Search Results
8 finding aid(s) found containing the word(s) Schoenberg, Arnold, 1874-1951--Correspondence.
Aaron Copland collection, 1841-1991
around 400,000 items. 568 boxes. 306 linear feet. -- Music Division, Library of Congress, Washington, D.C.
Summary:
The Aaron Copland Collection consists of published and unpublished music by Copland and other composers, correspondence, writings, biographical material, datebooks, journals, professional papers including legal and financial material, photographs, awards, art work, and books. Of particular interest is the correspondence with Nadia Boulanger, which extent over 50 years, and with his long-time friend, Harold Clurman. Other significant correspondents are Leonard Bernstein, Paul Bowles, Benjamin Britten, Carlos Chávez, David Diamond, Roy Harris, Charles Ives, Claire Reis, Arnold Schoenberg, Roger Sessions, and Virgil Thomson. The photographic collection of Copland's friend and confidant Victor Kraft, a professional photographer, forms part of the collection.
Edward and Clara Steuermann collection, 1922-1981
approximately 2000 items. 46 boxes. 16 linear feet. -- Music Division, Library of Congress, Washington, D.C.
Summary:
Edward Steuermann (1892-1964) was a pianist, composer, and teacher; his wife Clara Steuermann (1922-1982) was a pianist and music librarian. The collection includes music manuscripts (holograph scores and sketches) and printed music, writings of Edward Steuermann, and correspondence of Edward and Clara Steuermann. The music includes most of Steuermann's compositions, his arrangements of works by Busoni, Poulenc, Schoenberg, Webern, and various 18th- and 19th-century composers, manuscript scores of works by, among others, Hans Eisler, Erich Itor Kahn, Earl Kim, and René Leibowitz, and printed music from the 18th through the 20th centuries, many with Steuermann's annotations. The correspondence includes letters between the Steuermanns and Arnold Schoenberg, Anton Webern, Ferruccio Busoni, Theodor Adorno, Rudolf and Lorna Kolisch, and René Leibowitz. Writings encompass manuscript and typescript essays by Edward Steuermann, lectures and speeches, program and liner notes, interview transcripts, and letters of recommendation for students and colleagues. Writings by others about Steuermann are also included. Other material includes printed programs, clippings, papers of the Edward Steuermann Memorial Society, financial and legal papers, photographs, and materials acquired by Clara Steuermann between 1974 and 1981 concerning the activities of the International Federation of Library Associations (IFLA).
Please note:
Some or all content stored offsite.
William Remsen Strickland collection, 1926-1991
8,600 items. 39 containers. 16.0 linear feet . -- Music Division, Library of Congress, Washington, D.C.
Summary:
This collection is comprised of materials related to the career of American conductor and composer William Remsen Strickland (1914-1991). It includes correspondence, concert programs, publicity materials, newspaper and magazine clippings, music manuscripts by Strickland and other composers, articles, speeches and notes, photographs, scrapbooks, datebooks, journals, and recordings.
Please note:
Some or all content stored offsite.
Rudolf Kolisch collection, 1921-1943
31 items. 1 container. 1 linear foot. -- Music Division, Library of Congress, Washington, D.C.
Summary:
Rudolf Kolisch was a Viennese-American violinist and string quartet player. The collection contains thirty-one items, principally holograph manuscript correspondence, that provide insight into the professional relationship between Kolisch and composers Arnold Schoenberg, Alban Berg, and Anton Webern. Included among these are two Berg manuscripts that present analysis and musical examples from his Lyric suite and String quartet, op. 3.
Modern Music archives, 1909-1983
around 810 items. 8 containers. 5.75 linear feet. Microfilm (93/20012 [MUS]--scrapbooks only). -- Music Division, Library of Congress, Washington, D.C.
Summary:
The League of Composers was founded in New York in 1923 to promote American composers and introduce audiences to the best in new music through high quality performances. Its quarterly journal, Modern Music, was published from 1924 to 1946, and edited by Minna Lederman Daniel. It is one of the most distinguished collections of criticism and scholarship concerning early twentieth-century musical arts. The archives contains materials documenting the cessation of the journal, correspondence, financial and budget documents, fundraising materials, clippings, committee meeting minutes, photographs and artwork, stage and costume designs, contemporary concert and festival programs, scrapbooks containing promotional materials, publications of the League, and writings by Lederman Daniel.
Elizabeth Sprague Coolidge Foundation collection, 1894-1953
56,680 items. 109 containers. 48.50 linear feet. -- Music Division, Library of Congress, Washington, D.C.
Summary:
Elizabeth Sprague Coolidge was a composer, pianist, and patron of music. In 1925, she created the Elizabeth Sprague Coolidge Foundation at the Library of Congress in support of chamber music. The collection contains Coolidge's correspondence to and from many of the prominent musical artists of the first half of the twentieth century. Extensive correspondence between Coolidge and Library of Congress librarians and administrators is also included. The remaining materials in the collection, including photographs, scrapbooks, business papers, programs, publicity materials, iconography, realia, and clippings, are available for research and will be incorporated into the finding aid at a later date. Music manuscripts of works commissioned by Elizabeth Sprague Coolidge or the Elizabeth Sprague Coolidge Foundation in the Library of Congress comprise a substantial portion of the collection and are cataloged individually.
Rose Marie Grentzer and Harold Spivacke Fund collection, 1615-1994
approximately 305 items. 9 containers. 4 linear feet. -- Music Division, Library of Congress, Washington, D.C.
Summary:
The Rose Marie and Harold Spivacke Fund Collection consists of materials purchased through an endowment that Rose Marie Spivacke established in 1982 at the behest of her husband, Harold Spivacke, who was chief of the Music Division at the Library of Congress from 1937 to 1972. The collection includes music manuscripts, printed scores, correspondence, clippings, and iconography.
Arnold Schoenberg correspondence and other papers, 1894-1959
approximately 6,600 items. 33 containers. 15 linear feet. -- Music Division, Library of Congress, Washington, D.C.
Summary:
Arnold Schoenberg (1874–1974) was a composer, music theorist, and educator known for developing the twelve-tone compositional technique. He was also a member of the Second Viennese School, along with Alban Berg and Anton Webern. The Arnold Schoenberg Correspondence and Other Papers consists chiefly of holograph and typescript correspondence between Schoenberg and other composers, conductors, organizations, record labels, music publishers, and family members. The collection also includes a small amount of clippings, programs, photographs, receipts, and other papers.