Search Results
Luiz Heitor Corrêa de Azevedo collection on Latin American folklore, 1904-1986
174 published items. -- American Folklife Center, Library of Congress, Washington, D.C.
Summary:
Collected publications pertaining to Latin American folklore and musical traditions from the library of Luiz Heitor Corrêa de Azevedo, Brazilian folklorist and musicologist.
Moldenhauer archives at the Library of Congress, circa 1000-circa 1990
approximately 3,850 items. 139 boxes. 1 mapcase folder. 207 linear feet. -- Music Division, Library of Congress, Washington, D.C.
Summary:
The Moldenhauer Archives consist of manuscript and printed music, correspondence, photographs, books, clippings, programs, and artwork dating from the twelfth to the twentieth century. The music includes holograph scores and sketches, as well as a number of copyist and printed scores, transcriptions, and arrangements. Represented musical and literary figures include, among many others, George Auric, Johann Sebastian Bach, Béla Bartók, Ludwig van Beethoven, Hector Berlioz, Georges Bizet, Ernst Bloch, Pierre Boulez, Johannes Brahms, Anton Bruckner, Feruccio Busoni, Frédéric Chopin, Claude Debussy, George Frideric Handel, Hermann Hesse, György Ligeti, Felix Mendelssohn, Wolfgang Amadeus Mozart, Giacomo Puccini, Maurice Ravel, Nikolai Rimsky-Korsakov, Arnold Schoenberg, Anton Webern, Kurt Weill, and Gioseffo Zarlino.
Louise Talma papers, 1861-1998
approximately 38,000 items. 160 containers. 81.5 linear feet. -- Music Division, Library of Congress, Washington, D.C.
Summary:
Louise Talma was an American composer, pianist, and teacher. She was a student of Nadia Boulanger and a long-time resident of Fontainebleau and the MacDowell Colony in Peterborough, New Hampshire. The collection consists of music manuscripts, harmony and teaching materials, correspondence, photographs, business papers, clippings, programs, publicity materials, writings, awards and other materials related to her career and her family's history.
Please note:
Some or all content stored offsite.
Laurence Picken papers, 1900-2001
approximately 22,400 items. 70 containers. 38.5 linear feet. -- Music Division, Library of Congress, Washington, D.C.
Summary:
Laurence Picken was a British zoologist and musicologist who specialized in Asian, particularly Chinese, music. The collection primarily contains research materials, correspondence, writings, publications, and other items related to Picken's career and his study of East Asian musical traditions, especially those of the Tang Court. In addition, there are manuscript and published scores for Picken's musical compositions, transcriptions of traditional East Asian music, and some photographs.
Please note:
Some or all content stored offsite.
Hugo Leichtentritt papers, 1888-1972
1,600 items. 23 containers. 10.0 linear feet. -- Music Division, Library of Congress, Washington, D.C.
Summary:
Hugo Leichtentritt was a German musicologist, music critic, and composer. The collection contains his original music manuscripts, correspondence, clippings, programs, scrapbooks, articles and drafts of his writings on music history, criticism, and theory.
Please note:
Some or all content stored offsite.
Wanda Landowska and Denise Restout papers, 1843-2002
approximately 41,000 items. 255 containers. 117.0 linear feet. -- Music Division, Library of Congress, Washington, D.C.
Summary:
Wanda Landowska was a Polish keyboardist, composer, and teacher best known for revitalizing harpsichord performance in the twentieth century. Her school at Saint-Leu-la-Forêt, founded in 1925, became one of the great centers for the collection, study, and performance of Baroque music until it was looted by the Nazis in 1940. The collection consists of annotated music, correspondence, business papers, writings, programs, photographs, and other materials that document the legacy of Landowska. These materials largely reflect the activities of Landowska and her pupil, Denise Restout, during their years at Saint-Leu and after their immigration to the United States in 1941.
Elinor Remick Warren papers, 1872-2004
approximately 8900 items. 85 containers. 30.0 linear feet. -- Music Division, Library of Congress, Washington, D.C.
Summary:
Elinor Remick Warren was an American pianist and composer. The collection contains materials relating to her life and career, including music manuscript scores and sketches, composition notebooks, and annotated printed editions of her work. The collection also contains Warren's business papers, biographical materials, personal correspondence, photographs, writings, scrapbooks, programs, diaries and notebooks, certificates, diplomas and honorary degrees, promotional brochures, and music publishers' catalogs that feature her works and performance activities.
Please note:
Some or all content stored offsite.
David Lewin papers, 1945-2011
7,011 items. 67 containers. 29.4 linear feet. -- Music Division, Library of Congress, Washington, D.C.
Summary:
David Lewin was an American music theorist, teacher, composer, and musician. The papers primarily relate to his career as a teacher and theorist, and to his work as a composer. They include writings, academic and course materials, printed and manuscript scores, correspondence, computer music materials, programs, clippings, and conference materials.
Please note:
Some or all content stored offsite.
Rose Marie Grentzer and Harold Spivacke Fund collection, 1615-1994
approximately 305 items. 9 containers. 4 linear feet. -- Music Division, Library of Congress, Washington, D.C.
Summary:
The Rose Marie and Harold Spivacke Fund Collection consists of materials purchased through an endowment that Rose Marie Spivacke established in 1982 at the behest of her husband, Harold Spivacke, who was chief of the Music Division at the Library of Congress from 1937 to 1972. The collection includes music manuscripts, printed scores, correspondence, clippings, and iconography.
Leonard Bernstein collection, circa 1900-1995
around 400,000 items. 1,723 boxes. 710 linear feet. -- Music Division, Library of Congress, Washington, D.C.
Summary:
Leonard Bernstein was an American composer, conductor, writer, lecturer, and pianist. The collection contains correspondence, photographs, writings, personal business papers, the archives from his corporate identity, Amberson Inc., scrapbooks, clippings and press materials, programs, datebooks and schedules, iconography, address books, and fan mail. In addition, it contains music manuscripts for many of his compositions, including The Age of Anxiety (Symphony no. 2); Candide; Chichester Psalms; Fancy Free; Jeremiah (Symphony no. 1); On the Waterfront; Prelude, Fugue and Riffs; Serenade after Plato's "Symposium"; Trouble in Tahiti; West Side Story; and Wonderful Town.
Please note:
Access restrictions apply.
Some or all content stored offsite.