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Serge Koussevitzky archive, 1880-1978
around 200,000 items. 505 containers. 224 linear feet. -- Music Division, Library of Congress, Washington, D.C.
Summary:
Serge Koussevitzky was a Russian-born conductor, composer, and double bassist. The archive includes correspondence, personal and business papers, photographs, writings, clippings, scrapbooks, programs, and other materials which serve as a record of Koussevitzky's life and career, and document some of the most significant aspects of twentieth-century music. Through his work as a conductor and publisher, and his efforts to commission new musical works, Koussevitzky maintained deep ties with many of the finest composers and musicians of the day. These figures are represented in their personal and professional affiliations with the conductor. The collection extensively chronicles periods in the history of organizations such as the Boston Symphony Orchestra and the Berkshire Music Center, the Koussevitzky Music Foundation, and the American International Music Fund. Material in the collection dates from Koussevitzky's years in his native Russia and also contains material created after Koussevitzky's death, reflecting his widow Olga's continuing work with various organizations and projects. Musical compositions commissioned by Serge Koussevitzky are part of the Serge Koussevitzky Music Foundation Collection, and are shelved in ML30.3c, ML30.3c2, ML30.3c3, and ML30.3e2.
Merle Montgomery papers, circa 1904-1983
5093 items. 18 containers. 7.5 linear feet. -- Music Division, Library of Congress, Washington, D.C.
Summary:
Merle Montgomery was a music educator, composer, author, editor, administrator, translator, lecturer, and concert pianist. The collection primarily contains business papers and materials related to Montgomery's career and her leadership roles in various music, educational, and arts organizations, including Carl Fischer Inc., Mu Phi Epsilon, National Federation of Music Clubs, and the National Music Council. In addition, the collection includes personal and professional correspondence, biographical materials, photographs, programs, clippings, promotional and publicity materials, and publications.
Please note:
Some or all content stored offsite.
Max Rudolf papers, 1922-1993
approximately 4,500 items. 22 containers. 11.5 linear feet. -- Music Division, Library of Congress, Washington, D.C.
Summary:
Max Rudolf was a German-born American conductor and music educator. He is best known for his work with the Metropolitan Opera, the Cincinnati Symphony Orchestra, and the Curtis Institute of Music. The collection contains Rudolf's extensive correspondence with prominent 20th century musical figures, Metropolitan Opera annual files documenting his years with that organization, and a few photographs.
Please note:
Some or all content stored offsite.
Harold Spivacke collection, 1923-1984
approximately 3,900 items. 33 containers. 13 linear feet. -- Music Division, Library of Congress, Washington, D.C.
Summary:
Harold Spivacke was a music librarian, administrator, musicologist, and musician. He was chief of the Library of Congress Music Division for thirty-five years, from 1937 until 1972. The collection contains materials relating to his life and career, including correspondence, student notebooks, speeches, his dissertation, photographs, clippings, programs, manuscript and printed music, artwork, awards and honorary degrees, and business papers.
Herman Langinger music publishing files, 1889-1972
approximately 650 items. 12 containers. 4.0 linear feet. -- Music Division, Library of Congress, Washington, D.C.
Summary:
Herman Langinger was a music engraver, printer, and editor for New Music Society of California and other influential music publishers. The collection contains pre-publication and published music materials, including annotated manuscript and holograph scores and proof copies, as well as correspondence with composers and publishing associates. It also includes a comprehensive run of published editions from New Music and various editions from other publishers with whom Langinger worked, namely his own Golden West Music Press in Hollywood, Calif., Delkas Music Publishing Company, and Affiliated Musicians, Inc.
Please note:
Some or all content stored offsite.
Elizabeth Sprague Coolidge Foundation collection, 1894-1953
56,680 items. 109 containers. 48.50 linear feet. -- Music Division, Library of Congress, Washington, D.C.
Summary:
Elizabeth Sprague Coolidge was a composer, pianist, and patron of music. In 1925, she created the Elizabeth Sprague Coolidge Foundation at the Library of Congress in support of chamber music. The collection contains Coolidge's correspondence to and from many of the prominent musical artists of the first half of the twentieth century. Extensive correspondence between Coolidge and Library of Congress librarians and administrators is also included. The remaining materials in the collection, including photographs, scrapbooks, business papers, programs, publicity materials, iconography, realia, and clippings, are available for research and will be incorporated into the finding aid at a later date. Music manuscripts of works commissioned by Elizabeth Sprague Coolidge or the Elizabeth Sprague Coolidge Foundation in the Library of Congress comprise a substantial portion of the collection and are cataloged individually.
Leo Feist collection, 1880-1930
2,000 items. 18 containers. 6 linear feet. -- Music Division, Library of Congress, Washington, D.C.
Summary:
Leo Feist was an American music publisher. The collection primarily consists of a set of twenty-six bound volumes containing most of the music published by Leo Feist Inc., between the years of 1880 and 1930. These include approximately 2000 titles, mostly of popular music. The collection also includes vocal scores for Paoletta, Irene, and M. Beaucaire, as well as a Feist dance folio of popular music arranged for the piano.
Please note:
Some or all content stored offsite.
Oliver Daniel papers, 1759-1997
21,600 items. 80 containers. 52 linear feet. -- Music Division, Library of Congress, Washington, D.C.
Summary:
Oliver Daniel was an American arts administrator, musicologist, radio director and producer, and composer. The collection includes correspondence, manuscript and printed scores, photographs, programs, clippings, scrapbooks and periodicals.
Please note:
Some or all content stored offsite.
A.P. Schmidt Company archives, 1869-1958
34,775 items. 514 containers. 280 linear feet. -- Music Division, Library of Congress, Washington, D.C.
Summary:
Arthur Paul Schmidt (1846-1921) was a German-born music publisher who pioneered the development and dissemination of American music. The A.P. Schmidt Company Archives documents his firm's publishing activites in Boston, Leipzig and New York, beginning with his tenure, through his successors, and until the firm was absorbed by Summy-Birchard in 1960. The Archives consists of the original manuscripts from which the music was printed, printed music, personal and corporate correspondence, photographs (primarily composers/arrangers), business records, plate books, publication books, stock and cash books.
Minna Lederman Daniel collection, 1896-1993
around 21,000 items. 24 containers. 12.5 linear feet. -- Music Division, Library of Congress, Washington, D.C.
Summary:
Minna Lederman Daniel was an American writer and editor who specialized in music and dance. A major influence on 20th century music, she was a founding member of the League of Composers, a group of musicians and proponents of modern music. She helped launch the League’s magazine, The League of Composers’ Review (later called Modern Music), which was the first American journal to manifest an interest in contemporary composers. The collection contains her correspondence, financial and legal papers, writings, clippings, and photographs.
Please note:
Some or all content stored offsite.