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Irving Fine collection, 1930-1993
approximately 4,350 items. 21 boxes. 7 linear feet. -- Music Division, Library of Congress, Washington, D.C.
Summary:
Irving Fine was an American conductor, teacher, and composer whose works assimilated neoclassical, romantic, and serial elements. The bulk of the materials in the collection are musical scores and sketches which represent nearly his entire musical output. In addition, there are photographs, clippings, programs, and scrapbooks, as well as correspondence from twentieth-century musicians such as Leonard Bernstein, Aaron Copland, Lukas Foss, Alberto Ginastera, Ned Rorem, and William Schuman.
William A. Newland and Charles Zeuner collection of music, circa 1735-circa 1900
around 2,000 items. 58 boxes. 20 linear feet. -- Music Division, Library of Congress, Washington, D.C.
Summary:
Primarily music (printed and manuscript) for piano, 2 or 4 hands, and songs, with a concentration in sacred vocal works in Latin and English. (The music in Latin may represent the only known source of pre-Cäcilienverein 19th-century American Catholic Church music.) Composers range from Mozart and Rossini to George F. Root and Oliver Shaw. The collection contains the largest extant source of music by Charles Zeuner which was purchased by Newland after Zeuner's death.
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Some or all content stored offsite.
Alberto Nepomuceno collection, 1887-1988
approximately 150 items. 6 boxes. 3 linear feet. -- Music Division, Library of Congress, Washington, D.C.
Summary:
Alberto Nepomuceno was a Brazilian composer, conductor, and teacher. The collection consists primarily of scores, most of which are photocopies of holographs, including two operas, nine orchestral, and twelve chamber and solo works, as well as approximately forty songs and other vocal works. In addition, the collection contains several photographs of the composer and his wife and other printed materials.
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Some or all content stored offsite.
Ernst Bacon collection, 1898-1990
approximately 6,000 items. 54 boxes. 16 linear feet. -- Music Division, Library of Congress, Washington, D.C.
Summary:
Ernst Bacon was an American composer, pianist, and conductor. Largely a self-taught composer, Bacon also became an esteemed administrator and educator, serving as director of the Works Progress Administration (WPA) Federal Music Project in 1935 and later as composer-in-residence at Syracuse University from 1947-1963. The collection contains music, writings, correspondence, iconography, programs, clippings, publicity materials, and other miscellaneous items.
Morton Gould papers, 1920-1996
approximately 19,000 items. 150 containers. 65.5 linear feet. -- Music Division, Library of Congress, Washington, D.C.
Summary:
American composer, conductor, arranger, and pianist. The collection contains music, including holograph and copyist manuscripts, printed scores, orchestral parts, lyric sheets, and sketches of Gould's compositions and arrangements; correspondence; business papers; writings; photographs; scrapbooks; programs and promotional materials related to his career; and financial and legal documents.
Please note:
Some or all content stored offsite.
George Crumb papers, 1944-2022
approximately 7,800 items. 71 containers. 48 linear feet. 5,600 digital files (1.2 TB). -- Music Division, Library of Congress, Washington, D.C.
Summary:
George Crumb was a Pulitzer Prize-winning American composer who was long associated with the University of Pennsylvania. The collection consists of holograph manuscript scores and sketches, correspondence, business papers, subject files, and a series of meticulously assembled scrapbooks that chronicle Crumb's career as a composer.
Halsey Stevens papers, circa 1920-1987
approximately 2,500 items. 51 containers. 20.5 linear feet. -- Music Division, Library of Congress, Washington, D.C.
Summary:
Halsey Stevens was an American composer, musicologist, and teacher. He is best known for his chamber music works and published monograph, The Life and Music of Béla Bartók. The collection contains music manuscripts, writings, research materials, programs, correspondence, and other materials related to his projects. Only the music materials are available online at this time. These materials consist of scores, parts, and sketches for instrumental works for keyboard, chamber ensemble, and full orchestra, as well as vocal and choral works and arrangements for varying instrumentations.
Please note:
Some or all content stored offsite.
Selma Epstein collection, 1931-1987
72 items. 5 containers. 2.6 linear feet. -- Music Division, Library of Congress, Washington, D.C.
Summary:
Selma Epstein (1927-2014) was a concert pianist, teacher, promoter of contemporary music, and champion of 20th-century black and female composers. The collection contains contemporary music scores, many by women and African-American composers, as well as a small amount of clippings and promotional materials.
Please note:
Some or all content stored offsite.
Erich Wolfgang Korngold collection, 1889-2008
approximately 9,000 items . 102 containers. 47 linear feet. 17 microfilm reels. -- Music Division, Library of Congress, Washington, D.C.
Summary:
Erich Wolfgang Korngold was a composer and pianist noted for his orchestral works, operas, concertos, film scores, piano music, and chamber music. A musical prodigy, he famously displayed immense talent for both performance and composition. Korngold and his family were part of the exodus of European artists who moved to the United States during the rise of Nazism in Europe. He lived and worked in Hollywood, California, until his death in 1957. The Erich Wolfgang Korngold Collection consists primarily of holograph and copyist music manuscripts that span his entire compositional output, as well as sketches, fragments, libretti, and film cue sheets. Many works not in Korngold's hand include his annotations. The collection also contains non-music materials such as correspondence, financial papers, photographs, and programs.
Robert Evett collection, 1942-2001
approximately 1,450 items. 9 containers. 6.5 linear feet. -- Music Division, Library of Congress, Washington, D.C.
Summary:
Robert Evett (1922-1975) was a composer, arts editor, and critic who made his home primarily in the Washington, D.C., area. This collection contains several scores, sketches, and instrument parts for works composed by Evett; biographical information collected by Evett's family after his death; and his published book and music reviews for the "Atlantic Monthly," "New Republic," and "Washington Star-News."
Please note:
Some or all content stored offsite.