4 finding aid(s) found containing the word(s) Molnár, Ferenc, 1878-1952.

  1. Sam Jaffe papers, 1915-1991

    1,175 items. 4 containers. 1.6 linear feet. -- Manuscript Division, Library of Congress, Washington, D.C.

    Summary:

    Actor. Correspondence, writings, newspaper clippings, printed matter, sketches, photographs, and other papers relating to Jaffe’s career as an actor and his personal life including his experience as a blacklisted actor in the 1950s.

  2. Rosamond Pinchot papers, 1918-1955

    100 items. 2 containers plus 3 oversize. 2.8 linear feet. -- Manuscript Division, Library of Congress, Washington, D.C.

    Summary:

    Actress. Address book, correspondence, diary, photographs, printed matter, and scrapbooks relating to the life and acting career of Rosamond Pinchot.

  3. Rudolph and Joseph Schildkraut scrapbooks, 1867-1964

    around 1,000 items in 4 volumes. 4 containers. 4 linear feet. -- Music Division, Library of Congress, Washington, D.C.

    Summary:

    Rudolph Schildkraut (1862-1930) and his son, Joseph Schildkraut (1895-1964), were Austrian-American stage and film actors. The collection documents their personal and professional lives on European and American stage and screen through photographs, clippings, programs, and iconography mounted in four scrapbooks.

  4. American / Century Play Company scripts and business papers, 1894-2006

    approximately 16,000 items. 185 containers. 93.5 linear feet. -- Music Division, Library of Congress, Washington, D.C.

    Summary:

    The American Play Company / Century Play Company was a conglomerate publishing house that represented many of the most prominent American playwrights and dramatists of the 20th century. The scripts and business papers in the collection document numerous aspects of American theater production history, including author representation, show production, publishing, and licensing for television, film, radio, and stock productions. The script library notably includes five working copies of The Glass Menagerie (1944) by Tennessee Williams and early performance drafts of Eugene O'Neill's Anna Christie (1921), Mourning Becomes Electra (1931), and Strange Interlude (1923). The collection also highlights several unpublished, unproduced works by female playwrights, such as Harriet Ford and Margery Benton Cooke.