3 finding aid(s) found containing the word(s) Musicals--Scores and parts.

  1. Victor Herbert collection, 1880-1939

    3200 items. 199 containers. 96 linear feet. -- Music Division, Library of Congress, Washington, D.C.


    Victor Herbert was a composer, conductor, cellist, and co-founder of the American Society of Composers, Authors, and Publishers (ASCAP). The music materials include mostly manuscript scores, parts and sketches for Herbert's stage, screen and orchestral works, and arrangements. The collection also contains Victor Herbert Orchestra encore part books and music by other composers. Additional materials include correspondence, programs, clippings, photographs, scrapbooks, promotional materials, iconography and legal papers.

  2. Morton Gould papers, 1920-1996

    approximately 19,000 items. 150 containers. 65.5 linear feet. -- Music Division, Library of Congress, Washington, D.C.


    American composer, conductor, arranger, and pianist. The collection contains music, including holograph and copyist manuscripts, printed scores, orchestral parts, lyric sheets, and sketches of Gould's compositions and arrangements; correspondence; business papers; writings; photographs; scrapbooks; programs and promotional materials related to his career; and financial and legal documents.

  3. Tams-Witmark (Original Library of Congress collection), 1701-1915

    approximately 7,000 items. 829 containers. 164 linear feet. -- Music Division, Library of Congress, Washington, D.C.


    The Tams-Witmark Music Library was established in 1925 through the merger of the Arthur W. Tams Music Library and the rental library of M. Witmark & Sons. The Tams-Witmark (Original Library of Congress Collection) contains music (manuscript and printed scores) that was being performed in the United States during the late nineteenth and early twentieth centuries. The scope of the collection ranges from eighteenth-century operas of Handel and Glück to a musical by George M. Cohan. The bulk of the materials are nineteenth-century English, French, German and Italian operas and operettas, the majority in full score, with some instrumental parts. Most of the scores have been annotated with cuts and performance markings, and some feature reduced or non-standard orchestrations. The collection also contains a small amount of concert music, including secular and sacred choral works, patriotic music, symphonic scores, and incidental music.