3 finding aid(s) found containing the word(s) Music--Peru.

  1. Vida Chenoweth collection, circa 1940-2000

    15,686 items. 42 containers. 15.5 linear feet (31 containers).. 638 sound cassettes : analog.. 251 sound tape reels : analog ; various sizes.. 89 sound discs : analog ; various sizes.. 2 sound discs (CD-R) : digital ; 4 3/4 in.. 71 videocassettes (VHS and U-Matic) : color, sound ; 1/2 in and 3/4 in.. 5 videodiscs (DVD).. 10 film reels.. approximately 660 photographs : film negatives.. approximately 1200 photographic prints : black and white, color ; various sizes.. 730 slides ; color ; 35 mm.. 1177 half frame slides, mostly color.. 3 slides ; color ; 126.. -- American Folklife Center, Library of Congress, Washington, D.C.

    Summary:

    Collection of papers and audiovisual materials representing the life work of ethnomusicologist Vida Chenoweth. Manuscripts, sound recordings, photographs, and films mainly of her work with the Usarufa and numerous other people in Papua New Guinea, but culture groups from other places are also represented, including Vanuatu, Indonesia, Solomon Islands, Cook Islands New Zealand, Kenya, Zaire, Ethiopia, Madagascar, Ivory Coast, Ghana, South Africa, Cameroon, Senegal, Nigeria, Sierra Leone, Mali, Cameroon, Vietnam, Thailand, Laos, Cambodia, Mexico, Guatemala, Panama, Ecuador, Brazil, Peru, and the United States. Includes work done by her students at Wheaton College and colleagues at the Summer Institute of Linguistics. Includes recording logs, analysis, song transcriptions, song texts, theses, correspondence, Chenoweth's diaries (1980s), and field notes. Sound recordings include music and spoken word from various provinces in Papua New Guinea, such as Eastern and Western Highlands, Madang, Morobe, East New Britain, New Ireland, and Irian Jaya provinces. Moving images include Chenoweth family films, as well as documentation about music and practices from throughout Papua New Guinea, the Cook Islands, Vanuatu, and other regions. They also include content from the South Pacific Festival of the Arts in Port Moresby, Papua New Guinea.

  2. 1985 Neptune Plaza Concert Series collection, 1985

    8 folders. 11 sound tape reels : analog, 7 1/2 ips, double track, mono. and stereo. ; 10 in.. 444 photographs : black and white, negatives. 10 photographic prints : black and white ; various sizes. 316 slides : color. -- American Folklife Center, Library of Congress, Washington, D.C.

    Summary:

    Manuscript materials, sound recordings, and photographs documenting the performance of African American Piedmont blues music; music of the Andes; bluegrass music; Scottish harp music and Gaelic songs; Omaha Indian music and dance; Spanish flamenco music and dance, and African American gospel music recorded live outdoors on Neptune Plaza in front of the Thomas Jefferson Building, Library of Congress, at concerts from April through October 1985, sponsored by the American Folklife Center and the National Council for the Traditional Arts.

  3. John Cohen collection, circa 1950-2009

    14,525 items.. 107 containers.. 18 linear feet.. 26 containers ; 8,400 items.. 121 photographs : film negatives, black-and-white and color ; 35 mm. approximately 1750 photographic prints : black and white.. 1,271 photographs : digital, TIFF files.. 62 sound cassettes : analog.. 107 sound wire reels : analog.. 552 sound tape reels (5 in., 7in., 10 in.) : analog.. 456 sound discs : analog, 45 rpm ; 7 in.. 6 sound discs (CD-R) : digital ; ‡c 4 3/4 in.. approximately 1800 film elements in 900 containers from 16 finished films.. -- American Folklife Center, Library of Congress, Washington, D.C.

    Summary:

    Collection of manuscripts, sound recordings, graphic images, and moving images created and collected by John Cohen. The materials document Cohen's parallel careers as a musician (member of the New Lost City Ramblers) and writer during the 1960s American folk music revival, and his celebrated work as a documentary photographer and filmmaker, producer, and artist from the 1950s to the present. Includes interviews made by Cohen with John Hartford, Harry Smith, Roger McGuinn, Pete Seeger, Bob Dylan, Gary Davis, John Summers, Cousin Emmy, Roscoe Holcomb, Charlie Higgins, Wade Ward, Friends of Old Time Music, High Atmosphere, and photographs of these and others including E. C. Ball, Clancy Brothers, Elizabeth Cotten, Willie Dixon, Jack Elliott, Woody Guthrie, Mary Frank, Lilly Brothers, Alan Lomax, Bill Monroe, Earl Scruggs, Mike Seeger, Stanley Brothers, Belle Stewart, Stony Mountain Boys, Merle Travis, Muddy Waters, Doc Watson and many others. The collection includes documentation of Greenwich Village and Harlem, New York City; Cohen's travels to Paris and Spain in the 1950s; and later to England, Wales, Scotland, Germany, Italy and Japan, and other countries. Notable is his research for his master's thesis on Peruvian textile weaving, and subsequent fieldwork in Peru. Cohen visited Peru eight times between 1956 and 2005. Subsequent projects in Peru incorporated sound recordings of Andean music, and films as well as books about weaving, music, festivals, and dance. The majority of Cohen's Peru photographs were taken during his first three trips there and focus primarily on indigenous Andean people in the Q'ero region.