8 finding aid(s) found containing the word(s) Herbert, Victor, 1859-1924.

  1. Glenn Dillard Gunn papers, 1802-1961

    approximately 750 items. 14 boxes. 4.5 linear feet. -- Music Division, Library of Congress, Washington, D.C.

    Summary:

    Glenn Dillard Gunn was an American pianist, conductor, music critic, and teacher. The collection contains correspondence from notable musical figures such as Ferruccio Busoni, Teresa Careño, Percy Grainger, and Moriz Rosenthal, as well as writings by and about Gunn, photographs, annotated printed scores, scrapbooks, and other items that document Gunn's life and career.

  2. Victor Herbert collection, 1880-1939

    3,200 items. 207 containers. 73.5 linear feet. -- Music Division, Library of Congress, Washington, D.C.

    Summary:

    Victor Herbert was a composer, conductor, cellist, and co-founder of the American Society of Composers, Authors, and Publishers (ASCAP). The music materials include mostly manuscript scores, parts and sketches for Herbert's stage, screen and orchestral works, and arrangements. The collection also contains Victor Herbert Orchestra encore part books and music by other composers. Additional materials include correspondence, programs, clippings, photographs, scrapbooks, promotional materials, iconography and legal papers.

  3. Rose Marie Grentzer and Harold Spivacke Fund collection, 1615-1994

    approximately 305 items. 9 containers. 4 linear feet. -- Music Division, Library of Congress, Washington, D.C.

    Summary:

    The Rose Marie and Harold Spivacke Fund Collection consists of materials purchased through an endowment that Rose Marie Spivacke established in 1982 at the behest of her husband, Harold Spivacke, who was chief of the Music Division at the Library of Congress from 1937 to 1972. The collection includes music manuscripts, printed scores, correspondence, clippings, and iconography.

  4. George H. Moss collection of sheet music, 1885-1935

    approximately 1,400 items. 16 containers. 6 linear feet. -- Music Division, Library of Congress, Washington, D.C.

    Summary:

    George H. Moss (1923-2009) was a local historian in Monmouth County, New Jersey, who also had an interest in early American theater. The collection consists of printed sheet music dating between 1885 and 1935, the majority of which is for American popular songs dating from 1900 to 1925. The composers and music publishers represented in the collection include Irving Berlin, Fred Fisher, George Gershwin, Charles K. Harris, Victor Herbert, Cole Porter, Jerome Kern, Richard Rodgers, Sigmund Romberg, Arthur Sullivan, and many others.

  5. Warner/Chappell collection, 1880-1987

    approximately 56,200 items. 415 containers. 173.5 linear feet. -- Music Division, Library of Congress, Washington, D.C.

    Summary:

    Warner/Chappell Music is an American music publishing company that traces its establishment to Chappell & Co. in London in 1810. Warner/Chappell grew in part due to its acquisition of other music publishers, many of which played prominent roles in New York City's Tin Pan Alley and in the production of shows on Broadway and elsewhere. The Warner/Chappell Collection primarily consists of scores for musicals, most intended for Broadway, but some for film, television, and other venues. The majority of the scores are manuscripts in the hands of arrangers, songwriters, and copyists, and includes combinations of full scores, piano-vocal scores, parts, and lyric sheets. The collection also contains manuscripts for popular songs and works for orchestra, band, and chamber ensembles, as well as a small number of business papers, programs, and cancelled checks.

  6. Charles Miller collection of music manuscripts, 1924-1945

    31 items. 1 container. 1 linear foot. -- Music Division, Library of Congress, Washington, D.C.

    Summary:

    Charles Miller was an arranger, orchestrator, copyist, and editor who worked with many prominent Broadway composers of the early twentieth century. The collection primarily contains holograph and manuscript piano-vocal scores and scores for piano by Victor Herbert, Victor Jacobi, Werner Janssen, Jerome Kern, Fritz Kreisler, and Vincent Youmans, as well as a typescript article about Victor Herbert written by Miller.

  7. Tams-Witmark (Original Library of Congress collection), 1701-1915

    approximately 7,000 items. 829 containers. 164 linear feet. -- Music Division, Library of Congress, Washington, D.C.

    Summary:

    The Tams-Witmark Music Library was established in 1925 through the merger of the Arthur W. Tams Music Library and the rental library of M. Witmark & Sons. The Tams-Witmark (Original Library of Congress Collection) contains music (manuscript and printed scores) that was being performed in the United States during the late nineteenth and early twentieth centuries. The scope of the collection ranges from eighteenth-century operas of Handel and Glück to a musical by George M. Cohan. The bulk of the materials are nineteenth-century English, French, German and Italian operas and operettas, the majority in full score, with some instrumental parts. Most of the scores have been annotated with cuts and performance markings, and some feature reduced or non-standard orchestrations. The collection also contains a small amount of concert music, including secular and sacred choral works, patriotic music, symphonic scores, and incidental music.

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  8. John McGlinn collection, 1890s-2010

    approximately 27,450 items. 376 containers. 145 linear feet. -- Music Division, Library of Congress, Washington, D.C.

    Summary:

    John McGlinn (1953-2009) was an American conductor and musical historian best known for his reconstructions, performances, and recordings of original Broadway orchestrations, including Show Boat and Anything Goes. The collection largely consists of scores and parts for music by Victor Herbert, Jerome Kern, Richard Rodgers, Arthur Schwartz, Harry Warren, and other notable Broadway composers. It also contains librettos, programs, writings, and other materials related to McGlinn's life and career.