Search Results
Franziska Boas collection, 1920-1988
circa 13,250 items. 95 containers. 36 linear feet. -- Music Division, Library of Congress, Washington, D.C.
Summary:
Correspondence, labanotation scores and other choreographic notes, business records, playbills, production material, writings by Franz Boas, artwork, and other papers chiefly documenting the life and career of pioneering dancer and teacher Franziska Boas.
Bob Fosse and Gwen Verdon collection, 1920-1991
54,840 items. 114 containers. 133 linear feet. -- Music Division, Library of Congress, Washington, D.C.
Summary:
Correspondence, writings, music manuscripts, printed music, scripts, production material, research material, casting files, contracts, press reviews, programs, posters, handbills, artwork, photographs, and other papers.
Pola Nirenska collection, 1910-1992
10,408 items. 30 containers. 38 linear feet. -- Music Division, Library of Congress, Washington, D.C.
Summary:
Correspondence, choreographic notes, music manuscripts, poetry, personal papers, biographical materials, including interviews, articles, reviews, and newspaper clippings, programs, publicity materials, such as flyers and posters, scrapbooks, art work, including costume designs, photographic material, memorabilia, books, and other papers relating chiefly to Nirenska's career as a dancer, choreographer, and educator in the United States. The bulk of the collection consists of photographic material. Choreographic notes include those for The Four Horsemen of the Apocalpyse and art work is from Nirenska's early career in Europe and includes costume designs, drawings, and paintings. Correspondents include Evelyn de la Tour, Martha Graham, Louis Horst, Doris Humphrey, Kurt Jooss, Harald Kreutzberg, Rudolf von Laban, Phyllis Legters, Liz Lerman, Dorothy Gifford Madden, Beth Osgood (Chanock), Nicole Pierson, Naima Prevots, Ronald Reagan, Rona Sande, Walter Sorell, Erika Thimey, Jan Tievsky, Jan Veen, Mary Wigman, and Sharon Wyrrick.
Martha Graham collection, 1896-2003
350,100 items. 398 containers. 590 linear feet. -- Music Division, Library of Congress, Washington, D.C.
Summary:
Martha Graham was an American modern dancer, choreographer, teacher and company director. The Martha Graham Collection is comprised of materials that document her career and trace the history of the development of her company, Martha Graham Dance Company, which became the Martha Graham Center of Contemporary Dance, and school, Martha Graham School, later to be called the Martha Graham School of Contemporary Dance.
Harriet Hoctor collection, 1868-1977
1,700 items. 8 containers. 4.5 linear feet. -- Music Division, Library of Congress, Washington, D.C.
Summary:
American dancer and choreographer Harriet Hoctor (1905-1977) began performing on the vaudeville stage in the early 1920s. By the mid-1930s, she was a featured dancer on Broadway and in motion pictures. The collection documents Hoctor's professional life including items related to her early dance training at the Louis H. Chalif Normal School of Dancing in New York and her later career leading the Harriet Hoctor School of Ballet in Boston. Materials include choreographic notes, clippings, costume sketches, music, photographs, personal papers, programs, and correspondence from family members, former students, and notables such as Mary Pickford, Walter Winchell, and Florenz Ziegfeld.
Adolph Bolm collection, 1895-1982
800 items. 9 containers. 4.5 linear feet. -- Music Division, Library of Congress, Washington, D.C.
Summary:
Adolph Bolm (1884-1951) was a renowned ballet dancer, choreographer, and dance teacher. This collection, which documents his career both in Russia and the United States, contains photographs, correspondence, programs, pamphlets, articles, business papers, writings, artwork, and music scores.
Marge Champion collection, 1897-2014
approximately 9,600 items. 66 containers. 52.5 linear feet. -- Music Division, Library of Congress, Washington, D.C.
Summary:
Marge Champion (b. 1919) is an American actress, dancer, director, choreographer, and teacher. The collection, which documents her life and career, includes biographical materials, correspondence, photographs, programs, promotional materials, manuscript music scores and parts, articles, clippings, scripts, scrapbooks, awards and posters. The collection also holds materials related to Champion's former husband, director and choreographer Gower Champion, and her father, dancer, choreographer, and teacher Ernest Belcher.
Daniel Nagrin collection, circa 1920-2006
22,525 items. 80 containers. 41 linear feet. -- Music Division, Library of Congress, Washington, D.C.
Summary:
Daniel Nagrin (1917-2008) was an American dancer, choreographer, teacher, and writer. The collection contains materials relating to his life and career, and includes holograph and published scores, choreographic and dance technique notes, photographs, correspondence, marketing and fundraising materials, clippings, programs, teaching and administrative materials, production elements, articles by Nagrin and others, drafts of his books, business papers, and personal and biographical files. In addition, there are significant materials related to Nagrin's first wife, dancer and choreographer, Helen Tamiris.
Ruth Page correspondence on Billy Sunday, 1944-1960
148 items. 1 container. 0.5 linear feet. -- Music Division, Library of Congress, Washington, D.C.
Summary:
This collection consists primarily of the correspondence between American dancer-choreographer and company director Ruth Page or her first husband attorney Thomas Hart Fisher and composer Remi Gassmann, who was contracted to create the music score for Page’s ballet Billy Sunday (1948). Other letters to Gassmann from this period and a small number of programs and press clippings related to Page's or Gassmann's careers round out the collection.
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Some or all content stored offsite.
May O'Donnell papers, 1929-2004
160 items. 1 container. 0.5 linear feet. -- Music Division, Library of Congress, Washington, D.C.
Summary:
May O'Donnell was an American dancer, choreographer, and teacher; she performed in the original casts of seminal works by Martha Graham, and through her own choreography became known as among the earliest choreographers of abstract works. Her husband, Ray Green, composed music for many of her dance works. This small collection offers photographs, playbills and publicity, and reviews and other publications documenting some of her most distinctive achievements.
Please note:
Some or all content stored offsite.