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Glenn Dillard Gunn papers, 1802-1961
approximately 750 items. 14 boxes. 4.5 linear feet. -- Music Division, Library of Congress, Washington, D.C.
Summary:
Glenn Dillard Gunn was an American pianist, conductor, music critic, and teacher. The collection contains correspondence from notable musical figures such as Ferruccio Busoni, Teresa Careño, Percy Grainger, and Moriz Rosenthal, as well as writings by and about Gunn, photographs, annotated printed scores, scrapbooks, and other items that document Gunn's life and career.
Jerome Kern collection, 1905-1951
approximately 7,470 items. 102 boxes. 45 linear feet. -- Music Division, Library of Congress, Washington, D.C.
Summary:
The collection consists primarily of Kern's show music and holograph sketches, most of which are manuscript full and vocal scores of Kern's orchestrators and arrangers, especially Frank Saddler and Robert Russell Bennett. Film and other music is also represented, as well as a small amount of correspondence.
William A. Newland and Charles Zeuner collection of music, circa 1735-circa 1900
around 2,000 items. 58 boxes. 20 linear feet. -- Music Division, Library of Congress, Washington, D.C.
Summary:
Primarily music (printed and manuscript) for piano, 2 or 4 hands, and songs, with a concentration in sacred vocal works in Latin and English. (The music in Latin may represent the only known source of pre-Cäcilienverein 19th-century American Catholic Church music.) Composers range from Mozart and Rossini to George F. Root and Oliver Shaw. The collection contains the largest extant source of music by Charles Zeuner which was purchased by Newland after Zeuner's death.
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Some or all content stored offsite.
Samuel P. Warren collection, 1849-1915
approximately 14,000 items. 57 containers . 23.25 linear feet. -- Music Division, Library of Congress, Washington, D.C.
Summary:
Samuel P. Warren (1841-1915) was an American organist, choral director, music editor, teacher, and composer. The collection consists of correspondence; concert, recital, and church service programs; and related materials documenting his performance career and, to a lesser extent, that of others.
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Ernst Bacon collection, 1898-1990
approximately 6,000 items. 54 boxes. 16 linear feet. -- Music Division, Library of Congress, Washington, D.C.
Summary:
Ernst Bacon was an American composer, pianist, and conductor. Largely a self-taught composer, Bacon also became an esteemed administrator and educator, serving as director of the Works Progress Administration (WPA) Federal Music Project in 1935 and later as composer-in-residence at Syracuse University from 1947-1963. The collection contains music, writings, correspondence, iconography, programs, clippings, publicity materials, and other miscellaneous items.
Jascha Heifetz papers, 1786-1991
approximately 17, 500 items. 280 boxes. 52 linear feet. -- Music Division, Library of Congress, Washington, D.C.
Summary:
Russian-American musician Jascha Heifetz was a virtuosic violinist who became a dedicated teacher. The collection includes his personal music library of original compositions, arrangements, and transcriptions. Concert programs document his performances from 1911 to 1974, and photographs, photo albums, and scrapbooks span the violinist's entire life. The correspondence contains letters from significant twentieth-century musical figures such as Leopold Auer, Benjamin Britten, Sergei Prokofiev, George Bernard Shaw, and Sir William Walton.
George and Ira Gershwin collection, 1895-2008
60,705 items. 8 mapcase folders. 145 containers. 71 linear feet. -- Music Division, Library of Congress, Washington, D.C.
Summary:
Composer George Gershwin (1898-1937) and his lyricist brother Ira (1896-1983) wrote some of the most significant American popular songs of the first half of the twentieth century. Working with novelist and poet DuBose Heyward, they created the great American opera Porgy and Bess. Additionally, George Gershwin composed several singularly American concert works, including An American in Paris and Rhapsody In Blue, and both brothers produced many distinguished songs working with other collaborators. The George and Ira Gershwin Collection contains music manuscripts, handwritten and typewritten lyric sheets, printed music, correspondence, photographs, programs and publicity materials, legal and financial documents, and thirty-one scrapbooks, which present nearly a complete record of the Gershwins' lives and work as they were chronicled in the contemporary press.
Henryk Szeryng collection, 1933-1990
approximately 11,000 items. 169 containers. 75 linear feet. -- Music Division, Library of Congress, Washington, D.C.
Summary:
The collection documents the life and career of violinist Henryk Szeryng (1918-1988) who was also known as a teacher, patron of the arts, and cultural ambassador. The collection contains printed and holograph manuscript scores, writings, teaching materials, correspondence, personal and business papers, performance files and programs, photographs, clippings, scrapbooks, publicity material, awards, and books.
Tams-Witmark (Original Library of Congress collection), 1701-1915
approximately 7,000 items. 830 containers. 164 linear feet. -- Music Division, Library of Congress, Washington, D.C.
Summary:
The Tams-Witmark Music Library was established in 1925 through the merger of the Arthur W. Tams Music Library and the rental library of M. Witmark & Sons. The Tams-Witmark (Original Library of Congress Collection) contains music (manuscript and printed scores) that was being performed in the United States during the late nineteenth and early twentieth centuries. The scope of the collection ranges from eighteenth-century operas of Handel and Glück to a musical by George M. Cohan. The bulk of the materials are nineteenth-century English, French, German and Italian operas and operettas, the majority in full score, with some instrumental parts. Most of the scores have been annotated with cuts and performance markings, and some feature reduced or non-standard orchestrations. The collection also contains a small amount of concert music, including secular and sacred choral works, patriotic music, symphonic scores, and incidental music.
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Some or all content stored offsite.
Ella Fitzgerald collection, 1956-1992
23,500 items. 285 containers. 176 linear feet. -- Music Division, Library of Congress, Washington, D.C.
Summary:
Ella Fitzgerald (1917-1996) was a popular and highly-respected American jazz and pop vocalist and recording artist. The Ella Fitzgerald Collection chiefly consists of musical arrangements made for her by more than fifty arrangers and orchestrators. Arrangers whose works are found in this collection include Buddy Bregman, Benny Carter, Frank DeVol, Russ Garcia, Billy May, Marty Paich, Nelson Riddle, and Gerald Wilson. The arrangements consist of a combination of full scores and parts, and are often accompanied by piano-conductor short scores, reduced scores, lead sheets, and lyric sheets. Music is found in the form of manuscripts, printed music, photocopies, and ozalids, often in multiple or different versions. In addition, the collection contains repertoire and program lists and other miscellaneous material, including a minimal amount of correspondence and photographs.