Search Results

1. Jane Dudley papers, 1909-2001

   Approximately 1,230 items. 11 boxes. 9.5 linear feet. -- Music Division, Library of Congress, Washington, D.C.

   Summary:

   Jane Dudley was an American dancer and choreographer known early in her career for her work with the Martha Graham Company, the New Dance Group, and as a co-founder of the Dudley-Maslow-Bales Trio. She went on to serve as artistic director of the Batsheva Dance Company in Israel before joining the faculty of the London School of Contemporary Dance. Her papers primarily consist of clippings, correspondence, musical scores, photographs, and programs related to her professional life.

2. Alex North music for documentary film, theater, dance, and concert, 1910-1984

   approximately 221 items. 28 containers. 13 linear feet. -- Music Division, Library of Congress, Washington, D.C.

   Summary:

   Alex North (1910-1991) was an American composer of music for feature films, dance, theater productions, and the concert hall. He brought a new and uniquely "American" sound to his works. The collection contains performance materials for dance works, incidental music for theater productions, songs, musical comedies and revues, and concert works. A small amount of scripts, promotional materials, and clippings are also included.

3. Larry Warren collection on Anna Sokolow and Lester Horton, 1903-2007

   approximately 4,550 items. 15 containers. 9 linear feet. -- Music Division, Library of Congress, Washington, D.C.

   Summary:

   This collection documents the research conducted by dancer, choreographer, and educator Larry Warren (1932-2009) while writing his biographies Lester Horton: Modern Dance Pioneer (1977) and Anna Sokolow: The Rebellious Spirit (1991). The clippings, correspondence, dance notation, interviews, notes, photographs, programs, scrapbooks, and writings collected or created by Warren reveal his process in capturing the lives of two major figures in twentieth-century modern dance and have the potential to shed new light on the lives and careers of these artists. The bulk of the collection is devoted to Warren's research on Sokolow, but there is also significant documentation on the movement technique Horton created and taught.

4. Federal Theatre Project collection, 1932-1943

   approximately 525,000 items. 1,555 containers. 200 mapcase folders. 584.5 linear feet. -- Music Division, Library of Congress, Washington, D.C.

   Summary:

   The Federal Theatre Project, created by the U.S. Works Progress Administration in 1935, was designed to conserve and develop the skills of theater workers, re-employ them on public relief, and to bring theater to thousands in the United States who had never before seen live theatrical performances. The collection includes correspondence, memoranda, play and radio scripts, reports, research studies, manuals, publications, bulletins, forms, lists, newspaper clippings, scrapbooks, charts, costume and set designs, blue-prints, posters, addressograph plates, photographs, negatives, slides, playbills, and other records documenting the activities of the Federal Theatre Project and its impact on all aspects of the theater. Some materials in this collection contain offensive or demeaning language.

5. Don Christlieb photographs, 1940s-1980s

   32 items. 1 box. 0.25 linear feet. -- Music Division, Library of Congress, Washington, D.C.

   Summary:

   Don Christlieb (1912-2001) was an orchestral bassoonist, chamber musician, and innovative reed maker. He performed on more than 700 movie scores during the "Golden Age of Hollywood" as an employee of movie studios, namely 20th Century Fox. Christlieb was also an artist and photographer who frequently depicted his colleagues in his work. The collection consists of 32 prints made from his original photographs.

6. Irwin Bazelon papers, 1913-2009

   approximately 2,500 items. 39 containers. 17.75 linear feet. -- Music Division, Library of Congress, Washington, D.C.

   Summary:

   Irwin "Bud" Bazelon (1922-1995) was an American composer of both concert and film music, as well as a conductor and author. His compositional output includes symphonies, chamber music, music for documentaries and television commercials, and other works. His Knowing the Score: Notes on Film Music, first published in 1975, was one of the early scholarly texts on film music. The collection consists of Bazelon's music, writings (especially pertaining to Knowing the Score), correspondence, business papers, programs and promotional materials, and clippings.