7 finding aid(s) found containing the word(s) Sacred music.

  1. National Council for the Traditional Arts (NCTA) collection

    18,794 items ; 6,025 containers. . 36 containers : 12,600 manuscript materials.. 985 sound tape reels : analog.. 3291 Digital Audio Tapes (DAT) : digital. . 704 sound cassettes : analog.. 205 sound files : digital, WAV files (96 kHz, 24 bit and 44.1 kHz, 16 bit). 6 videocassettes : analog.. 1003 sound discs (CD-R) : digital ; 4 3/4 in.. -- Archive of Folk Culture, American Folklife Center, Library of Congress, Washington, D.C.

    Summary:

    Collection of concert and workshop recordings of events at the National Folk Festivals, Lowell Folk Festivals, and other festivals, tours, and concerts sponsored by the National Council for the Traditional Arts (NCTA), formerly the National Folk Festival Association founded in 1934. Features performances of ballads, blues, bluegrass, contra dance music, country music, cowboy songs, fiddle tunes, folk music, gospel music, hymns, old-time music, singer songwriters, steel band music, storytelling, Western swing, and more; with numerous performers playing music from African, African American, American Indian, Cajun, Canadian, Caribbean, Eastern European, Hawaiian, Irish, Latin American, Mexican, Scottish, Sea Islands, Sicilian, Ukrainian, and many other traditions from throughout the United States and from around the world. Manuscripts include documentation from the containers of the original sound recordings.

  2. Tams-Witmark collection, 1701-1915

    approximately 7,000 items ; 829 containers ; 164 linear feet. -- Music Division, Library of Congress, Washington, D.C.

    Summary:

    The Tams-Witmark Music Library was established in 1925 through the merger of the Arthur W. Tams Music Library and the rental library of M. Witmark & Sons. The Tams-Witmark Collection contains music (manuscript and printed scores) that was being performed in the United States during the late nineteenth and early twentieth centuries. The scope of the collection ranges from eighteenth-century operas of Handel and Glück to a musical by George M. Cohan. The bulk of the materials are nineteenth-century English, French, German and Italian operas and operettas, the majority in full score, with some instrumental parts. Most of the scores have been annotated with cuts and performance markings, and some feature reduced or non-standard orchestrations. The collection also contains a small amount of concert music, including secular and sacred choral works, patriotic music, symphonic scores, and incidental music.

  3. John Herbert McDowell papers, 1908-1983

    7,000 items ; 56 containers ; 30 linear feet. -- Music Division, Library of Congress, Washington, D.C.

    Summary:

    John Herbert McDowell was an avant-garde dance, theater, film, and concert music composer. The collection contains his holograph scores and sketches, as well as programs, scripts, correspondence, photographs, and an Ampex 620 suitcase amp and speaker.

  4. Hodges family collection, circa 1790-circa 1909

    around 430 items ; 64 boxes ; 16 linear feet. -- Music Division, Library of Congress, Washington, D.C.

    Summary:

    The collection contains manuscript and printed music, writings, and other materials compiled and collected by Edward Hodges and subsequently by his son, John Sebastian Bach Hodges. Noteworthy among Edward Hodges' writings are the Annuary, an attempt in later life to depict his earlier life, and documents relating to the design and construction of the 1846 Erben organ at Trinity Church in New York. Music scores and sketches of the collection may well be the largest extant source of Hodges' manuscript music, including both original music and transcriptions and arrangements of the works of others, mostly intended for performance during religious services. In addition, the collection includes manuscript and printed scores for the works of two of Edward Hodges' children, Faustina Hasse Hodges and John Sebastian Bach Hodges. Sacred music in the collection not composed by Hodges family members provides insight into the kind of music that was typically performed in Episcopal churches in this country during the 19th and early 20th centuries: chants, psalm and hymn tunes, litanies, introits, offertories, oratorios, etc. Especially interesting are the Breitkopf & Härtel publications of Haydn's Die Worte des Erlösers am Kreuze from 1801 and an early publication of Beethoven's Christus am Oldberge. Among the scores of secular music, John Stafford Smith's Musica Antiqua (London, 1812), an anthology of music from the 13th through the 18th centuries, is particularly noteworthy, as is Chant lyrique pour l'inauguration de la statue votée à sa Majesté l'empereur et roi by Etienne Méhul. The collection also includes sixteen volumes of late 18th and 19th century sheet music that were presumably compiled by one or more members of the Hodges family.

  5. Newland / Zeuner collection, circa 1735-circa 1900

    around 2,000 items ; 58 boxes ; 20 linear feet. -- Music Division, Library of Congress, Washington, D.C.

    Summary:

    Primarily music (printed and manuscript) for piano, 2 or 4 hands, and songs, with a concentration in sacred vocal works in Latin and English. (The music in Latin may represent the only known source of pre-Cäcilienverein 19th-century American Catholic Church music.) Composers range from Mozart and Rossini to George F. Root and Oliver Shaw. The collection contains the largest extant source of music by Charles Zeuner which was purchased by Newland after Zeuner's death.

  6. Samuel P. Warren collection, 1840-1950

    circa 14,000 items ; 50 containers ; 19 linear feet. -- Music Division, Library of Congress, Washington, D.C.

    Summary:

    The collection consists of correspondence, concert and recital programs, church service programs, and related materials that were either collected by Warren himself or given to him by his students, colleagues and others in the New York City and throughout the United States. The letters in the collection, all addressed to Warren, are from a variety of sources, including Warren's pupils who later received some fame in their own right, for example William Crane Carl, Gerrit Smith, William C. Macfarlane, Frederick T. Steinway, and W.C. Hammond, and from colleagues and friends such as Dudley Buck, H. Clarence Eddy, H.E. Krehbiel, and Horatio Parker, Gustave Schirmer, and C. M. Widor. Among the programs in the collection are a chronological series (1874-1914) of church service bulletins that outline Warren's work at Holy Trinity Church and Grace Church in New York and First Presbyterian Church in East Orange, New Jersey; many of these items are annotated. The collection also contains important concert and recital programs from New York's major concert halls of the period. Noteworthy programs include those from: Carnegie Hall, featuring concerts of the Boston Symphony Orchestra, the Manuscript Society of New York, the Musical Art Society of New York, the Russian Symphony Society, and recitals by Paderewski; Chickering Hall, with programs featuring Hans von Bu ̈low, Vladimir de Pachmann, the Mendelssohn Glee Club, and the New York Vocal Union; and the Metropolitan Opera House, with performances by the Philharmonic Society of New York and the Damrosch Opera Company. Various other items are cataloged and classified separately: ML96.M97; ML96.L465; ML96.W36; and ML44.N3W17.

  7. 1994 Neptune Plaza Concert Series collection, 1994

    9 folders in 2 boxes (1 linear foot).. 4 sound tape reels : analog: 7 1⁄2 ips, 2 track, stereo; 10 inch.. 3 sound cassettes (DAT): digital.. 251 photographs : negatives, contact sheets, black and white.. 124 slides : color.. 9 photographic prints : black and white, color; various sizes.. 5 videocassettes (Hi-8): sound, color.. 3 videocassettes (VHS): sound, color; 1/2 in.. -- Archive of Folk Culture, American Folklife Center, Library of Congress, Washington, D.C.

    Summary:

    Manuscript materials, sound recordings, photographs, and moving images documenting the performance of Tibetan sacred music and dance; Tamburitza music from the Balkan Peninsula; Iroquois music; African American rhythm and blues quartet singing; gospel brass band music; bluegrass music; and Cuban mambo music recorded live outdoors on Neptune Plaza in front of the Thomas Jefferson Building, Library of Congress, at concerts from April through September 1994, sponsored by the American Folklife Center.