57 finding aid(s) found containing the word(s) Vocal scores.

  1. Richard Rodgers collection, 1917-1980

    around 2,700 items. 45 boxes. 20 linear feet. -- Music Division, Library of Congress, Washington, D.C.

    Summary:

    The collection primarily consists of Rodgers' music holographs--sketches, vocal scores (many with lyric sheets) and short scores. In addition, the collection includes full scores for eight of the Rodgers and Hammerstein shows. The collection also includes a small number of programs, photographs, miscellaneous papers, and other items.

  2. Jerome Kern collection, 1905-1951

    approximately 7,470 items. 102 boxes. 45 linear feet. -- Music Division, Library of Congress, Washington, D.C.

    Summary:

    The collection consists primarily of Kern's show music and holograph sketches, most of which are manuscript full and vocal scores of Kern's orchestrators and arrangers, especially Frank Saddler and Robert Russell Bennett. Film and other music is also represented, as well as a small amount of correspondence.

  3. Alberto Nepomuceno collection, 1887-1988

    approximately 150 items. 6 boxes. 3 linear feet. -- Music Division, Library of Congress, Washington, D.C.

    Summary:

    Alberto Nepomuceno was a Brazilian composer, conductor, and teacher. The collection consists primarily of scores, most of which are photocopies of holographs, including two operas, nine orchestral, and twelve chamber and solo works, as well as approximately forty songs and other vocal works. In addition, the collection contains several photographs of the composer and his wife and other printed materials.

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    Some or all content stored offsite.

  4. Harold Bauer collection, 1886-1951

    approximately 1,250 items. 18 boxes. 10 linear feet. -- Music Division, Library of Congress, Washington, D.C.

    Summary:

    Harold Bauer was an English violinist and pianist, teacher, and music editor who corresponded with many musical luminaries of his day, including Ernest Bloch, Nadia Boulanger, Pablo Casals, Gabriel Fauré, Percy Grainger, Jascha Heifetz, Josef Hofmann, Gustav Holst, Vincent d'Indy, Fritz Kreisler, Charles Martin Loeffler, Pierre Monteux, Moritz Moszkowski, Vladimir de Pachmann, Ignace Jan Paderewski, Isidore Philipp, Henry Prunières, Carl Ruggles, Carlos Salzedo, Gustave Schirmer, Leopold Stokowski, and Efrem Zimbalist. The collection contains manuscript and printed scores, correspondence, writings, clippings, programs and publicity materials, awards, photographs, artwork, and other items related to his life and career.

  5. National Flute Association, Inc. archives, 1898-2012

    approximately 33,055 items. 127 boxes. 60 linear feet. -- Music Division, Library of Congress, Washington, D.C.

    Summary:

    The National Flute Association, Inc. Archives primarily comprises the correspondence and working papers of elected officers, committee members, and other volunteers serving the The National Flute Association from 1970-2012. Included are business papers of the Executive Offices, manuscript and printed music, donations to the organization from individual members, publications by the association, awards and commissions, and material regarding the association's annual conventions. An addition to the collection includes the papers of flutist, composer, and arranger Arÿ van Leeuwen and dates from 1898 to 1957.

  6. Damrosch - Tee Van collection, 1856-1969

    approximately 600 items. 10 boxes. 8 linear feet. -- Music Division, Library of Congress, Washington, D.C.

    Summary:

    The Damrosch-Tee Van Collection consists of the papers of violinist, conductor, and composer Leopold Damrosch; his son Frank, who was also a conductor; and and their families. The collection includes biographical materials, correspondence, writings, manuscript and printed music, financial and legal papers, programs, scrapbooks, artwork, and photographs. The papers of Leopold Damrosch consist of correspondence, a few examples of writings, four scores, and biographical materials. The papers of Frank Damrosch and other Damrosch family members primarily contain correspondence, but also include music, writings, subject files, legal documents, iconography, and files related to the Institute of Musical Art.

  7. Mannes - Damrosch collection, 1848-1986

    approximately 1,800 items. 41 containers. 15 linear feet. -- Music Division, Library of Congress, Washington, D.C.

    Summary:

    Includes biographical materials, correspondence, writings, music, programs, clippings, artwork, photographs, awards, and other materials. Biographical materials include a copy of autobiography of Leopold Damrosch and memoirs of Marie von Heimburg, the aunt of Clara, Frank, and Walter Damrosch. Both items also exist in Damrosch-Tee Van Collection and Damrosch-Blaine Collection. The correspondence consists of letters between members of the Mannes and Damrosch families and other important correspondents, including Percy Goetschius, Franz Lizst (translation from the original), Daniel Gregory Mason, Sergei Rachmaninoff, John D. Rockefeller, Arthur Schnabel, Randall Thompson, and others. The writings contain primarily numerous literary works by Marya Mannes and articles by Leopold Damrosch, Clara Damrosch Mannes, Leopold Mannes. The music consists of holograph scores, parts, and sketches of compositions by Leopold Damrosch. Also included are manuscript copies of works by Heinrich Gottwald, holograph scores of Edmund Singer, and songs by Leopold Mannes. The Photographs consist of photoprints and 28 albums of photoprints chiefly related to Mannes and Damrosch families. The artwork includes portraits of various members of the Mannes and Damrosch families, sketches by Clara Damrosch Mannes, and photographic reproductions of sculptures of Marya Mannes.

  8. Cole Porter collection, 1912-1957

    2,700 items. 28 containers. 12 linear feet. -- Music Division, Library of Congress, Washington, D.C.

    Summary:

    Cole Porter was an American composer and songwriter for the musical theater. The collection primarily consists of music manuscripts, including holograph sketches and printed and manuscript piano-vocal scores, of Porter's music, mostly from his later works. Eighteen shows are represented, including film versions of stage works. Lyric sheets, correspondence, clippings, research, scripts, playbills and other miscellaneous items are also included.

  9. Dorothea Dix Lawrence collection, 1856-1980

    350 items. 4 containers. 2 linear feet. -- Music Division, Library of Congress, Washington, D.C.

    Summary:

    Dorothea Dix Lawrence was a successful opera singer in the 1930s and 1940s who later became a recitalist and folklorist. The materials in the collection include correspondence, photographs, clippings and other items that document her career as a singer and interpreter of American folk music. In addition, the collection includes her articles on American folklore that were published in various journals, and two copies of her famous Folklore Music Map of the United States. The collection also includes piano-vocal opera scores and a large number of American folk songs.

  10. George and Ira Gershwin collection, 1895-2008

    60,705 items. 8 mapcase folders. 145 containers. 71 linear feet. -- Music Division, Library of Congress, Washington, D.C.

    Summary:

    Composer George Gershwin (1898-1937) and his lyricist brother Ira (1896-1983) wrote some of the most significant American popular songs of the first half of the twentieth century. Working with novelist and poet DuBose Heyward, they created the great American opera Porgy and Bess. Additionally, George Gershwin composed several singularly American concert works, including An American in Paris and Rhapsody In Blue, and both brothers produced many distinguished songs working with other collaborators. The George and Ira Gershwin Collection contains music manuscripts, handwritten and typewritten lyric sheets, printed music, correspondence, photographs, programs and publicity materials, legal and financial documents, and thirty-one scrapbooks, which present nearly a complete record of the Gershwins' lives and work as they were chronicled in the contemporary press.