7 finding aid(s) found containing the word(s) Jabbour, Alan.

  1. Omaha Indian interviews collection, 1999

    1.3 linear feet (3 boxes). 17 folders.. 26 sound tape reels : analog, 7 1/2 and 3 3/4 ips ; 7 in.. 1 sound cassette (60 min.) : analog.. 184 photographs : negatives, photographic prints, black and white.. 1 computer disk.. -- American Folklife Center, Library of Congress, Washington, D.C.

    Summary:

    Manuscript, sound recordings, and graphic materials collected by Alan Jabbour and Laurel McIntyre during four visits in 1999 to Macy, Nebraska, in an effort to identify sound recordings and photographic images from the American Folklife Center's Omaha Indian collections. Hethu’shka song translations and contextual information were gathered in recorded interviews with Omaha tribe members Rufus White, Elmer Blackbird, and Morgan Lovejoy.

  2. Bess Lomax Hawes collection, 1894-2009

    13,480 items. 45 containers. 394 folders in 31 boxes. 33 sound tape reels : analog ; various sizes.. 68 sound cassettes : analog.. 1 sound disc (CD-R) : digital ; 4 3/4 in.. circa 2,000 photographic prints : black and white, color ; various sizes.. circa 500 photographs : film negatives.. circa 200 drawings.. 8 videocassettes (VHS) : color, sound ; 1/2 in.. 2 video discs (DVD) : digital ; 4 3/4 in.. approximately 20 items ; various sizes.. -- American Folklife Center, Library of Congress, Washington, D.C.

    Summary:

    Papers and audiovisual materials relating to the career and personal life of folk arts administrator, folklorist, filmmaker, musician, and teacher Bess Lomax Hawes, most from 1960-2001. Includes work produced by Hawes in her work as a professor at San Fernando Valley State College in Northridge, California, and as head of the National Endowment for the Arts Folk Arts Program in Washington, DC. The collection includes writings, correspondence, business records, musical transcriptions and photographs. Also includes artwork produced by her husband, Baldwin "Butch" Hawes.

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  3. W.P.A. California Folk Music Project collection, 1936-1991

    7 boxes 4.5 linear feet.. manuscripts: 115 folders.. 239 sound discs (35 hours) : analog, 78 rpm, mono. ; 12 in.. 170 photographic prints : black and white ; various sizes.. 24 drawings.. -- American Folklife Center, Library of Congress, Washington, D.C.

    Summary:

    The California Folk Music Project of the California Work Projects Administration (WPA) was conceived and directed by Sidney Robertson Cowell and co-sponsored by the Music Department of the University of California, Berkeley, and the Music Division, Library of Congress from 1938 to 1940. Additional support was provided by the New Music Society of California and the Society of California Pioneers. The resulting collection of sound recordings, photographs, correspondence, field notes, and drawings documents the musical culture, including religious music and folk song, of many ethnic and English-language performers in northern California. The collection includes the documentation of the music of Anglo Americans, Armenians, Assyrians, Basques, Croatians, English, Finns, Hungarians, Icelanders, Italians, Norwegians, Russian Molokans, Scots, Portuguese, Mexicans, Puerto Ricans, Spaniards and Spanish Americans from 1938 to 1940. The sound recordings were deposited in the Archive of American Folk Song at the Library of Congress in 1940. The collection also includes a few instantaneous sound discs made by Sidney Robertson Cowell in Missouri and Iowa for the Farm Security Administration in 1936-1937, and includes folk music research, writing, photographs, and technical drawings and sketches of the musical instruments, generated by Cowell and by the WPA staff who worked for her, plus related documents to 1991.

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  4. South-Central Georgia Folklife Project collection, 1977-1982

    24,855 items.. 13 containers.. 6.5 linear feet.. 152 folders.. 179 sound tape reels : analog ; 7 in.. 1 sound tape reel : analog ; 5 in.. 196 sound cassettes : analog.. 8 videocassettes (U-Matic) : sound, color ; 3/4 in.. circa 14,000 film negatives : black-and-white ; 35 mm and 2 1/4 in.. circa 7400 slides and transparencies : color ; 35 mm and 2 1/4 in.. 31 drawings : pen-and-ink ; various sizes.. -- American Folklife Center, Library of Congress, Washington, D.C.

    Summary:

    Collection of documentary materials resulting from an ethnographic field research project conducted by the American Folklife Center in eight counties of south central Georgia, and at Mt. Zion, Georgia, in July and August 1977 in cooperation with the Arts Experiment Station of Abraham Baldwin Agricultural College. Topics of research were hymn singing, vernacular architecture, foodways, jokes, and stories from the region. Includes documentation of the exhibition "Folk Art and Folk Life," at the Library of Congress, and proposed publication projects to 1982.

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    Some or all content stored offsite.

  5. Blue Ridge Parkway Folklife Project collection, 1977-1981

    13 linear ft.. 161 folders.. 428 sound tape reels : analog, various speeds ; 5 and 7 in.. 39 sound cassettes (60 and 90 min. each) : analog.. 2 sound discs : analog, 33 1/3 rpm ; 12 in.. circa 25,000 photographs : black and white, color.. 114 photographic prints : black and white.. 14 videocassettes (U-Matic) : sound, color ; 3/4 in.. 1 wooden puzzle.. -- American Folklife Center, Library of Congress, Washington, D.C.

    Summary:

    The collection consists of sound recordings, video recordings, photographs, manuscripts, sheet music, printed ephemera, artifacts, administrative records, and ethnographers' field notes related to the 1978 Blue Ridge Parkway Project field survey, conducted by the American Folklife Center, Library of Congress, in cooperation with the National Park Service, in and around an area of the Blue Ridge Parkway at the Virginia and North Carolina border. The project documented old-time music, tales, hunting and hunting stories, farming, tobacco cultivation and auctions, vernacular architecture, quilting, foodways (including drying, canning, and baking), religious music and beliefs, as well as dance events featuring square dancing and flatfoot dancing. Recordings and photographs document local music (including concerts, fiddlers' contests, and music in homes), community events, church services and baptisms, local radio programs, and interviews with white and African American residents. .

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    Access restrictions apply.

    Some or all content stored offsite.

  6. 1990 Neptune Plaza Concert Series collection, 1990

    9 folders. 12 sound tape reels : analog, 7 1/2 ips, 2 track ; 10 in.. 3 sound tape reels : analog, 7 1/2 ips, 2 track ; 7 in. . 4 sound cassettes : analog.. 143 photographs : negatives, black and white ; various sizes. 92 slides : color. 20 photographic prints : black and white, color ; 8 x 10 in. and smaller.. 2 videocassettes (VHS) : sound, color ; 1/2 in.. -- American Folklife Center, Library of Congress, Washington, D.C.

    Summary:

    The collection consists of manuscript materials, sound recordings, photographs, and moving images documenting the performance of bluegrass music, klezmer music, Hungarian folk dance and music, Piedmont blues music, gospel music, and Afro-Cuban music and dance recorded live outdoors on Neptune Plaza in front of the Library of Congress.

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    Some or all content stored offsite.

  7. James Madison Carpenter collection, 1928-1987

    29.5 linear feet. 58 boxes, 21,044 items in collection. 19,417 manuscript items (12 linear feet manuscripts), 397 sound recordings [178 wax cylinders and 221 12-inch acetate discs], 180 cylinder containers, 1233 graphic materials (40 ink-and-pencil drawings, with 10 of these in color; 352 black-and-white film negatives, 17 color slides [positive transparencies], 1 black-and- white contact sheet, 592 black-and-white photographic prints, 4 color photographic prints, 112 black-and-white glass negatives, and 115 glass positives). -- American Folklife Center, Library of Congress, Washington, D.C.

    Summary:

    The James Madison Carpenter Collection consists of manuscript materials, sound recordings, and graphic materials that document folk songs, ballads, sea songs, folk music, dance, and British folk drama. The materials span the years 1928-1955, with some related material generated by other scholars dated 1972 and 1987. The bulk of the material was collected between 1928-1935 by Carpenter during fieldwork in England, Scotland, and Wales; other material was collected in the United States between 1937 and 1941 by Carpenter and his Duke University students.