57 finding aid(s) found containing the word(s) Articles.

  1. Tony Schwartz collection, 1912-2008

    90.5 linear feet (230 boxes, 1 map case folder, approximately 76,345 items). -- Recorded Sound Research Center, Motion Picture, Broadcasting, and Recorded Sound Division, Library of Congress, Washington, D.C.

    Summary:

    The Tony Schwartz Collection consists of multiple formats of material documenting Schwartz's work as a media consultant, audio documentarian, author, radio producer, media theorist, and educator.

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  2. Square dance legislation collection, 1975-1995

    0.8 linear feet . (2 boxes) including 405 manuscript items. -- American Folklife Center, Library of Congress, Washington, D.C.

    Summary:

    The Square Dance Legislation Collection consists of manuscript materials (1975-1995) compiled by the American Folklife Center, Library of Congress, documenting the history of legislative efforts to designate the square dance as a national or state folk dance. The bulk of the materials concerns the public hearing on House Resolution 1706 held June 28,1984 before the Subcommittee on Census and Population of the Committee on Post Office and Civil Service, House of Representatives, 98th Congress to "designate the square dance as the national folk dance of the United States."

  3. Luiz Heitor Corrêa de Azevedo collection on Latin American folklore, 1904-1986

    174 published items. -- American Folklife Center, Library of Congress, Washington, D.C.

    Summary:

    Collected publications pertaining to Latin American folklore and musical traditions from the library of Luiz Heitor Corrêa de Azevedo, Brazilian folklorist and musicologist.

  4. Nevada Arts Council "Honest Horses" exhibition collection, 1999-2003

    sound recordings: 126 sound cassettes : analog.. sound recordings: 3 microcassettes : analog.. manuscripts: 5 boxes: 25 linear inches . -- American Folklife Center, Library of Congress, Washington, D.C.

    Summary:

    Collection of field recordings of interviews and administrative files generated by and curated by Paula Morin and the Nevada Arts Council for an exhibition titled "Honest Horses: a portrait of the mustang in the Great Basin," circa 2002, and later as a traveling exhibition. Morin photographed wild horses in the Great Basin and interviewed Nevada residents and others about the complex issues regarding wild horses and ecology. Interviewees include ranchers, buckaroos, outfitters, horse trainers, veterinarians, professors of animal science, researchers from the United States Department of Agriculture, the Bureau of Land Management, the Nevada Department of Conservation and Natural Resources, the Nature Conservancy, the Commission for Preservation of Wild Horses, the National Wild Horse and Burro Center, National Mustang Association, other advocacy organizations, and writers. Most interviewees were from Nevada, others were from California, Idaho, New Mexico, Oklahoma, and Oregon. Manuscripts include the edited narratives of the interviewees; edited copies of transcripts; biographical profiles; transcripts from speeches; copies of published articles on feral horses and habitat; pamphlets; and correspondence with Paula Morin and with folklorist Andrea Graham of the Nevada Arts Council. Selected narratives were included in Paula Morin's book titled Honest Horses: Wild Horses in the Great Basin (Reno: University of Nevada Press, c2006).

  5. Serge Koussevitzky archive, 1880-1978

    around 200,000 items. 505 containers. 224 linear feet. -- Music Division, Library of Congress, Washington, D.C.

    Summary:

    Serge Koussevitzky was a Russian-born conductor, composer, and double bassist. The archive includes correspondence, personal and business papers, photographs, writings, clippings, scrapbooks, programs, and other materials which serve as a record of Koussevitzky's life and career, and document some of the most significant aspects of twentieth-century music. Through his work as a conductor and publisher, and his efforts to commission new musical works, Koussevitzky maintained deep ties with many of the finest composers and musicians of the day. These figures are represented in their personal and professional affiliations with the conductor. The collection extensively chronicles periods in the history of organizations such as the Boston Symphony Orchestra and the Berkshire Music Center, the Koussevitzky Music Foundation, and the American International Music Fund. Material in the collection dates from Koussevitzky's years in his native Russia and also contains material created after Koussevitzky's death, reflecting his widow Olga's continuing work with various organizations and projects. Musical compositions commissioned by Serge Koussevitzky are part of the Serge Koussevitzky Music Foundation Collection, and are shelved in ML30.3c, ML30.3c2, ML30.3c3, and ML30.3e2.

  6. Margaret ("Peggie") Dwight collection on Luigi Dallapiccola, 1936-1995

    1,150 items . 12 boxes . 6 linear feet . -- Music Division, Library of Congress, Washington, D.C.

    Summary:

    Luigi Dallapiccola (1904-1975) was an Italian composer known for his twelve-tone compossitions. The collection contains Dallapiccola's correspondence with Margaret (Peggie) Dwight, including more than 300 letters (written mostly in French) as well as postcards and telegrams. In addition, there are more than 200 articles and programs relating to Dallapiccola's career, most of them collected during those years. The collection also includes a few of Dallapiccola's holograph music manuscripts, most notably his opera Ulisse (Ulysses), excerpts or sketches of his works, and published editions of two full scores for Requiescant and Sex Carmina Alcaei.

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  7. Jascha Heifetz papers, 1786-1991

    approximately 17, 500 items. 280 boxes. 52 linear feet. -- Music Division, Library of Congress, Washington, D.C.

    Summary:

    Russian-American musician Jascha Heifetz was a virtuosic violinist who became a dedicated teacher. The collection includes his personal music library of original compositions, arrangements, and transcriptions. Concert programs document his performances from 1911 to 1974, and photographs, photo albums, and scrapbooks span the violinist's entire life. The correspondence contains letters from significant twentieth-century musical figures such as Leopold Auer, Benjamin Britten, Sergei Prokofiev, George Bernard Shaw, and Sir William Walton.

  8. Ragheb Moftah collection of Coptic Orthodox liturgical chants and hymns, 1926-1997

    circa 3,000 items. 18 boxes. 6 linear feet. -- Music Division, Library of Congress, Washington, D.C.

    Summary:

    The collection consists of transcriptions of Coptic chant music by Ernest Newlandsmith and Margit Toth. Both contain transcriptions of the Liturgy of St. Basil. Basil. Marian Robertson Wilson created a guide to Moftah's audio tapes in 1996, which consists of transcriptions, transliterations and translations into English of the texts sung on the tapes. Wilson also devised a new order for the pieces on the tapes, putting them in a more logical order, as used in the context of the liturgy. Included is also correspondence, most importantly of letters from Ernest Newlandsmith to Ragheb Moftah concerning their collaboration. Writings in the collection consist of articles by Moftah and an autobiography, both manuscript and printed. There are notes about chant written by Moftah. The collection also contains articles written by Marian Robertson Wilson concerning Coptic chant from the transcriptions Moftah contracted. Other materials include clippings, tickets, receipts, photographs and a few legal papers.

  9. Roy Harris papers, 1893-1998

    6,450 items. 88 containers. 40.0 linear feet. -- Music Division, Library of Congress, Washington, D.C.

    Summary:

    Roy Harris was an American composer. The collection contains materials that document his life and career, including manuscript scores, published and unpublished writings, correspondence, business papers, financial and legal documents, programs, publicity files, photographs, scrapbooks, work files, posters, clippings, and biographical materials.

  10. Louise Talma papers, 1861-1998

    approximately 38,000 items. 160 containers. 81.5 linear feet. -- Music Division, Library of Congress, Washington, D.C.

    Summary:

    Louise Talma was an American composer, pianist, and teacher. She was a student of Nadia Boulanger and a long-time resident of Fontainebleau and the MacDowell Colony in Peterborough, New Hampshire. The collection consists of music manuscripts, harmony and teaching materials, correspondence, photographs, business papers, clippings, programs, publicity materials, writings, awards and other materials related to her career and her family's history.

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