11 finding aid(s) found containing the word(s) Stravinsky, Igor, 1882-1971--Correspondence.

  1. Serge Koussevitzky archive, 1880-1978

    around 200,000 items. 505 containers. 224 linear feet. -- Music Division, Library of Congress, Washington, D.C.

    Summary:

    Serge Koussevitzky was a Russian-born conductor, composer, and double bassist. The archive includes correspondence, personal and business papers, photographs, writings, clippings, scrapbooks, programs, and other materials which serve as a record of Koussevitzky's life and career, and document some of the most significant aspects of twentieth-century music. Through his work as a conductor and publisher, and his efforts to commission new musical works, Koussevitzky maintained deep ties with many of the finest composers and musicians of the day. These figures are represented in their personal and professional affiliations with the conductor. The collection extensively chronicles periods in the history of organizations such as the Boston Symphony Orchestra and the Berkshire Music Center, the Koussevitzky Music Foundation, and the American International Music Fund. Material in the collection dates from Koussevitzky's years in his native Russia and also contains material created after Koussevitzky's death, reflecting his widow Olga's continuing work with various organizations and projects. Musical compositions commissioned by Serge Koussevitzky are part of the Serge Koussevitzky Music Foundation Collection, and are shelved in ML30.3c, ML30.3c2, ML30.3c3, and ML30.3e2.

  2. George and Böske Antheil papers, circa 1875-1984

    approximately 6,500 items. 44 containers. 17.5 linear feet. -- Music Division, Library of Congress, Washington, D.C.

    Summary:

    George Antheil was a composer, pianist, author and inventor. The collection consists of materials related to the professional and personal activities of George Antheil and his wife, Elizabeth (Böske) Antheil. It contains holograph music manuscripts, printed scores, published and unpublished writings, business and personal correspondence, subject files, photographs, programs and promotional materials, scrapbooks, artwork, biographical materials, and memorabilia which document the life of this influential composer and his family.

  3. Minna Lederman Daniel collection, 1896-1993

    around 21,000 items. 24 containers. 12.5 linear feet. -- Music Division, Library of Congress, Washington, D.C.

    Summary:

    Minna Lederman Daniel was an American writer and editor who specialized in music and dance. A major influence on 20th century music, she was a founding member of the League of Composers, a group of musicians and proponents of modern music. She helped launch the League’s magazine, The League of Composers’ Review (later called Modern Music), which was the first American journal to manifest an interest in contemporary composers. The collection contains her correspondence, financial and legal papers, writings, clippings, and photographs.

    Please note:

    Some or all content stored offsite.

  4. George Antheil correspondence with Mary Louise Curtis Bok, 1921-1940

    approximately 500 items. 3 containers. 2.0 linear feet. -- Music Division, Library of Congress, Washington, D.C.

    Summary:

    George Antheil was a composer, pianist, author, and inventor. He first gained fame and notoriety in the 1920s for his mechanistic compositions. This collection principally consists of letters between George Antheil and his longtime patron, Mary Louise Curtis Bok. Other items include several writings by Antheil, photographs of his staged works, promotional materials, and clippings.

  5. Louise Talma papers, 1861-1998

    approximately 38,000 items. 160 containers. 81.5 linear feet. -- Music Division, Library of Congress, Washington, D.C.

    Summary:

    Louise Talma was an American composer, pianist, and teacher. She was a student of Nadia Boulanger and a long-time resident of Fontainebleau and the MacDowell Colony in Peterborough, New Hampshire. The collection consists of music manuscripts, harmony and teaching materials, correspondence, photographs, business papers, clippings, programs, publicity materials, writings, awards and other materials related to her career and her family's history.

    Please note:

    Some or all content stored offsite.

  6. Harold Spivacke collection, 1923-1984

    approximately 3,900 items. 33 containers. 13 linear feet. -- Music Division, Library of Congress, Washington, D.C.

    Summary:

    Harold Spivacke was a music librarian, administrator, musicologist, and musician. He was chief of the Library of Congress Music Division for thirty-five years, from 1937 until 1972. The collection contains materials relating to his life and career, including correspondence, student notebooks, speeches, his dissertation, photographs, clippings, programs, manuscript and printed music, artwork, awards and honorary degrees, and business papers.

  7. Lukas Foss papers, circa 1926-2000

    approximately 5,000 items. 39 containers. 18.5 linear feet. -- Music Division, Library of Congress, Washington, D.C.

    Summary:

    Lukas Foss was an American composer, conductor, pianist, and educator. The collection, which documents his life and career, consists of music holograph manuscript scores and parts, sketches, correspondence, business papers, programs, clippings, promotional materials, contracts, and financial documents.

    Please note:

    Some or all content stored offsite.

  8. Claudio Spies papers, 1939-2012

    approximately 750 items. 22 containers. 9 linear feet. -- Music Division, Library of Congress, Washington, D.C.

    Summary:

    Claudio Spies (b. 1925) is an American composer, conductor and educator of Chilean birth. He is known for his close, multi-decade affiliation with Igor Stravinsky. The collection, which documents his professional career, is divided into two series: manuscript and printed music, by Spies and Stravinsky; and subject files, which include correspondence, interview notes, clippings, publicity materials, financial and legal documents, and writings.

    Please note:

    Some or all content stored offsite.

  9. Robert Craft collection on Igor Stravinsky, 1912-1966

    Approximately 300 items. 24 containers. 12.4 linear feet. -- Music Division, Library of Congress, Washington, D.C.

    Summary:

    The Robert Craft Collection on Igor Stravinsky consists of music by composer and conductor Igor Stravinsky, primarily scores and parts in the form of publisher proofs, ozalid copies, or other photo reproductions. Most items are annotated by Stravinsky with his corrections, conducting markings, or both. Some parts contain annotations by performers. The bulk of the music dates from the middle of Stravinsky’s neoclassical period in the 1940s and his serial period, which began in the 1950s and continued to the end of his life. Robert Craft became Stravinsky’s music assistant after meeting the composer in 1948. This collection is part of the music and recordings he amassed through their association.

  10. Rose Marie Grentzer and Harold Spivacke Fund collection, 1615-1994

    approximately 300 items. 7 containers. 3 linear feet. -- Music Division, Library of Congress, Washington, D.C.

    Summary:

    The Rose Marie and Harold Spivacke Fund Collection consists of materials purchased through an endowment that Rose Marie Spivacke established in 1982 at the behest of her husband, Harold Spivacke, who was chief of the Music Division at the Library of Congress from 1937 to 1972. The collection includes music manuscripts, printed scores, correspondence, clippings, and iconography.