Search Results

1. William Remsen Strickland collection, 1926-1991

   8,600 items. 39 containers. 16.0 linear feet . -- Music Division, Library of Congress, Washington, D.C.

   Summary:

   This collection is comprised of materials related to the career of American conductor and composer William Remsen Strickland (1914-1991). It includes correspondence, concert programs, publicity materials, newspaper and magazine clippings, music manuscripts by Strickland and other composers, articles, speeches and notes, photographs, scrapbooks, datebooks, journals, and recordings.

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   Some or all content stored offsite.

2. Max Rudolf papers, 1922-1993

   approximately 4,500 items. 22 containers. 11.5 linear feet. -- Music Division, Library of Congress, Washington, D.C.

   Summary:

   Max Rudolf was a German-born American conductor and music educator. He is best known for his work with the Metropolitan Opera, the Cincinnati Symphony Orchestra, and the Curtis Institute of Music. The collection contains Rudolf's extensive correspondence with prominent 20th century musical figures, Metropolitan Opera annual files documenting his years with that organization, and a few photographs.

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   Some or all content stored offsite.

3. Leopold Stokowski materials, 1910-1959

   35 items. 1 container plus 3 bound scores. 1 linear feet. -- Music Division, Library of Congress, Washington, D.C.

   Summary:

   Leopold Stokowski was a British-born conductor and composer perhaps best known for his role as music director of the Philadelphia Orchestra. The Leopold Stokowski Materials consist of manuscript scores for his transcriptions of the works of Johann Sebastian Bach and Modest Mussorgsky, correspondence with prominent composers including Jean Sibelius and Carl Orff, and Arnold Schoenberg’s self-portrait Vision (1910).

4. Leonard Bernstein collection, circa 1900-1995

   around 400,000 items. 1,723 boxes. 710 linear feet. -- Music Division, Library of Congress, Washington, D.C.

   Summary:

   Leonard Bernstein was an American composer, conductor, writer, lecturer, and pianist. The collection contains correspondence, photographs, writings, personal business papers, the archives from his corporate identity, Amberson Inc., scrapbooks, clippings and press materials, programs, datebooks and schedules, iconography, address books, and fan mail. In addition, it contains music manuscripts for many of his compositions, including The Age of Anxiety (Symphony no. 2); Candide; Chichester Psalms; Fancy Free; Jeremiah (Symphony no. 1); On the Waterfront; Prelude, Fugue and Riffs; Serenade after Plato's "Symposium"; Trouble in Tahiti; West Side Story; and Wonderful Town.

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   Access restrictions apply.

   Some or all content stored offsite.