2 finding aid(s) found containing the word(s) Sea songs--United States.

  1. James Madison Carpenter collection, 1928-1987

    29.5 linear feet. 58 boxes, 21,044 items in collection. 19,417 manuscript items (12 linear feet manuscripts), 397 sound recordings [178 wax cylinders and 221 12-inch acetate discs], 180 cylinder containers, 1233 graphic materials (40 ink-and-pencil drawings, with 10 of these in color; 352 black-and-white film negatives, 17 color slides [positive transparencies], 1 black-and- white contact sheet, 592 black-and-white photographic prints, 4 color photographic prints, 112 black-and-white glass negatives, and 115 glass positives). -- American Folklife Center, Library of Congress, Washington, D.C.

    Summary:

    The James Madison Carpenter Collection consists of manuscript materials, sound recordings, and graphic materials that document folk songs, ballads, sea songs, folk music, dance, and British folk drama. The materials span the years 1928-1955, with some related material generated by other scholars dated 1972 and 1987. The bulk of the material was collected between 1928-1935 by Carpenter during fieldwork in England, Scotland, and Wales; other material was collected in the United States between 1937 and 1941 by Carpenter and his Duke University students.

  2. Sam Eskin collection, 1939-1969

    56.5 linear feet. 16,568 items (15,795 manuscripts, 716 sound recordings, and 57 graphic materials). -- American Folklife Center, Library of Congress, Washington, D.C.

    Summary:

    Collection consists of manuscripts, field recordings, photographs, and ephemera documenting folk music and folk music revivals in the United States, Canada, and Mexico from 1938 to 1966; plus manuscripts and field recordings of mostly unidentified artists performing folk music in Jamaica, Cuba, England, Scotland, Ireland, Spain, Sweden, Israel, Lebanon, Syria, Morocco, Hong Kong, Philippines, India, and Thailand from 1953 to 1969 collected by Sam Eskin. Manuscript materials include correspondence, transcriptions of songs and lyrics, folk festival programs and flyers, a Japanese song book, Eskin's lecture notes, and his collection of bawdy songs and limericks.

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