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Aaron Copland collection, 1841-1991
around 400,000 items. 568 boxes. 306 linear feet. -- Music Division, Library of Congress, Washington, D.C.
Summary:
The Aaron Copland Collection consists of published and unpublished music by Copland and other composers, correspondence, writings, biographical material, datebooks, journals, professional papers including legal and financial material, photographs, awards, art work, and books. Of particular interest is the correspondence with Nadia Boulanger, which extent over 50 years, and with his long-time friend, Harold Clurman. Other significant correspondents are Leonard Bernstein, Paul Bowles, Benjamin Britten, Carlos Chávez, David Diamond, Roy Harris, Charles Ives, Claire Reis, Arnold Schoenberg, Roger Sessions, and Virgil Thomson. The photographic collection of Copland's friend and confidant Victor Kraft, a professional photographer, forms part of the collection.
Nicolas Slonimsky collection, 1873-1997
approximately 118,600 items. 363 boxes. 198 linear feet. -- Music Division, Library of Congress, Washington, D.C.
Summary:
Collection contains materials collected by Slonimsky throughout his lifetime that document his life and work as musicologist, composer, conductor, lecturer and author. Included are personal biographical materials; Slonimsky's writings (drafts, typescripts, reprints, etc.) of newspaper, periodical, journal, and magazine articles, record liner notes, radio broadcasts, and talks, published and unpublished; music composed by Slonimsky, manuscript and printed; concert programs; correspondence, among many others, with Henry Cowell, Alexandre Gretchaninoff, Roy Harris, Charles Ives, and Edgar Varèse; biographical materials on composers and performers mostly generated when Slonimsky was editing Baker's and The international cyclopedia; music collected by Slonimsky, manuscript and printed and multi-composer collections; among the manuscripts are many short holographic works and fragments; scrapbooks; and iconographical material, such as family photographs and those of composers and musicians from the former Soviet Union, as well as little known musicians from the United States and elsewhere.
Please note:
Some or all content stored offsite.
Alberto Nepomuceno collection, 1887-1988
approximately 150 items. 6 boxes. 3 linear feet. -- Music Division, Library of Congress, Washington, D.C.
Summary:
Alberto Nepomuceno was a Brazilian composer, conductor, and teacher. The collection consists primarily of scores, most of which are photocopies of holographs, including two operas, nine orchestral, and twelve chamber and solo works, as well as approximately forty songs and other vocal works. In addition, the collection contains several photographs of the composer and his wife and other printed materials.
Please note:
Some or all content stored offsite.
George and Böske Antheil papers, circa 1875-1984
approximately 6,500 items. 43 containers. 17.5 linear feet. -- Music Division, Library of Congress, Washington, D.C.
Summary:
George Antheil was a composer, pianist, author and inventor. The collection consists of materials related to the professional and personal activities of George Antheil and his wife, Elizabeth (Böske) Antheil. It contains holograph music manuscripts, printed scores, published and unpublished writings, business and personal correspondence, subject files, photographs, programs and promotional materials, scrapbooks, artwork, biographical materials, and memorabilia which document the life of this influential composer and his family.
Please note:
Some or all content stored offsite.
Harold Bauer collection, 1886-1951
approximately 1,250 items. 18 boxes. 10 linear feet. -- Music Division, Library of Congress, Washington, D.C.
Summary:
Harold Bauer was an English violinist and pianist, teacher, and music editor who corresponded with many musical luminaries of his day, including Ernest Bloch, Nadia Boulanger, Pablo Casals, Gabriel Fauré, Percy Grainger, Jascha Heifetz, Josef Hofmann, Gustav Holst, Vincent d'Indy, Fritz Kreisler, Charles Martin Loeffler, Pierre Monteux, Moritz Moszkowski, Vladimir de Pachmann, Ignace Jan Paderewski, Isidore Philipp, Henry Prunières, Carl Ruggles, Carlos Salzedo, Gustave Schirmer, Leopold Stokowski, and Efrem Zimbalist. The collection contains manuscript and printed scores, correspondence, writings, clippings, programs and publicity materials, awards, photographs, artwork, and other items related to his life and career.
Charles Mingus collection, 1925-2015
approximately 15,000 items. 76 boxes. 35 linear feet. -- Music Division, Library of Congress, Washington, D.C.
Summary:
Charles Mingus was a jazz double bassist, band leader, and composer. A prolific recording artist and pioneer in double bass technique, Mingus composed works that often incorporated elements of hard bop and gospel music and featured collective improvisation. The collection includes manuscript and printed music by Mingus; writings; correspondence; business papers; clippings; programs; publicity materials; photographs of Mingus, his family, and colleagues, such as Eric Dolphy, Dannie Richmond, Max Roach, Oscar Pettiford, and Miles Davis; artwork and artifacts; and sound recordings.
Nikolai Lopatnikoff collection, 1916-1979
around 1085 items. 27 boxes. 37 linear feet. -- Music Division, Library of Congress, Washington, D.C.
Summary:
The collection includes music, manuscript and printed, of Lopatnikoff, as well as of other composers; correspondence and personal papers; photographs, clippings, and programs; writings by and about Lopatnikoff; and offical documents. A significant amount of material is related to Lopatnikoff's opera Danton. Among the correspondents are Rudolf Bing, Aaron Copland, Serge Koussevitzky, Joseph Rosenstock, Julius Rudel, Nicolas Slonimsky, and William Steinberg.
Pola Nirenska collection, 1910-1992
10,408 items. 30 containers. 38 linear feet. -- Music Division, Library of Congress, Washington, D.C.
Summary:
Correspondence, choreographic notes, music manuscripts, poetry, personal papers, biographical materials, including interviews, articles, reviews, and newspaper clippings, programs, publicity materials, such as flyers and posters, scrapbooks, art work, including costume designs, photographic material, memorabilia, books, and other papers relating chiefly to Nirenska's career as a dancer, choreographer, and educator in the United States. The bulk of the collection consists of photographic material. Choreographic notes include those for The Four Horsemen of the Apocalpyse and art work is from Nirenska's early career in Europe and includes costume designs, drawings, and paintings. Correspondents include Evelyn de la Tour, Martha Graham, Louis Horst, Doris Humphrey, Kurt Jooss, Harald Kreutzberg, Rudolf von Laban, Phyllis Legters, Liz Lerman, Dorothy Gifford Madden, Beth Osgood (Chanock), Nicole Pierson, Naima Prevots, Ronald Reagan, Rona Sande, Walter Sorell, Erika Thimey, Jan Tievsky, Jan Veen, Mary Wigman, and Sharon Wyrrick.
Damrosch - Tee Van collection, 1856-1969
approximately 600 items. 10 boxes. 8 linear feet. -- Music Division, Library of Congress, Washington, D.C.
Summary:
The Damrosch-Tee Van Collection consists of the papers of violinist, conductor, and composer Leopold Damrosch; his son Frank, who was also a conductor; and and their families. The collection includes biographical materials, correspondence, writings, manuscript and printed music, financial and legal papers, programs, scrapbooks, artwork, and photographs. The papers of Leopold Damrosch consist of correspondence, a few examples of writings, four scores, and biographical materials. The papers of Frank Damrosch and other Damrosch family members primarily contain correspondence, but also include music, writings, subject files, legal documents, iconography, and files related to the Institute of Musical Art.
Geraldine Farrar papers, 1895-1960s
approximately 25,000 items. 67 boxes. 5 mapcase folders. 28.5 linear feet. -- Music Division, Library of Congress, Washington, D.C.
Summary:
Geraldine Farrar was an American opera singer and film actress. The collection consists of Farrar's personal papers relating to her life and career, including correspondence, scrapbooks and clippings, photographs and music materials containing sketches, autograph manuscripts, and printed music composed or edited by Farrar. In addition, the collection contains biographical materials, Farrar's writings, contracts, radio scripts, concert programs, awards, and other miscellaneous items.