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Ruth Page correspondence on Billy Sunday, 1944-1960
148 items. 1 container. 0.5 linear feet. -- Music Division, Library of Congress, Washington, D.C.
Summary:
This collection consists primarily of the correspondence between American dancer-choreographer and company director Ruth Page or her first husband attorney Thomas Hart Fisher and composer Remi Gassmann, who was contracted to create the music score for Page’s ballet Billy Sunday (1948). Other letters to Gassmann from this period and a small number of programs and press clippings related to Page's or Gassmann's careers round out the collection.
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Some or all content stored offsite.
Valeria Ladd collection on the revived Greek dance, 1924-1967
83 items. 1 container. 0.5 linear feet. -- Music Division, Library of Congress, Washington, D.C.
Summary:
Valeria Gibson Ladd was a dancer with the Noyes School of Rhythm during the 1930s. This collection, consisting almost entirely of photographs, documents the practice of a genre of dancing based on the revival of Greek aesthetics and costume, as practiced by dancer Florence Fleming Noyes (1871–1928). In the early 1900s, Noyes established the Noyes School of Rhythm, where Valeria Ladd taught and performed.
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Some or all content stored offsite.
Grace McCrea papers relating to Denishawn, 1913-1969
249 items . 6 containers. 3 linear feet. -- Music Division, Library of Congress, Washington, D.C.
Summary:
Grace McCrea (b. 1899) was a member of the Denishawn dance company led by modern dance pioneers Ruth St. Denis and Ted Shawn. Along with her older sister, Betty McCrea, she performed across the United States in Denishawn's vaudeville and concert tours from 1916-1919. The photographs, performance programs, and printed materials in this collection document the professional activities of Denishawn artistic leadership and company members from about 1913 to the late 1960s. The collection principally includes programs and photographs highlighting the career of dancer Grace McCrea and her sister Betty. Certain company members and artistic collaborators of the Denishawn company are also represented, such as Louis Horst, Betty Horst, Ada Forman, and Anne Douglas. The collection also includes magazine and newspaper clippings, publicity materials, and publications. Pages from two small notebooks document portions of the company's Asia tour and one piece of Denishawn choreography.
Dance notation collection, 1893-1981
42 items. 6 containers. 4.25 linear feet. 5 microfilm reels. -- Music Division, Library of Congress, Washington, D.C.
Summary:
The Dance Notation Collection consists of scenarios, scores in codified dance notation, and descriptions of dance dating from 1893 to 1981, many of which originated from copyright deposits submitted to the U.S. Copyright Office to register rights for choreography. Most of these scores are recorded in Labanotation, the system of dance notation that Rudolf von Laban (1879–1958) developed. George Balanchine, Doris Humphrey, Kurt Jooss, Léonide Massine, and Antony Tudor are among the distinguished choreographers whose works are represented in this collection.
Lester Horton Dance Theater collection, 1918-1996
approximately 11,600 items. 55 containers. 30.75 linear feet. -- Music Division, Library of Congress, Washington, D.C.
Summary:
The Lester Horton Dance Theater was a modern dance company and school in Los Angeles in the 1940s and 1950s. Founded by dancer and choreographer Lester Horton (1906-1953), the company served as an incubator for the careers of a generation of dancers, including Alvin Ailey, Carmen de Lavallade, Bella Lewitzky, James Mitchell, Joyce Trisler, and James Truitte. The collection documents Horton's early life and career and the Dance Theater's activities under the management of Frank Eng after Horton's death. Materials include clippings, correspondence, costume and set designs, course descriptions, drawings, financial documents, music, photographs, programs, promotional materials, writings, and typed choreographic scenarios.
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Minna Lederman Daniel collection, 1896-1993
around 21,000 items. 24 containers. 12.5 linear feet. -- Music Division, Library of Congress, Washington, D.C.
Summary:
Minna Lederman Daniel was an American writer and editor who specialized in music and dance. A major influence on 20th century music, she was a founding member of the League of Composers, a group of musicians and proponents of modern music. She helped launch the League’s magazine, The League of Composers’ Review (later called Modern Music), which was the first American journal to manifest an interest in contemporary composers. The collection contains her correspondence, financial and legal papers, writings, clippings, and photographs.
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Some or all content stored offsite.
Martha Graham collection, 1896-2003
350,100 items. 398 containers. 590 linear feet. -- Music Division, Library of Congress, Washington, D.C.
Summary:
Martha Graham was an American modern dancer, choreographer, teacher and company director. The Martha Graham Collection is comprised of materials that document her career and trace the history of the development of her company, Martha Graham Dance Company, which became the Martha Graham Center of Contemporary Dance, and school, Martha Graham School, later to be called the Martha Graham School of Contemporary Dance.
May O'Donnell papers, 1929-2004
160 items. 1 container. 0.5 linear feet. -- Music Division, Library of Congress, Washington, D.C.
Summary:
May O'Donnell was an American dancer, choreographer, and teacher; she performed in the original casts of seminal works by Martha Graham, and through her own choreography became known as among the earliest choreographers of abstract works. Her husband, Ray Green, composed music for many of her dance works. This small collection offers photographs, playbills and publicity, and reviews and other publications documenting some of her most distinctive achievements.
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Some or all content stored offsite.
Miriam Cole papers, 1923-1997
1,430 items . 5 containers . 2.5 linear feet . -- Music Division, Library of Congress, Washington, D.C.
Summary:
Miriam "Mimi" Cole (1926-2012) was an American dancer and choreographer who performed solo as well as with the Martha Graham Dance Company and other contemporaries. The Miriam Cole Papers consists primarily of programs; clippings, articles, and scrapbook pages; photographs; music for her choreography; and contracts. Much of the material relates to Cole's association with the Graham company: photographs, programs, articles, and other items documenting the Graham European tour in 1954 are especially plentiful.
Herta Moselsio photographs of Martha Graham's Lamentation, circa 1939
51 photographs. 1 container. 1 linear foot. -- Music Division, Library of Congress, Washington, D.C.
Summary:
Herta Moselsio (1892-1978), photographer and ceramist, took photographs of Martha Graham performing Lamentation at Bennington College, while collaborating with her husband, Simon Moselsio, on filming the dance work. Lamentation had premiered in New York in 1930. Moselsio's film was released in 1943, but the actual year of photography and filming is not verified.
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Some or all content stored offsite.