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Bess Lomax Hawes collection, 1894-2009
13,480 items. 45 containers. 394 folders in 31 boxes. 33 sound tape reels : analog ; various sizes.. 68 sound cassettes : analog.. 1 sound disc (CD-R) : digital ; 4 3/4 in.. circa 2,000 photographic prints : black and white, color ; various sizes.. circa 500 photographs : film negatives.. circa 200 drawings.. 8 videocassettes (VHS) : color, sound ; 1/2 in.. 2 video discs (DVD) : digital ; 4 3/4 in.. approximately 20 items ; various sizes.. -- American Folklife Center, Library of Congress, Washington, D.C.
Summary:
Papers and audiovisual materials relating to the career and personal life of folk arts administrator, folklorist, filmmaker, musician, and teacher Bess Lomax Hawes, most from 1960-2001. Includes work produced by Hawes in her work as a professor at San Fernando Valley State College in Northridge, California, and as head of the National Endowment for the Arts Folk Arts Program in Washington, DC. The collection includes writings, correspondence, business records, musical transcriptions and photographs. Also includes artwork produced by her husband, Baldwin "Butch" Hawes.
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George Korson collection, 1913-1975
37,117 items ; 106 containers (not including AV) ; 57 linear feet (not including AV).. 112 sound discs : analog ; 12 in., 10 in., and 7 in.. 108 sound tape reels : analog ; 7 in.. 6 sound tape reels : analog ; 5 in.. 1 sound cassette : analog. 1 film reel (ca. 8 minutes) : sound, black and white ; 16 mm. approximately 623 photographs : photographic prints, negatives, black and white; various sizes.. 4 graphic items : various media.. 2 items.. 36,259 items.. -- American Folklife Center, Library of Congress, Washington, D.C.
Summary:
Collection of professional papers, field recordings of interviews and songs, a film, and photographs documenting the career and folklife fieldwork of George Korson. George Korson conducted fieldwork in the anthracite coal region of Pennsylvania and also in Pennsylvania Dutch Country in eastern counties of Pennsylvania. The film dated October 12, 1964 is George Korson (with Charlie McCarthy) interviewed by Franklin D. Coslett. The collection also includes various papers and interviews created by Angus K. Gillespie, including his interviews with folklorist and labor historian Archie Green. Gillespie is the author of a biography of George Korson, titled Folklorist of the coal fields : George Korson's life and work (Pennsylvania State University Press, 1980).
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W.P.A. California Folk Music Project collection, 1936-1991
7 boxes 4.5 linear feet.. manuscripts: 115 folders.. 239 sound discs (35 hours) : analog, 78 rpm, mono. ; 12 in.. 170 photographic prints : black and white ; various sizes.. 24 drawings.. -- American Folklife Center, Library of Congress, Washington, D.C.
Summary:
The California Folk Music Project of the California Work Projects Administration (WPA) was conceived and directed by Sidney Robertson Cowell and co-sponsored by the Music Department of the University of California, Berkeley, and the Music Division, Library of Congress from 1938 to 1940. Additional support was provided by the New Music Society of California and the Society of California Pioneers. The resulting collection of sound recordings, photographs, correspondence, field notes, and drawings documents the musical culture, including religious music and folk song, of many ethnic and English-language performers in northern California. The collection includes the documentation of the music of Anglo Americans, Armenians, Assyrians, Basques, Croatians, English, Finns, Hungarians, Icelanders, Italians, Norwegians, Russian Molokans, Scots, Portuguese, Mexicans, Puerto Ricans, Spaniards and Spanish Americans from 1938 to 1940. The sound recordings were deposited in the Archive of American Folk Song at the Library of Congress in 1940. The collection also includes a few instantaneous sound discs made by Sidney Robertson Cowell in Missouri and Iowa for the Farm Security Administration in 1936-1937, and includes folk music research, writing, photographs, and technical drawings and sketches of the musical instruments, generated by Cowell and by the WPA staff who worked for her, plus related documents to 1991.
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Discoteca Pública Municipal de São Paulo collection, 1937-1943
1184 items; 4 containers; 2 linear feet.. 7 folders (1 box).. 215 sound discs : analog, 78 rpm ; 10 in., 12 in., 16 in.. 359 photographic prints : black and white ; 2 3/4 in. x 1 3/4 in.. 259 photographic prints : black and white ; 3 1/2 in. x 4 3/4 in.. 1 film reel (1445 ft.) : silent, black and white ; 16 mm.. -- American Folklife Center, Library of Congress, Washington, D.C.
Summary:
An ethnographic field collection of sound recordings, moving images, photographs, and accompanying materials that document religious and secular music, dance, and ritual in the northeastern Brazilian states of Maranhão, Pará, Paraíba, Pernambuco, and also the state of São Paulo. Fieldwork was conducted in northeastern Brazil in 1937-1938, some audio recordings were accessioned in 1950. The collection includes correspondence between Harold Spivacke, then chief of the Music Division of the Library of Congress and Oneyda Alvarenga, Director of the Discoteca Pública Municipal de São Paulo (1941-1943), now Discoteca Oneyda Alvarenga (Centro Cultural São Paulo). Photographs document field research and include images of musical instruments and costumes in the museum in São Paulo. Silent black-and-white 16 mm film is comprised of 14 film rolls including footage of carnaval in Recife, Pernambuco; footage from Belém do Pará; most was filmed in Paraíba.
James Madison Carpenter collection, 1928-1987
29.5 linear feet. 58 boxes, 21,044 items in collection. 19,417 manuscript items (12 linear feet manuscripts), 397 sound recordings [178 wax cylinders and 221 12-inch acetate discs], 180 cylinder containers, 1233 graphic materials (40 ink-and-pencil drawings, with 10 of these in color; 352 black-and-white film negatives, 17 color slides [positive transparencies], 1 black-and- white contact sheet, 592 black-and-white photographic prints, 4 color photographic prints, 112 black-and-white glass negatives, and 115 glass positives). -- American Folklife Center, Library of Congress, Washington, D.C.
Summary:
The James Madison Carpenter Collection consists of manuscript materials, sound recordings, and graphic materials that document folk songs, ballads, sea songs, folk music, dance, and British folk drama. The materials span the years 1928-1955, with some related material generated by other scholars dated 1972 and 1987. The bulk of the material was collected between 1928-1935 by Carpenter during fieldwork in England, Scotland, and Wales; other material was collected in the United States between 1937 and 1941 by Carpenter and his Duke University students.
Art Rosenbaum Georgia folklore collection, 1955-1983
236 audiocassette tapes; 1 box of manuscripts and electronic media. -- American Folklife Center, Library of Congress, Washington, D.C.
Summary:
Copies of audio tape recordings made by Art Rosenbaum in north and coastal Georgia and South Carolina principally in the 1970s and early 1980s. These field recordings encompass many genres of acoustic folk music, including gospel, shout, blues, ballads, and some interviews with the performers, recorded in homes, churches, and festivals.
Anne and Frank Warner collection, 1938-1969
1 container. 10.5 linear inches of manuscripts and graphic images; 124 sound recordings, 15 graphic images, 1 item of electronic media. -- American Folklife Center, Library of Congress, Washington, D.C.
Summary:
Documentation of American traditional musicians and storytellers collected by Anne Warner and Frank Warner on numerous field recording trips to Illinois, Massachusetts, Missouri, New Hampshire, New York, North Carolina, Vermont, and Virginia from 1938 to 1969.
Eloise Hubbard Linscott collection, circa 1815, 1929-2002
34 boxes (18 linear feet); 198 folders.. 11 sound cylinders : analog.. 441 sound discs : analog ; various sizes.. 32 sound tape reels : analog ; various sizes.. 1 sound cassette : analog.. circa 200 photographs : photographic prints, negatives ; various sizes.. 12 drawings.. -- American Folklife Center, Library of Congress, Washington, D.C.
Summary:
Eloise Hubbard Linscott’s collection of research materials for her book, Folk Songs of Old New England (1939) and other folk music research through about 1955. The collection includes correspondence; music transcriptions; sound recordings of folk music, lectures, and radio broadcasts; photographs of Linscott's informants; documentation of events and trips within New England; plus some materials from her estate, dated circa 1815-2002.
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Some or all content stored offsite.
Sam Eskin collection, 1939-1969
56.5 linear feet. 16,568 items (15,795 manuscripts, 716 sound recordings, and 57 graphic materials). -- American Folklife Center, Library of Congress, Washington, D.C.
Summary:
Collection consists of manuscripts, field recordings, photographs, and ephemera documenting folk music and folk music revivals in the United States, Canada, and Mexico from 1938 to 1966; plus manuscripts and field recordings of mostly unidentified artists performing folk music in Jamaica, Cuba, England, Scotland, Ireland, Spain, Sweden, Israel, Lebanon, Syria, Morocco, Hong Kong, Philippines, India, and Thailand from 1953 to 1969 collected by Sam Eskin. Manuscript materials include correspondence, transcriptions of songs and lyrics, folk festival programs and flyers, a Japanese song book, Eskin's lecture notes, and his collection of bawdy songs and limericks.
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Some or all content stored offsite.
Fletcher Collins Jr. collection, 1935-1944
ca. 1000 leaves (22 folders) in 2 boxes. 21 sound discs : analog ; 12 in.. 12 sound discs : analog ; 12 in.. -- American Folklife Center, Library of Congress, Washington, D.C.
Summary:
The Fletcher Collins Jr. Collection is the result of the Anglo-American folksong collecting activities of Fletcher Collins Jr. from the mid-1930s to the early 1940s in North Carolina, Virginia, and West Virginia, under the auspices of the WPA Joint Committee on Folk Arts and for the Library of Congress Archive of Folk Song.