17 finding aid(s) found containing the word(s) Stravinsky, Igor, 1882-1971.

  1. Harper's magazine records, 1847-1983

    255,000 items. 701 containers. 290 linear feet. -- Manuscript Division, Library of Congress, Washington, D.C.

    Summary:

    Editorial, production, and business records including correspondence, reports, drafts of articles, and galleys for monthly issues of Harper's Magazine, a compendium of social commentary, news, history, criticism, poetry and fiction.

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    Some or all content stored offsite.

  2. Robert Craft collection on Igor Stravinsky, 1912-1966

    Approximately 300 items. 24 containers. 12.4 linear feet. -- Music Division, Library of Congress, Washington, D.C.

    Summary:

    The Robert Craft Collection on Igor Stravinsky consists of music by composer and conductor Igor Stravinsky, primarily scores and parts in the form of publisher proofs, ozalid copies, or other photo reproductions. Most items are annotated by Stravinsky with his corrections, conducting markings, or both. Some parts contain annotations by performers. The bulk of the music dates from the middle of Stravinsky’s neoclassical period in the 1940s and his serial period, which began in the 1950s and continued to the end of his life. Robert Craft became Stravinsky’s music assistant after meeting the composer in 1948. This collection is part of the music and recordings he amassed through their association.

  3. David Diamond papers, 1915-2003

    approximately 48,450 items. 279 containers. 125 linear feet. -- Music Division, Library of Congress, Washington, D.C.

    Summary:

    David Diamond was an award-winning American-Jewish composer and prominent symphonist of the mid-twentieth century. A former student of Roger Sessions and Nadia Boulanger, Diamond ultimately composed eleven symphonies and countless other chamber and vocal works, such as his influential Symphony no. 4 (1945), Elegy in memory of Maurice Ravel (1938), and Rounds (1944). His social circle of musical personalities included Leonard Bernstein, Serge Koussevitzky, Lukas Foss, Maurice Ravel, Igor Stravinsky, Dimitri Mitropoulos, and other prominent composers, many of whom are represented in the collection. As a longtime faculty member of The Juilliard School, Diamond also shaped and inspired subsequent generations of American composers. The collection includes music manuscripts, correspondence, writings, photographs, financial and legal documents, and other materials that document his private and professional life.

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  4. Hans Heinsheimer papers, 1900-2005

    approximately 4,300 items. 33 containers. 15 linear feet. -- Music Division, Library of Congress, Washington, D.C.

    Summary:

    Hans Walter Heinsheimer was a music publisher, author, and journalist. As a publisher and promoter, he worked with many composers, including Béla Bartók, Igor Stravinsky, Samuel Barber, Aaron Copland, Zoltán Kodály, George Antheil, Leonard Bernstein, Alban Berg, Leoš Janáček, and Ernst Krenek. The correspondence, photographs, writings, and subject files in this collection help record his instigation of, participation in, or presence at many significant events regarding music of the twenty-first century. The scrapbooks document the reception each of his three books received upon publication.

  5. Don Christlieb photographs, 1940s-1980s

    32 items. 1 box. 0.25 linear feet. -- Music Division, Library of Congress, Washington, D.C.

    Summary:

    Don Christlieb (1912-2001) was an orchestral bassoonist, chamber musician, and innovative reed maker. He performed on more than 700 movie scores during the "Golden Age of Hollywood" as an employee of movie studios, namely 20th Century Fox. Christlieb was also an artist and photographer who frequently depicted his colleagues in his work. The collection consists of 32 prints made from his original photographs.

  6. McKim Fund collection, 1929-2021

    approximately 200 items. 14 containers plus bound items. 21 linear feet. -- Music Division, Library of Congress, Washington, D.C.

    Summary:

    The Leonora Jackson and William Duncan McKim Fund at the Library of Congress was established in 1970 to commission works for violin and piano, sponsor a series of concerts at the Library of Congress, and to purchase letters by prominent composers. The collection includes scores for the commissioned musical works, programs from the sponsored concerts, and all purchased letters. Newly commissioned materials will be added to the finding aid as they are received.

  7. Elizabeth Severn and Margaret Severn papers, 1880-1994

    5,600 items. 16 containers plus 1 oversize; 209 digital files (6.34 GB). 6.8 linear feet. -- Manuscript Division, Library of Congress, Washington, D.C.

    Summary:

    Elizabeth Severn, psychotherapist, author, and psychoanalytic patient of Sándor Ferenczi; and her daughter, Margaret Severn, ballet dancer and vaudeville performer. Correspondence, writings, printed matter, and photographs concerning Elizabeth Severn's private life and her career as a psychotherapist. Correspondence, writings, art work, printed matter, photographs, and digital files relating to Margaret Severn's life as a dancer in New York theaters, in traveling vaudeville shows in the 1920s, and with European ballet companies in the 1930s.

  8. Serge Koussevitzky archive, 1880-1978

    around 200,000 items. 505 containers. 224 linear feet. -- Music Division, Library of Congress, Washington, D.C.

    Summary:

    Serge Koussevitzky was a Russian-born conductor, composer, and double bassist. The archive includes correspondence, personal and business papers, photographs, writings, clippings, scrapbooks, programs, and other materials which serve as a record of Koussevitzky's life and career, and document some of the most significant aspects of twentieth-century music. Through his work as a conductor and publisher, and his efforts to commission new musical works, Koussevitzky maintained deep ties with many of the finest composers and musicians of the day. These figures are represented in their personal and professional affiliations with the conductor. The collection extensively chronicles periods in the history of organizations such as the Boston Symphony Orchestra and the Berkshire Music Center, the Koussevitzky Music Foundation, and the American International Music Fund. Material in the collection dates from Koussevitzky's years in his native Russia and also contains material created after Koussevitzky's death, reflecting his widow Olga's continuing work with various organizations and projects. Musical compositions commissioned by Serge Koussevitzky are part of the Serge Koussevitzky Music Foundation Collection, and are shelved in ML30.3c, ML30.3c2, ML30.3c3, and ML30.3e2.

  9. George and Böske Antheil papers, circa 1875-1984

    approximately 6,500 items. 44 containers. 17.5 linear feet. -- Music Division, Library of Congress, Washington, D.C.

    Summary:

    George Antheil was a composer, pianist, author and inventor. The collection consists of materials related to the professional and personal activities of George Antheil and his wife, Elizabeth (Böske) Antheil. It contains holograph music manuscripts, printed scores, published and unpublished writings, business and personal correspondence, subject files, photographs, programs and promotional materials, scrapbooks, artwork, biographical materials, and memorabilia which document the life of this influential composer and his family.

  10. Minna Lederman Daniel collection, 1896-1993

    around 21,000 items. 24 containers. 12.5 linear feet. -- Music Division, Library of Congress, Washington, D.C.

    Summary:

    Minna Lederman Daniel was an American writer and editor who specialized in music and dance. A major influence on 20th century music, she was a founding member of the League of Composers, a group of musicians and proponents of modern music. She helped launch the League’s magazine, The League of Composers’ Review (later called Modern Music), which was the first American journal to manifest an interest in contemporary composers. The collection contains her correspondence, financial and legal papers, writings, clippings, and photographs.

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    Some or all content stored offsite.