Search Results
5 finding aid(s) found containing the word(s) Romberg, Sigmund, 1887-1951.
Oscar Hammerstein II collection, 1847-2000
35,051 items. 160 containers. 72.65 linear feet. -- Music Division, Library of Congress, Washington, D.C.
Summary:
Oscar Hammerstein II was an American librettist, lyricist, theatrical producer and director, and grandson of the impresario Oscar Hammerstein I. The collection, which contains materials relating to Hammerstein's life and career, includes correspondence, lyric sheets and sketches, music, scripts and screenplays, production materials, speeches and writings, photographs, programs, promotional materials, printed matter, scrapbooks, clippings, memorabilia, business and financial papers, awards, and realia.
George H. Moss collection of sheet music, 1885-1935
approximately 1,400 items. 16 containers. 6 linear feet. -- Music Division, Library of Congress, Washington, D.C.
Summary:
George H. Moss (1923-2009) was a local historian in Monmouth County, New Jersey, who also had an interest in early American theater. The collection consists of printed sheet music dating between 1885 and 1935, the majority of which is for American popular songs dating from 1900 to 1925. The composers and music publishers represented in the collection include Irving Berlin, Fred Fisher, George Gershwin, Charles K. Harris, Victor Herbert, Cole Porter, Jerome Kern, Richard Rodgers, Sigmund Romberg, Arthur Sullivan, and many others.
Please note:
Some or all content stored offsite.
Warner/Chappell collection, 1880-1987
approximately 56,200 items. 415 containers. 173.5 linear feet. -- Music Division, Library of Congress, Washington, D.C.
Summary:
Warner/Chappell Music is an American music publishing company that traces its establishment to Chappell & Co. in London in 1810. Warner/Chappell grew in part due to its acquisition of other music publishers, many of which played prominent roles in New York City's Tin Pan Alley and in the production of shows on Broadway and elsewhere. The Warner/Chappell Collection primarily consists of scores for musicals, most intended for Broadway, but some for film, television, and other venues. The majority of the scores are manuscripts in the hands of arrangers, songwriters, and copyists, and includes combinations of full scores, piano-vocal scores, parts, and lyric sheets. The collection also contains manuscripts for popular songs and works for orchestra, band, and chamber ensembles, as well as a small number of business papers, programs, and cancelled checks.
Please note:
Some or all content stored offsite.
Howard E. Reinheimer papers, 1924-1973
approximately 2,800 items. 8 containers. 4 linear feet. -- Music Division, Library of Congress, Washington, D.C.
Summary:
Howard Reinheimer (1899–1970) was a lawyer specializing in copyright law who represented prominent playwrights, composers, directors, and producers. These papers consist of Reinheimer’s business files, which focus on legal issues related to theatrical works that his clients wrote or produced. A substantial amount of correspondence documents his associations with Moss Hart, George Kaufman, Alan J. Lerner, Frederick Loewe, and others whom he represented. Additional materials include contracts and rights agreements, as well as a small number of scripts, financial statements, and clippings. This collection is the small percentage known to exist of what we know was once an extensive archive.
American / Century Play Company scripts and business papers, 1894-2006
approximately 16,000 items. 187 containers. 94.5 linear feet. -- Music Division, Library of Congress, Washington, D.C.
Summary:
The American Play Company / Century Play Company was a conglomerate publishing house that represented many of the most prominent American playwrights and dramatists of the 20th century. The scripts and business papers in the collection document numerous aspects of American theater production history, including author representation, show production, publishing, and licensing for television, film, radio, and stock productions. The script library notably includes five working copies of The Glass Menagerie (1944) by Tennessee Williams and early performance drafts of Eugene O'Neill's Anna Christie (1921), Mourning Becomes Electra (1931), and Strange Interlude (1923). The collection also highlights several unpublished, unproduced works by female playwrights, such as Harriet Ford and Margery Benton Cooke.