (No. 15) Couplets: Diplomacy, box-folder 14/12

 14/16 Holograph piano-vocal score with lyric fragment Sketch 14/17 Entr'acte Holograph 14/18 (No. 17) Serenade Holograph The débutante Full scores Overture 14/19 Photocopied Harold Sanford score (No. 1) Opening chorus 14/20 Photocopied Harold Sanford score (No. 2) March song: Love is a battle 14/21 Photocopied Harold Sanford score (No. 3) Married life 14/22 Photocopied Harold Sanford score (No. 4) Professor Cupid 14/23 Photocopied Harold Sanford score (No. 5) All for the sake of a girl 14/24 Photocopied Harold Sanford score (No. 6) Duet: The golden age 14/25 Photocopied holograph score (No. 7) Trio: The love of the Lorelei 14/26 Photocopied holograph score (No. 8) Peggy's a creature of moods 14/27 Photocopied Harold Sanford score (No. 9) Duo: Never mention love when we're alone 14/28 Photocopied Harold Sanford score (No. 10) Finale, Act I 14/29 Photocopied Harold Sanford score Entr'acte 15/1 Photocopied Harold Sanford score (No. 11) Opening chorus, Act II 15/2 Photocopied manuscript score (No. 12) When I played Carmen 15/3 Photocopied manuscript score (No. 13) The baker's boy and the chimney sweep 15/4 Photocopied manuscript score (No. 14) The cubist opera 15/5 Photocopied manuscript score (No. 15) Call around again 15/6 Photocopied manuscript score (No. 16) The will-o-the-wisp 15/7 Photocopied manuscript score (No. 17) The dancing lesson 15/8 Photocopied manuscript score (No. 18) Sextette, Act III: The face behind the mask 15/9 Photocopied manuscript score (No. 19) Burlesque modern opera 15/10 Photocopied holograph score (No. 20) Fortune telling song: Fate 15/11 Photocopied manuscript score (No. 21) Finale ultimo: The springtime of love is fairest 15/12 Photocopied manuscript score Selection 15/13 Photocopied arranger's holograph score

Arranged by Harold Sanford

 Unidentified (No. 3) 15/14 Photocopied holograph score Piano-vocal scores Entrance of Elaine and song: Professor Cupid (No. 4) 15/15 Holograph piano-vocal score March song: Love is a battle (No. 2) 15/16 Holograph piano-vocal score Take me home with you 15/17 Holograph piano-vocal score Dream city and The magic knight Full scores (No. 1) Opening chorus, Act I 16/1 Otto Langey score (No. 2) Sextette and dance: Down a shady lane 16/2 Otto Langey score (No. 4) The farmer's life (I’m not stuck to be a farmer) 16/3 Otto Langey score (No. 5) Improvements 16/4 Holograph score (No. 6) Imitations: A shy suburban maid 16/5 Holograph score

Incomplete

 (No. 7) Nancy, I fancy you 16/6 Holograph score (No. 8) Finale, Act I: Rustic Patrol and song: The volunteer fireman 16/7 Otto Langey score (No. 9) Beautiful dreamtown; Entr'acte; Opening Chorus, Act II 16/8 Holograph score (No. 12) I don't believe I'll ever be a lady 16/9 Holograph score (No. 13) Hannah 16/10 Holograph score (No. 14) Bound for the opera 16/11 Otto Langey score (No. 15) In vaudeville 16/12 Otto Langey score (No. 1) Opening chorus, Act I 16/13 Holograph score (No. 8) Finale, Act I: Rustic patrol and song: The volunteer fireman 16/14 Holograph score (No. 14) Bound for the opera 16/15 Holograph score Entrance of Elsa, to end of operetta 16/16 Holograph score

Incomplete, p. 1-10 wanting

 Orchestral parts 16/17 I love you Copyist's manuscript

Incomplete

 The dream girl Holograph full scores 16/18 Cling 16/19 Dolly and girls, Act III 16/20 Entr'acte 16/21 Fifty-fifty 16/22 Fox-trot 16/23 Gypsy life 16/24 Hip-hi! Hip-ho! 16/25 I can't make love to ladies in the morning 17/1 I loved you long ago 17/2 I want to know! 17/3 If someone would find me! 17/4 A jazz tune 17/5 The maid let him in! 17/6 Making a Venus 17/7 Morris dance 17/8 My hero 17/9 Overture 17/10 Rainbow's end 17/11 The salt of the earth 17/12 Selection

Arranged by Harold Sanford

 17/13 Sights of London 17/14 Stop, look, listen! 17/15 Strange things happen 17/16 The theme 2 holograph choral scores 17/17 Wild women 17/18 Unidentified

Incomplete, [4] p.

 Piano-vocal/reduced scores The broad high way 17/19 Holograph piano-vocal score Cling 17/20 Holograph piano-vocal score Hip-hi! Hip-ho! 17/21 Copyist's manuscript piano-vocal score I want to go home 17/22 Holograph piano-vocal score 17/23 Copyist's manuscript piano-vocal score

No lyric

 I want to know 17/24 Copyist's manuscript piano-vocal score If someone would find me 17/25 Manuscript piano-vocal score

Incomplete, p. 1-3 only

 A jazz tune 17/26 Copyist's manuscript piano-vocal score The salt of the earth 17/27 Copyist's manuscript piano-vocal score Sights of London 17/28 Copyist's manuscript piano-vocal score Waiting for a kiss 17/29 Holograph piano-vocal score 17/30 Copyist's manuscript piano-vocal score Wild women 17/31 Holograph piano-vocal score 17/32 2 copyist's manuscript piano-vocal scores Unidentified: Tempo di Fox trot

Not related to Fox trot, box 16, folder 22

 17/33 Holograph piano-vocal score

No lyric

 17/34 Copyist's manuscript piano-vocal score Unidentified 17/35 Holograph piano score fragment; 1 p. Orchestral parts Entr'acte 17/36 Holograph

Celeste only

 Fox-trot 17/37 Holograph

Incomplete

 My dream girl (I loved you long ago) 17/38 Holograph/copyist's manucript

Incomplete

 The salt of the earth 17/39 Copyist's manuscript Wild women 17/40 Copyist's manuscript Sketch 18/1 Rainbow's end and fragmentary material With notes Lyric sheet 18/2 The broad high way The dream song

Play

 18/3 Sheet music

Stamped with Victor Herbert's "signature"

 Farewell Lovelight The duchess see Mlle. Rosita Eileen

Revised version of Hearts of Erin

Full scores Overture 18/4 Holograph score 18/5 Harold Sanford score

p. 1 only

 (No. 1) Opening, Act I 18/6 Holograph score (No. 2) Free trade and a misty moon 18/7 Holograph score (No. 3) My little Irish rose 18/8 Harold Sanford score (No. 4) Entrance of Humpy Grogan 18/9 Harold Sanford score (No. 5) Song, Act I: When shall I again see Ireland (Ireland, my sireland) 18/10 Holograph score (No. 6) Finale, Act I 18/11 Holograph score 18/12 Holograph score

Variant version

 (No. 7) Opening, Act II and round 18/13 Holograph score (No. 9) Eileen, Alanna Astore 18/14 Holograph score (No. 10) If Eve had left the apple on the bough 18/15 Holograph score (No. 11) Duo, Act II: I'd love to be a lady 18/16 Harold Sanford score 18/17 Copyist's manuscript score

Variant version

 (No. 13) When love awakes, Act II 18/18 Holograph score (No. 14) Duet, Act II: Life's a game at best 18/19 Holograph score (No. 15) Finale, Act II 18/20 Holograph score (No. 16) Opening, Act III 18/21 Holograph/Harold Sanford score (No. 17) Love duet: Thine alone 18/22 Holograph score (No. 18) The Irish have a great day to-night 18/23 Holograph/Harold Sanford score (No. 19) When Ireland stands among the nations of the world (Finale ultimo) 18/24-25 2 holograph scores Barry's entrance 18/26 Holograph score Cupid, the cunnin' paudeen 18/27 Harold Sanford score

No. 5 in Hearts of Erin

Duet, Act II: Stars and rosebuds 18/28 Holograph score

No. 8 in Hearts of Erin

Ensemble, Act II: Withdraw 19/1 Holograph score

No. 11 in Hearts of Erin

First entr'acte, Act II 19/2 Holograph score Reveries, Act II 19/3 Holograph score

No. 12 in Hearts of Erin

Second entr'acte, Act III 19/4 Holograph score Selection 19/5 Arranger's holograph score

Arranged for military band by Harold Sanford

 19/6 Arranger's holograph score

Arranged for orchestra by Harold Sanford

 Unidentified, Act II 19/7 Holograph score

Incomplete

 Piano-vocal/reduced score Finale, Act I (No. 6) 19/8 Holograph piano-vocal score

Incomplete, p. 9-12 only

 If Eve had left the apple on the bough (No. 10) 19/9 Holograph piano-vocal score

No lyric

 Opening, Act I (No. 1) 19/10 Holograph piano score

Incomplete, p. 1-3 only

 Opening, Act II (No. 7) 19/11 Holograph piano-vocal score Reveries, Act II (No. 6) 19/12 Holograph piano-vocal score

No. 12 in Hearts of Erin

Orchestral parts Overture 19/13 Copyist's manuscripts: violin I/conductor Selection 19/14 Holograph: brass, drum Thine alone, Love duo (No. 16) 19/15 Holograph When shall I again see Ireland (No. 5) 19/16 Holograph: strings only

Transposed to D-flat; Harp

 19/17 Manuscripts 19/18 Copyist's manuscript 19/19 Sheet music

Stamped with Victor Herbert's "signature"

 Cupid, the cunnin' paudeen Eileen, Alanna Astore If Eve had left the apple on the bough The Irish have a great day to-night Life's a game at best My little Irish rose Reveries Stars and rosebuds Thine alone Sketches 19/20 Barry's entrance and Entrance of Humpy Grogan, (No. 5) Holograph 19/21 Duo: Life's a game at best, (No. 14) Holograph 19/22 Finale, Act II (No. 15) Holograph 19/23 The Irish have a great day to-night (No. 17) Typescript lyric sheet

Holograph annotations

 The enchantress Full scores Overture 20/1 Manuscript score (No. 1) Opening chorus (i.e., number) 20/2 Otto Langey score (No. 2) Duo, Act I: When the right man sings tra la 20/3 Holograph score (No. 3) Comic duo, Act I: They all look good when they're far away 20/4 Holograph score (No. 4) March: Chorus and entrance of regent 20/5 Manuscript score (No. 6) Entrance of Prince George i.e., Ivan and solo: And that little girl is you 20/6 Otto Langey score (No. 7) Entrance of Vivien and solo: To the land of my own romance 20/7 Manuscript score (No. 8) March song: I've been looking for a perfect man 20/8 Manuscript score (No. 9) Duo, Act I: Rose, lucky Rose 20/9 Holograph score (No. 10) Finale, Act I 20/10 Holograph score (No. 11) Opening chorus, Act II 20/11 Manuscript score (No. 12) Art is calling for me 20/12 Manuscript score (No. 13) Soliloquy, Act II: Come little fishes (Goldfish song) 20/13 Holograph score (No. 14) Duo, Act II: Come to sunny Spain 20/14 Manuscript score (No. 15) Love duo, Act II: One word from you 20/15 Holograph score (No. 16) Madrigal, Act II: The dreaming princess 20/16 Holograph score (No. 18) Dance, Act II 20/17 Holograph score (No. 19) Champagne song, Act II: All your own am I 20/18 Holograph score (No. 20) Finale ultimo 20/19 Holograph score Entr'acte 20/20 Holograph score Exit 20/21 Holograph score That naughty little song, Act II 20/22 Holograph score The piano-king, Act II 20/23 Manuscript score Piano-vocal scores (No. 10) Finale, Act I 21/1 Holograph piano-vocal score (No. 16) Madrigal: The dreaming princess 21/2 Holograph piano-vocal score March of the prince's regiment 21/3 Holograph piano-vocal score Specialty, Act II 21/4 Holograph piano score Tango 21/5 Holograph piano score Orchestral parts 21/6 (No. 10) Beginning of Finale, Act I Holograph; bass, snare drum Sheet music 21/7 (No. 7) To the land of my own romance

Stamped with Victor Herbert’s “signature” and identified as “Different finish” on cover

 The fall of a nation

Motion picture

 Full scores Prologue 21/8 Manuscript/holograph score Act I 21/9-14 Cues 1-11, 13, 16, 19, 20, 20a, 21, 24, 26, 30-40, 43-45, 47-49, 51, 52, 56, 58, 58 1/2, 59 Manuscript/holograph score 21/15 Revisions for cues 1-25 Manuscript/holograph score Act II 22/1-5 Cues 62-65, 65 1/2, 67, 68, 68 1/2, 69-75, 77, 79-84 Holograph score Entr'acte (The love theme) 22/6 Holograph score Piano/reduced scores Prologue 22/7 Holograph/manuscript piano score Act I 22/8 Cues 1-29 Holograph piano scores 22/9 Cues 30-59 Holograph piano scores, short scores Act II 23/1 Cues 60-84 Holograph piano scores 23/2 Cues 71 Manuscript short score Dramatic theme: Devastation 23/3 Manuscript piano score Entrance of the heroes 23/4 Manuscript piano score Unidentified 23/5 Manuscript piano score fragment

p. 25-26 only

 Printed music The fall of a nation 23/6 Complete piano score

Extensive corrections

 Devastation 23/7 Piano-conductor score

Arranged by Harold Sanford

 Entrance of the heroes 23/8 Piano-conductor score and parts

Arranged by Harold Sanford

 Forebodings 23/9 Piano-conductor score

Arranged by Harold Sanford

 Heart throbs 23/10 Piano-conductor score and parts

Arranged by Harold Sanford

 Karma 23/11 Piano-conductor score and parts

Arranged by Harold Sanford

 The knight's tournament 23/12 Piano-conductor score and parts

Arranged by Harold Sanford

 Little Italy 23/13 Piano-conductor score and parts

Arranged by Harold Sanford

 The love theme 23/14-15 2 copies of sheet music

One with extensive corrections and one inscribed by Herbert to his daughter, Ella

 The mystic rider 23/16 Piano-conductor score and parts

Arranged by Harold Sanford

 Punch and Judy 23/17 Piano-conductor score and parts

Arranged by Harold Sanford

 The rabble 23/18 Piano-conductor score and parts

Arranged by Harold Sanford

 Sketches 23/19 Act II, Cue 71 Holograph sketch of piano score 23/20 Various cues Holograph sketches Fanshastics see Merry wives of Gotham The fortune teller Full scores Czardas 24/1 Holograph score 24/2 Copyist's manuscript score

With instructions in the hand of Victor Herbert

 Piano-vocal scores The facts of life backstage 24/3 Photocopied copyist's manuscript piano-vocal score Gypsy sequence, Act I, scene ii 24/4 Photocopied of copyist's manuscript piano-vocal score Orchestral parts Gypsy love song 24/5 Copyist's manuscript

Incomplete

 March and schottische 24/6 Printed: bassoon

Arranged by Otto Langey

 Selection from The fortune teller 24/7 Manuscript/printed

Incomplete; violin 1 wanting

 Fortune teller 24/8 Holograph

Incomplete; violin 1 wanting

 24/9 Libretto Typescript The garden of eden Full scores Prelude 24/10 Manuscript score (No. 3) Untitled 24/11 Manuscript score (No. 4) If Adam had said no instead of yes 24/12 Manuscript score (No. 5) Entrance of Cupid 24/13 Holograph score (No. 6) Thunder 24/14 Holograph score Piano-vocal/reduced scores Prelude 24/15 Holograph piano score 24/16 Manuscript piano score (No. 3) End of scene I 24/17 Manuscript piano score (No. 4) Duet: If Adam had said no instead of yes 24/18 Holograph piano-vocal score 24/19 Manuscript piano-vocal score (No. 5) Entrance of Cupid 24/20 Holograph piano score (No. 6) End of scene 3 24/21 Manuscript/holograph piano score Orchestral parts No. 3 24/22 Copyist's manuscripts The girl in the spotlight

Revised version of Molly darling

Full scores Overture 25/1 Holograph score (No. 1) I knew him when 25/2 Holograph/manuscript score (No. 2) I cannot sleep, dear, without dreaming of you! 25/3 Holograph score (No. 3) Come across! 25/4 Holograph score (No. 4) Duet: It would happen anyway 25/5 Holograph score (No. 7) Writing a popular song (The month of June?) 25/6 Holograph/copyist's manuscript score (No. 9) Catch 'em young 25/7 Holograph score (No. 11) Finale, Act I 25/8 Holograph score (No. 12) Opening, Act II 25/9 Holograph score (No. 14) I'll be there 25/10 Holograph score (No. 16) Dance no. 2: Egyptian (Oriental dance) 25/11 Harold Sanford score (No. 17) I love the ground you walk on 25/12 Harold Sanford score (No. 18) Duet: Only you 25/13 Holograph score (No. 22) Dance no. 4: Hornpipe 25/14 Harold Sanford score (No. 24) Finale, Act II 25/15 Holograph score (No. 25) Ev'rything has stung me but a bee 25/16 Holograph score (No. 26) A savage I remain 25/17 Holograph score (No. 26a) Marry me and see 25/18 Manuscript score (No. 27) Women 25/19 Holograph score All alone 25/20 Holograph score(s?)

Incomplete, p. 1-2 only; p. 3-4 from unidentified score found in same folder

 I learned about women 25/21 Holograph score The night time 25/22 Holograph score No one wants to vamp me 25/23 Harold Sanford score Selection 25/24 Arranger's holograph score

Arranged by Harold Sanford

 That girl is going to be mine! 25/25 Holograph score Unidentified see also Unidentified, box-folder 25/33 25/26 Holograph score Piano-vocal scores All alone 25/27 Holograph piano-vocal score (No. 24) Finale, Act II 25/28 Holograph piano-vocal score That girl is going to be mine 25/29 Holograph piano-vocal score 25/30 Manuscript piano-vocal score Orchestral parts (No. 14) I'll be there 25/31 Copyist's manuscript: trumpet That girl is going to be mine 25/32 Holograph

Incomplete: cello part wanting

 Unidentified see also Unidentified, box-folder 25/26 25/33 Holograph: harp only The gold bug 25/34 The corner march Manuscript orchestral parts The great white way

Motion picture

 Full score Overture: Golden days 26/1 Holograph score Piano-vocal score The great white way 26/2 Holograph piano-vocal score Sheet music Overture: Golden days 26/3 Full score 26/4 Parts Her regiment Full scores (Opening of overture) Patrol, 3rd Act 26/5 Holograph score (No. 1) Opening chorus, Act I 26/6 Harold Sanford score (No. 2) Duo: You never can tell how marriage will take 26/7 Holograph score (No. 3) Oh, my!, Act I 26/8 Holograph score (No. 4) Soldier men 26/9 Holograph score (No. 5) A little farm in Normandy 26/10 Holograph score (No. 6) 'Twixt love and duty, Act I 26/11 Holograph score (No. 7) Finale, Act I 26/12 Holograph score (No. 8) Entr'acte No. 1 26/13 Holograph score (No. 9) Opening, Act II 26/14 Holograph score (No. 10) American serenade, Act II 26/15 Holograph score (No. 11) Art, Act II 26/16 Holograph score (No. 12) Duo, Act I: Some day 26/17 Holograph score (No. 13) Finale, Act II 26/18 Holograph score (No. 14) Second entr'acte 26/19 Holograph score (No. 15) Opening, Act III 26/20 Holograph score (No. 16) The devil and the deep blue sea (Opening, Act III) 26/21 Holograph score (No. 17) Duet, Act III: Superlative love 26/22 Holograph score (No. 18) As the years roll by, Act III 26/23 Holograph score (No. 19) Vive la France 26/24 Harold Sanford score; refrain only Duet, Act I: If things were what they seem! 26/25 Holograph score The girl behind the gun, Act II 26/26 Holograph score Nerves. Trio. Act II 26/27 Holograph score Pals Jolicoeur and male chorus 26/28 Manuscript score Selection 26/29 Arranger's holograph score

Arranged by Harold Sanford

 Tempo di valse, lente 26/30 Holograph score When you were young, Act III 26/31 Holograph score Piano-vocal scores Pals Jolicoeur and men, Act III 26/32 Holograph piano-vocal score 26/33 Copyist's manuscript piano-vocal score Orchestral parts (No. 10) American serenade 26/34 Copyist's manuscript/holograph If things were what they seem 26/35 Copyist's manuscript Opening of overture, Act III: Patrol 26/36 Copyist's manuscript (No. 14) Second entr'acte 26/37 Copyist's manuscript: violin II When you were young 26/38 Copyist's manuscript The house that Jack built Full scores (No. 1) Overture 27/1 Holograph score (No. 2) Prologue 27/2 Holograph score (No. 3) Opening, Act I 27/3 Holograph score (No. 4) All wrought up and quivery, Act I 27/4 Manuscript score (No. 5) Trio, Act I: If I were a millionaire 27/5 Manuscript score (No. 6) One or two of them will give you a thrill, Act I 27/6 Manuscript score (No. 8?) Duet: Cherry and Godiva 27/7 Manuscript score (No. 9) Love built a home in my heart 27/8 Holograph score (No. 10) Trio: The light that lies in a maiden's eyes 27/9 Holograph score (No. 11) Finale, Act I 27/10 Holograph score (No. 12) Opening, Act II 27/11 Holograph score (No. 13) Dance of the witches 27/12 Holograph score (No. 14) Trio, Act II: Hey! day! crickets in May 27/13 Holograph score (No. 15) Love steals into your heart 27/14 Holograph score (No. 18) Keep smiling 27/15 Holograph score (No. 19) Our hats are off to you, Act III 27/16 Holograph score (No. 20) Duo, Act III: For every Jack there is found a Jill 27/17 Holograph score (No. 21) Wedding march 27/18 Holograph score (No. 22) Finale ultimo 27/19 Holograph score Piano-vocal scores (No. 1) Overture 27/20 Holograph piano score (No. 2) Prologue 27/21 Holograph piano-vocal score (No. 3) Entrance of Jack, Act I 27/22 Holograph piano score (No. 4) All wrought up and quivery 27/23 Copyist's manuscript piano-vocal score (No. 5) Trio: If I were a millionaire 27/24 Copyist's manuscript piano-vocal score (No. 6) One or two of them will give a thrill 27/25 Copyist's manuscript piano-vocal score (No. 7) I wish I were a little cloud 27/26 Holograph piano-vocal score (No. 9) Love built a home in my heart (The love song) 27/27-28 2 holograph piano-vocal scores

1 with no lyric

 (No. 10) Trio, Act I: The light that lies in a maiden's eyes 27/29 Holograph piano-vocal score (No. 11) Finale, Act I 27/30 Holograph piano-vocal score (No. 12-13) Opening, Act II and Witches' dance 27/31 Holograph piano-vocal score (No. 14) Trio, Act II: Hey! day! crickets in May 27/32 Holograph piano-vocal score (No. 15) Love steals into your heart 27/33 Holograph piano-vocal score (No. 16) Final scene, Act II 28/1 Holograph piano-vocal score (No. 17) Opening, Act III and Rabbit's dance 28/2 Holograph piano score (No. 18) When life is a burden, (no matter how you feel, keep smiling) 28/3 Holograph piano-vocal score 28/4 Copyist's manuscript piano-vocal score (No. 19) Our hats are off to you, Act III 28/5 Holograph piano-vocal score (No. 20) Duo: For ev'ry Jack there is found a Jill 28/6 Holograph piano-vocal score (No. 21) Wedding march 28/7 Holograph piano score (No. 22) Finale ultimo 28/8 Holograph piano-vocal score Selections (nos. 9-10, 15, 18-20) 28/9 Photocopied holograph piano-vocal scores Unidentified 28/10 Holograph piano sketch Orchestral parts (No. 1) Overture 28/11 Copyist's manuscript (No. 2) Prologue 28/12-13 Copyist's manuscript (No. 3) Opening, Act I 28/14 Copyist's manuscript (No. 4) All wrought up and quivery 28/15 Copyist's manuscript (No. 5) Trio, Act I: If I were a millionaire 29/1 Copyist's manuscript (No. 6) One or two of them will give a thrill 29/2 Copyist's manuscript (No. 8)? Cherry and Godiva 29/3 Copyist's manuscript (No. 9) Love song: Love built a home in my heart 29/4 Copyist's manuscript (No. 10) Trio, Act I: The light that lies in a maiden's eyes 29/5 Copyist's manuscript (No. 11) Finale, Act I 29/6 Copyist's manuscript (No. 12) Opening, Act II 29/7 Copyist's manuscript (No. 13) Dance of the witches 29/8 Copyist's manuscript (No. 14) Trio, Act II: Hey! day! crickets in May 29/9 Copyist's manuscript (No. 15) Love steals into your heart (Cherry and the cow) 29/10 Copyist's manuscript (No. 18) When life is a burden...keep smiling (Cherry and rabbits) 29/11 Copyist's manuscript (No. 19) Our hats are off to you (Jack and chorus) 30/1 Copyist's manuscript (No. 20) Duo, Act III: For ev'ry Jack there is found a Jill 30/2 Copyist's manuscript (No. 21) Wedding march 30/3 Copyist's manuscript (No. 22) Finale ultimo 30/4 Copyist's manuscript Sheet music 30/5 (No. 21) Wedding march Proof copy Sketch/short score The bed music: Final scene, Act II, No. 16 30/6 Holograph sketch 30/7 Manuscript short score

Holograph annotations

 Hula-lula

Operetta composed for Lambs' Gambol, 1899

 Full scores (No. 1a) Opening chorus 30/8 Holograph score Orchestral/vocal parts (No. 3) The Bos’n-5 30/9 Holograph Prelude and No. 1a, 1b, 2-4, 6 30/10-13 Holograph/manuscript: winds (incomplete), brass, drum, strings Sketches 30/14 Prelude and No. 1a, 1b, 2-4, 6 Holograph It happened in Nordland Full scores (Prologue) Prelude 31/1 Holograph score (No. 1) Opening chorus, Act I 31/2 Manuscript score (No. 2) The woman in the case 31/3 Otto Langey score (No. 3) Absinthe frappe, Act II 31/4 Otto Langey score (No. 4) Entrance and song of Dr. Blotz 31/5 Otto Langey score (No. 5) Slippery James 31/6 Otto Langey score

Incomplete, p. 17-20 wanting

 (No. 8) Finale, Act I 31/7 Otto Langey/holograph score (No. 9a) Opening, Act II 31/8 Holograph score (No. 9b) Al fresco 31/9 Holograph score (No. 10) The knot of blue 31/10 Holograph score (No. 11) The jack o'lantern girl 31/11 Holograph score (No. 12) The matinee maid 31/12 Manuscript score (No. 13) Bandana land 31/13 Holograph score Entr'acte 31/14 Copyist's manuscript score Entrance music, Act II 31/15 Holograph score I brought them home to Mother 31/16 Otto Langey score The man meant well, Act I 31/17 Holograph score Piano-vocal scores For the flag he loved so well 31/18 Holograph piano-vocal score 31/19 Copyist's manuscript piano-vocal score The governor of Guam 31/20 Copyist's manuscript piano-vocal score If Morgan bought an army all for me 31/21 Copyist's manuscript piano-vocal score Orchestral parts Al fresco (No. 9b) 31/22 Holograph/printed score

Incomplete

 (No. 13) Bandana land 31/23 Copyist's manuscript: violin, cello Entr'acte 31/24 Copyist's manuscript: strings (No. 8) Finale, Act I 31/25 Copyist's manuscript: violin, cello If Morgan bought an army all for me 31/26 Copyist's manuscript (No. 10) The knot of blue 31/27 Copyist's manuscript: violin, cello The woman in the case

Variant version of Box-folder 31/3

 31/28 Manuscript

Incomplete

 Sketch 31/29 Opening chorus, Act II (No. 9a) Holograph The lady of the slipper Full scores (No. 1) Overture 32/1 Manuscript score (No. 2) Opening chorus, Act I 32/2 Manuscript score (No. 3a) Fond of the ladies 32/3 Manuscript score (No. 3b) Romneya music 32/4 Manuscript score (No. 4) The cat duet: Meow! meow! meow! 32/5 Manuscript score (No. 5) Trio: Like a real, real man 32/6 Manuscript score (No. 6) The garden party 32/7 Manuscript score (No. 7) Duo: Games of Hallowe'en 32/8 Manuscript score (No. 8) Witches dance 32/9 Manuscript score (No. 9) The ride to the castle, Finale, Act I 32/10 Manuscript score (No. 10) At the bal masque: Quadrille, Act II: Opening chorus 32/11 Holograph score 32/12 Manuscript score (No. 11) Entrance of Cinderella and Princess of Far-away 32/13 Manuscript score (No. 13) Ballet suite 32/14 Manuscript score (No. 14) Bagdad 32/15 Manuscript score (No. 15) My Russian girlski 32/16 Manuscript score (No. 16) A little girl at home 32/17 Manuscript score (No. 17) Punch bowl glide 32/18 Manuscript score (No. 18) Finale, Act II 32/19 Holograph score (No. 19) Entr'acte 32/20 Manuscript score (No. 20) Harlequinade: Pantomime music 32/21 Manuscript score (No. 21) Opening chorus, Act III 33/1 Manuscript score (No. 22) Put your best foot forward, little girl 33/2 Manuscript score (No. 23a) Finale ultimo - Part I Segue Kiss, kiss, kiss! 33/3 Holograph score (No. 23b) Finale ultimo, Part II 33/4 Manuscript score Dance after (No. 6) Garden party 33/5 Holograph score

Not used

 Dance after (No. 7) Games of Hallowe'en 33/6 Holograph score

Not used

 Encore to Stop dance 33/7 Manuscript score Fairy music, Act I 33/8 Manuscript score Fairy tales 33/9 Harold Sanford score Flutter, flutter, little butterfly 33/10 Harold Sanford score In dreamland 33/11 Holograph score Medley, Act II 33/12 Manuscript score Rag polka (Boxing pantomime) 33/13 Manuscript score Schottische, Act I 33/14 Manuscript score Selection 33/15 Arranger's holograph score

Arranged by Harold Sanford

 The voice of the waltz, Act II 33/16 Manuscript score The way to sing a ragtime song 33/17 Manuscript score The way to sing a ragtime song (Dance after) 33/18 Manuscript score Piano-vocal/reduced scores Fairy tales 33/19 Holograph piano-vocal score

F major

 33/20 Holograph piano-vocal score

G major

 33/21 Copyist's manuscript piano-vocal score Flutter, flutter, little butterfly 33/22 Holograph piano-vocal score 33/23 Copyist's manuscript piano-vocal score Jack o'lantern love 33/24 Holograph piano-vocal score My Russian girlski (Dance after) 33/25 Holograph piano score The voice of the waltz, Act II 33/26 Holograph piano-vocal score The way to sing a ragtime song (Dance to) 33/27 Holograph piano score Orchestral parts Bagdad 34/1 Printed: piano/conductor, strings

Arranged by Harold Sanford

 Flutter, flutter, little butterfly 34/2 Copyist's manuscript A little girl at home 34/3 Copyist's manuscript The way to sing a ragtime song 34/4 Copyist's manuscript 34/5 Prompt book Typescript

Microfilm 86/20,243 <Mus> Item 16-B

 Lambs' Gambol, 1899 see Hula-Lula Lambs' Gambol, 1906 see The song birds Lambs' Gambol, 1907 see Miss Camille Lambs' Gambol, unspecified date Full scores Bowery waltz 34/6 Manuscript score Entr'acte 34/7 Manuscript score Hesitation waltz 34/8 Manuscript score Overture 34/9 Manuscript score Rag 34/10 Manuscript score Tango 34/11 Manuscript score Theme (Serious) 34/12 Manuscript score Piano-vocal/reduced scores Bowery waltz 34/13 Manuscript piano-vocal score

No lyric

 Entr'acte 34/14 Manuscript short score Hesitation waltz 34/15 Manuscript piano score Overture 34/16 Manuscript piano score Rag 34/17 Manuscript piano-vocal score

No lyric

 Tango 34/18 Manuscript piano-vocal score Theme (Serious) 34/19 Manuscript short score Orchestral parts After the matinee 34/20 Copyist's manuscript conductor, violin and viola parts Bowery waltz 34/21 Copyist's manuscript Entr'acte 34/22 Copyist's manuscript Hesitation waltz 34/23 Copyist's manuscript Overture 35/1 Copyist's manuscript Rag 35/2 Copyist's manuscript Tango 35/3 Copyist's manuscript Theme (Serious) 35/4 Copyist's manuscript

A-flat major, original version; incomplete

 35/4 Manuscript

F major

 The lavender lady Full scores (No. 1) Opening, Act I 35/6 Holograph score (No. 2) Quintet, Act I: Such is life 35/7 Harold Sanford score (No. 4) Ensemble, Act I 35/8 Manuscript score (No. 5) When pretty eyes a-begging go 35/9 Harold Sanford score (No. 6) A masterful man, Act I 35/10 Harold Sanford score (No. 7) Finale, Act I 35/11 Holograph score (No. 8) Opening, Act II 35/12 Holograph score (No. 11) Homeopathy, Act II 35/13 Holograph score (No. 16) I learned of love, Act II 35/14 Holograph score (No. 17) Finale, Act II 35/15 Holograph score (No. 19) Tip toe lightly 35/16 Harold Sanford score (No. 20) Ensemble, Act III 35/17 Holograph score (No. 21) Duo, ensemble, and Finale, Act III 35/18 Holograph score Unidentified No. 2 35/19 Holograph score Piano-vocal scores Nos. 1-10 36/1 Photocopied copyist's manuscript piano-vocal scores Nos. 11-25 36/2 Photocopied copyist's manuscript piano-vocal scores (No. 1) Opening, Act I 36/3 Holograph piano-vocal score 36/4 Copyist's manuscript piano-vocal score (No. 2) Quintet, Act I: Such is life 36/5 Holograph piano-vocal score 36/6 Copyist's manuscript piano-vocal score (No. 4) Ensemble, Act I 36/7 Holograph piano-vocal score 36/8 Copyist's manuscript piano-vocal score (No. 5) When pretty eyes a-begging go, Act I 36/9 Holograph piano-vocal score 36/10-11 Copyist's manuscript piano-vocal score (No. 6) Trio, Act I: A masterful man 36/12 Holograph piano-vocal score 36/13 Copyist's manuscript piano-vocal score (No. 7) Finale, Act I 36/14 Holograph piano-vocal score 36/15 Copyist's manuscript piano-vocal score (No. 8) Opening scenes, Act II 36/16 Holograph piano-vocal score 36/17 Copyist's manuscript piano-vocal score (No. 9) The love nest

Alternate title: Here in these arms

 36/18 Holograph piano-vocal score 36/19-21 Copyist's manuscript piano-vocal scores (3) (No. 10) If I should tell the name, Act II 36/22 Holograph piano-vocal score 36/23 Copyist's manuscript piano-vocal score (No. 11) Homeopathy 36/24 Holograph piano-vocal score 36/25 Copyist's manuscript piano-vocal score (No. 12) The maddest war of all, Act II 36/26 Holograph piano-vocal score 36/27 Copyist's manuscript piano-vocal score (No. 14) Trio: How a husband should be treated 36/28 Holograph piano-vocal score 36/29 Photocopied manuscript piano-vocal score (No. 15) The Henpecks, Act I 36/30 Holograph piano-vocal score 36/31 Copyist's manuscript piano-vocal score (No. 16) Quintet: I learned of love 36/32 Holograph piano-vocal score 36/33 Copyist's manuscript piano-vocal score 36/34 Negative photocopy of copyist's manuscript piano-vocal score (No. 17) Finale, Act II 36/35 Holograph piano-vocal score 36/36 Copyist's manuscript piano-vocal score (No. 18) Opening, Act II 36/37 Holograph piano-vocal score 36/38 Manuscript piano-vocal score (No. 19) Tip toe lightly, Act III 36/39 Photocopied manuscript piano-vocal score 36/40 Copyist's manuscript piano-vocal score (No. 20) Ensemble, Act III 37/1 Holograph piano-vocal score 37/2 Copyist's manuscript piano-vocal score (No. 21) Duo ensemble and Finale, Act III 37/3 Holograph piano-vocal score 37/4 Copyist's manuscript piano-vocal score (No. 22) Love built a home in my heart 37/5 Photocopied copyist's manuscript piano-vocal score (No. 23) Love steals into your heart 37/6 Photocopied copyist's manuscript piano-vocal score (No. 24) Our hats are off to you 37/7 Copyist's manuscript piano-vocal score (No. 25) For ev'ry Jack there is found a Jill 37/8 Copyist's manuscript piano-vocal score (No. 26) The light that lies in a maiden's eyes 37/9 Copyist's manuscript piano-vocal score (No. 27) Keep smiling 37/10 Copyist's manuscript piano-vocal score Selections 37/11 no. 2, 6, and 10 Photocopied copyist's manuscript piano-vocal scores 37/12 no. 11-12, 14-16, 19 Photocopioed copyist's manuscript piano-vocal scores Orchestral parts (No. 1) Opening, Act I 37/13 Copyist's manuscript (No. 2) Quintette: Such is life 37/14 Copyist's manuscript (No. 4) Ensemble, Act I 37/15 Copyist's manuscript (No. 5) When pretty eyes a-begging go 37/16 Copyist's manuscript (No. 6) A masterful man 37/17 Copyist's manuscript (No. 7) Finale, Act I 38/1 Copyist's manuscript (No. 9) The love nest 38/2 Copyist's manuscript (No. 11) Homeopathy 38/3 Copyist's manuscript (No. 16) I learned of love 38/4 Copyist's manuscript (No. 17) Finale, Act II 38/5-6 Copyist's manuscript (No. 19) Tip toe lightly 38/7 Copyist's manuscript (No. 20) Ensemble, Act III 38/8 Copyist's manuscript Sketches Duet (No. 13) 38/9 Holograph Ensemble, Act III (No. 20) 38/10 Holograph I learned of love (No. 16) 38/11 Holograph If I should tell the name (No. 10), Act II 38/12 Holograph 38/9 Lyric sheets Ensemble, Act II The Henpecks I learned of love If I should tell the name Like two birds caged The maddest war of all My lady Frou Frou Opening chorus, Act II Tip toe lightly Little nemo Full scores Overture 39/1 Introduction Otto Langey score 39/2 Transitions Holograph score (No. 1-2) Opening chorus: Slumberland (and I want to be a naughty little girl) 39/3 Otto Langey score (No. 3) The happy land of Once-upon-a-time 39/4 Otto Langey score (No. 4) Entrance and song of King Morpheus: Oh what fools we mortals be 39/5 Otto Langey score (No. 5) There's nothing the matter with you 39/6 Otto Langey score (No. 6) Central Park scene 39/7 Otto Langey score (No. 7) Won't you be my playmate? 39/8 Otto Langey score (No. 8) Trio: Newspaper song 39/9 Manuscript score (No. 10) Song: Cupid is the postman (The valentine fairy) 39/10 Otto Langey score (No. 11) March of the valentines 39/11 Otto Langey score (No. 13) March finale, Act I: Away we'll float 39/12 Otto Langey score (No. 14) Opening, Act II: The weather factory in Cloudland 39/13 Otto Langey score (No. 15) Duo: The hen and the weather vane 39/14 Otto Langey score (No. 18) The cannibal island 39/15 Otto Langey score (No. 19) Will-o-the-wisp (Candy kid and savages) 39/16 Otto Langey score (No. 20) Cannibal barbecue, Act II 39/17 Otto Langey score (No. 21) Trio: If I could teach my teddy bear to dance 39/18 Manuscript score (No. 22) I wouldn't take a case like that 39/19 Holograph score (No. 23) I guess I talk too much 39/20 Otto Langey score (No. 25) March song, Act II: Remember the old continentals 39/21 Otto Langey score (No. 26) Ensemble and Finale, Act II 39/22 Otto Langey score (No. 27) Give us a fleet 39/23 Otto Langey score (No. 28) In happy Slumberland 39/24 Manuscript score (No. 29) Won't you be my valentine? 39/25 Otto Langey score Automobile race 39/26 Manuscript, title page only Cat music 39/27 Otto Langey score Entrance of comic valentines; Song for Flip and chorus 39/28 Otto Langey score Fourth of July scene 39/29 Otto Langey score

Not related to "Nemo’s dream of fourth of July" from published score

 Opening, Act III 39/30 Otto Langey score Prelude and song: Sunbeams 39/31 Manuscript, title page only Sandman, make my dolly, etc. 39/32 Otto Langey score They were Irish 39/33 Otto Langey score Trio: Is your face on straight? 39/34 Otto Langey score Piano-vocal scores (No. 6) Central Park scene 39/35 Holograph piano-vocal score Sketch 39/36 Entrance of athletes (Race scene) Holograph score Little old New York

Motion picture

 Full scores Overture 40/1 Holograph score Piano-vocal scores Little old New York 40/2 Copyist's manuscript piano-vocal score Orchestral parts Overture 40/3-4 Copyist's manuscript score 40/5 Published Entr'acte 40/6 Copyist's manuscript score The madcap duchess Full scores Overture 41/1 Holograph/manuscript score (No. 1) Opening ensemble: The Sun is aslant 41/2 Manuscript score (No. 1 1/2) Exit 41/3 Holograph score (No. 2) Entrance of Renaud and Romanza: Aurora blushing rosily 41/4 Manuscript score (No. 3) Entrance song: Love and I are playing 41/5 Holograph score (No. 4) Scene and duo: The deuce, young man 41/6 Manuscript score (No. 5) Tweedledum and Tweedledee 41/7 Manuscript score (No. 6) Hunting song: Oh up! it's up 41/8 Manuscript score (No. 7) Love is a story that's old, Act I 41/9 Holograph score (No. 8) That is art! 41/10 Manuscript score (No. 8 1/2) Dance 41/11 Holograph score (No. 9) Scene and ensemble: Companions, I have summoned you 41/12 Holograph score (No. 10) Finale, Act I: To Paris! 41/13 Holograph score (No. 10 1/2) Entr'acte 41/14 Holograph/manuscript score (No. 11) Opening scene, Act II: Now is the south wind blowing 41/15 Holograph/manuscript score (No. 11a) Change of scene music, Act II 41/16 Holograph score (No. 12) Madrigal: Babette of Beaujolais 41/17 Manuscript score (No. 13) Goddess of mine 41/18 Holograph score

E-flat major; original version

 41/19 Holograph score

D major

 (No. 13) Star of love 41/20 Holograph score

Refrain only

Revised version of "Goddess of mine"

 (No. 14) Duo, Act II: Winged love 41/21 Holograph score (No. 15) Duo and shepherd dance: Far up the hill 41/22 Manuscript score (No. 16) Duo: Do you know 41/23 Holograph score (No. 17) Finale ultimo 41/24 Holograph score (No. 18)? Chaser 41/25 Holograph score So, madame 41/26 Holograph score Piano-vocal/reduced scores (No. 2) Aurora blushing rosily 41/27 Holograph and manuscript piano-vocal scores (2)

Alternate ending, variant version of published score

 (No. 3) Entrance song: Love and I are playing 41/28 Holograph piano-vocal score (No. 5) Tweedledum and Tweedledee 41/29 Holograph piano-vocal score (No. 10) Finale, Act I: To Paris! 41/30 Holograph piano-vocal score (No. 11a) Change of scene music 41/31 Manuscript piano score (No. 13) Goddess of mine 41/32 Holograph piano-vocal score

Original version

 (No. 13) Star of love 41/33 Holograph piano-vocal score

Refrain only

Revised version of "Goddess of mine"

 (No. 15) Duet, ensemble, and shepherd dance: Far up the hill 41/34 Holograph piano-vocal score Orchestral parts Overture 41/35 Manuscript

Incomplete

 Madeleine Full scores 42/1-3 Holograph score 199/1 Copyist's manuscript score 199/2 Black-line score 42/4-5 Piano-vocal score Holograph score 42/6-11 Orchestral string parts Copyist's manuscript: strings Mlle. Modiste Full scores Overture 43/1 Otto Langey score (No. 1) Opening chorus, Act I 43/2 Manuscript score (No. 2) When the cat's away the mice will play 43/3 Otto Langey score (No. 3) The time and the place and the girl 43/4 Otto Langey score (No. 4) If I were on the stage 43/5 Holograph score (No. 5) Love me, love my dog 43/6 Otto Langey score (No. 6) Hats make the woman 43/7 Otto Langey score (No. 7) Finale, Act I 43/8 Holograph score (No. 8) Entr'acte, Act II 43/9 Holograph score (No. 9) Opening, Act II: Chorus of footmen 43/10 Otto Langey score (No. 10) I want what I want when I want it 43/11 Holograph score 43/12 Manuscript score

Verse only; rescoring

 43/13 Copyist's manuscript score (No. 12) Ballet music 43/14 Otto Langey score (No. 13) Ze English language 43/15 Otto Langey score (No. 14) The mascot of the troop, Act II 43/16 Otto Langey score (No. 15) The dear little girl who is good 43/17 Otto Langey score (No. 16) The Keokuk Culture Club 43/18 Holograph score (No. 17) The nightingale and the star (Waltz song), Act II 43/19 Holograph score I should think that you could guess 43/20 Otto Langey score

Not in published score

 I'm always misunderstood 43/21 Otto Langey score

Not in published score

 Unidentified 43/22 Holograph score Piano-vocal/reduced scores (No. 1) Opening chorus, Act I 43/23 Holograph piano-vocal score (No. 2) When the cat's away the mice will play! 43/24 Holograph piano-vocal score (No. 3) The time and the place and the girl 43/25 Holograph piano-vocal score (No. 4) If I were on the stage 43/26 Holograph piano-vocal score (No. 5) Love me, love my dog! 43/27 Holograph piano-vocal score (No. 6) Hats make the woman 43/28 Holograph piano-vocal score (No. 7) Finale, Act I 44/1 Holograph piano-vocal score (No. 12) Ballet, Act II 44/2 Holograph piano score (No. 13) Ze English language 44/3 Holograph piano-vocal score (No. 14) The mascot of the troop, Act II 44/4 Holograph piano-vocal score (No. 15) The dear little girl who is good 44/5 Holograph piano-vocal score (No. 17) The nightingale and the star 44/6 Holograph piano score I should think that you could guess 44/7 Holograph piano-vocal score I'm always misunderstood 44/8 Holograph piano-vocal score Just good friends 44/9 Copyist's manuscript piano-vocal score Orchestral parts Overture 44/10 Holograph

Incomplete, strings wanting

 44/11-15 Copyist's manuscript

Incomplete, harp wanting

 45/1 Copyist's manuscript

Reduced orchestration?

 (No. 1) Opening chorus 45/2 Copyist's manuscript (No. 2) When the cat's away the mice will play 45/3 Copyist's manuscript

Incomplete, piccolo, flute and percussion wanting

 (No. 3) The time and the place and the girl 45/4 Copyist's manuscript (No. 3 1/2) Exit 45/5 Holograph/manuscript

Incomplete

 (No. 4) Kiss me again 45/6 Holograph/copyist's manuscript

Incomplete

 (No. 5) Love me, love my dog 45/7 Copyist's manuscript (No. 6) Hats make the woman 45/8 Copyist's manuscript (No. 7) Finale, Act I 45/9 Copyist's manuscript

Incomplete

 (No. 7 1/2) Entr'acte 45/10 Copyist's manuscript/printed

Incomplete

 (No. 8) Prelude, Act II 45/11 Copyist's manuscript

Incomplete

 (No. 9) Chorus of footmen 45/12 Copyist's manuscript

Incomplete

 (No. 10) I want what I want when I want it 45/13 Copyist's manuscript

Incomplete

 (No. 11) Opening chorus, Act II 46/1 Copyist's manuscript

Incomplete

 (No. 12) Ballet, Act II 46/2 Copyist's manuscript

Incomplete

 (No. 12 1/2) Entrance of Fifi 46/3 Holograph strings (No. 13) Ze English language 46/4 Copyist's manuscript

Incomplete

 (No. 14) The mascot of the troop 46/5 Copyist's manuscript 46/6 Printed: violin, cello only (No. 15) The dear little girl who is good 46/7 Copyist's manuscript

Incomplete

 (No. 16) The Keokuk Culture Club 46/8 Copyist's manuscript

Incomplete

 (No. 17) The nightingale and the star 46/9 Holograph/copyist's manuscript (No. 18) Finale ultimo: The mascot of the troop 46/10 Holograph

Incomplete

 (No. 19) Encores: The mascot of the troop 46/11 Holograph

Incomplete

 Before waltz: The mascot of the troop 46/12 Holograph

Violin fragment

 I'm always misunderstood 46/13 Copyist's manuscript: oboe, bassoon only Mlle. Rosita Full scores Overture 47/1 Holograph/manuscript score (No. 1) Opening chorus: There is a soulmate 47/2 Otto Langey score (No. 2) What's the use of moonlight 47/3 Otto Langey score (No. 3) Girlie-land 47/4 Otto Langey score (No. 4) Entrance of Rose 47/5 Holograph introduction/Otto Langey score (No. 5) Trio: Isn't it nasty of Papa? 47/6 Harold Sanford score (No. 6) Melodramatic music 47/7 Holograph score (No. 7) Cupid tell me why (Love that's sincere) 47/8 Manuscript score (No. 9) Opening, Act II 47/9 Holograph score (No. 11) Duo, Act II: Sally 47/10 Manuscript score (No. 13) If I should dream of you 47/11 Manuscript score (No. 14) Finale, Act II 47/12 Holograph/Otto Langey score (No. 15, 19) Opening chorus, Act III; Finale ultimo 47/13 Holograph/Otto Langey score (No. 16) The coryphee 47/14 Otto Langey score (No. 17) Hunting song, Act III: The chase 47/15 Holograph score (No. 18) Upsi-daisy, Act III 47/16 Manuscript score Duo, Act II 47/17 Holograph score End of finale, Act I 47/18 Holograph score Intermezzo (Prelude to Act III) 47/19 Holograph/manuscript score

Incomplete

 The latest society-pet 47/20 Otto Langey score Melodramatic music, Act III 47/21 Holograph score The old noblesse 47/22 Holograph score Play the game

Not found in published score

 47/23 Holograph score Teach me to forget 47/24 Holograph/manuscript score Piano-vocal/reduced scores (No. 10) It's the bump 47/25 Holograph piano-vocal score Melodramatic music, Act III 47/26 Holograph piano score Orchestral parts Intermezzo 48/1 Copyist's manuscript Selection 48/2-4 Holograph/manuscript/printed

Arranged by Harold Sanford

 Sheet music Proof copies 48/5 (No. 8) Finale, Act I 48/6 (No. 14) Finale, Act II 48/7 (No. 5) Trio: Isn't it nasty of Papa? Sketch 48/8 (No. 13) If I should dream of you Holograph Merry wives of Gotham

Alternate title: Fanshastics

 Heart o' mine 48/9 Manuscript score for string quartet 48/10 Copyist's manuscript string parts Miss Camille

Performed at Lambs' Gambol, <date>1907</date>

Full scores Finale 48/11 Copyist's manuscript score Finale ultimo 48/12 Holograph score I want to be a gambling man 48/13-14 2 manuscript scores My toast to you 48/15 Copyist's manuscript score

C major

 48/16 Copyist's manuscript score

A major

 Opening chorus 48/17 Version A Copyist's manuscript score 48/18 Version B Copyist's manuscript score The Spanish serenade 48/19 Holograph score Piano-vocal scores After drinking song 48/20 Holograph piano-vocal score Finale 48/21 Holograph piano-vocal score Finale ultimo 48/22 Holograph piano-vocal score I want to be a gambling man 48/23 Manuscript piano-vocal score Opening chorus 48/24 Version A Holograph piano-vocal score 48/25 Version B Holograph piano-vocal score The Spanish serenade 48/26 Holograph piano-vocal score Orchestral parts (No. 3) After drinking song 49/1 Holograph score Camille's song 49/2 Holograph score Encore 49/3 Holograph score (No. 3) I want to be a gambling man 49/4 Copyist's manuscript score (No. 1 1/2) Untitled 49/5 Holograph score Miss Dolly Dollars Full scores Overture 49/6 Negative photocopy of Otto Langey score

Incomplete, [15] p.

 (No. 1) Opening chorus, Act I 49/7 Otto Langey score (No. 2) Trio, Act I: The self-made family 49/8 Holograph score (No. 3) Song: An educated fool 49/9 Otto Langey score (No. 4) Entrance chorus and song 49/10 Otto Langey score (No. 5a) Entrance of the Friendly Rivals Club 49/11 Otto Langey score (No. 5b) Song: An American heiress (Flora and noblemen) 49/12 Holograph score (No. 6) Dolly Dollars 49/13 Otto Langey score (No. 7) Song: My fair unknown 49/14 Otto Langey score (No. 8) Finale, Act I 49/15 Otto Langey score (No. 9) Entr'acte 49/16 Holograph score (No. 10) Opening chorus, Act II 49/17 Otto Langey score (No. 11) Ollendorff duo: It's all in the book you know 49/18 Otto Langey score (No. 12) Quartette: Life's a masquerade 49/19 Otto Langey score (No. 13) The moth and the moon, Act I 49/20 Holograph score (No. 14) Song: Walks 49/21 Otto Langey score (No. 15) Song: A woman is only a woman (but a good cigar is a smoke) 49/22 Holograph score (No. 16) American music; Trio, Act I: 'Tis better than old Parsifal to me 49/23 Holograph score (No. 17) Circus song, Act II: Queen of the ring 49/24 Otto Langey score Barney Maguire 50/1 Otto Langey score Duet: Dream on 50/2 Otto Langey score Last march 50/3 Otto Langey score Paris in paradise 50/4 Manuscript score Piano-vocal score Dream on 50/5 Holograph piano-vocal score Orchestral Parts (No. 5b) Ensemble 50/6 Copyist's manuscript: strings only (No. 9) Entr'acte 50/7 Copyist's manuscript: violin, cello only (No. 13) The moth and the moon 50/8 Copyist's manuscript: strings only Miss 1917 Full scores Beauty parlor scene 50/9 Manuscript score Betty and farmerette girls 50/10 Manuscript score End of plaza scene 50/11 Manuscript score Follow the girl 50/12 Manuscript score Inbit in opening number 50/13 Holograph score Irish sketch 50/14 Manuscript score

Incomplete, all after p. 28 wanting

 Opening scene 50/15 Holograph score Overture 50/16 Holograph score Pantomime 50/17 Holograph score 50/18 Second part Holograph score Valse de concert 50/19 Holograph score Piano-vocal/reduced scores Ballet 50/20 Copyist's manuscript piano-vocal score

No lyric

 Irish sketch 50/21 Copyist's manuscript piano-vocal score Valse de concert in E-flat 50/22 Holograph piano-vocal score

No lyric

 50/23 Copyist's manuscript piano-vocal score

Incomplete, p. 1-2 only

 Orchestral parts Pantomime 51/1-2 Copyist's manuscript Valse de concert 51/3 Holograph in D

Incomplete

 51/4 Copyist's manuscript in E-flat My golden girl Full scores Overture: Changing partners 51/5 Holograph score (No. 2) A little nest for two 51/6 Holograph score (No. 3) Bassoon solo: I want you 51/7 Manuscript score (No. 4) Duet: Darby and Joan 51/8 Manuscript score (No. 5) Variety 51/9 Manuscript score (No. 6) Name the day 51/10 Manuscript score (No. 7) Finale, Act I 51/11 Holograph score (No. 8) Opening, Act I, scene 2 51/12 Holograph score (No. 10) My golden girl 51/13 Holograph score 51/14 Holograph strings score (No. 11) A song without (many) words 51/15 Holograph score (No. 12) Ragtime terpischore 51/16 Holograph score (No. 13) Duet: If we had met before 51/17 Holograph score (No. 14) Finale, Act I 51/18 Holograph score (No. 15) Opening, Act II; Shooting star 51/19 Holograph score (No. 19) In Venice 51/20 Holograph score (No. 19, alternate) I'd like a honeymoon with you 51/21 Holograph score (No. 20) Think it over 51/22 Manuscript score (No. 21) What shall we do if the moon goes out? 52/1 Holograph score (No. 23) Finale ultimo 52/2 Holograph score Curtain music, Act I 52/3 Holograph score Dance for encore 52/4 Holograph score Dance specialty 52/5 Holograph score Duet: Oh day in June 52/6 Holograph score Hobbies, Act II 52/7 Holograph score Mr. Mitchell and girls, Scene 2 52/8 Holograph score Quartet: Changing partners 52/9 Holograph score Second entr'acte 52/10 Holograph scor Unidentified 52/11 Holograph score Piano-vocal scores (No. 4) Duet: Darby and Joan 52/12 Holograph piano-vocal score Duet: Oh day in June 52/13 Holograph piano-vocal score (No. 6) Name the day 52/14 Holograph piano-vocal score Opening, Act I, scene 2 52/15 Holograph piano score Opening chorus, Act I 52/16 Holograph piano-vocal score (No. 12) Ragtime terpsichore 52/17 Holograph piano-vocal score When a man's married 52/18-19 2 holograph piano-vocal scores 52/20 Sheet music

Stamped with Victor Herbert's "signature"

 Darby and Joan I want you (2) If we had met before In Venice A little nest for two My golden girl Name the day (2) A song without many words 52/21 Libretto Typescript

Microfilm 86/20,243 <Mus> Item 23

 52/22 When a man's married Typescript lyric sheet Natoma Full scores Prelude to Act III 52/23 Holograph score Unidentified 52/24 Holograph score

Incomplete, only 4 p.

 52/25 Printed piano-conductor score Piano-vocal scores Prelude to Act III 53/1 Holograph/manuscript/printed piano-vocal score Vaquero's song, Act II: Who dares the bronco wild defy? 53/2 Holograph fragment (final 3 measures) 53/3 Libretto Printed

Microfilm 86/20,243 <Mus> Item 24-B

 53/4 Prompt book Printed Naughty Marietta Full scores Overture 53/5 Holograph/manuscript score (No. 1) Opening chorus, Act I 53/6 Otto Langey score (No. 2) Tramp, tramp, tramp 53/7 Manuscript score (No. 3) Casket girls and men: Taisez-vous 53/8 Manuscript score (No. 5) Duo: It never can be love 53/9 Manuscript score (No. 6) If I were anybody else but me 53/10 Holograph/manuscript score 53/11 Manuscript score (No. 7) 'Neath the southern moon 53/12 2 copyist's manuscript scores (No. 8) Italian street song 53/13 Holograph/manuscript score (No. 9) Finale, Act I 53/14 Manuscript score (No. 11) Duo, Act III: Dance of the marionettes 53/15 Manuscript/holograph score (No. 12) You marry a marionette 53/16 Manuscript score (No. 14) Intermezzo: The dream melody 53/17 Holograph score 53/18 Manuscript fragments (variants) (No. 15) New Orleans jeunesse dorée 53/19 Otto Langey score (No. 16) Opening of Ball-Ensemble (Loves of New Orleans) 53/20 Manuscript score (No. 19) Live for to-day 54/1 Holograph score (No. 20) I'm falling in love with some one 54/2 Holograph score (No. 21) It's pretty soft for Simon 54/3 Manuscript score (No. 22) Finale ultimo 54/4 Holograph score Entrance of Governor 54/5 Copyist's manuscript score Entrance of Marietta 54/6 Holograph score

Incomplete, p. 1 only

 Voodoo song 54/7 Manuscript score Piano-vocal scores (No. 6) Duo: If I were anybody else but me 54/8 Holograph piano-vocal score (No. 21) It's pretty soft for Simon 54/9 Holograph piano-vocal score (No. 7) 'Neath the southern moon 54/10 Holograph piano-vocal score (No. 2) Tramp, tramp, tramp 54/11 Holograph piano-vocal score (No. 12) You marry a marionette 54/12 Holograph piano-vocal score Orchestral parts (No. 20) I'm falling in love with some one 54/13 Manuscript (No. 7) 'Neath the southern moon 54/14 Manuscript Overture 54/15-16 Manuscript/holograph (No. 2) Tramp, tramp, tramp 54/17 Copyist's manuscript Old Dutch Full scores (No. 1) Overture 54/18 Manuscript score (No. 2) Opening chorus, Act I 54/19 Manuscript score (No. 3) Algy 54/20 Manuscript score (No. 4) "U," dearie 54/21 Manuscript score (No. 5) Entrance of Streusand and children 54/22 Holograph score (No. 6) Double sextette: Rich man, poor man, beggar-man, thief! 54/23 Manuscript score (No. 7) Finale, Act I 55/1 Otto Langey score (No. 7 1/2) Entr'acte 55/2 Manuscript score

Also contains: (No. 17) Finale ultimo: Honor the brave march

 (No. 8) Opening, Act II 55/3 Manuscript score (No. 10) Fantastic dance 55/4 Holograph/manuscript score (No. 11) Russian duo and dance 55/5 Manuscript score (No. 12) I want a man to love me 55/6 Manuscript score (No. 13) I love ze Parisienne 55/7 Manuscript score (No. 14) Pretending 55/8 Manuscript score (No. 15) End of Scene 1, Act II 55/9 Manuscript score (No. 16) Mrs. Grundy 55/10 Manuscript score (No. 17) Finale ultimo: Honor the brave march see (No. 7 1/2) Entr'acte If ever you want a favor, mention me! 55/11 Manuscript score Sweet wireless whispers 55/12 Manuscript score Piano-vocal scores (No. 10) Fantastic dance 55/13 Holograph short score (No. 13) I love ze Parisienne 55/14 Holograph piano-vocal score (No. 14) Pretending 55/15 Holograph piano-vocal score (No. 11) Russian duo and dance 55/16 Holograph piano-vocal score

No lyric

 If ever you want a favor, mention me! 55/17 Holograph piano-vocal score Sweet wireless whispers 55/18 Holograph piano-vocal score The only girl Full scores Overture 55/19 Holograph score (No. 1) Curtain music 55/20 Holograph score (No. 2) Opening, Act I 55/21 Holograph score

Not related to music from published score

 (No. 3b) When you're away 55/22 Holograph score (No. 5) Finale, Act I: The compact 55/23 Holograph score (No. 6) Entr'acte no. 1 55/24 Holograph score (No. 7) Opening, Act II and song: Personality 55/25 Holograph score (No. 8) Antoinette 55/26 Holograph score (No. 9) March song: Here's to the land we love, boys 55/27 Manuscript score (No. 10) Tell it all over again 55/28 Holograph scores (2 versions) (No. 11) Sextet: Connubial bliss 55/29 Holograph score (No. 13) Entr'acte no. 2 55/30 Manuscript score (No. 14) Opening, Act III, chorus: Here's how 56/1 Manuscript score (No. 15) You have to have a part to make a hit 56/2 Holograph score (No. 16) When you're wearing the ball and chain 56/3 Holograph score (No. 17) Trio: Why should we stay home and sew? 56/4 Manuscript score (No. 18) Love duet: You're the only one for me 56/5 Holograph score (No. 19) Finale ultimo 56/6 Holograph score Husbands, husbands, husbands 56/7 Manuscript score I love not one, but all 56/8 Manuscript score Selection 56/9 Arranger's holograph score

Arranged by Harold Sanford

 Unidentified 56/10 Holograph score 56/11 Holograph score Piano-vocal scores Overture 56/12 Holograph piano-vocal score with lyric fragments (No. 2) The more I see of others, dear, the better I like you 56/13 Holograph piano-vocal score (No. 3a) The love theme 56/14 Holograph short score (No. 3b) When you're away 56/15 Holograph piano-vocal score (No. 4) Be happy, boys, tonight 56/16 Holograph piano-vocal score (No. 5) Finale (duet), Act I: The compact 56/17 Holograph piano-vocal score (No. 6) Entr'acte no. 1 56/18 Holograph piano score (No. 7) Opening, Act II, and song: Personality 56/19 Holograph piano-vocal score (No. 8) Antoinette 56/20 Holograph piano-vocal score (No. 9) Duet: Here's to the land we love, boys (and here’s to the love we land) 56/21 Holograph piano-vocal score

Incomplete, p. 1-2 only

 (No. 11) Sextet: Connubial bliss 56/22 Holograph piano-vocal score

Incomplete, p. 1-2 only

 (No. 12) Finale, Act II 56/23 Holograph piano-vocal score

No lyric

 56/24 Copyist's manuscript piano-vocal score

No lyric

 (No. 13) Entr'acte no. 2 56/25 Holograph piano score (No. 14) Opening, Act III chorus: Here's how 56/26 Holograph piano-vocal score with lyric fragment (No. 15) You have to have a part to make a hit 56/27 Holograph piano-vocal score

Incomplete, p. 1-2 only

 (No. 16) Trio: When you're wearing the ball and chain 56/28 Holograph piano-vocal score (No. 18) You're the only one for me 56/29 Holograph piano-vocal score (No. 19) Finale ultimo, Act III 56/30 Holograph piano-vocal score I love not one, but all 56/31 Holograph piano-vocal score Orchestral parts Husbands, husbands, husbands 56/32 Manuscript: oboe, clarinet Opening, Act I 56/33 Copyist manuscript

Not related to music from published score

 Selection 56/34 Holograph/manuscript

Incomplete

 Unidentified 56/35 Copyist's manuscript Sketches 56/36 (No. 12, 19) Finale, Act II; Finale, Act III Holograph fragment 56/37 Unidentified Holograph Sheet music

Stamped with Victor Herbert's "signature"

 56/38 When you're away Orange blossoms Full scores (No. 1) Opening chorus, Act I 57/1 Holograph score (No. 2) This time it's love 57/2 Holograph score (No. 3) A kiss in the dark 57/3 Photocopied copyist's manuscript score (No. 4) New York is the same old place 57/4 Manuscript/holograph score (No. 5) Then comes the dawning 57/5 Holograph score (No. 6) Quartet, Act I: I can't argue with you 57/6 Holograph score (No. 7) In Hennequeville 57/7 Holograph score (No. 9-10) Opening, Act II; On the Riviera 57/8 Holograph score (No. 11) J. J. Flynn 57/9 Holograph score (No. 12) The lonely nest 57/10 Holograph score (No. 13) Quartette: I've missed you 57/11 Holograph score (No. 14) Just like that; Oriental dance 57/12 Manuscript/holograph score (No. 15) A dream of orange blossoms 57/13 Holograph score (No. 16) Duet: Because I love you so 57/14 Holograph score (No. 17) Finale, Act II 57/15 Holograph score (No. 18) Opening, Act III: Moonshine and mosquito ballet 57/16 Holograph score (No. 19) Legend of the glowworm 57/17 Holograph score (No. 20) Way out west in Jersey 57/18 Holograph score (No. 21) Let's not get married 57/19 Holograph score (No. 23) Finale ultimo, reprise: A kiss in the dark 57/20 Holograph score Dance 57/21 Holograph score

Incomplete, [1] p. only

 Entr'acte no. 2 57/22 Holograph score Overture 57/23 Holograph score Unidentified 57/24 Holograph score Piano-vocal scores (No. 16) Duet: Because I love you so 57/26 Holograph piano-vocal score (No. 6) I can't argue with you 57/27 Holograph piano-vocal score Joisey

Not related to "Way out west in Jersey," box-folder 57/18

 57/28 Holograph piano-vocal score When you're in love 57/29 Holograph piano-vocal score Orchestral parts (No. 3) A kiss in the dark 57/30 Holograph/printed 57/31 Manuscript photocopies Joisey

Not related to "Way out west in Jersey," box-folder 57/18

 57/32 Holograph 57/33 Sheet music A kiss in the darkThis time it's love Oui, Madame! Full scores Overture 58/1 Holograph score (No. 1) If I saw much of you 58/2 Holograph score (No. 2) If that's not love, what do you call it? 58/3 Holograph score (No. 3) Oui, madame! 58/4 Holograph score (No. 4) Play me something I can dance to 58/5 Holograph score 58/6 Holograph score

New verse

 (No. 5) Dance 58/7 Holograph score (No. 6) When you and I were tadpoles 58/8 Holograph score (No. 7) A girl who can love 58/9 Holograph score (No. 8) When you know me better 58/10 Holograph score (No. 9) Every hour away from you is sixty minutes lost 58/11 Holograph score (No. 10) Finale, Act I 58/12 Holograph score (No. 11) Entr'acte 58/13 Holograph score (No. 12) The girl that keeps you waiting 58/14 Holograph score (No. 13) Where were you? 58/15 Holograph score (No. 14) The wooing of the violin 58/16 Holograph score (No. 15) Over the garden wall 58/17 Holograph score (No. 16) Quartet: Such a happy family 58/18 Holograph score (No. 18) Cabaret scene (opening) 58/19 Holograph score (No. 19) Cabaret scene. Valse de concert 58/20 Holograph score (No. 20) The acrobats

Part of Cabaret scene

 58/21 Holograph score (No. 21)? Broom-specialty

Part of Cabaret scene

 58/22 Holograph score (No. 23) Introduction to Ballet: The faun and the woodnymph 58/23 Holograph score (No. 24) Ballet: The faun and the woodnymph 58/24 Holograph score

Incomplete, final Alegretto still wanting

 (No. 25) Finale ultimo 58/25 Holograph score At last (Burlesque operatic duet)

From Some colonel

 58/26 Holograph score I'm not superstitious (but why take a chance)

From Some colonel?

 58/27 Holograph score When I find my Romeo

From Some colonel

 58/28 Holograph score Unidentified: In place of My day has come 58/29 Holograph score Unidentified

In place of "Over the garden wall" (No. 15)

 58/30 Holograph score Piano-vocal/reduced scores (No. 1) If I saw much of you 58/31 Copyist's manuscript piano-vocal score (No. 2) If that's not love, what do you call it? 58/32 Copyist's manuscript piano-vocal score (No. 3) Oui, madame! 58/33 Copyist's manuscript piano-vocal score (No. 4) Play me something I can dance to 58/34 Copyist's manuscript piano-vocal score 58/35 Copyist's manuscript piano-vocal score

New verse

 (No. 5) Dance 58/36 Holograph piano-vocal score 58/37 Copyist's manuscript piano-vocal score (No. 6) When you and I were tadpoles 58/38 Copyist's manuscript piano-vocal score (No. 7) A girl who can love 58/39 Copyist's manuscript piano-vocal score (No. 8) When you know me better 58/40 Manuscript lead sheet 58/41 Copyist's manuscript piano-vocal score (No. 9) Duet, Act I: Every hour away from you is sixty minutes lost 58/42 Holograph soprano obbligato for encore 58/43 Copyist's manuscript piano-vocal score (No. 12) The girl that keeps you waiting 59/1 Holograph piano-vocal score 59/2 Holograph choral score of refrain (No. 13 1/2) There's always room for just one more 59/3 Holograph piano-vocal score (No. 14) The wooing of the violin 59/4 Holograph piano-vocal score (No. 15) Over the garden wall 59/5 Holograph piano-vocal score (No. 16) Quartet: Such a happy family 59/6 Holograph piano-vocal score 59/7 Copyist's manuscript piano-vocal score (No. 20-24) Ballet: The faun and the woodnymph

Includes: The acrobats, Broom-specialty, Introduction, and Ballet

 59/8 Copyist's manuscript piano score 59/9 Holograph manuscript piano score At last (Burlesque operatic duet, from Some colonel) 59/10 Holograph piano-vocal score Duet: Strange things happen in the little game of love 59/11 Holograph piano-vocal score 59/12 Copyist's manuscript piano-vocal score He wanted to go and he went 59/13 Copyist's manuscript piano-vocal score

No lyric

 I'm not superstitious but why take a chance 59/14 Holograph piano-vocal score 59/15 Copyist's manuscript piano-vocal score I'm the king of indoor sports 59/16 Holograph piano-vocal score Unidentified: In place of My day has come 59/17 Holograph piano-vocal score

No lyric

 Unidentified: In place of Over the garden wall (No. 15) 59/18 Holograph piano-vocal score

No lyric

 Orchestral parts Overture 59/19 Manuscript/copyist's manuscript

Incomplete

 (No. 1) If I saw much of you 59/20 Holograph/manuscript

Incomplete

 (No. 2) If that's not love 59/21 Copyist's manuscript

Incomplete

 (No. 3) Oui, madame! 59/22 Copyist's manuscript: violin I (No. 4) Play me something I can dance to 59/23 Copyist's manuscript (No. 5) Dance 59/24 Copyist's manuscript

Incomplete

 (No. 6) When you and I were tadpoles 59/25 Copyist's manuscript

Incomplete

 (No. 8) When you know me better 59/26 Holograph/copyist's manuscript

Incomplete

 (No. 9) Every hour away from you is sixty minutes lost 59/27 Copyist's manuscript

Incomplete

 (No. 10) Finale, Act I 59/28 Manuscript (No. 11) Entr'acte 59/29 Holograph/manuscript

Incomplete

 (No. 12) The girl that keeps you waiting 59/30 Copyist's manuscript

Incomplete