5 finding aid(s) found containing the word(s) Bowles, Paul, 1910-1999.

  1. American Ballet Caravan music scores, 1935-1947

    180 items . 8 containers. 3.75 linear feet. -- Music Division, Library of Congress, Washington, D.C.

    Summary:

    The collection of American Ballet Caravan Music Scores consists of full scores, parts, piano rehearsal and vocal scores for six ballets, at least two of them unrealized, for Lincoln Kirstein's dance company, which he founded in 1936. Three of the six ballets were commissioned by Kirstein during the Caravan's tour to Latin America in 1941. The works are Pastorela (Paul Bowles); Soirées musicale (Benjamin Britten, arranged for two pianos by Brian Easdale); Estancia (Alberto E. Ginastera); Fantasias Brasileiras: no. 4, for piano and orchestra (Francisco Paulo Mignone); Cinco Piezas Brevas for string orchestra, op. 14 (Domingo Santa Cruz); Juke Box (Alec Wilder); and Concerto for two violins and orchestra (J. S. Bach, arranged for two pianos by Stefan Wolpe).

  2. Frederick Nicklaus papers, 1953-1999

    1,050 items. 3 containers. 1.2 linear feet. -- Manuscript Division, Library of Congress, Washington, D.C.

    Summary:

    Poet and editor. Correspondence, notes, photographs, printed matter, and writings relating to the poetry and personal life of Nicklaus.

  3. Aaron Copland collection, 1841-1991

    around 400,000 items. 563 boxes. 306 linear feet. -- Music Division, Library of Congress, Washington, D.C.

    Summary:

    The Aaron Copland Collection consists of published and unpublished music by Copland and other composers, correspondence, writings, biographical material, datebooks, journals, professional papers including legal and financial material, photographs, awards, art work, and books. Of particular interest is the correspondence with Nadia Boulanger, which extent over 50 years, and with his long-time friend, Harold Clurman. Other significant correspondents are Leonard Bernstein, Paul Bowles, Benjamin Britten, Carlos Chávez, David Diamond, Roy Harris, Charles Ives, Claire Reis, Arnold Schoenberg, Roger Sessions, and Virgil Thomson. The photographic collection of Copland's friend and confidant Victor Kraft, a professional photographer, forms part of the collection.

  4. Paul Bowles Moroccan music collection, 1957-1989

    2 boxes (1.25 linear feet). 1 map. 2 sound discs : analog, 33 1/3 rpm ; 12 in.. 70 sound tape reels (ca. 70 hrs.) : analog, 2 track ; 7 in.. 18 photographic prints : black and white; 3 x 5 in. . -- American Folklife Center, Library of Congress, Washington, D.C.

    Summary:

    An ethnographic field collection of sound recordings, photographs, and accompanying documentation of Moroccan folk, popular, and art music. The collection includes recordings Paul Bowles made in 1959 during a four-month field project sponsored by the Library of Congress with a grant from the Rockefeller Foundation as well as additional field recordings that he and Christopher Wanklyn made between 1960 and 1962.

  5. Arthur Gold and Robert Fizdale collection of music manuscripts, 1948-1965

    9 items. 1 container. 1 linear foot. -- Music Division, Library of Congress, Washington, D.C.

    Summary:

    Arthur Gold (1917-1990) and Robert Fizdale (1920-1995) were an American piano duo who performed together throughout the second half of the twentieth century. During their careers, a number of prominent composers in the United States and Europe wrote works for the duo, including Georges Auric, Luciano Berio, Paul Frederic Bowles, John Cage, and Francis Poulenc. This collection contains nine music manuscripts of works for two pianos either commissioned by or dedicated to Gold and Fizdale from notable composers of the twentieth century, including three members of the French group "Les Six."