Search Results

1. A.P. Schmidt Company archives, 1869-1958

   34,775 items. 514 containers. 280 linear feet. -- Music Division, Library of Congress, Washington, D.C.

   Summary:

   Arthur Paul Schmidt (1846-1921) was a German-born music publisher who pioneered the development and dissemination of American music. The A.P. Schmidt Company Archives documents his firm's publishing activites in Boston, Leipzig and New York, beginning with his tenure, through his successors, and until the firm was absorbed by Summy-Birchard in 1960. The Archives consists of the original manuscripts from which the music was printed, printed music, personal and corporate correspondence, photographs (primarily composers/arrangers), business records, plate books, publication books, stock and cash books.

2. George H. Moss collection of sheet music, 1885-1935

   approximately 1,400 items. 16 containers. 6 linear feet. -- Music Division, Library of Congress, Washington, D.C.

   Summary:

   George H. Moss (1923-2009) was a local historian in Monmouth County, New Jersey, who also had an interest in early American theater. The collection consists of printed sheet music dating between 1885 and 1935, the majority of which is for American popular songs dating from 1900 to 1925. The composers and music publishers represented in the collection include Irving Berlin, Fred Fisher, George Gershwin, Charles K. Harris, Victor Herbert, Cole Porter, Jerome Kern, Richard Rodgers, Sigmund Romberg, Arthur Sullivan, and many others.

   Please note:

   Some or all content stored offsite.

3. Warner/Chappell collection, 1880-1987

   approximately 56,200 items. 415 containers. 173.5 linear feet. -- Music Division, Library of Congress, Washington, D.C.

   Summary:

   Warner/Chappell Music is an American music publishing company that traces its establishment to Chappell & Co. in London in 1810. Warner/Chappell grew in part due to its acquisition of other music publishers, many of which played prominent roles in New York City's Tin Pan Alley and in the production of shows on Broadway and elsewhere. The Warner/Chappell Collection primarily consists of scores for musicals, most intended for Broadway, but some for film, television, and other venues. The majority of the scores are manuscripts in the hands of arrangers, songwriters, and copyists, and includes combinations of full scores, piano-vocal scores, parts, and lyric sheets. The collection also contains manuscripts for popular songs and works for orchestra, band, and chamber ensembles, as well as a small number of business papers, programs, and cancelled checks.

   Please note:

   Some or all content stored offsite.

4. Charles Miller collection of music manuscripts, 1924-1945

   31 items. 1 container. 1 linear foot. -- Music Division, Library of Congress, Washington, D.C.

   Summary:

   Charles Miller was an arranger, orchestrator, copyist, and editor who worked with many prominent Broadway composers of the early twentieth century. The collection primarily contains holograph and manuscript piano-vocal scores and scores for piano by Victor Herbert, Victor Jacobi, Werner Janssen, Jerome Kern, Fritz Kreisler, and Vincent Youmans, as well as a typescript article about Victor Herbert written by Miller.