6 finding aid(s) found containing the word(s) Bloch, Ernest, 1880-1959--Correspondence.

  1. Elizabeth Sprague Coolidge Foundation collection, 1894-1953

    56,680 items. 109 containers. 48.50 linear feet. -- Music Division, Library of Congress, Washington, D.C.

    Summary:

    Elizabeth Sprague Coolidge was a composer, pianist, and patron of music. In 1925, she created the Elizabeth Sprague Coolidge Foundation at the Library of Congress in support of chamber music. The collection contains Coolidge's correspondence to and from many of the prominent musical artists of the first half of the twentieth century. Extensive correspondence between Coolidge and Library of Congress librarians and administrators is also included. The remaining materials in the collection, including photographs, scrapbooks, business papers, programs, publicity materials, iconography, realia, and clippings, are available for research and will be incorporated into the finding aid at a later date. Music manuscripts of works commissioned by Elizabeth Sprague Coolidge or the Elizabeth Sprague Coolidge Foundation in the Library of Congress comprise a substantial portion of the collection and are cataloged individually.

  2. Morton Gould papers, 1920-1996

    approximately 19,000 items. 150 containers. 65.5 linear feet. -- Music Division, Library of Congress, Washington, D.C.

    Summary:

    American composer, conductor, arranger, and pianist. The collection contains music, including holograph and copyist manuscripts, printed scores, orchestral parts, lyric sheets, and sketches of Gould's compositions and arrangements; correspondence; business papers; writings; photographs; scrapbooks; programs and promotional materials related to his career; and financial and legal documents.

  3. Mario Castelnuovo-Tedesco papers, 1822-1998

    approximately 7,900 items. 161 containers. 71 linear feet. -- Music Division, Library of Congress, Washington, D.C.

    Summary:

    Mario Castelnuovo-Tedesco was an Italian composer. The collection, which consists of materials related to his professional and personal activities, includes holograph music manuscripts, printed scores, libretti, writings, correspondence, business papers, photographs, programs, and clippings.

  4. Harold Bauer collection, 1886-1951

    approximately 1,250 items. 18 boxes. 10 linear feet. -- Music Division, Library of Congress, Washington, D.C.

    Summary:

    Harold Bauer was an English violinist and pianist, teacher, and music editor who corresponded with many musical luminaries of his day, including Ernest Bloch, Nadia Boulanger, Pablo Casals, Gabriel Fauré, Percy Grainger, Jascha Heifetz, Josef Hofmann, Gustav Holst, Vincent d'Indy, Fritz Kreisler, Charles Martin Loeffler, Pierre Monteux, Moritz Moszkowski, Vladimir de Pachmann, Ignace Jan Paderewski, Isidore Philipp, Henry Prunières, Carl Ruggles, Carlos Salzedo, Gustave Schirmer, Leopold Stokowski, and Efrem Zimbalist. The collection contains manuscript and printed scores, correspondence, writings, clippings, programs and publicity materials, awards, photographs, artwork, and other items related to his life and career.

  5. Ernest Bloch collection, 1888-1981

    around 18,840 items. 63 boxes. 30 linear feet. -- Music Division, Library of Congress, Washington, D.C.

    Summary:

    Ernest Bloch was a Swiss-born composer, violinist, conductor, and photographer. The collection, which documents his life and work, includes manuscripts (music and lecture material), correspondence, business and financial papers, photographs, programs, promotional material, clippings, writings about Ernest Bloch, personal papers, and printed matter.

  6. Ernst Bacon collection, 1898-1990

    approximately 6,000 items. 54 boxes. 16 linear feet. -- Music Division, Library of Congress, Washington, D.C.

    Summary:

    Ernst Bacon was an American composer, pianist, and conductor. Largely a self-taught composer, Bacon also became an esteemed administrator and educator, serving as director of the Works Progress Administration (WPA) Federal Music Project in 1935 and later as composer-in-residence at Syracuse University from 1947-1963. The collection contains music, writings, correspondence, iconography, programs, clippings, publicity materials, and other miscellaneous items.