5 finding aid(s) found containing the word(s) Exhibition catalogs.

  1. Peggy V. Beck collection, 1985-1987

    manuscripts 25 folders.. sound recordings 35 sound cassettes : analog (60 and 90 min.). graphic materials 691 photographs : photographic prints, slides, negatives, b&w, col. ; various sizes.. graphic materials 6 drawings : pencil.. moving images 3 videocassettes (VHS) : sd., col. ; 1/2 in.. -- American Folklife Center, Library of Congress, Washington, D.C.

    Summary:

    This collection comprises research materials created and compiled by Peggy V. Beck for the exhibition Oremos, Oremos: New Mexican Midwinter Masquerades, at the Millicent Rogers Museum in Taos, New Mexico in 1987, as well as documentation of other New Mexican midwinter rituals. Included are sound recordings of interviews, rehearsals, and performances; field notes, photographs, drawings, and videocassettes; plus exhibition catalogs and exhibit scripts. The focus of the exhibition is midwinter celebrations and plays, including Los Matachines, Los Pastores, and Los Días, and photographs and drawings of abuelos and abuelas.

    Please note:

    Access restrictions apply.

  2. Cesi Kellinger collection of dance materials, 1842-1994

    approximately 220 items. 6 containers. 2.25 linear feet. -- Music Division, Library of Congress, Washington, D.C.

    Summary:

    Cesi Kellinger (1922-2014) was an antiquarian bookseller based in Pennsylvania. This collection consists of dance-related photographs, illustrations, books, promotional materials, performance programs, articles and clippings, and correspondence dating between 1842 and 1994. These items pertain to the careers of prominent dancers, choreographers, and educators, including Ruth St. Denis, Ted Shawn, and Martha Graham. Kellinger collected the items and donated them to the Library of Congress in 2011.

  3. Erick Hawkins and Lucia Dlugoszewski papers, 1878-2000

    approximately 65,509 items. 460 containers. 317.5 linear feet. -- Music Division, Library of Congress, Washington, D.C.

    Summary:

    Erick Hawkins (1909-1994) was an American choreographer and dancer and the founder of the Erick Hawkins Dance Company. Lucia Dlugoszewski (1925-2000) was an American avant-garde composer and a frequent collaborator with Hawkins. Hawkins and Dlugoszewski married in 1962. This collection includes choreographic notes and notation, musical scores by Dlugoszewski and others, writings, correspondence, photographs, performance programs, recordings, books, art catalogs, and papers pertaining to the Erick Hawkins Dance Company and Foundation.

    Please note:

    Access restrictions apply.

  4. Cherie Jorgensen collection on Jane Grossenbacher and Eleanor King, 1983-2005

    approximately 325 items. 3 containers. 1.75 linear feet. -- Music Division, Library of Congress, Washington, D.C.

    Summary:

    Eleanor King (1906-1991) was a modern dancer, choreographer, and educator who studied at Denishawn and joined the Humphrey-Weidman Company. Known for blending Eastern and Western influences in her choreography, she established her own company in Seattle and later taught at the University of Arkansas. Jane Grossenbacher (1951-2008) was a photographer who specialized in black-and white photogravures. The Cherie Jorgensen Collection on Jane Grossenbacher and Eleanor King consists chiefly of photographs that Grossenbacher took of King, as well as correspondence, an exhibit catalog, programs, and promotional materials that document their professional activities.

  5. Nicole Plett collection of dance research materials, 1935-2003

    approximately 200 items. 3 containers. 1.75 linear feet. -- Music Division, Library of Congress, Washington, D.C.

    Summary:

    Nicole Plett (née Bronowski) is an American dance critic and writer on dance and art. The Nicole Plett Collection of Dance Research Materials consists primarily of photographs and negatives of Eleanor King and other dancers performing King’s choreography. It also contains notes from and portions of interviews that Plett conducted with dance artists, Plett’s publications on dance, and an assortment of clippings, programs, and promotional material related to King’s professional activities as a choreographer and dancer.