74 finding aid(s) found containing the word(s) Programs (Documents).

  1. Billy Strayhorn music manuscripts and estate papers, 1918-2015

    approximately 17,700 items. 86 containers. 39 linear feet. -- Music Division, Library of Congress, Washington, D.C.

    Summary:

    Billy Strayhorn (1915-1967) was an American jazz pianist, composer, arranger, and lyricist. He is prominently known as the leading arranger for the Duke Ellington Orchestra, a position that he held for nearly three decades. The collection chiefly contains scores, sketches, lead sheets, and parts for original compositions and arrangements by Strayhorn and Ellington, as well as business papers, photographs, scripts, and other materials pertaining to Strayhorn's life and the posthumous activities of his estate, Billy Strayhorn Songs, Inc.

  2. Celia Ipiotis and Jeff Bush Eye on the Arts archive, 1994-2009

    12,546 items. 54 containers. 28 linear feet. -- Music Division, Library of Congress, Washington, D.C.

    Summary:

    The collection consists of programs, clippings, and press materials that cover New York City performances of music, dance, theater, as well as film and video.

  3. Willi Reich collection on Alban Berg, 1905-1956

    approximately 275 items. 2 containers. 1.25 linear feet. -- Music Division, Library of Congress, Washington, D.C.

    Summary:

    Alban Berg (1885–1935) was an Austrian composer and member of the Second Viennese School, along with Arnold Schoenberg and Anton Webern, who together advanced atonal and twelve-tone music. The Willi Reich Collection on Alban Berg consists of correspondence between the composer and musicologist Willi Reich (1898-1980), articles and clippings, and printed music for Berg's vocal and instrumental works.

  4. Leonard Bernstein collection, circa 1900-1995

    around 400,000 items. 1,723 boxes. 710 linear feet. -- Music Division, Library of Congress, Washington, D.C.

    Summary:

    Leonard Bernstein was an American composer, conductor, writer, lecturer, and pianist. The collection contains correspondence, photographs, writings, personal business papers, the archives from his corporate identity, Amberson Inc., scrapbooks, clippings and press materials, programs, datebooks and schedules, iconography, address books, and fan mail. In addition, it contains music manuscripts for many of his compositions, including The Age of Anxiety (Symphony no. 2); Candide; Chichester Psalms; Fancy Free; Jeremiah (Symphony no. 1); On the Waterfront; Prelude, Fugue and Riffs; Serenade after Plato's "Symposium"; Trouble in Tahiti; West Side Story; and Wonderful Town.

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