108 finding aid(s) found containing the word(s) Scores.

  1. Laurindo Almeida papers, 1912-1995

    approximately 6,500 items ; 84 containers ; 35 linear feet. -- Music Division, Library of Congress, Washington, D.C.

    Summary:

    Laurindo Almeida was a Brazilian-American guitarist and composer. Often credited for contributions to the development of jazz samba, Almeida was a prolific composer and arranger of music for both classical Spanish guitar and popular guitar. He was an acclaimed recording artist and became the first person to win Grammy Awards for both classical and jazz performances. The collection contains manuscript and printed music, correspondence, publicity materials, sound and video recordings, photographs, and other items related to his distinguished career.

  2. Joan Hill tap notation collection, 1983-1989

    11 items ; 1 container ; 0.5 linear feet. -- Music Division, Library of Congress, Washington, D.C.

    Summary:

    Joan Armstrong Hill, pianist for tap master Leon Collins (1922-1985), developed a notation system to record Collins’s tap routines. The 11 self-published booklets explain the notation symbols and provide exercises and complete tap routines.

  3. Andre Kostelanetz collection, 1922-1984

    approximately 150,000 items. 1287 containers. 400 linear feet. -- Music Division, Library of Congress, Washington, D.C.

    Summary:

    Andre Kostelanetz was a conductor, arranger, and pianist known for juxtaposing popular and classical repertoire in radio broadcasts and concert performances with some of the world's leading orchestras. He also commissioned several compositions which have since become staples in the orchestral repertoire, including works by Aaron Copland, William Schuman, and Jerome Kern. The collection consists of his musical arrangements, correspondence, business papers, programs, photographs, clippings, and scrapbooks, documenting his 50-plus-year career in the United States. It also includes materials related to the career of Kostelanetz's first wife, soprano Lily Pons.

  4. Miriam Cole papers, 1923-1997

    1,430 items ; 5 containers ; 2.5 linear feet . -- Music Division, Library of Congress, Washington, D.C.

    Summary:

    Miriam "Mimi" Cole (1926-2012) was an American dancer and choreographer who performed solo as well as with the Martha Graham Dance Company and other contemporaries. The Miriam Cole Papers consists primarily of programs; clippings, articles, and scrapbook pages; photographs; music for her choreography; and contracts. Much of the material relates to Cole's association with the Graham company: photographs, programs, articles, and other items documenting the Graham European tour in 1954 are especially plentiful.

  5. Max Roach papers, 1880-2012

    approximately 98,750 items. 195 containers. 122 linear feet. -- Music Division, Library of Congress, Washington, D.C.

    Summary:

    Max Roach was an American jazz drummer, composer, educator, and activist. The collection includes music manuscripts, writings, correspondence, business papers, photographs, programs, sound recordings, and other materials related to his career. It also contains a variety of materials pertaining to vocalist Abbey Lincoln and countless other jazz artists, including Miles Davis, Dizzy Gillespie, Charles Mingus, and Charlie Parker.

  6. Jane Dudley papers, 1909-2001

    Approximately 1,230 items ; 11 boxes ; 9.5 linear feet. -- Music Division, Library of Congress, Washington, D.C.

    Summary:

    Jane Dudley was an American dancer and choreographer known early in her career for her work with the Martha Graham Company, the New Dance Group, and as a co-founder of the Dudley-Maslow-Bales Trio. She went on to serve as artistic director of the Batsheva Dance Company in Israel before joining the faculty of the London School of Contemporary Dance. Her papers primarily consist of clippings, correspondence, musical scores, photographs, and programs related to her professional life.

  7. Les Paul papers, 1904-2000

    5,900 items ; 42 containers ; 21 linear feet. -- Music Division, Library of Congress, Washington, D.C.

    Summary:

    Les Paul was a Grammy-winning musician and inventor known for his virtuosic guitar playing, pioneering of multitrack recording, and invention of the solid-body electric guitar. His inventions left an indelible impact on the music industry. In addition to live concerts he performed on the radio and on television, notably with his second wife, singer and guitarist Mary Ford. The Les Paul Papers contain music arranged for Les Paul's ensembles by himself or others and printed sheet music of popular songs. The collection also contains publicity materials, business papers, schematics, scripts, brochures, photographs, and correspondence.

  8. American Ballet Theatre archive, 1940-2014

    6,333 items ; 54 containers ; 22 linear feet. -- Music Division, Library of Congress, Washington, D.C.

    Summary:

    American Ballet Theatre (ABT), established in 1940 as Ballet Theatre, is recognized as one of the world's largest and most distinguished dance companies. By act of Congress on April 27, 2006, ABT became America's National Ballet Company. The archive includes music scores, choreographic notes and Benesh dance notation scores, correspondence, business papers, scrapbooks, programs, clippings, photographs, posters, video recordings and films, and prints and drawings, including set and costume designs. Note: the 54 boxes of processed photographs and dance notation described in this partial finding aid represent less than a quarter of the materials in the collection. An inventory of the entire collection is available in the Music Division's Performing Arts Reading Room.

  9. David Diamond papers, 1915-2003

    approximately 48,450 items. 279 containers. 125 linear feet. -- Music Division, Library of Congress, Washington, D.C.

    Summary:

    David Diamond was an award-winning American-Jewish composer and prominent symphonist of the mid-twentieth century. A former student of Roger Sessions and Nadia Boulanger, Diamond ultimately composed eleven symphonies and countless other chamber and vocal works, such as his influential Symphony no. 4 (1945), Elegy in memory of Maurice Ravel (1938), and Rounds (1944). His social circle of musical personalities included Leonard Bernstein, Serge Koussevitzky, Lukas Foss, Maurice Ravel, Igor Stravinsky, Dimitri Mitropoulos, and other prominent composers, many of whom are represented in the collection. As a longtime faculty member of The Juilliard School, Diamond also shaped and inspired subsequent generations of American composers. The collection includes music manuscripts, correspondence, writings, photographs, financial and legal documents, and other materials that document his private and professional life.

  10. American Ballet Caravan music scores, 1935-1947

    180 items ; 8 containers ; 3.75 linear feet. -- Music Division, Library of Congress, Washington, D.C.

    Summary:

    The collection of American Ballet Caravan Music Scores consists of full scores, parts, piano rehearsal and vocal scores for six ballets, at least two of them unrealized, for Lincoln Kirstein's dance company, which he founded in 1936. Three of the six ballets were commissioned by Kirstein during the Caravan's tour to Latin America in 1941. The works are Pastorela (Paul Bowles); Soirées musicale (Benjamin Britten, arranged for two pianos by Brian Easdale); Estancia (Alberto E. Ginastera); Fantasias Brasileiras: no. 4, for piano and orchestra (Francisco Paulo Mignone); Cinco Piezas Brevas for string orchestra, op. 14 (Domingo Santa Cruz); Juke Box (Alec Wilder); and Concerto for two violins and orchestra (J. S. Bach, arranged for two pianos by Stefan Wolpe).