3 finding aid(s) found containing the word(s) Sound recordings--Production and direction--United States.

  1. Laurindo Almeida papers, 1912-1995

    approximately 6,500 items ; 84 containers ; 35 linear feet. -- Music Division, Library of Congress, Washington, D.C.

    Summary:

    Laurindo Almeida was a Brazilian-American guitarist and composer. Often credited for contributions to the development of jazz samba, Almeida was a prolific composer and arranger of music for both classical Spanish guitar and popular guitar. He was an acclaimed recording artist and became the first person to win Grammy Awards for both classical and jazz performances. The collection contains manuscript and printed music, correspondence, publicity materials, sound and video recordings, photographs, and other items related to his distinguished career.

  2. Andre Kostelanetz collection, 1922-1984

    approximately 150,000 items. 1287 containers. 400 linear feet. -- Music Division, Library of Congress, Washington, D.C.

    Summary:

    Andre Kostelanetz was a conductor, arranger, and pianist known for juxtaposing popular and classical repertoire in radio broadcasts and concert performances with some of the world's leading orchestras. He also commissioned several compositions which have since become staples in the orchestral repertoire, including works by Aaron Copland, William Schuman, and Jerome Kern. The collection consists of his musical arrangements, correspondence, business papers, programs, photographs, clippings, and scrapbooks, documenting his 50-plus-year career in the United States. It also includes materials related to the career of Kostelanetz's first wife, soprano Lily Pons.

  3. Serge Koussevitzky archive, 1880-1978

    around 200,000 items ; 505 containers ; 224 linear feet. -- Music Division, Library of Congress, Washington, D.C.

    Summary:

    Serge Koussevitzky was a Russian-born conductor, composer, and double bassist. The archive includes correspondence, personal and business papers, photographs, writings, clippings, scrapbooks, programs, and other materials which serve as a record of Koussevitzky's life and career, and document some of the most significant aspects of twentieth-century music. Through his work as a conductor and publisher, and his efforts to commission new musical works, Koussevitzky maintained deep ties with many of the finest composers and musicians of the day. These figures are represented in their personal and professional affiliations with the conductor. The collection extensively chronicles periods in the history of organizations such as the Boston Symphony Orchestra and the Berkshire Music Center, the Koussevitzky Music Foundation, and the American International Music Fund. Material in the collection dates from Koussevitzky's years in his native Russia and also contains material created after Koussevitzky's death, reflecting his widow Olga's continuing work with various organizations and projects. Musical compositions commissioned by Serge Koussevitzky are part of the Serge Koussevitzky Music Foundation Collection, and are shelved in ML30.3c, ML30.3c2, ML30.3c3, and ML30.3e2.