10 finding aid(s) found containing the word(s) Schuman, William, 1910-1992--Correspondence.

  1. Irving Fine collection, 1930-1993

    approximately 4,350 items. 21 boxes. 7 linear feet. -- Music Division, Library of Congress, Washington, D.C.

    Summary:

    Irving Fine was an American conductor, teacher, and composer whose works assimilated neoclassical, romantic, and serial elements. The bulk of the materials in the collection are musical scores and sketches which represent nearly his entire musical output. In addition, there are photographs, clippings, programs, and scrapbooks, as well as correspondence from twentieth-century musicians such as Leonard Bernstein, Aaron Copland, Lukas Foss, Alberto Ginastera, Ned Rorem, and William Schuman.

  2. Boris Koutzen collection, 1889-2005

    1,203 items. 24 containers. 8.5 linear feet. -- Music Division, Library of Congress, Washington, D.C.

    Summary:

    Violinist, composer, conductor and teacher. The collection contains printed and photocopied manuscript music scores, negative photostats and microfilm of holograph music, correspondence, clippings, writings, books, pamphlets, periodicals, programs, photographs, manuscript articles, typewritten journals, printed biographical sketches, bound and unbound scrapbooks, and a printed catalog of Koutzen's compositions. It also includes correspondence and music belonging to his daughter, Nadia Koutzen.

  3. Louise Talma papers, 1861-1998

    approximately 38,000 items. 160 containers. 81.5 linear feet. -- Music Division, Library of Congress, Washington, D.C.

    Summary:

    Louise Talma was an American composer, pianist, and teacher. She was a student of Nadia Boulanger and a long-time resident of Fontainebleau and the MacDowell Colony in Peterborough, New Hampshire. The collection consists of music manuscripts, harmony and teaching materials, correspondence, photographs, business papers, clippings, programs, publicity materials, writings, awards and other materials related to her career and her family's history.

    Please note:

    Some or all content stored offsite.

  4. Max Rudolf papers, 1922-1993

    approximately 4,500 items. 22 containers. 11.5 linear feet. -- Music Division, Library of Congress, Washington, D.C.

    Summary:

    Max Rudolf was a German-born American conductor and music educator. He is best known for his work with the Metropolitan Opera, the Cincinnati Symphony Orchestra, and the Curtis Institute of Music. The collection contains Rudolf's extensive correspondence with prominent 20th century musical figures, Metropolitan Opera annual files documenting his years with that organization, and a few photographs.

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    Some or all content stored offsite.

  5. Roman Totenberg papers, 1846-2011

    9,350 items . 100 containers. 45.5 linear feet. -- Music Division, Library of Congress, Washington, D.C.

    Summary:

    Roman Totenberg was a Polish-American violinist and teacher. The collection contains annotated music scores, correspondence, business files, biographical materials, photographs, programs, clippings and other materials that document his life and career as a twentieth-century master of the violin.

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    Some or all content stored offsite.

  6. Oliver Daniel papers, 1759-1997

    21,600 items. 80 containers. 52 linear feet. -- Music Division, Library of Congress, Washington, D.C.

    Summary:

    Oliver Daniel was an American arts administrator, musicologist, radio director and producer, and composer. The collection includes correspondence, manuscript and printed scores, photographs, programs, clippings, scrapbooks and periodicals.

  7. Andre Kostelanetz collection, 1922-1984

    approximately 150,000 items. 1291 containers. 400 linear feet. -- Music Division, Library of Congress, Washington, D.C.

    Summary:

    Andre Kostelanetz was a conductor, arranger, and pianist known for juxtaposing popular and classical repertoire in radio broadcasts and concert performances with some of the world's leading orchestras. He also commissioned several compositions which have since become staples in the orchestral repertoire, including works by Aaron Copland, William Schuman, and Jerome Kern. The collection consists of his musical arrangements, correspondence, business papers, programs, photographs, clippings, and scrapbooks, documenting his 50-plus-year career in the United States. It also includes materials related to the career of Kostelanetz's first wife, soprano Lily Pons.

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    Some or all content stored offsite.

  8. A.P. Schmidt Company archives, 1869-1958

    34,775 items. 514 containers. 280 linear feet. -- Music Division, Library of Congress, Washington, D.C.

    Summary:

    Arthur Paul Schmidt (1846-1921) was a German-born music publisher who pioneered the development and dissemination of American music. The A.P. Schmidt Company Archives documents his firm's publishing activites in Boston, Leipzig and New York, beginning with his tenure, through his successors, and until the firm was absorbed by Summy-Birchard in 1960. The Archives consists of the original manuscripts from which the music was printed, printed music, personal and corporate correspondence, photographs (primarily composers/arrangers), business records, plate books, publication books, stock and cash books.

  9. Dorothy Slepian Packer correspondence, 1945-1948

    approximately 50 items. 1 container. .5 linear feet. -- Music Division, Library of Congress, Washington, D.C.

    Summary:

    Dorothy Slepian Packer (1923-2014) was a musicologist, educator, and violinist from Boston, Massachusetts. The collection consists of Packer’s correspondence with prominent composers between 1945 and 1948. Significant writers and recipients include Samuel Barber, Mario Castelnuovo-Tedesco, Deems Taylor, Darius Milhaud, Morton Gould, William Grant Still, and Virgil Thomson.

  10. Leonard Bernstein collection, circa 1900-1995

    around 400,000 items. 1,723 boxes. 710 linear feet. -- Music Division, Library of Congress, Washington, D.C.

    Summary:

    Leonard Bernstein was an American composer, conductor, writer, lecturer, and pianist. The collection contains correspondence, photographs, writings, personal business papers, the archives from his corporate identity, Amberson Inc., scrapbooks, clippings and press materials, programs, datebooks and schedules, iconography, address books, and fan mail. In addition, it contains music manuscripts for many of his compositions, including The Age of Anxiety (Symphony no. 2); Candide; Chichester Psalms; Fancy Free; Jeremiah (Symphony no. 1); On the Waterfront; Prelude, Fugue and Riffs; Serenade after Plato's "Symposium"; Trouble in Tahiti; West Side Story; and Wonderful Town.

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    Access restrictions apply.

    Some or all content stored offsite.