199 finding aid(s) found containing the word(s) Clippings (Information artifacts).

  1. Max Rudolf papers, 1922-1993

    approximately 4,500 items. 22 containers. 11.5 linear feet. -- Music Division, Library of Congress, Washington, D.C.

    Summary:

    Max Rudolf was a German-born American conductor and music educator. He is best known for his work with the Metropolitan Opera, the Cincinnati Symphony Orchestra, and the Curtis Institute of Music. The collection contains Rudolf's extensive correspondence with prominent 20th century musical figures, Metropolitan Opera annual files documenting his years with that organization, and a few photographs.

    Please note:

    Some or all content stored offsite.

  2. Harold Spivacke collection, 1923-1984

    approximately 3,900 items. 33 containers. 13 linear feet. -- Music Division, Library of Congress, Washington, D.C.

    Summary:

    Harold Spivacke was a music librarian, administrator, musicologist, and musician. He was chief of the Library of Congress Music Division for thirty-five years, from 1937 until 1972. The collection contains materials relating to his life and career, including correspondence, student notebooks, speeches, his dissertation, photographs, clippings, programs, manuscript and printed music, artwork, awards and honorary degrees, and business papers.

  3. Mary Virginia Foreman Le Garrec collection on Artur Schnabel, 1893-1996

    926 items. 11 containers. 5 linear feet. -- Music Division, Library of Congress, Washington, D.C.

    Summary:

    Artur Schnabel was an Austrian-born American pianist, pedagogue, and composer. Mary Virginia Foreman Le Garrec was Schnabel's student and confidante. The collection includes holograph manuscript and published music scores by Schnabel as well as published scores by other composers, some of which contain annotations in the hands of Schnabel, Le Garrec, and others. In addition, the collection contains correspondence; writings by both Schnabel and Le Garrec; concert programs featuring Schnabel as both pianist and composer; biographical material; press clippings, published articles, and monographs regarding Schnabel and his circle; books; photographs; and other iconography.

  4. Gerry Mulligan collection, circa 1940-1994

    Approximately 200,000 items. 160 containers. 80 linear feet. -- Music Division, Library of Congress, Washington, D.C.

    Summary:

    Gerry Mulligan (1927-1996) was an American jazz saxophonist, composer, arranger, and bandleader. The collection chiefly consists of scores, sketches, lead sheets, and instrumental parts for original compositions by Mulligan as well as for works by other composers. In many instances, there are multiple versions of Mulligan's best-known works. These music materials include manuscripts, holograph manuscripts, printed items, and reproductions. In addition, the collection includes a small amount of photographs, awards, clippings, programs, realia, song lists for different concerts or projects, and other miscellaneous materials.

  5. Nikolay Karlovich Medtner papers, 1826-1954

    Approximately 2,500 items. 11 containers. 5.5 linear feet. -- Music Division, Library of Congress, Washington, D.C.

    Summary:

    Nikolay Medtner was a Russian-born pianist and composer. The collection documents Medtner's personal life and career and includes correspondence, programs, articles, reviews, clippings, photographs, books with Medtner's annotations, three manuscript scores in Medtner's hand, realia, and other miscellaneous items.

  6. Luther Henderson papers, circa 1930-2003

    approximately 17,250 items. 134 containers. 56 linear feet. -- Music Division, Library of Congress, Washington, D.C.

    Summary:

    Luther Henderson was an American arranger, orchestrator, conductor, music director, and composer. He worked on over fifty Broadway musicals, including Ain't Misbehavin' and Jelly's Last Jam. He was a frequent arranger and orchestrator for Duke Ellington. The collection contains music manuscripts, correspondence, business and financial papers, photographs, promotional materials, clippings, realia, and other materials related to his career.

    Please note:

    Some or all content stored offsite.

  7. Vivian Fine music manuscripts, 1927-2004

    approximately 1,200 items. 16 containers. 8.0 linear feet. -- Music Division, Library of Congress, Washington, D.C.

    Summary:

    Vivian Fine was an American composer, pianist, and educator. The collection primarily consists of Fine's holograph manuscript scores, sketches, and parts for works composed between 1929 and 1993. In addition, the collection contains a small amount of correspondence, programs, and clippings.

    Please note:

    Some or all content stored offsite.

  8. Lukas Foss papers, circa 1926-2000

    approximately 5,000 items. 39 containers. 18.5 linear feet. -- Music Division, Library of Congress, Washington, D.C.

    Summary:

    Lukas Foss was an American composer, conductor, pianist, and educator. The collection, which documents his life and career, consists of music holograph manuscript scores and parts, sketches, correspondence, business papers, programs, clippings, promotional materials, contracts, and financial documents.

    Please note:

    Some or all content stored offsite.

  9. George Crumb papers, 1944-2022

    approximately 7,800 items. 71 containers. 48 linear feet. 5,600 digital files (1.2 TB). -- Music Division, Library of Congress, Washington, D.C.

    Summary:

    George Crumb was a Pulitzer Prize-winning American composer who was long associated with the University of Pennsylvania. The collection consists of holograph manuscript scores and sketches, correspondence, business papers, subject files, and a series of meticulously assembled scrapbooks that chronicle Crumb's career as a composer.

  10. Modern Music archives, 1909-1983

    around 810 items. 8 containers. 5.75 linear feet. Microfilm (93/20012 [MUS]--scrapbooks only). -- Music Division, Library of Congress, Washington, D.C.

    Summary:

    The League of Composers was founded in New York in 1923 to promote American composers and introduce audiences to the best in new music through high quality performances. Its quarterly journal, Modern Music, was published from 1924 to 1946, and edited by Minna Lederman Daniel. It is one of the most distinguished collections of criticism and scholarship concerning early twentieth-century musical arts. The archives contains materials documenting the cessation of the journal, correspondence, financial and budget documents, fundraising materials, clippings, committee meeting minutes, photographs and artwork, stage and costume designs, contemporary concert and festival programs, scrapbooks containing promotional materials, publications of the League, and writings by Lederman Daniel.