30 finding aid(s) found containing the word(s) Piano music.

  1. Glenn Dillard Gunn papers, 1802-1961

    approximately 750 items. 14 boxes. 4.5 linear feet. -- Music Division, Library of Congress, Washington, D.C.

    Summary:

    Glenn Dillard Gunn was an American pianist, conductor, music critic, and teacher. The collection contains correspondence from notable musical figures such as Ferruccio Busoni, Teresa Careño, Percy Grainger, and Moriz Rosenthal, as well as writings by and about Gunn, photographs, annotated printed scores, scrapbooks, and other items that document Gunn's life and career.

  2. Harold Bauer collection, 1886-1951

    approximately 1,250 items. 18 boxes. 10 linear feet. -- Music Division, Library of Congress, Washington, D.C.

    Summary:

    Harold Bauer was an English violinist and pianist, teacher, and music editor who corresponded with many musical luminaries of his day, including Ernest Bloch, Nadia Boulanger, Pablo Casals, Gabriel Fauré, Percy Grainger, Jascha Heifetz, Josef Hofmann, Gustav Holst, Vincent d'Indy, Fritz Kreisler, Charles Martin Loeffler, Pierre Monteux, Moritz Moszkowski, Vladimir de Pachmann, Ignace Jan Paderewski, Isidore Philipp, Henry Prunières, Carl Ruggles, Carlos Salzedo, Gustave Schirmer, Leopold Stokowski, and Efrem Zimbalist. The collection contains manuscript and printed scores, correspondence, writings, clippings, programs and publicity materials, awards, photographs, artwork, and other items related to his life and career.

  3. United States Information Agency Artistic Ambassador Program musical commissions, 1973-1988

    approximately 50 items. 4 containers. 2.60 linear feet. -- Music Division, Library of Congress, Washington, D.C.

    Summary:

    This collection consists of works commissioned by the United States Information Agency and other materials related to the organization’s Artistic Ambassador Program. It includes holograph music manuscripts, sketches, performance reviews, biographical materials, and administrative documents.

    Please note:

    Some or all content stored offsite.

  4. Charles Tournemire collection, circa 1868-1962

    67 items. 9 containers. 5 linear feet. -- Music Division, Library of Congress, Washington, D.C.

    Summary:

    Charles Tournemire was a French composer, organist, and teacher. The collection chiefly consists of holograph, manuscript and printed music by Tournemire and other composers. Also included are several libretti, one scrapbook, and other annotated or inscribed materials.

  5. Florence Parr-Gere papers, 1856-1964

    344 items. 5 containers. 3.0 linear feet. -- Music Division, Library of Congress, Washington, D.C.

    Summary:

    Florence Parr-Gere, born in Canada and longtime resident of New York, was a pianist and composer. Her papers contain published music, photographs, clippings, correspondence, a scrapbook, publicity materials, posters and other materials related to her experiences at the American Conservatory at Fontainebleau and lifelong musical pursuits.

    Please note:

    Some or all content stored offsite.

  6. Halsey Stevens papers, circa 1920-1987

    approximately 2,500 items. 51 containers. 20.5 linear feet. -- Music Division, Library of Congress, Washington, D.C.

    Summary:

    Halsey Stevens was an American composer, musicologist, and teacher. He is best known for his chamber music works and published monograph, The Life and Music of Béla Bartók. The collection contains music manuscripts, writings, research materials, programs, correspondence, and other materials related to his projects. Only the music materials are available online at this time. These materials consist of scores, parts, and sketches for instrumental works for keyboard, chamber ensemble, and full orchestra, as well as vocal and choral works and arrangements for varying instrumentations.

    Please note:

    Some or all content stored offsite.

  7. Selma Epstein collection, 1931-1987

    72 items. 5 containers. 2.6 linear feet. -- Music Division, Library of Congress, Washington, D.C.

    Summary:

    Selma Epstein (1927-2014) was a concert pianist, teacher, promoter of contemporary music, and champion of 20th-century black and female composers. The collection contains contemporary music scores, many by women and African-American composers, as well as a small amount of clippings and promotional materials.

    Please note:

    Some or all content stored offsite.

  8. Robert Evett collection, 1942-2001

    approximately 1,450 items. 9 containers. 6.5 linear feet. -- Music Division, Library of Congress, Washington, D.C.

    Summary:

    Robert Evett (1922-1975) was a composer, arts editor, and critic who made his home primarily in the Washington, D.C., area. This collection contains several scores, sketches, and instrument parts for works composed by Evett; biographical information collected by Evett's family after his death; and his published book and music reviews for the "Atlantic Monthly," "New Republic," and "Washington Star-News."

  9. Alex North music for documentary film, theater, dance, and concert, 1910-1984

    approximately 221 items. 28 containers. 13 linear feet. -- Music Division, Library of Congress, Washington, D.C.

    Summary:

    Alex North (1910-1991) was an American composer of music for feature films, dance, theater productions, and the concert hall. He brought a new and uniquely "American" sound to his works. The collection contains performance materials for dance works, incidental music for theater productions, songs, musical comedies and revues, and concert works. A small amount of scripts, promotional materials, and clippings are also included.

  10. Henry Cowell music manuscripts, 1909-1965

    approximately 1,100 items. 37 containers plus bound scores. 18 linear feet . 10 microfilm reels. -- Music Division, Library of Congress, Washington, D.C.

    Summary:

    Henry Cowell was an American composer, theorist, writer, pianist, and teacher. A member of the 1920s "ultra-modernists," Cowell's experimental compositions explored a myriad of unusual instrumental techniques and non-Western musical sounds. Works such as The Aeolian Harp (1923), The Banshee (1925), and Mosaic Quartet (1935) are seminal examples of his exploration of 'tone clusters,' or secondal harmonies, for expanding the musical sound palette. Cowell was also a prolific writer and editor who founded The New Music Quarterly in 1927 as an outlet for the musical works of modern composers. This finding aid collates classed holograph manuscript scores, sketches, and parts by Cowell that were donated to the Music Division beginning in the 1950s.