4 finding aid(s) found containing the word(s) Hanson, Howard, 1896-1981.

  1. Serge Koussevitzky archive, 1880-1978

    around 200,000 items. 505 containers. 224 linear feet. -- Music Division, Library of Congress, Washington, D.C.

    Summary:

    Serge Koussevitzky was a Russian-born conductor, composer, and double bassist. The archive includes correspondence, personal and business papers, photographs, writings, clippings, scrapbooks, programs, and other materials which serve as a record of Koussevitzky's life and career, and document some of the most significant aspects of twentieth-century music. Through his work as a conductor and publisher, and his efforts to commission new musical works, Koussevitzky maintained deep ties with many of the finest composers and musicians of the day. These figures are represented in their personal and professional affiliations with the conductor. The collection extensively chronicles periods in the history of organizations such as the Boston Symphony Orchestra and the Berkshire Music Center, the Koussevitzky Music Foundation, and the American International Music Fund. Material in the collection dates from Koussevitzky's years in his native Russia and also contains material created after Koussevitzky's death, reflecting his widow Olga's continuing work with various organizations and projects. Musical compositions commissioned by Serge Koussevitzky are part of the Serge Koussevitzky Music Foundation Collection, and are shelved in ML30.3c, ML30.3c2, ML30.3c3, and ML30.3e2.

  2. Ruth Page correspondence on Billy Sunday, 1944-1960

    148 items. 1 container. 0.5 linear feet. -- Music Division, Library of Congress, Washington, D.C.

    Summary:

    This collection consists primarily of the correspondence between American dancer-choreographer and company director Ruth Page or her first husband attorney Thomas Hart Fisher and composer Remi Gassmann, who was contracted to create the music score for Page’s ballet Billy Sunday (1948). Other letters to Gassmann from this period and a small number of programs and press clippings related to Page's or Gassmann's careers round out the collection.

    Please note:

    Some or all content stored offsite.

  3. A.P. Schmidt Company archives, 1869-1958

    34,775 items. 514 containers. 280 linear feet. -- Music Division, Library of Congress, Washington, D.C.

    Summary:

    Arthur Paul Schmidt (1846-1921) was a German-born music publisher who pioneered the development and dissemination of American music. The A.P. Schmidt Company Archives documents his firm's publishing activites in Boston, Leipzig and New York, beginning with his tenure, through his successors, and until the firm was absorbed by Summy-Birchard in 1960. The Archives consists of the original manuscripts from which the music was printed, printed music, personal and corporate correspondence, photographs (primarily composers/arrangers), business records, plate books, publication books, stock and cash books.

  4. Merle Montgomery papers, circa 1904-1983

    5093 items. 18 containers. 7.5 linear feet. -- Music Division, Library of Congress, Washington, D.C.

    Summary:

    Merle Montgomery was a music educator, composer, author, editor, administrator, translator, lecturer, and concert pianist. The collection primarily contains business papers and materials related to Montgomery's career and her leadership roles in various music, educational, and arts organizations, including Carl Fischer Inc., Mu Phi Epsilon, National Federation of Music Clubs, and the National Music Council. In addition, the collection includes personal and professional correspondence, biographical materials, photographs, programs, clippings, promotional and publicity materials, and publications.

    Please note:

    Some or all content stored offsite.