8 finding aid(s) found containing the word(s) Koussevitzky, Serge, 1874-1951--Correspondence.

  1. Andre Kostelanetz collection, 1922-1984

    approximately 150,000 items. 1287 containers. 400 linear feet. -- Music Division, Library of Congress, Washington, D.C.

    Summary:

    Andre Kostelanetz was a conductor, arranger, and pianist known for juxtaposing popular and classical repertoire in radio broadcasts and concert performances with some of the world's leading orchestras. He also commissioned several compositions which have since become staples in the orchestral repertoire, including works by Aaron Copland, William Schuman, and Jerome Kern. The collection consists of his musical arrangements, correspondence, business papers, programs, photographs, clippings, and scrapbooks, documenting his 50-plus-year career in the United States. It also includes materials related to the career of Kostelanetz's first wife, soprano Lily Pons.

  2. Sergei Rachmaninoff archive, 1872-1992

    17,668 items . 89 containers. 68.6 linear feet. 6 microfilm reels. -- Music Division, Library of Congress, Washington, D.C.

    Summary:

    Sergei Rachmaninoff was a Russian composer, pianist, and conductor. The Sergei Rachmaninoff Archive contains material related to his life and career after he and his family left Russia in 1917 to establish themselves in the United States. The archive contains Rachmaninoff's holograph music manuscripts, correspondence, writings, biographical articles and clippings, awards and honors, concert programs, scrapbooks, financial papers, iconography, realia, and published books and other materials held within the personal library of Rachmaninoff and his family. A section is also devoted to the papers of Sophie Satin, the composer's sister-in-law and biographer. This section contains Satin's writings, as well as the results of her lifelong research on Rachmaninoff.

  3. Boris Koutzen collection, 1889-2005

    1,203 items. 24 containers. 8.5 linear feet. -- Music Division, Library of Congress, Washington, D.C.

    Summary:

    Violinist, composer, conductor and teacher. The collection contains printed and photocopied manuscript music scores, negative photostats and microfilm of holograph music, correspondence, clippings, writings, books, pamphlets, periodicals, programs, photographs, manuscript articles, typewritten journals, printed biographical sketches, bound and unbound scrapbooks, and a printed catalog of Koutzen's compositions. It also includes correspondence and music belonging to his daughter, Nadia Koutzen.

  4. Morton Gould papers, 1920-1996

    approximately 19,000 items. 150 containers. 65.5 linear feet. -- Music Division, Library of Congress, Washington, D.C.

    Summary:

    American composer, conductor, arranger, and pianist. The collection contains music, including holograph and copyist manuscripts, printed scores, orchestral parts, lyric sheets, and sketches of Gould's compositions and arrangements; correspondence; business papers; writings; photographs; scrapbooks; programs and promotional materials related to his career; and financial and legal documents.

  5. Vernon Duke collection, 1918-1968

    around 17,500 items. 146 boxes. 52 linear feet. -- Music Division, Library of Congress, Washington, D.C.

    Summary:

    Vernon Duke (born Vladimir Dukelsky) was an American composer and songwriter. He rose to success in the 1930s with hit songs such as "April in Paris" and "Autumn in New York" and later collaborated with many leading composers and lyricists of the period, including George and Ira Gershwin, Serge Prokofiev, and Serge Koussevitzky. The collection contains manuscript and printed music, correspondence, subject files, photographs, and other materials related to his career.

  6. Nikolai Lopatnikoff collection, 1916-1979

    around 1085 items. 27 boxes. 37 linear feet. -- Music Division, Library of Congress, Washington, D.C.

    Summary:

    The collection includes music, manuscript and printed, of Lopatnikoff, as well as of other composers; correspondence and personal papers; photographs, clippings, and programs; writings by and about Lopatnikoff; and offical documents. A significant amount of material is related to Lopatnikoff's opera Danton. Among the correspondents are Rudolf Bing, Aaron Copland, Serge Koussevitzky, Joseph Rosenstock, Julius Rudel, Nicolas Slonimsky, and William Steinberg.

  7. Serge Koussevitzky archive, 1880-1978

    around 200,000 items. 505 containers. 224 linear feet. -- Music Division, Library of Congress, Washington, D.C.

    Summary:

    Serge Koussevitzky was a Russian-born conductor, composer, and double bassist. The archive includes correspondence, personal and business papers, photographs, writings, clippings, scrapbooks, programs, and other materials which serve as a record of Koussevitzky's life and career, and document some of the most significant aspects of twentieth-century music. Through his work as a conductor and publisher, and his efforts to commission new musical works, Koussevitzky maintained deep ties with many of the finest composers and musicians of the day. These figures are represented in their personal and professional affiliations with the conductor. The collection extensively chronicles periods in the history of organizations such as the Boston Symphony Orchestra and the Berkshire Music Center, the Koussevitzky Music Foundation, and the American International Music Fund. Material in the collection dates from Koussevitzky's years in his native Russia and also contains material created after Koussevitzky's death, reflecting his widow Olga's continuing work with various organizations and projects. Musical compositions commissioned by Serge Koussevitzky are part of the Serge Koussevitzky Music Foundation Collection, and are shelved in ML30.3c, ML30.3c2, ML30.3c3, and ML30.3e2.

  8. Leonard Bernstein collection, circa 1900-1995

    around 400,000 items. 1,723 boxes. 710 linear feet. -- Music Division, Library of Congress, Washington, D.C.

    Summary:

    Leonard Bernstein was an American composer, conductor, writer, lecturer, and pianist. The collection contains correspondence, photographs, writings, personal business papers, the archives from his corporate identity, Amberson Inc., scrapbooks, clippings and press materials, programs, datebooks and schedules, iconography, address books, and fan mail. In addition, it contains music manuscripts for many of his compositions, including The Age of Anxiety (Symphony no. 2); Candide; Chichester Psalms; Fancy Free; Jeremiah (Symphony no. 1); On the Waterfront; Prelude, Fugue and Riffs; Serenade after Plato's "Symposium"; Trouble in Tahiti; West Side Story; and Wonderful Town.