Search Results

1. Irving Fine collection, 1930-1993

   approximately 4,350 items. 21 boxes. 7 linear feet. -- Music Division, Library of Congress, Washington, D.C.

   Summary:

   Irving Fine was an American conductor, teacher, and composer whose works assimilated neoclassical, romantic, and serial elements. The bulk of the materials in the collection are musical scores and sketches which represent nearly his entire musical output. In addition, there are photographs, clippings, programs, and scrapbooks, as well as correspondence from twentieth-century musicians such as Leonard Bernstein, Aaron Copland, Lukas Foss, Alberto Ginastera, Ned Rorem, and William Schuman.

2. Milton Babbitt music sketches, 1899-2006

   approximately 765 items. 21 containers. 7 linear feet. -- Music Division, Library of Congress, Washington, D.C.

   Summary:

   Milton Babbitt was an American composer, mathematician, music theorist, and teacher best known for his innovations in the fields of serial and electronic music. The collection primarily consists of holograph sketches for original compositions by Babbitt, including his highly-regarded Philomel (1964), Reflections (1966), and Quintet for clarinet and strings (1997). Also included is a selection of correspondence and an inventory of his book library.

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   Some or all content stored offsite.

3. Record newsletters and catalogs from the Edward J. Smith papers, 1958-1981

   approximately 157 items. 1 container. 0.21 linear feet. -- Recorded Sound Research Center, National Audio-Visual Conservation Center, Library of Congress, Washington, D.C.

   Summary:

   Record producer. Primarily newsletters detailing recordings from Edward J. Smith's various record labels.

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   Access restrictions apply.

4. William A. Newland and Charles Zeuner collection of music, circa 1735-circa 1900

   around 2,000 items. 58 boxes. 20 linear feet. -- Music Division, Library of Congress, Washington, D.C.

   Summary:

   Primarily music (printed and manuscript) for piano, 2 or 4 hands, and songs, with a concentration in sacred vocal works in Latin and English. (The music in Latin may represent the only known source of pre-Cäcilienverein 19th-century American Catholic Church music.) Composers range from Mozart and Rossini to George F. Root and Oliver Shaw. The collection contains the largest extant source of music by Charles Zeuner which was purchased by Newland after Zeuner's death.

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   Some or all content stored offsite.

5. Hodges family collection, circa 1790-circa 1909

   around 430 items. 64 boxes. 16 linear feet. -- Music Division, Library of Congress, Washington, D.C.

   Summary:

   The collection contains manuscript and printed music, writings, and other materials compiled and collected by Edward Hodges and subsequently by his son, John Sebastian Bach Hodges. Noteworthy among Edward Hodges' writings are the Annuary, an attempt in later life to depict his earlier life, and documents relating to the design and construction of the 1846 Erben organ at Trinity Church in New York. Music scores and sketches of the collection may well be the largest extant source of Hodges' manuscript music, including both original music and transcriptions and arrangements of the works of others, mostly intended for performance during religious services. In addition, the collection includes manuscript and printed scores for the works of two of Edward Hodges' children, Faustina Hasse Hodges and John Sebastian Bach Hodges. Sacred music in the collection not composed by Hodges family members provides insight into the kind of music that was typically performed in Episcopal churches in this country during the 19th and early 20th centuries: chants, psalm and hymn tunes, litanies, introits, offertories, oratorios, etc. Especially interesting are the Breitkopf & Härtel publications of Haydn's Die Worte des Erlösers am Kreuze from 1801 and an early publication of Beethoven's Christus am Oldberge. Among the scores of secular music, John Stafford Smith's Musica Antiqua (London, 1812), an anthology of music from the 13th through the 18th centuries, is particularly noteworthy, as is Chant lyrique pour l'inauguration de la statue votée à sa Majesté l'empereur et roi by Etienne Méhul. The collection also includes sixteen volumes of late 18th and 19th century sheet music that were presumably compiled by one or more members of the Hodges family.

6. George Crumb papers, 1944-2022

   approximately 7,800 items. 71 containers. 48 linear feet. 5,600 digital files (1.2 TB). -- Music Division, Library of Congress, Washington, D.C.

   Summary:

   George Crumb was a Pulitzer Prize-winning American composer who was long associated with the University of Pennsylvania. The collection consists of holograph manuscript scores and sketches, correspondence, business papers, subject files, and a series of meticulously assembled scrapbooks that chronicle Crumb's career as a composer.

7. David Lewin papers, 1945-2011

   7,011 items. 67 containers. 29.4 linear feet. -- Music Division, Library of Congress, Washington, D.C.

   Summary:

   David Lewin was an American music theorist, teacher, composer, and musician. The papers primarily relate to his career as a teacher and theorist, and to his work as a composer. They include writings, academic and course materials, printed and manuscript scores, correspondence, computer music materials, programs, clippings, and conference materials.

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   Some or all content stored offsite.

8. Theodore Presser Company archive, 1814-2019

   approximately 300,000 items. 1,708 containers. 794 linear feet. -- Music Division, Library of Congress, Washington, D.C.

   Summary:

   The Theodore Presser Company Archive contains not only business records and music published by the Theodore Presser Company, but also that of the publishing companies they acquired, including the Oliver Ditson Company and John Church Company and their subsidiaries. The music includes manuscripts, annotated galley proofs, and printed music for solo instruments and voices, chamber ensembles, choirs, band, and orchestra. Catalogs and indices, correspondence, financial and legal records, photographs, and other administrative files comprise the business records. Please note that some words typically used in song titles do not match the language preferred by members of the communities to which they refer.

9. 1994 Neptune Plaza Concert Series collection, 1994

   9 folders in 2 boxes (1 linear foot).. 4 sound tape reels : analog: 7 1⁄2 ips, 2 track, stereo; 10 inch.. 3 sound cassettes (DAT): digital.. 251 photographs : negatives, contact sheets, black and white.. 124 slides : color.. 9 photographic prints : black and white, color; various sizes.. 5 videocassettes (Hi-8): sound, color.. 3 videocassettes (VHS): sound, color; 1/2 in.. -- American Folklife Center, Library of Congress, Washington, D.C.

   Summary:

   Manuscript materials, sound recordings, photographs, and moving images documenting the performance of Tibetan sacred music and dance; Tamburitza music from the Balkan Peninsula; Iroquois music; African American rhythm and blues quartet singing; gospel brass band music; bluegrass music; and Cuban mambo music recorded live outdoors on Neptune Plaza in front of the Thomas Jefferson Building, Library of Congress, at concerts from April through September 1994, sponsored by the American Folklife Center.

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   Some or all content stored offsite.

10. Randolph S. Rothschild collection, 1942-1992

    approximately 225 items. 11 boxes. 6 linear feet. -- Music Division, Library of Congress, Washington, D.C.

    Summary:

    The Randolph S. Rothschild Collection consists primarily of music and accompanying correspondence, programs, and reviews. The majority of the music in the collection is facsimile scores of compositions commissioned by the Chamber Music Society of Baltimore and the Baltimore Symphony Orchestra from American composers such as Milton Babbitt, Henry Cowell, Ross Lee Finney, Lukas Foss, Ernst Krenek, Roger Reynolds, Christopher Rouse, Gunther Schuller, and Charles Wuorinen. Many of these scores are inscribed to Rothschild and signed by the composers, and a few include programs and reviews of the concerts at which they were performed.