Search Results

1. L'Aerophile collection, 1876-1949

   152 boxes. 15,000 items. -- Science Section, Researcher Engagement and General Collections Division, Library of Congress, Washington, D.C.

   Summary:

   Correspondence, blueprints and manufactures information for early French and foreign aircraft and dirigibles, reports of accidents involving flyers and balloonists, World War I aerial photographs and intelligence reports, a series of French cartoons, drawings, graphs, charts, diagrams of equipment, maps, newspapers, printed material, and photographs. The materials in the collection were evidently assembled by staff of the magazine L’Aerophile which was published by Georges Besançon in collaboration with Union Aérophile de France. Subjects include aeronautics chiefly in Europe and the U.S., aeronautics corporations, air shows, aviators, balloons, bombs and missiles, commercial airlines, dirigibles, gliders, hydroplanes, medical aviation, military aeronautics, model aircraft, parachutes, propellers, record flights, and research and testing of aircraft. Individuals represented include Henry Harley "Hap" Arnold, Georges Besançon, Amelia Earhart, Charles Lindbergh, and William "Billy" Mitchell.

2. Serge Koussevitzky archive, 1880-1978

   around 200,000 items. 505 containers. 224 linear feet. -- Music Division, Library of Congress, Washington, D.C.

   Summary:

   Serge Koussevitzky was a Russian-born conductor, composer, and double bassist. The archive includes correspondence, personal and business papers, photographs, writings, clippings, scrapbooks, programs, and other materials which serve as a record of Koussevitzky's life and career, and document some of the most significant aspects of twentieth-century music. Through his work as a conductor and publisher, and his efforts to commission new musical works, Koussevitzky maintained deep ties with many of the finest composers and musicians of the day. These figures are represented in their personal and professional affiliations with the conductor. The collection extensively chronicles periods in the history of organizations such as the Boston Symphony Orchestra and the Berkshire Music Center, the Koussevitzky Music Foundation, and the American International Music Fund. Material in the collection dates from Koussevitzky's years in his native Russia and also contains material created after Koussevitzky's death, reflecting his widow Olga's continuing work with various organizations and projects. Musical compositions commissioned by Serge Koussevitzky are part of the Serge Koussevitzky Music Foundation Collection, and are shelved in ML30.3c, ML30.3c2, ML30.3c3, and ML30.3e2.

3. Peggy Clark papers, 1880-1997

   64,240 items . 473 containers. 291 linear feet. -- Music Division, Library of Congress, Washington, D.C.

   Summary:

   Peggy Clark (1915-1996) was an American lighting, scenic, and costume designer. The collection includes light plots, scenic renderings, correspondence, published and unpublished writings, blueprints, programs, photographs, posters, scripts, scrapbooks, clippings, notes, memorabilia and other materials related to her life and career.

   Please note:

   Some or all content stored offsite.

4. Oliver Smith papers, 1941-1987

   approximately 2,000 items. 100 containers. 61.5 linear feet. 1,749 digital files (83.82 GB). -- Music Division, Library of Congress, Washington, D.C.

   Summary:

   Oliver Smith was an American production designer, producer, and teacher of theatrical design. Smith contributed his talents to many of the twentieth century's most beloved musicals, ballets, and plays, including Rodeo (1942), On the Town (1944), My Fair Lady (1956), West Side Story (1957), The Sound of Music (1959), and Hello, Dolly! (1964). The collection includes painted set elevations, renderings, sketches, blueprints and technical drawings, correspondence, photographs, programs, and other materials. Only design materials for select productions are available at this time.

   Please note:

   Access restrictions apply.

   Some or all content stored offsite.

5. Federal Theatre Project collection, 1932-1943

   approximately 525,000 items. 1,555 containers. 200 mapcase folders. 584.5 linear feet. -- Music Division, Library of Congress, Washington, D.C.

   Summary:

   The Federal Theatre Project, created by the U.S. Works Progress Administration in 1935, was designed to conserve and develop the skills of theater workers, re-employ them on public relief, and to bring theater to thousands in the United States who had never before seen live theatrical performances. The collection includes correspondence, memoranda, play and radio scripts, reports, research studies, manuals, publications, bulletins, forms, lists, newspaper clippings, scrapbooks, charts, costume and set designs, blue-prints, posters, addressograph plates, photographs, negatives, slides, playbills, and other records documenting the activities of the Federal Theatre Project and its impact on all aspects of the theater. Some materials in this collection contain offensive or demeaning language.

6. Roger L. Stevens papers, 1863-2002

   approximately 192,000 items. 436 containers. 30 mapcase folders. 234 linear feet. -- Music Division, Library of Congress, Washington, D.C.

   Summary:

   Roger Lacey Stevens (1910-1998) was an American theatrical producer and financial backer with more than 200 shows to his credit; an arts administrator who served as the founding chairman of the John F. Kennedy Center for the Performing Arts and the first chair of both the National Council on the Arts and the National Endowment for the Arts; and founder, executive officer, and shareholder of numerous commercial and residential real estate businesses that owned iconic buildings including the Empire State Building and Belleview Biltmore Hotel and pioneered the development of several shopping malls. The collection, which documents all aspects of Stevens's life and career, contains awards and certificates; clippings; correspondence; daily calendars, schedules and telephone logs; financial records; invitations; photographs; realia; scrapbooks; and speeches and writings. Materials specific to his arts administration and theatrical careers include actor and crew contracts; audition and casting materials; box office reports, posters, production stills, programs, and publicity material; rehearsal schedules; reviews; and scripts. Materials specific to his real estate work include construction plans, purchase contracts and agreements, incorporation and dissolution papers, and leases.

7. WOR Collection, 1930-1979

   approximately 657,566 items. 722 containers. 303.24 linear feet. -- Recorded Sound Research Center, National Audio-Visual Conservation Center, Library of Congress, Washington, D.C.

   Summary:

   Pioneering radio station. Programming, engineering notes, financial papers, and correspondence document the inception and operation of WOR.