56 finding aid(s) found containing the word(s) Dance music.

  1. 1978 Neptune Plaza Concert Series collection, 1978

    8 folders. 13 sound tape reels: analog, 7 1/2 ips, double track, mono., 10 in.. 400 photographs: black and white, color. -- American Folklife Center, Library of Congress, Washington, D.C.

    Summary:

    Documentation of the monthly 1978 Neptune Concert Series, which consists of manuscript materials, sound recordings, and photographs of performances of Irish music, French-Canadian folk music and contradance, Arab music and dance, bluegrass music, zydeco music, country music, and gospel music recorded live outdoors on Neptune Plaza in front of the Thomas Jefferson Building, Library of Congress, at concerts from April through September 1978, sponsored by the American Folklife Center and the National Council for the Traditional Arts.

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  2. Edison sheet music collection, 1830-1958

    circa 13,000 items. 148 containers. 444 linear feet. -- Music Division, Library of Congress, Washington, D.C.

    Summary:

    The collection consists chiefly of American sheet music published in the United States between the years 1830-1930. While a significant minority of the music in the collection is instrumental music, the vast majority is for voice and piano. Notable in this collection are imprints from California dating from before 1850, first editions by Irving Berlin and others, and many European imprints among the instrumental pieces.

  3. Wililam A. Newland and Charles Zeuner collection of music, circa 1735-circa 1900

    around 2,000 items. 58 boxes. 20 linear feet. -- Music Division, Library of Congress, Washington, D.C.

    Summary:

    Primarily music (printed and manuscript) for piano, 2 or 4 hands, and songs, with a concentration in sacred vocal works in Latin and English. (The music in Latin may represent the only known source of pre-Cäcilienverein 19th-century American Catholic Church music.) Composers range from Mozart and Rossini to George F. Root and Oliver Shaw. The collection contains the largest extant source of music by Charles Zeuner which was purchased by Newland after Zeuner's death.

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  4. Franziska Boas collection, 1920-1988

    circa 13,250 items. 95 containers. 36 linear feet. -- Music Division, Library of Congress, Washington, D.C.

    Summary:

    Correspondence, labanotation scores and other choreographic notes, business records, playbills, production material, writings by Franz Boas, artwork, and other papers chiefly documenting the life and career of pioneering dancer and teacher Franziska Boas.

  5. Bob Fosse and Gwen Verdon collection, 1920-1991

    54,840 items. 114 containers. 133 linear feet. -- Music Division, Library of Congress, Washington, D.C.

    Summary:

    Correspondence, writings, music manuscripts, printed music, scripts, production material, research material, casting files, contracts, press reviews, programs, posters, handbills, artwork, photographs, and other papers.

  6. Martha Graham collection, 1896-2003

    350,100 items. 398 containers. 590 linear feet. -- Music Division, Library of Congress, Washington, D.C.

    Summary:

    Martha Graham was an American modern dancer, choreographer, teacher and company director. The Martha Graham Collection is comprised of materials that document her career and trace the history of the development of her company, Martha Graham Dance Company, which became the Martha Graham Center of Contemporary Dance, and school, Martha Graham School, later to be called the Martha Graham School of Contemporary Dance.

  7. Tommy Newsom arrangements, 1947-1999

    approximately 400 items. 64 containers. 28.5 linear feet. -- Music Division, Library of Congress, Washington, D.C.

    Summary:

    Tommy Newsom (1929-2007) was a saxophonist, arranger, bandleader, and composer. The collection contains musical arrangements that he wrote for dance band, symphonic orchestra, and small ensemble. The arrangements include manuscripts, printed copies, and photocopies for both full scores and orchestral parts. Most of the music dates from his thirty-year stint with the Tonight Show band. A few of the arrangements are by other arrangers and are identified as such.

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  8. Harry and Sara Lepman collection, 1890-1945

    800 items. 7 containers. 2.0 linear feet. -- Music Division, Library of Congress, Washington, D.C.

    Summary:

    Dentist Harry Lepman and his wife Sara collected American political memorabilia and artifacts. The collection consists of sheet music, mostly songs, the majority of which were composed to rally public support for military efforts in the Spanish-American War, World War I and World War II. The patriotic titles are enhanced by colorful cover art depicting American patriotic themes and images. Many notable songwriters of the day are represented, including Irving Berlin, George M. Cohan, and Albert and Harry von Tilzer.

  9. Laurindo Almeida papers, 1912-1995

    approximately 6,500 items . 84 containers. 35 linear feet. -- Music Division, Library of Congress, Washington, D.C.

    Summary:

    Laurindo Almeida was a Brazilian-American guitarist and composer. Often credited for contributions to the development of jazz samba, Almeida was a prolific composer and arranger of music for both classical Spanish guitar and popular guitar. He was an acclaimed recording artist and became the first person to win Grammy Awards for both classical and jazz performances. The collection contains manuscript and printed music, correspondence, publicity materials, photographs, and other items related to his distinguished career.

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  10. Sophie Maslow papers, 1918-1997

    1,216 items . 18 containers. 8 linear feet. -- Music Division, Library of Congress, Washington, D.C.

    Summary:

    Sophie Maslow (1911-2006) was an American modern dancer, choreographer, and teacher. The collection consists of photographs, programs, promotional materials, clippings, articles, correspondence, writings, music scores, and other documents pertaining to Maslow’s career. The material includes documentation of her time as a performer with the Martha Graham Dance Company, and primarily features her work with the New Dance Group, the Dudley-Maslow-Bales Trio, and the Sophie Maslow Dance Company. The collection illustrates her interest in American folk, Jewish, populist, and communist themes.