3 finding aid(s) found containing the word(s) Iconography.

  1. Franziska Boas collection, 1920-1988

    circa 13,250 items. 95 containers. 36 linear feet. -- Music Division, Library of Congress, Washington, D.C.

    Summary:

    Correspondence, labanotation scores and other choreographic notes, business records, playbills, production material, writings by Franz Boas, artwork, and other papers chiefly documenting the life and career of pioneering dancer and teacher Franziska Boas.

  2. Luiz Heitor Corrêa de Azevedo papers, circa 1865-1990

    approximately 8,000 items. 83 containers. 70 linear feet. -- Music Division, Library of Congress, Washington, D.C.

    Summary:

    Luiz Heitor Corrêa de Azevedo (1905-1992) was a Brazilian musicologist, folklorist, educator, and music critic. His papers document his life and career through correspondence, writings, teaching materials, notebooks, research and subject files, photographs, and awards. Correspondence, as well as holograph, facsimile, and inscribed scores, illustrate Azevedo's relationships with twentieth-century composers from South America, North America, Central America, and the Caribbean. His own holograph sketches and scores chronicle his early years as a composer and arranger.

  3. Edmund A. Bowles collection of musical iconography, 1300-1985

    approximately 2,700 items. 22 containers. 11 linear feet. -- Music Division, Library of Congress, Washington, D.C.

    Summary:

    Edmund Bowles (born 1925) is a musicologist specializing in the history of the timpani and other musical instruments. This collection consists of photostats and photographic prints of musical iconography dating from 1300 through 1985, the bulk of which was created during the fourteenth through sixteenth centuries. It is especially rich in representations of percussion instruments, particularly the timpani, and includes a considerable amount of sacred imagery.