4 finding aid(s) found containing the word(s) Musical theater--Production and direction.

  1. Oscar Hammerstein II collection, 1847-2000

    35,051 items ; 160 containers ; 72.65 linear feet. -- Music Division, Library of Congress, Washington, D.C.

    Summary:

    Oscar Hammerstein II was an American librettist, lyricist, theatrical producer and director, and grandson of the impresario Oscar Hammerstein I. The collection, which contains materials relating to Hammerstein's life and career, includes correspondence, lyric sheets and sketches, music, scripts and screenplays, production materials, speeches and writings, photographs, programs, promotional...

  2. Jonathan Larson papers, 1978-1996

    15,000 items ; 59 containers ; 28.5 linear feet. -- Music Division, Library of Congress, Washington, D.C.

    Summary:

    Jonathan Larson (1960-1996) was an American composer, lyricist, playwright, and performer who wrote primarily for the musical theater. The collection contains materials relating to his musicals, musical revues, club acts, films, and dance works, in particular Superbia, tick, tick...BOOM!, and RENT, his successful rock musical adaptation of La Bohème. These materials include manuscript and...

  3. Lars Schmidt papers, 1910-2010

    7,320 items ; 57 containers ; 29.0 linear feet. -- Music Division, Library of Congress, Washington, D.C.

    Summary:

    Lars Schmidt was a Swedish theater producer and director whose company held the Scandinavian rights to numerous English-language plays. The collection includes correspondence, production materials, photographs, business papers, scrapbooks, and other materials related to his life and work, and that of his wife, actress Ingrid Bergman.

  4. Gilbert Miller papers, 1916-1981

    approximately 4,350 items ; 11 containers ; 4.75 linear feet. -- Music Division, Library of Congress, Washington, D.C.

    Summary:

    Gilbert Miller (1884-1969) was an American producer and theater owner. The collection includes correspondence, photographs, scenic renderings, contracts, and other materials that document Miller’s theatrical influences, personal connections, and professional accomplishments.