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Irving Fine collection, 1930-1993
approximately 4,350 items. 21 boxes. 7 linear feet. -- Music Division, Library of Congress, Washington, D.C.
Summary:
Irving Fine was an American conductor, teacher, and composer whose works assimilated neoclassical, romantic, and serial elements. The bulk of the materials in the collection are musical scores and sketches which represent nearly his entire musical output. In addition, there are photographs, clippings, programs, and scrapbooks, as well as correspondence from twentieth-century musicians such as Leonard Bernstein, Aaron Copland, Lukas Foss, Alberto Ginastera, Ned Rorem, and William Schuman.
Glenn Dillard Gunn papers, 1802-1961
approximately 750 items. 14 boxes. 4.5 linear feet. -- Music Division, Library of Congress, Washington, D.C.
Summary:
Glenn Dillard Gunn was an American pianist, conductor, music critic, and teacher. The collection contains correspondence from notable musical figures such as Ferruccio Busoni, Teresa Careño, Percy Grainger, and Moriz Rosenthal, as well as writings by and about Gunn, photographs, annotated printed scores, scrapbooks, and other items that document Gunn's life and career.
Jerome Kern collection, 1905-1951
approximately 7,470 items. 102 boxes. 45 linear feet. -- Music Division, Library of Congress, Washington, D.C.
Summary:
The collection consists primarily of Kern's show music and holograph sketches, most of which are manuscript full and vocal scores of Kern's orchestrators and arrangers, especially Frank Saddler and Robert Russell Bennett. Film and other music is also represented, as well as a small amount of correspondence.
Aaron Copland collection, 1841-1991
around 400,000 items. 568 boxes. 306 linear feet. -- Music Division, Library of Congress, Washington, D.C.
Summary:
The Aaron Copland Collection consists of published and unpublished music by Copland and other composers, correspondence, writings, biographical material, datebooks, journals, professional papers including legal and financial material, photographs, awards, art work, and books. Of particular interest is the correspondence with Nadia Boulanger, which extent over 50 years, and with his long-time friend, Harold Clurman. Other significant correspondents are Leonard Bernstein, Paul Bowles, Benjamin Britten, Carlos Chávez, David Diamond, Roy Harris, Charles Ives, Claire Reis, Arnold Schoenberg, Roger Sessions, and Virgil Thomson. The photographic collection of Copland's friend and confidant Victor Kraft, a professional photographer, forms part of the collection.
Nicolas Slonimsky collection, 1873-1997
approximately 118,600 items. 363 boxes. 198 linear feet. -- Music Division, Library of Congress, Washington, D.C.
Summary:
Collection contains materials collected by Slonimsky throughout his lifetime that document his life and work as musicologist, composer, conductor, lecturer and author. Included are personal biographical materials; Slonimsky's writings (drafts, typescripts, reprints, etc.) of newspaper, periodical, journal, and magazine articles, record liner notes, radio broadcasts, and talks, published and unpublished; music composed by Slonimsky, manuscript and printed; concert programs; correspondence, among many others, with Henry Cowell, Alexandre Gretchaninoff, Roy Harris, Charles Ives, and Edgar Varèse; biographical materials on composers and performers mostly generated when Slonimsky was editing Baker's and The international cyclopedia; music collected by Slonimsky, manuscript and printed and multi-composer collections; among the manuscripts are many short holographic works and fragments; scrapbooks; and iconographical material, such as family photographs and those of composers and musicians from the former Soviet Union, as well as little known musicians from the United States and elsewhere.
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Ernst Bacon collection, 1898-1990
approximately 6,000 items. 54 boxes. 16 linear feet. -- Music Division, Library of Congress, Washington, D.C.
Summary:
Ernst Bacon was an American composer, pianist, and conductor. Largely a self-taught composer, Bacon also became an esteemed administrator and educator, serving as director of the Works Progress Administration (WPA) Federal Music Project in 1935 and later as composer-in-residence at Syracuse University from 1947-1963. The collection contains music, writings, correspondence, iconography, programs, clippings, publicity materials, and other miscellaneous items.
George and Böske Antheil papers, circa 1875-1984
approximately 6,500 items. 43 containers. 17.5 linear feet. -- Music Division, Library of Congress, Washington, D.C.
Summary:
George Antheil was a composer, pianist, author and inventor. The collection consists of materials related to the professional and personal activities of George Antheil and his wife, Elizabeth (Böske) Antheil. It contains holograph music manuscripts, printed scores, published and unpublished writings, business and personal correspondence, subject files, photographs, programs and promotional materials, scrapbooks, artwork, biographical materials, and memorabilia which document the life of this influential composer and his family.
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Some or all content stored offsite.
Serge Lifar collection on Serge Diaghilev, 1750-1950
around 1,350 items. 81 boxes. 91 linear feet. -- Music Division, Library of Congress, Washington, D.C.
Summary:
This collection is comprised in large part of printed music, widely representing 18th century Italian and 19th century Russian operatic music. Includes rare pre-revolutionary editions of Russian folk songs, annotated performance scores of Stravinsky, Mussorgsky, Rimsky-Korsakov, Gounod, Cimarosa. Non-musical materials include three letters from S. Prokofiev to S. Diaghilev, rare edition of books on music, literature and theater, libretti and synopses, souvenir books and programs and photographs. Several of the programs and photographs show Léon Bakst's set and costume designs. Non-musical materials also include Diaghilev’s personal notebook, containing entries in French, Russian, and English made in 1926-1929.
Randolph S. Rothschild collection, 1942-1992
approximately 225 items. 11 boxes. 6 linear feet. -- Music Division, Library of Congress, Washington, D.C.
Summary:
The Randolph S. Rothschild Collection consists primarily of music and accompanying correspondence, programs, and reviews. The majority of the music in the collection is facsimile scores of compositions commissioned by the Chamber Music Society of Baltimore and the Baltimore Symphony Orchestra from American composers such as Milton Babbitt, Henry Cowell, Ross Lee Finney, Lukas Foss, Ernst Krenek, Roger Reynolds, Christopher Rouse, Gunther Schuller, and Charles Wuorinen. Many of these scores are inscribed to Rothschild and signed by the composers, and a few include programs and reviews of the concerts at which they were performed.
Amateur Hour collection, 1934-1950s
approximately 8,500 items. 20 boxes. 9 linear feet. -- Music Division, Library of Congress, Washington, D.C.
Summary:
The Original Amateur Hour was a popular radio talent show hosted by Edward Bowes (stagename, Major Bowes) from 1935-1952. The collection primarily consists of more than 7,000 applications from contestants who appeared on the program between 1934 and 1948. A small amount of administrative papers dating from the late 1940s and 1950s, as well as materials relating to the Mexican version of the program, La hora internacional del aficionado, are also included. Filed with the contestant applications are letters of introduction, reference letters, and other documents sent by prospective contestants. Applications from conventional performers such as musicians, dancers, singers, and impersonators are most numerous, but there are also applications from novelty acts, such as a human piccolo, a group of hand standing singers, and a group who played harmonicas with fire extinguishers. Of particular interest are applications from performers who are now well-known, including Teresa Brewer, Stubby Kaye, Robert Merrill, Beverly Sills, and Frank Sinatra. Photographs from the 1940s and 1950s provide a visual record of the show, while correspondence to and from program staff members recount some of the program's business transactions. Scripts, promotional material, and advertising and sponsor documents also are part of the collection.