Search Results
3 finding aid(s) found containing the word(s) White, Clarence Cameron, 1880-1960--Correspondence.
John A. Lomax and Alan Lomax papers, 1907-1969
approximately 4900 items; 14 boxes; 5.6 linear feet.. -- American Folklife Center, Library of Congress, Washington, D.C.
Summary:
Collection of correspondence, research notes, transcripts, sheet music, manuscript music transcriptions, song texts, song books, maps, and administrative documents dating primarily from the tenure of John A. Lomax and his son Alan Lomax at the Archive of American Folk Song, Library of Congress, from 1932-1942, but with a few items dating to the 1960s. Correspondents include various staff at the Library of Congress, in particular, Harold Spivacke; and folklorists, musicians, writers, academics, film directors, and others, including Huddie "Lead Belly" Ledbetter and Woody Guthrie; various government agencies including the Works Progress Administration, Federal Writers' Project, and War Department; broadcasting and record companies; publishers; and fans of Alan Lomax's radio shows, who sent in contributions of folk songs and folklore from their childhood and communities. Documents include drafts of speeches, lectures, articles, and drafts of their books for publication.
National Negro Opera Company collection, 1879-1997
11,250 items. 68 containers. 39 linear feet. -- Music Division, Library of Congress, Washington, D.C.
Summary:
The National Negro Opera Company, the first African-American opera company in the United States, was founded in Pittsburgh, Pennsylvania in 1941, by Mary Cardwell Dawson. The collection contains materials and records related to the company and to Dawson. It includes correspondence, administrative and financial records, photographs, programs, promotional and publicity materials, scrapbooks, clippings, address books, notebooks, music, and books. In addition, the collection contains materials related to opera singer La Julia Rhea, who performed with the company, and Walter M. Dawson, Mary Cardwell Dawson's husband, who worked for the company.
A.P. Schmidt Company archives, 1869-1958
34,775 items. 514 containers. 280 linear feet. -- Music Division, Library of Congress, Washington, D.C.
Summary:
Arthur Paul Schmidt (1846-1921) was a German-born music publisher who pioneered the development and dissemination of American music. The A.P. Schmidt Company Archives documents his firm's publishing activites in Boston, Leipzig and New York, beginning with his tenure, through his successors, and until the firm was absorbed by Summy-Birchard in 1960. The Archives consists of the original manuscripts from which the music was printed, printed music, personal and corporate correspondence, photographs (primarily composers/arrangers), business records, plate books, publication books, stock and cash books.